Arts policy and funding practices in the UK Flashcards

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1
Q

Right Reasons and Right Decisions

A

Legal vs. Moral position - make the right choice

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2
Q

Arts Council

A

give money to make art more available and accessible to people, promote art to people

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3
Q

Plan for concerts in January

A

new music by living composers (no very popular)
people have less spending money after xmas
save repertoire people are more likely to want to see for a time when people can afford it

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4
Q

answer to accessibility?

A

cheap tickets!

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5
Q

education

A

Arts Council want and encourage people to go to concerts and enjoy instead of relying on families to pass on love of concerts. Use side by side schemes to inspire people to go to concerts and pursue music.

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6
Q

Added value = dangerous

A

when buying a concert ticket, they spend more money on other means (meal, taxi, babysitter) - can’t prove this is just because of concert ticket though - have to prove to get more further

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7
Q

Diversity

A

appeal to everyone! majority + minority
Need role models for equal opportunities but argue that it’s not their fault they have few minorities in orchestra/auditioning or learning instruments to begin with - Equal opportunity (solution) through education

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8
Q

Cultural diversity

A

more diverse - enhance experience and attract larger audience as well as influence the styles of music the orchestra play further attracting larger crowds
BUT people stuck in the way things work - need to break barriers

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9
Q

Decisions Arts Council have

A
  • which orchestras should stay

- funding (whether to accept or deny applications for funding)

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10
Q

How do Arts Councils decide who to fund?

A
  • Impact - who will be affected? community? what will they benefit?
  • Work ethic - what’s different from other organisations?
  • Longevity
  • Audience numbers - reach? programme sales?
  • Evidence - strategic and beneficial plans for future?
  • Quality - good standard? audience satisfaction? repeat numbers? repeat visits? other reasons for this? (accessibility, discount, entertaining?)
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11
Q

Projects

A
  • Core - subscription (small audience)
  • Commercial - money-maker (larger audience)
  • Profile - public image
  • Experimental - introduce audiences to new composers inbetween well know repertoire to develop interest, add diversity and create new Core for cycle to continue
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12
Q

idea

A
WHY (e.g. diversity)
What
Who
Where
How
How much
BENEFITS
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13
Q

Why are some ideas funded and some not?

A
  • audience satisfaction (evidence to support)
  • constant improvement (already have long-term funding in place)
  • broad support - partnership - community outreach
  • established profile ‘too big to fail’
  • lost investment
  • safe investment
  • lack of competiton at the time
  • a need for art
  • of the place e.g. BBC NOW
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