Test 3 Flashcards

Baldacchino or Baldachin
- Gianlorenzo Bernini
- A ceremonial canopy of stone, metal, or fabric over an altar, throne, or doorway
- St. Peter’s rome
- gilded bronze

St. Peter’s Basilica and Piazza
- Vatican, Rome
- Gianlorenzo Bernini
- Wrapping around and hugging the faithful who would gather in the piazza

San Carlo alle Quattro Fontane
- Rome,
- Francesco Borromini
- 1665-67
- Statue of san carlo
- Dome shows forced perspective

David
- Gianlorenzo Bernini
- 1623
- Marble
- Linked to notion of theatricality
- Moment of tension

Cornaro Chapel
- Gianlorenzo Bernini
- Santa Maria della Vittoria
- Rome
- 1640’s

Boy with a basket full of fruit
- Caravaggio
- 1594
- Oil on canvas
- Painted directly from observations
- No linear perspective- diagonal forms throughout painting
- Within the fruit- there is rotting- telling us that we should enjoy life’s pleasures while they last

Calling of Saint Matthew
- Caravaggio
- 1599-1600
- Oil on canvas
-Hand from creation of adam

Judith Slaying Holofernes
- Artemisia Gentileschi
- 1614-20
- Oil on canvas
- First time a rape was brought to court-
- Gentileschi painted the face of her rapist as Holofernes and represented herself as Judith
- Judith and her servant are very strong

Venus and Adonis
- Peter Paul Rubens
- 1635
- Oil on canvas
- Emphasized sensual figures and swirling paintings

The Militia Company of Captain Frans Banning Cocq
- Rembrandt van Rijn
- 1642
- Oil on canvas
- Secular
- Person commissioned this
-known as “The Night Watch”

Self-portrait in a cap Open-mouthed and Staring
- Rembrandt van Rijn
- 1630
- Etching

Self portrait as Saint Paul
- Rembrandt van Rijn
- 1661
- Oil on canvas

The Laughing Cavalier
- 1624
- Oil on canvas
- Frans Hals

The Last Drop
- Judith Leyster
- 1628-29
- Oil on canvas

Geographer
- 1668
- Oil on canvas
- Jan Vermeer

View of Delft
- Jan Vermeer
- oil on canvas
- 1660-61

Vanitas Still Life
- 1668
- Oil on canvas
- Maria van Oosterwyck
- Vanitas: a theme reflecting on the transitory nature of earthly things and the inevitably of death
- Life is fleeting and withering away

Saint Serapion
- Francesco de Zurbaran
- 1628
- oil on canvas

Venus with a Mirror
- Diego Velazquez
- 1648
- oil on canvas

Las Meninas
- Diego Velazquez
- 1656
- Oil on canvas
- Reference to painting being created within the painting
- Artist painted himself within it
- Queen and king in the mirror
- Puts the viewer in painting

Pilgrimage to Cythera
- Antoine Watteau
- 1717
- Oil on canvas
- Venus is adorned with roses
- Roses symbolize fertility, love, and venus
- Influenced by Da Vinci
- Couples are shown leaving the island- could symbolize how temporary human happiness can be

The Swing
- Jean-Honore Fragonard
- 1766
- Oil on canvas
- scandalous- shows losing virginity

Self-portrait with two Pupils
- Adelaide Labille-Guiard
- 1785
- Oil on canvas
- Serious message: masterfield female artist and behind her is her the next generation learning to take after her

Marie Antoinette and Her Children
- Elisabeth Vigee-Lebrun
- 1788
- Oil on canvas
- On the right- her son is pulling curtain back to show empty crib- represents her baby that just died

Pipe and Jug
- Jean-Baptiste Chardin
- Oil on canvas
- undated

Mrs. Richard Brinsley Sheridan
- Thomas Gainsborough
- 1785-87
- Oil on canvas

Marriage a la Mode II
- William Hogarth
- 1743
- Oil on canvas
- Unhappy couple
- Little hints throughout the painting as to what the narrative is about and give hints at Rococo art
- Downfall of their marriage

Staircase of the Residenz
-Balthasar Neumann
-Wurzburh, Bavaria
-Showing the ceiling fresco by Giovanni Tiepolo- depicts Apollo and prince bishop- continents depicted as well
1752-53

The Zwinger
- Matthaus Daniel Poppelmann
- Wallpavilion
- Dresden
- 1711-22

Wieskirche
- Dominikus Zimmerman
- Bavaria
- 1745-54

Chiswick House
- Richard Boyle
- Near London
- 1725
- Looked to Villa Rotanda for inspiration- classical ideas put into his work in England
- Library and place of entertainment

Fireplace niche- Osterley Park House
- Robert Adam
- Middlesex
- England
- 1761
- Symmetrical

Paul Revere
- John Singleton Copley
- 1768-70
- oil on canvas

Oath of Horatii
- Jacques-Louis David
- Exhibited in 1785
- Oil on canvas

Death of Marat
- Jacques-Louis David
- 1793
- Oil on canvas
- Marat had a disease and the bath would give him relief
- Letter is from person who killed him

Napoleon at Saint Bernard Pass
- Jacques-Louis David
- 1800
- Oil on canvas
- David made the image more exciting
- Napoleon wanted himself linked to other great generals

Arc de Triomphe
- Jean-Francois-Therese Chalgrin et al
- Paris
- 1806-36

Napoleon Enthroned
- Jean-Auguste-Dominique Ingres
- 1806
- Oil on canvas
- All edges are clear, sharp, and precise
- Ceptor and staff- form V shape
- Gold wreath on his head looks like halo

Grande Odalisque
- Jean-Auguste-Dominique Ingres
- 1814
- Oil on canvas
- Depicts an idealized woman
- She turned around to meet viewer’s gaze
- Neoclassicism meets romanticism
- Love for clarity

State Capitol
- Thomas Jefferson
- Richmond, Virginia
- 1785-89
- looked to greeks for inspiration

Rotunda
- Thomas Jefferson
- University of Virginia, Charlottesville
- 1817-26
- Inspired by Pantheon

God creating the Universe (Ancient of days)
- William Blake
- 1794
- Metal relief etching
- Hand colored and watercolor and gouache

Raft of the Medusa
- Theodore Gericault
- 1819
- Oil on canvas
- France
- Commemorates an actual historical event
- 1816- French ship (Medusa) hit something off the coast of Africa- captain and others got on lifeboat and saved themselves- the rest (149 people) were on the raft then the captain cut the rope and let them go
- 13 day voyage- whole raft became floating vision of hell- 15 people survived
- French gov tried to cover event up until a survivor spoke out

Madwoman with a Mania of Envy
- Theodore Gericault
- 1822-23
- Oil on canvas

Liberty Leading the People
- Eugene Delacroix
- 1830
- Oil on canvas
- Profile of lady liberty is very Greek- looks like marble busts
- Her dress is off her torso and shows breasts
- Links antiquity
- Political manifesto

Los Caprichos
- Francisco de Goya y Lucientes
- plate 3
- published 1799
- Etching and aquatint
- Goya’s warning against instilling needless fears in children

The Witches’ Sabbath
- Goya
- 1798-99
- Satirizing the irrational belief of witchcraft
- Oil on canvas
- Goat man is extending left hoof

Executions of the Third of May
- Goya
- 1808, 1814
- Oil on canvas
- Person with arms raised shows a very christ like pose

Burning of the House of Lords and Commons
- JMW Turner
- Oct 16, 1835
- Oil on fabric
- Turner witnessed actual event happening
- Main structure is in bottom right corner

Sunrise
- Albert Bierstadt
- Yosemite Valley
- No date
- Oil on canvas

The Peaceable Kingdom
- Edward Hicks
- 1834
- Oil on canvas

The Gleaners
- Jean-Francois Millet
- 1857
- Oil on canvas
- 3 peasants in foreground
- Gets lighter as you look further into the pic- symbolic that peasants are shadowing and unimportant

The Stonebreakers
- Gustave Courbet
- 1849
- Oil on canvas
- Not showing their face
- No sense of identity

Burial at Ornans
- Gustave Courbet
- 1849
- Oil on canvas
- Bourgeoisie attending a funeral
- No matter what your station is in life, we’ll all end up in the same place

Third Class Carriage
- Honore Daumier
- 1862
- Oil on canvas
- Takes place in train car- new technological advancement
- Sense of calmness

Sarah Bernhardt
- Nadar
- She was famous actress
- Photograph from a colloidal negative
- 1864
- Lighting figure from one side

The Gross Clinic
- Thomas Eakins
- 1875-76
- Oil on canvas
- Eakins looked to Rembrandt for inspiration
- Also used idea of atmospheric perspective in painting
- Took inspiration from The Anatomy Lesson of -Dr. Nicholaes Tulp by Rembrandt
- Light in painting is symbolic to define Dr. Gross as being an enlightened figure

Luncheon in the Grass
- Eduoard Manet
- 1863
- Woman in background isnt realistic because shes too big

Olympia
- Eduoard Manet
- 1865
- A lot of symbols in the painting that symbolically represent that she’s a prostitute
- Name olympia means prostitute
- Similar to venus of urbino

Eiffel Tower
- Alexandre-Gustave Eiffel
- 1887-89
- wrought-iron superstructure on a reinforced concrete base
- 984 ft

A bar at the Folies-Bergere
- Edouard Manet
- 1881-82
- Oil on canvas

Moulin de la Galette
- Pierre-Auguste Reoir
- 1876
- A lot of motion going on in the background
- Mimics photography because it shows a split second

Absinthe
- Edgar Degas
- 1876
- Oil on canvas
- Absinthe refers to the alcohol in front of the woman

Dancer with a Bouquet
- Edgar Degas
- 1877
- Pastel and gouache on paper

The Boating Party
- Mary Cassatt
- 1893-94
- Emphasizes viewers place in painting

Impressionism Sunrise
- Claude Monet
- Impressionism
- 1872
- Oil on canvas

Bassin des Nympheas
- Water lily pond
- Claude monet
- 1904
- Oil on canvas

Rouen Cathedral
- Claude Monet
- West facade
- Sunlight
- 1894

The Great Wave at Kanagawa
- Hokusai
- 1830-32
- Polychrome
- Woodblock print

The Thinker
- Auguste Rodin
- 1904
- Bronze
- Represents philosophy
- Very realistic

The Daughters of Edward Darley Bolt
- John singer sargent
- 1882
- Oil on canvas
- More traditional
- Faces are in shadows so you cant tell who the people are

Nocturne in black and gold The Falling Rocket
- Whistler
- 1875
- Oil on oak panel
- Influenced by Japanese print making

Ecstasy of Saint Teresa, Cornaro Chapel
- Gianlorenzo Bernini
- Rome, italy
- Marble
- Combines baroque taste for depiction -of inner emotions with sense of mysticism
- Erotic scene within a church