Sanskrit poetry Flashcards

1
Q

Pāli canon

A
  • sacred scripture of Theravādin
  • preserved in Thali language
  • close to language Buddha spoke
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2
Q

3 baskets/Ti-pitaka of Theravādin Pāli canon

A

sutta, vinaya, abhidhamma

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3
Q

abhidhamma

A
  • not recognized by all traditions
  • 3rd basket
  • also known as Buddhist metaphysics
  • commentary on dharma or teachings
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4
Q

5 Nikāyas of the sutta basket

A
  1. Dīgha-nikāya (group of long texts)
  2. majjhima-nikāya (middle length texts)
  3. samyutta-nikāya (connected texts)
  4. anguttara-nikāya (numerically arranged texts)
  5. khuddaka-nikāya (miscellaneous texts)
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5
Q

khuddaka-nikāya

A
  • miscellaneous texts
  • 547 jātaka stories
  • around 2500 verses
  • only the verses are canonical. not the stories
  • stories are considered to be commentary
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6
Q

haribhatta

A
  • flourished around 400 CE
  • models on predecessor, Ārya-Sura
  • wrote Jatakamala
  • first appearance of jatakamala in wester world appeared in Journal of the Royal Asiatic Society in 1904
  • original version in sanskrit
  • know very little about him. converted to buddhism. may have been native of Kashmir
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7
Q

Ārya Sūra

A
  • 4th CE (i.e. 3005)

- his Jatakamala was the only work to have survived in its entirety

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8
Q

6 pāramitās/perfections

A
  1. dāna-pāramitā: perfection of generosity
  2. śila-pāramitā: perfection of moral integrity
  3. ksānti-pāramitā: perfection of forbearance
  4. vīrya-pāramitā: perfection of valour
  5. dhyāna-pāramitā: perfection of meditation
  6. prajnā-pāramitā: perfection of wisdom/understanding
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9
Q

story of viśvamtara

A
  • Ārya-Sura
  • bodhisattva is so generous that he gives away his royal elephant, his kids, his wife
  • test by Sakra (Hindu God)
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10
Q

jataka

A

story that details past life/event of Buddha (i.e. historical ones)

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11
Q

campū

A
  • genre of mixed verse and prose
  • both haribhatta’s jatakamala and Arya Sura’s belong to this genre
  • earliest campu are buddhist, but only survive in fragments
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12
Q

kāvya

A
  • most sophisticated genre of Sanskrit literature
  • includes plays and stories in prose and poetry
  • should not include the jataka stories of the Pali canon
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13
Q

general principles of campu

A
  • descriptive passages are in prose
  • didactic homilies are in verse
  • narrative and conversation are in prose and verse
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14
Q

prose

A

string of long, elaborate compounds

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15
Q

verse

A

clear, elegant, moderate use of wordplay and sound effects

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16
Q

why do we not translate prose and verse as separate portions?

A

because they sometimes run together to create a single syntactic unit

17
Q

haribhatta’s jatakamala

A
  • another title: bodhisattvavadanamala (“anthology of stories about the outstanding deeds of the Bodhisattva (the future Buddha)”)
  • purpose of all the stories is to show bodhisattva’s single-minded devotion to the good of all creatures
  • bodhisattva’s incarnations help other to nirvana
  • half as long as his predecessor’s jatakamala
  • took Arya-sura’s jatakamala as a model for his own
18
Q

haribhatta (HJM) vs. Arya-sura (AJM)

A
  • AJM’s jatakas are very close to Pali Jatakas collection, while HJM’s aren’t (30/34 vs. few)
  • HJM is half as long as AJM
  • can’t really compare that much because Haribhatta took different material from Sura. but haribhatta doesn’t stray from sura’s procedure that much
19
Q

what makes haribhatta’s writing unique?

A

his outstanding power of description: visual detail, references to paintings, animals

20
Q

jataka: the hare

A
  • ascetic and hare were good friends
  • drought left conditions really bad
  • ascetic said he will leave the hare for awhile to stay with his family, and will come back to him later
  • hare said this was not a good idea to stray off this path and indulge in pleasures
  • hare sacrificed himself for food
  • hare did this to allay the suffering of living creatures
  • hare is the bodhisattva
21
Q

Jataka: the peacock

A
  • king Brahmadata’s wife, Anupama was really interested in peacock so king sent people to go capture it
  • eventually since capturing didn’t work, the people asked the peacock to come because otherwise their life is in danger
  • peacock went
  • Anupama was going to meet a prince privately and poisoned the peacock so he wouldn’t get the chance to inform the king
  • peacock realized this and convinced them both to not make this mistake: described hell
  • prince realized his mistake; when he called anupama “sister”, she got ashamed too
  • peacock is reluctantly sent free
  • peacock is bodhisattva
  • perfection: moral integrity
22
Q

jataka: the deer

A
  • when the king was hunting the deer, the deer offered to send one of them a day for the king
  • one day, the bodhisattva deer went in replacement for a pregnant deer
  • when the king asked why he was here instead of someone else, bodhisattva explained
  • king felt embarrassed and remorse and let him go.
23
Q

jataka: nirupama

A
  • nirupama, actress, was very beautiful
  • she was dancing in a show
  • an ascetic decided to attend. he had just made the decision that he was going to move away from the “being good life”
  • when he saw her dancing, he became infatuated by her and decided to fully give up his old life
  • clothes that were covering her slipped off while she as dancing. she was exposed
  • actor became infatuated in love
  • nirupama advised him
  • this caused actor, ascetic, and many others to turn away from bad path and follow good path
  • gave nirupama clothes to wear
  • nirupama is bodhisattva
  • perfection: wisdom/understanding
24
Q

perfection in jataka “rupyavati”

A

generosity

25
Q

perfection in jataka “sudhana and the fairy princess”

A

valour

26
Q

perfection in jataka “visvamtara”

A

generosity