The Business of Music Education Flashcards

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1
Q

Power of Music

A

Music for music’s sake - subject, language, careers

Music for goodness sake - cognitive development, language development, social skills

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2
Q

Why sing?

A
  • Physical benefits - respiratory, cardiac, immune, neurological (development + integration)
  • Psychological benefits - intra-personal communication, catharsis, inter-personal communication
  • Musical benefits - structure, phrasing, memory, expertise, colouring, pitch, rhythm, loudness, repertoire
  • Social benefits - group, communication, community, social integration
  • Educational benefits - knowledge + understanding of worl around us, impart intellectual development
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3
Q

Current state of music education

A
  • North Ireland - 4 into 1 board (MESS!)
  • Scotland - parliamentary review to get free music lessons at GCSE but no money for it!
  • Wales - Hitting the Right Note Review inquiry into funding for and access to music
  • England - Music Manifesto, Henley Review, School Reforms, 2012 National Plan highlights importance for music (drive progression + excellence, improve skills + leadership in educators, greater quality + accountability)
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4
Q

Careers in Music Education

A
  • Teacher - peripatetic, class, freelance
  • Workshop leader
  • Exam board
  • Composing + Publishing
  • Instrument makers/suppliers
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5
Q

How do partnerships work well?

A

Cooperation, collaboration, cofederation

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6
Q

Equity

A

better than equality (box + fence picture)

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7
Q

What should Primary schools provide in the way of musical learning?

A
  • music a priority
  • Grade 1 theory
  • academic subject not just a hobby
  • musical theatre -sing, act, dance as a collective
  • accessible repertoire - progressive selection
  • external organisations visits
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8
Q

What should Secondary schools provide in the way of musical learning?

A
  • set standard across the board (theory levels)
  • external music teachers for extracurriculum + instruments
  • subscription/access to online sheet music
  • communal instruments
  • student led ensembles
  • work experience
  • prevent fish analogy (big fish, small pond/small fish, big pond)
  • different standard of teaching - sets
  • in school competitions
  • have all schools offer GCSE + A-Level, BTec option, qualified teachers
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9
Q

What other musical learning opportunities should there be?

A
  • Equal Opportunities - more than 1 orchestra in town
  • Information broadcast on schemes for equity
  • Diversity + minorities for set works - female composers
  • Different exam boards for uni differently! Make it fair! (A Levels, ABRSM)
  • Funding!
  • Communication between levels of education
  • Access to other types of music education - studio spcae, musical theaytre
  • More music education hubs that extend into the schools
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