test 1 vocab. & general info Flashcards

1
Q

abstract

A
  • describes forms that do not accurately depict real objects
  • artist may be attempting to convey the essence of an object rather than its actual appearance
  • glossary definition: in painting or sculpture, having a generalized or essential form with only a symbolic resemblance to natural objects
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2
Q

archaic style

A
  • painting technique used is black-figure
  • monumental sculpture of human figures first appear, influenced by Egyptians

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3
Q

archaic time period

A

c. 600-480 B.C.

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4
Q

black-figure painting example

A

(page 88)

  • artists painted the figures in black silhouettes with slips made of clay and water.
  • details were added with with sharp tool, exposing orange clay beneath.
  • vase is then baked in a kiln in three different stages.
  • final result is the oxidization process: turns surface reddish-orange and painted areas black
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5
Q

cannon of proportions

A
  • commonly accepted guidelines for depicting the ideal human figure by specifying the relationships of the parts of the body to one another to the whole
  • vary from culture to culture and have evolved over time

example: based on the old kingdom canon as it was used at saqqara during the reign of Zoser

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6
Q

carve

A
  • a subtractive sculptural technique in which the sculptor uses a sharp instrument (such as knife, gouge, or chisel) to remove material from a hard surface (bone, wood, or stone).
  • after the image is shaped, it can be sanded, filed, or polished
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7
Q

caryatid

A

a supporting column in post-and-lintel construction carved to represent a human (generally female) figure

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8
Q

classical style

A
  • shows red-figure technique and more naturalistic
  • EARLY classical
    • produced radical changes in the approach to the human figure
      • the best example of this: Kritos Boy
    • widespread change from marble to bronze for large-scale sculptures
      • “lost-wax” process
  • HIGH Classical
    • “golden age” of greek art
    • art reflects cultural and intellectual achievements of Greece
    • artists idealized human form. figures are usually young, nicely proportioned and symmetrical. but lack personality and expression
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9
Q

classical time period

A

c. 480-400 B.C.
early: c. 480-450 B.C.
late: c. 450-400 B.C.

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10
Q

colonnade

A

series of columns set at regular intervals, usually supporting arches or an entabluature.

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11
Q

contrapposto (or counterpoise)

A

a stance of the human body in which one leg bears the weight while the other is relaxed, creating an asymmetry in the hip-shoulder axis

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12
Q

corinthian order (base, column, and capital)

A

base: circular, looks like it has three layers
column: used mainly in interiors by the greeks- associated w/ luxury and “feminine” character. curved with vertical indentions from top to bottom
capital: elegant, curved like it is in layers

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13
Q

cromlech

A
  • neolithic megalith
  • megalithic structures in which groups of menhirs form circles or semicircles
  • clearly marked sacred spaces

glossary definition: a prehistoric monument consisting of a circle of monoliths

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14
Q

dolmen

A
  • neolithic megalith
  • chambers/enclosures consisting of two or more vertical stones supporting a large single stone, much as legs support a table
  • imbued by neolthic people w symbolic associations
  • the first dolmens were tombs. they were later turned into passageways. some decorated with carvings, others were painted.

glossary definition: a prehistoric structure consisting of two or more megaliths capped with a horizontal slab

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15
Q

doric order (base, column, capital)

A
  • base: three steps
  • column: spacy (??)
  • capital: three elements
    • necking- snug band at the top of the shaft
    • echinos- above necking; flat, curved element with rounded sides (like a plate)
    • abacus- flat, square; formed by the echinos transition between the curved shaft to this.
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16
Q

geometric style

A
  • characterized by rectilinear, meander patterns
  • best known for pottery and small-scale scultpures
  • painting and pottery: meander patterns
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17
Q

geometric time period

A

c. 1000-700 B.C.

18
Q

hellenistic style

A

shows white-ground painting technique

19
Q

hellenistic time period

A

450-323 BC

20
Q

hierarchical scale (or hierarchical proportion)

A

the representation of more important figures as larger than less important ones

21
Q

ionic order (base, column, and capital)

A
  • base: round base w/ an alternating convex and concave profile
  • column: curved, has vertical indentions like corinthian, but they are not as frequent.. are more spread out
  • capital: two swirls, elegant also
22
Q

kore/korai

A
  • greek for “girl” archaic sculptures of standing women
  • generally represent votive figures of girls who serve Athena
23
Q

kouros

A
  • greek word for “youth” archaic life-size statues of standing males
  • ex. of appearance: (pg. 91)
    • maintains standard egyptian frontal pose.
    • left leg extended forward w/ no bend at the knee, hips or waist.
    • arms are at side. fists clenched and elbows turned back.
    • sculptor makes changes to emphasize human anatomy.
    • kouros is cut away from the original block of marble, leaving open spaces between the arms and body and between the legs.
24
Q

lost wax technique

A
  • lost wax bronze casting (aka cireperdue)
  • a technique for casting bronze and other metals
25
Q

meander pattern

A

a fret or key pattern originating from the Greek geometric period

26
Q

megalith

A

a large, undressed stone used in the construction of prehistoric monuments

27
Q

menhir

A
  • neolithic megalith
  • unhewn or slightly shaped single stones, usually standing upright in the ground

glossary: a prehistoric monolith standing alone or grouped with other stones

28
Q

monolith

A

a large block of stone that is all in one piece used in megalithic structures

29
Q

naos

A

the inner sanctuary of an ancient greek temple; main room

30
Q

naturalistic

A

a style of art seeking to represent objects as they actually appear in nature

31
Q

neolithic period

A
  • (c. 6000/4000-2000 BC)
  • Stonehenge
32
Q

orientalizing style

A
  • shapes become larger and more curvilinear
  • shows influences of eastern art and, around the same time, monumental sculptures began to develop

paintings and pottery: shapes become larger and more curvilinear than those in Geometric style, and geometric patterns are regulated to borders of the main image

33
Q

orientalizing time period

A

c. 700-600 B.C.

34
Q

paleolithic

A
  • (c. 1,500,000-8,000 BC)
  • Venus of Willendorf and Lion Panel
35
Q

pigment

A
  • the basis of color, which is the most eye-catching aspect of most paintings.
  • a powdered substance that is used to give color to paints, inks, and dyes
    • organic form of powdered substance: plants or animal matter
    • inorganic: minerals and semiprecious stones
36
Q

post-and-lintel construction

A

an architectural system in which upright members, or posts, support horizontal members or lintels

37
Q

praxitilean curve

A
  • term used to describe leading Athenian sculptor Praxitiles’ sculpture, Aphrodite of Knidos
  • gentle S-shape, that outlines the stance of the statue
38
Q

what are the three greek orders?

A
  • doric, ionic, and corinthion
  • architectural systems used by the Greeks and Romans to decorate and define the post-and-lintel system of construction
39
Q

white ground painting technique

A

style of pottery painting in which the decorations are usually black on a white background.

40
Q

red figure technique

A

style of pottery painting in which the decorating is red on a black background.