Sephora Csp Flashcards
What is Sephora
Sephora is a well established presence in the beauty industry and appeals to a wide range of consumers. The brand have utilised digital platforms to nurture loyalty by offering UGC and tailoring offers through seamless online channel marketing
What is the csp
An online advert
Illustrates how conventions of advertising are socially and culturally relative and can be hybrid text
The advert was distributed online only, reflecting how forms adapt to audiences and technology
It can be interpreted as a response to social movements
It tells a story by referencing historical and cultural elements from the past
How did the impact of the blm movement help produce this Sephora advert
In response to the Black Lives Matter movement, Sephora has implemented new strategies to amplify black voices. The introduction of three Sephora accelerate program aims to cultivate an international community of female beauty founders. In maintaining its commitment to expanding representation within the Beaty sector, Sephora has selected only BIPIC- owned brands to participate in the program.
Context to the advert
- singer sza - got racially profiled in a Sephora store in 19, the company then shut down stores to conduct ‘inclusivity workshops’
In June 2020 - Sephora announced that they wold take the 15 % pledge meaning 15% of thrift products space would be a black owned business
In 2018 - they committed to positive representations of the lgbtq community by featuring their own staff from the community in their online programs
Representation of race in the advert
The advert is atypical in that it doesn’t nonconformity to hegemonic standards of beauty. Individuals from the bame community who have historically been underrepresented in Beatty advertising. Have been select ed to tfeature int he advert
Representation of age in the Sephora advert
Advert is conventional in terms of its focus on a specific age group- the vast majority of beauty products are targeted towards those in the 21-35 age range, while over 35s are totally under-represented
Representation of gender in the csp
Butler challenges both Strauss and Lacan who define the world in binaries. She argues that gender is not strictly divided into two, male & female, rather that there is a ‘spectrum’ for gender identity. Gender is a social construct whereby individuals ‘perform’ their gender.
This is presented in the text when drag queens who are anatomically male perform typically female rituals by applying makeup.
bell hooks
hooks notion that black women are omitted from mainstream media representations is contested in this text. As the brand aim to attract a diverse audience the females featured are all POC. No longer are they marginalised, but ‘black beauty is celebrated and credited for its impact on the industry.
evidence of David Gauntlett’s point that there is now a much broader range of representations in the media that challenge traditional notions of masculinity and femininity. He discusses the idea that identity is not fixed and audiences can use media texts to help forge a sense of who they are by self-selecting the versions we want to ‘adopt. This text provides a variety of options on how POC may want to present their identity.
Representation of Race
The advert is atypical in that is does not conform to hegemonic standards of beauty (white, slim, Euro-features, etc.). Individuals
What is the significance of locations
The advert features a hairdressing salon, the interior of a woman’s bedroom, a drag dressing room, a family living room, and a carnival changing room.
This diverse array of settings provides a balance of familiar surroundings that can be recognised and relate to the audience as well as provide an atmosphere of fun and performance
Advert conventions
Camera pans across the scene of a salon in a typically fluid motion - a common convention of video advertising that creates a sense of momentum and energy
Medium close- up shots of the tools of ‘trade’ are used to communicate the idea that beauty comprises of many elements of which can be attributed to black origins
• The advert utilises split screens and mirror shots to provide ‘ origin’ stories for tools and to showcase the products use in action
• Warm coloured filters are used to create a sense of intimacy and friendliness. The yellow and gold palette indicate a sense of celebration, confidence and enthusiasm; values shared by the brand.
• Digital visual effects where images of users posing to share their look on social media help to create a sense of community and kinship amongst the audience.
What close ups do they include in the csp
Close-up shot: establishing scene featuring a POC in a salon to accompany the word ‘beauty which anchors the campaign’s slogan.
Medium close-up shot: cut from salon to dressing room featuring drag queens.
Diverse representation indicating the brand is for all genders.
Mirror close-up: shows the brand’s product being used by a male, subverting usual expectations for a beauty user.
Low angle - shows dominance and pride and power
What is that narrative of the of the advert
The advert opens with a question “What is beauty, without black beauty?” Thus ‘hooking the audience into the story they thought they knew. The the premise of the advert is to ‘retell’ the origins of where inventions of tools and techniques began. After the initial exposition in the salon - a recognisable setting, we are whisked away to a white woman’s room where she applies the ‘cut creases’ that were devised by POC. The narrative continues and the audience learn that it is thanks to ‘legendary icons’ that we have such trends that we now imitate and share. Visuals reveal hair straighteners, curling tongs, synthetic brushes, glittery makeup and even moisturiser. At the conclusion of the tale, we are invited to not only acknowledge the origins of such beauty inventions, but also respond - the audience are a part of the ‘new equilibrium, by joining Sephora in supporting black beauty.
What is bell hooks theory and how does it link to Sephora
Hooks notion that black women are excluded from mainstream media representation is contested in this media text, in the advert the Sephora brand aims to attract a diverse audience and all the females featured are people of colour. They are no longer marginalised instead black beauty is celebrated and recognised for its impact on the industry
What is gilroys postcolonial theory?
Gilroy’s Postcolonial theory, which posits racial hierarchies, is challenged in this advert. The advert does not reinforce but rather challenges hegemonic standards of beauty, such as white, slim, Eurocentric features, etc. Individuals from the BAME (Black, Asian, and Minority Ethnic) community, who have historically been underrepresented in beauty advertising, have been selected to feature in this advert.
What is the opening scene and why is it significant
advert starts, the scene is established in a beauty salon for black women. The camera pans across the salon in a typically fluid motion, a common convention of video advertising that creates a sense of momentum and energy. Medium close-up shots of the tools of the “trade” are used to communicate the idea that beauty comprises many elements that can be attributed to black origins. The advert then utilises split screens and mirror shots to provide origin stories for tools and to showcase the products in action, creating a binary opposition between old versus new. There are parallels drawn between black beauty inventions, history, current trends, and beauty products.
Why was a scene with a hairbrush significant for the advert
close-up of a hairbrush is shown, which was patented by Lyda Newman, an African American activist and hairdresser who invented the bristle hairbrush.