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1
Q

Italiam petiere, luant peccata neque illos 32

A

Weak third foot caesura dominates the strong fourth foot caesura, unusual in Latin epic hexameters and more natural in Greek

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2
Q

est Amathus, est celsa mihi Paphus atque Cythera 51

A

The a in atque is not elided, which is rare and this gives it a harsh sound

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3
Q

atque solum quo Troia fuit? Xanthum et Simoenta 60

A

Quadrisyllabic ending as well as the form of the accusative Simoenta gives a Greek form to the phrase

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4
Q

haud iustis adsurgis et inrita iurgia iactas 95

A

No strong caesura in either third or fourth foot, depicting Juno’s excitement
Diaeresis after each foot from third to fifth

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5
Q

Turnum, qui volucri curru medium secat agmen 440

A

archaic line ending of two disyllables without a preceding monosyllable
Use of qui is abrupt

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6
Q

solus ego in Pallanta feror, soli mihi Pallas 442

A

rare triple disyllable at line end

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7
Q

comminus; utque leo, specula cum vidit ab alta 454

A

dramatic pause after the first dactyl in enjambment, an emphatic stop before a simile.

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8
Q

viribus imparibus, magnumque ita ad aethera fatur 459

A

Elision of pyrrhic ita here is rare

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9
Q

in Pallanta diu librans iacit atque ita fatur 480

A

Clear energy of rhythm, word accent conflicting with ictus, conflict echoes in the fifth foot with ita. Second ‘i’ in iacit should be long but is made short

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10
Q

sic ait, atque oculos Rutulorum reicit arvis 473

A

Rugged unelided atque

Re is long in reicit

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11
Q

una eademque via sanguis animusque sequuntur 487

A

synizesis of eadem
sanguis in line 487 has a long second syllable even though the -guis​​​​​​​ would naturally be short because of the lengthening in arsis​​​​​​​. Arsis​​​​​​​ is another word for ictus, which is when the meter forces a stress to occur somewhere where in normal pronunciation it would not. Two syllable words, for example, always in​​​ ‘normal’​​​​ pronunciation have stress on the first syllable - but Virgil at times chooses to lengthen such a syllable for effect. Such happens in line 487 - the -guis​​​​​​​ becomes a long syllable despite it being short by nature.

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12
Q

exanimem rapiens immania pondera baltei 496

A

baltei is a spondee by synizesis

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13
Q

intactum Pallanta, et cum spolia ista diemque 504

A

Elision of monosyllable cum

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14
Q

oderit. at socii multo gemitu lacrimisque 505

A

Quadrisyllabic ending is unusual and intended to suggest discordant sounds

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15
Q

haec te prima dies bello dedit, haec eadem aufert, 508

A

Elision after the fifth foot is rare

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16
Q

cum pedes incedit medii per maxima Nerei 764

A

synizesis makes this word a spondee, last two syllables pronounced as one

17
Q

talis se vastis infert Mezentius armis 768

A

heavily spondaic line with first foot diaeresis emphasising talis

18
Q

atque oculis spatium emensus quantum satis hastae 772

A

rare line ending of 3 disyllables

19
Q

sternitur infelix alieno vulnere, caelumque 781

A

hypermetric ellision of que

20
Q

inguine, sed viris haud pertulit. ocius ensem

A

Bucolic diaeresis (word ending and pause after the fourth dactyl)

21
Q

morte tua vivens? heu, nunc misero mihi demum 849

A

Rare pattern of double disyllable at line end preceded by anapaestic word (dactyl but reversed)

22
Q

viximus. aut hodie victor spolia illa crueti 862

A

Line ending of three consecutive -a endings in agreement, one softened by ellision

23
Q

desine, nam venio moriturus et haec tibi porto 881

A

Two disyllables at the end and there is an unusual pause after the fourth trochee

24
Q

clamore incendunt caelum troesque Latinique 895

A

Hypermetric elision of final que

25
Q

hostis amare, quid increpitas mortemque minaris? 900

A

Unusually large number of trochaic breaks (1st foot, 2nd, 5th)

26
Q

nec tecum meus haec pepigit mihi foedera Lausus 902

A

Intricate word order of the line, series of enclosing pairs (tecum…pepigit, meus…Lausus, haec…foedera)

27
Q

corpus humo patiare tegi. scio acerba meorum 904

A

Rare elison of scio