Theories (for both papers) Flashcards

1
Q

What is Andrew Goodwin’s theory about music videos?

A

-‘music videos are simply an extension of the lyrics’
-music videos are always these different things: illustrative, disjunctive or amplified
-illustrative=the images and shots will offer meaning related to the lyrics to further the audiences understanding (more metaphoric)
-disjunctive=doesn’t correspond with the lyrics at all
-amplified=the meaning of the song will be exaggerated through the visuals (literal demonstration of what the lyrics are

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2
Q

What is Carol Vernallis’ theory about music videos?

A

-‘music videos help create an artists identity’
-‘music videos do not embody complete narratives or convey finely wrought stories, they follow the songs form which tends to be cyclical and episodic rather than sequentially directed’
-the star and the performance will mostly dominate over narratives
-the repetition of ideas/themes/shots is key to help create meaning for the audience-> may be times when the audience doesn’t understand the diegesis due to gaps in time and space, music, performance and narrative
-the editing will be left in a state of disjunctive rather than following the rule of continuity->the editing might be made obvious (cuts made to the beat)
-we frequently cut between performance and narrative and there will often be jumps in time

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3
Q

What is Todorov’s theory about music videos?

A

-all narratives follow the basic structure: equilibrium (balance), disequilibrium (disruption/conflict) and equilibrium (ending/new)
-Disney films supports his theory

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4
Q

Who wrote the Longtail theory?

A

-Chris Anderson

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4
Q

What is the Longtail theory?

A

-artists would never reach the bottom of streaming charts due to the variety of different platforms (there isn’t a shelf life for artists)
-the internet has completely changed how music gets circulated
-its easier for new artists to produce , distribute, market and promote their music
-popular artists will crash quicker than niche artists but with online sales you are never going to decline to nothing

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5
Q

What does the longtail refer to in Longtail theory? (what is it?)

A

-the longtail refers to the popularity of music and how long it would stay popular and how sales upon releases would change over time
-it refers to the constant selling of music due to it being on the internet rather than physical->it would never reach bottom

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6
Q

What was Richard Dyer’s ideas?

A

-‘the issue with stereotypes is that they are made by western white men in power and more men in power reuse them’
-wrote a lot about stereotyping
-the complexity and variety of a group is reduced to few characteristic
-an exaggerated version of these characteristics is applied to everyone in the group as if they are an essential element of all members of the social group
-these characteristics are represented in the media through media language
-he wrote about how poorly homosexual men were being represented->heterosexual individuals were presented very differently

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7
Q

What can stereotypes be used for?

A

-to get meaning to the audience quickly

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8
Q

What is Stuart Hall’s Reception theory?

A

how we react differently to media due to out age, childhood, gender, experiences and cultural background

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9
Q

What is a dominant/preferred reading of a media product/text in Hall’s reception theory?

A

-the media makes you feel things purposefully
-a horror is designed to scare you and if it does then the directors intentions have been met

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10
Q

What is a negotiated reading in Hall’s reception theory?

A

-the intentions of the director are understood but questioned

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11
Q

What is a oppositional reading in Hall’s reception theory?

A

-understood the directors intentions but goes against your moral views or you don’t like it

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12
Q

What is a aberrant reading in Hall’s reception theory?

A

-you don’t understand the directors intentions

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13
Q

What is Barthes theory of semiotics?

A

-you need to understand the codes and conventions of media to understand it
-symbolic=a red heart not being the biological look of a heart but representing love and a heart
-semantic=commonly used words/colours/imagery that have hidden meanings that audiences understand eg red=love or danger
-cultural=codes specific to culture (this could be age/gender)
-hermeneutic (enigma)=anything that creates a mystery/cliffhanger and gives little clues like fog
-proairetic (action)=more commonly used in moving image but an action will be involved as an indicator of future action

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14
Q

What’s Maslow’s hierarchy of needs?

A

-shows the different levels of need or feel they need
-on the bottom their are physiological needs which are food, drink and shelter
-then there’s safety needs which are health and money
-then there’s social needs which are friends, family and love
-then there’s esteem needs which are confidence, pride and achievement
-finally there’s self-actualisation which is understanding and acceptance

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15
Q

What’s Pierce’s theory?

A

-different types of signs
-eg red is more complicated that other colours because it is polysemic (has multiple signs/meanings)
-iconic=genuinely looks like what it represents (eg an image of an actual heart->connotation is medical)
-symbolic=does not look like what it represents and its meaning must be learnt (eg love heart is not like an actual heart->connotation is love)
-indexical=a clue that links meaning->association with this meaning is not arbitrary but is physically or causally connected (eg heart attack ->someone clutching their chest ->connotation is danger

16
Q

What is Saussure’s theory?

A

-most words have no relation with the actual letters to what we invision
-cat (word) is the signifier and what image/symbol/thing came to mind is the signified
-the relationship between the image and word is different

17
Q

What is Curran and Seaton’s theory

A

-how media companies and industries are run
-media is all about profit and power
-very few but very large conglomerates are all about profit and power
-companies care about making money the most