Manga Flashcards

1
Q

Brahmin

A
  • purest blood of Aryans

- priests

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2
Q

Gautama Siddhartha

A
  • inspired Buddhism

- known as Śākyamuni (i.e. the sage of the Śākya people) and as the Buddha (i.e. the enlightened one)

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3
Q

Tezuka Osamu

A
  • most influential and beloved of Japanese cartoonists
  • created the anime called “Buddha”
  • his work is sought at museums
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4
Q

“Buddha” by Tezuka Osamu

A
  • inspired by life of Gautama Siddhartha
  • religious science fiction
  • Tezuka’s Buddha is very human in his weakness and enlightenment. he includes additional characters and story lines to keep it interesting. it is still closely portrayed to tradition
  • focuses on displaying real-life: love-hate relationships with no happy ending, meaningless deaths, etc
  • addresses rationality of modern mind
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5
Q

what were the challenges with Tezuka’s “Buddha”

A

mirrored images, romanticization of names, unjust translation of jokes/puns

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6
Q

mirrored images

A

Japanese books are read from right to left. this means that in Spanish and English editions, reconstruction of frames, etc was necessary in order to maintain flow and be accessible (i.e. right-handed switched to left-handed). this was done well but is also concerning because in some religions, right-handed vs. left-handed holds significance

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7
Q

romanticization of names

A

Spanish translation tries to accurately represent Indic spellings, while English translation focuses on providing a spelling that is easier to pronounce, rather than staying true to the Indic names

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8
Q

unjust translation of jokes/puns

A

there are a lot of puns/jokes and references to modern political and entertainment figures in Tezuka’s “Buddha”. these are hard to translate accurately in a way that will make the same sense.

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9
Q

what do they do with Tezuka’s Buddha exhibit at the Tokyo National museum?

A

they compare/contrast Tezuka’s “Buddha” manga with Buddhist statuary

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10
Q

what does Matsumoito Nobuyuki hope to achieve by his exhibit?

A
  • attract different crowds and introduce new things: get the usual audience interested in manga and Buddhism, get manga fans interested in Buddhist statuary, etc
  • can allow us to learn more about manga and anime as forms of media by looking at how they have been portrayed in museuems
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11
Q

why did the exhibitor display 3D images instead of 2D images?

A

hoped to expand the image individuals had of Buddhism

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12
Q

genga

A
  • hand-drawn, camera-ready originals

- manga is printed from these

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13
Q

why did Matsumoito depict Genga instead of printed version?

A
  • he believed they were more accurate displays of Tezuka’s original ideas
  • Genga can be seen as a record of artist’s life
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14
Q

when something is familiar, is it hard to view it as fine art?

A

it can be, but once this work has become popular elsewhere, individuals can get more appreciation for this art, even if it is familiar.

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15
Q

when did manga’s popularity begin to rise?

A

Meiji period (1868-1912)

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16
Q

approaches to studying religion

A

textual, anthropological, archaeological, art-historical

17
Q

emic

A

insider’s view of religion

18
Q

etic

A

outsider’s view of religion

19
Q

colophon

A

publisher’s emblem or imprint, usually on the title page of a book

20
Q

two types of inscriptions

A

identifier, donative

21
Q

why are inscriptions important?

A
  • identifiers tell us about what scene is being depicted in artwork/structure
  • donatives tell us about who donated a certain artwork/structure. this is important to know because nuns/munks renounce their wealth, so they should not have the financial means to donate these. we need to be able to track this to ensure things were as they are believed.
  • we get a real sense of what is going on
22
Q

social order of Indian society (caste)

A
  • twice-born, Āryas: Brahamins, Ksatriyas, Vaiśyas

- non-Āryas: śūdras

23
Q

ksatriyas

A

warriors, kings. part of the Āryas class

24
Q

vaiśyas

A

merchants/agriculture. part of the Āryas class

25
Q

śūdras

A

servants. part of the non-Āryas class

26
Q

stupa

A

buddhist relic site

27
Q

śarīra

A

refers to the beads found in ashes after a body is burned. this is usually an indication that the person who died was worthy and received enlightenment