Safety Exam 2 Flashcards
1
Q
Students mustalsosigna
at the beginning of each school year verifying that they
have read and accept the policies of the School of
Filmmaking.
A
Student Agreement of Understanding
2
Q
CAMPUS POLICE TELEPHONE NON-EMERGENCY NUMBER
A
(336) 770-3321
3
Q
IN CASE OF EMERGENCY
DIAL
A
55 on red campus phone or 9-911 on any red phone
4
Q
The minimum passing gradeforthesafetyexamis
A
92%.
5
Q
The School of Filmmaking has established a Safety Committee, chaired by the Head of Production to
A
monster all issues concerning safety and security of students, staff, and faculty on a regular basis
6
Q
Report any unsafe conditions, equipment, practices or safety hazards to the
.
A
Production Safety Coordinator
7
Q
safety hazards and concerns can be reported anonymously with a
A
Safety Report Form.
8
Q
Report any accident, injury or illness to the immediately
A
Production Safety Coordinator
9
Q
shall be kept unlocked, unblocked and well lighted during work hours.
A
Means of exit
10
Q
Intheeventofafire,soundthefirealarmandevacuate.
A
Uponhearingthealarm,immediatelystop
work and proceed to the nearest clear exit. Gather at a pre-designated location
11
Q
Only should attempt to respond to a fire or other emergency.
A
y trained and authorized persons
12
Q
Filmmakers are not allowed to work under the influence of
A
alc. or any other mind-alerting substance
13
Q
Maintain clear walkways and exits around a clear __ foot perimeter
A
4 foot
14
Q
these can’t be scored in the red emergency walkways
A
equipment/props
15
Q
must be provided when needed to ensure safe passage
A
work lights
16
Q
use these when operating above ground/on elevated platforms
A
safety belts
17
Q
are to be used for elevated areas, pits and holes.
A
temp. curd rails
18
Q
shall not be serviced, or repaired by student filmmakers.
A
machinery and equipment
19
Q
Eye, ear, and respiratory protection
A
must be used where appropriate.
20
Q
Practice good at all times.
A
housekeeping
21
Q
Failure of filmmakers to follow safety procedures and rules may result in disciplinary action up to and
including
A
being banned from crewing for a specified period of time
.
22
Q
What is COVID-19?
A
Coronavirus disease 2019 (COVID-19) is an infectious disease caused by severe acute
respiratory syndrome coronavirus 2 (SARS-CoV-2).
23
Q
For most, the disease is cold-like but can be life-treating especially for those over the age of
A
65
24
Q
against COVID-19 is widely available and extremely accessible In addition to providing protection against COVID-19, there is increasing evidence that COVID-
19 vaccines also provide protection against COVID-19 infections without symptoms
(asymptomatic infections). n can reduce the spread of disease overall,
helping protect people around you
A
vaccination
25
Symptoms generally appear after exposure. Prior to showing symptoms,
infected individuals are still contagious.
2-14 days
26
Most common symptoms:
Most common symptoms:
• Fever
• Dry cough
• Tiredness
27
Less common symptoms:
* Muscle aches &pains
* Chills
* Sore throat
* Runny nose
* Headache
* Diarrhea
* Loss of taste &smell
* Rash on skin or discoloration of fingers and toes
28
More serious symptoms:
* Shortness of breath or difficulty breathing
* Chest pain orpressure
* Loss of speech or movement
29
of carriers experience no symptoms (asymptomatic) or are mildly
symptomatic and may unknowingly spread it to others
.
60%
30
People at Increased Risk
Anyone over age65
• Anyone with Cardiovascular disease (including long term high blood pressure) – even when
treated, the existing damage caused by these diseases put people at higher risk
• People with Diabetes – even when treated, the existing damage and impaired immune
system puts these people at higher risk
• Immunocompromised individuals
• Anyone taking medications to suppress the immune system – typically used in Rheumatoid
Arthritis, Psoriasis, Severe Asthma and other inflammatory disorders
31
Chronic medical conditions that increase the risk of serious illness from COVID-19
may include:
Serious heart diseases, such as heart failure, coronary artery disease or cardiomyopathy
• Chronic obstructive pulmonary disease (COPD)
• Type 2 diabetes
• Severe obesity
• Chronic kidney disease
• Sickle cell disease
• Weakened immune system from solid organ transplants
7
COVID-19 is extremely contagious and everyone is at risk of contracting this virus and
spreading it to others. The virus has a much higher infection rate compared to the seasonal
flu because 60% of carriers experience no symptoms (asymptomatic) or are mildly
symptomatic and may unknowingly spread it to others
.
People at Increased Risk
• Anyone over age65
• Anyone with Cardiovascular disease (including long term high blood pressure) – even when
treated, the existing damage caused by these diseases put people at higher risk
• People with Diabetes – even when treated, the existing damage and impaired immune
system puts these people at higher risk
• Immunocompromised individuals
• Anyone taking medications to suppress the immune system – typically used in Rheumatoid
Arthritis, Psoriasis, Severe Asthma and other inflammatory disorders
Other conditions may increase the risk of serious illness, such as:
32
canspreadthroughtheairand
on surfaces, even though the main source of COVID-19 transmission is via droplets.
• Both asymptomatic carriers and people who manifest COVID-19 symptoms can spread the
virus with ease.
COVID
33
COVID spread
The virus is known to spread through the following methods:
• Respiratory droplets produced when an infected person coughs, sneezes, or talks.
• Between people who are in close contact with one another (within about 6 feet/2 meters).
34
Wash your hands often with soap and water for at least 20 seconds, or use an
alcohol-based hand sanitizer that contains at least alcohol. This is especially
importantifyouhavebeeninapublicplace,orafterblowingyournose,coughing,
or sneezing.
60%
35
zone a
working set - where actors and photography take place
36
zone b
office, base camp, truck
37
zone c
outside world: homes, apartments, wherever cast/ crew in the production go
38
All cast and crewmembers will be required to wear during the entire production.
masks
39
Minors under the age of or over the age of cannot be cast this semester
12 - 65
40
If cast/crew member develops symptoms, they go to
health services on campus
41
crew will be ____ with mask to wear
whenever on set or during production work hours
42
All production will be shot on
campus
43
who decides zones
crew
44
number of 4th year prod. crew
35
45
distancing guidelines
During each set up of a shot, only one department in Zone A work area at one time.
• A department must clear its personnel from Zone A before another department
enters. Exception: the Director, DP (or DP / Operator) and 1st AC and 1st AD.
• Keep your cast and crew in separate areas and limit the number of crew interacting
with the cast. The less people they interact with, the better, as losing one of your
main actors can ruin or postpone the entire shoot.
• Arrangeyourproductionscheduletohavetheleastamountofpeopleonsetata
time.
46
To maximize protection from the Delta variant and prevent possibly spreading it to
others,wearamaskindoorsinpublicifyouareinanareaofsubstantialorhigh
transmission.
Wearing a mask is most important if you have a weakened immune system or if, because
of your age or an underlying medical condition, you are at increased risk for severe
disease, or if someone in your household has a weakened immune system, is at increased
riskforseveredisease,orisunvaccinated.Ifthisappliestoyouoryourhousehold,you
might choose to wear a mask regardless of the level of transmission in your area.
Youshouldcontinuetowearamaskwhererequiredbylaws,rules,regulations,orlocal
guidance.
yeah
47
The Art school will discipline students who fail to adhere to the School of Filmmaking Covid-19 Protocols Student Crew Contract which must be signed by each student participating in the production before the start of formal pre-production. The Contract requires student signature agreeing to all Protocols contained in the document. Refusal to sign the contract means the student is not allowed to participate in any aspect of SOF production. First and Second-Year productions are class productions and adhering to class requirements is part of the grade.
ViolationsaredeterminedatthediscretionoftheCovid19Monitor,mentor,ADofProduction,andthe Dean.
15
15
Minor Violations
• Violation of zoning protocol
• Violation of mask protocol
• Violation of Industry practice related physical distancing
• Failure to carry out required equipment cleaning protocols
• Violation of food/smoking/vaping protocols
• Violation of quarantine agreement (can be a Minor or Major Violation depending on the
degree of violation)
Major Violations
• Violation attending filming with symptoms
• Violation of quarantine agreement (can be a Minor or Major Violation depending on the
degree of violation)
Sanctions
First Minor Violation Sanction
Written warning and discussion with the Covid19 Monitor, mentor, AD of Production, and the Dean. Second Minor ViolationSanction
• Either Arts Probation or suspension from next film project which will be determined by the Dean.
• Grade impact to be determined by Covid19 Monitor, mentor, AD of Production and the Dean.
Third Minor Violation or Major Violation
• Arts Probation, reduced grade in Practicum, possible suspension from UNCSA
• Grade impact to be determined by Covid19 Monitor, mentor, AD of Production and the
Dean.
yeah
48
is responsible for overall management and administration of this program.
The Head of Production
49
Atalltimesduringproduction,eachproductionwillhaveadesignatedwho
will act as the safety liaison to the Head of Production. This person will be the First Assistant Director
during production and the Art Director during set preparation.
ProductionSafetyCoordinator
50
Holding safety meetings during ____ and principle photography and documenting them with Safety Meeting Attendance forms.
pre-production
51
Acting to protect all filmmakers from until a satisfactory resolution is achieved.
hazardous situations
52
Takingappropriatestepstoinsurethatall____,nomatterhow minor,aretreatedproperlyandin a timely manner and that any necessary paperwork is completed.
injuries
53
The purpose of these meetings is
to identify
and discuss all foreseeable production hazards and safety issues and to develop strategies to control
eliminatethem. Thesemeetingswillfocusonthreeprimaryissues:
54
safety meeting topics
1. Script concerns (e.g. scenes involving stunts, open flames, water, etc.)
2. Location issues (e.g. wiring, emergency access, dust, bee hives, security, etc.)
3. Cast and Crew issues (e.g. allergies, age, disabilities, diabetes, fatigue, etc.)
55
During production, safety meetings must be held with the cast and crew .
at the start of each day
56
Safety settings are
Thes meetings are mandatory, especially when the crew has moved to a new location or if there are scene involving stunts, special effects or other potentially hazardous conditions. In addition, a safety meetin must be conducted for all new cast and crew members (including extras) and when new potential hazards are introduced and whenever new equipment and/or procedures are implemented
57
.During safety meetings the Production Safety Coordinator must inform the cast and crew of
any
location
hazards as well as the location of the first aid kits, the nearest telephone, fire exits, the safety handbook, emergency medical information sheets, fire alarms, extingushers and other equipment
58
Anyone on or off-set who observes an unsafe situation or hazard in the workplace should inform the
immediately. Communication from filmmakers to Production Safety
Coordinators about suspected unsafe or unhealthy conditions is encouraged and may be verbal or written,
as the filmmaker chooses.
Production Safety Coordinator
59
The filmmaker acting as will inspect each location site for potential hazards and
environmental
concerns or other unsafe conditions prior to the company’s arrival and will work with
producer
60
All production-related injuries and illnesses must be reported to the
Production Office of the School of
| Filmmaking.
61
An must be completed by the Production Safety Coordinator
within 24 hours if any castor crewmember is hospitalized or seeks a physician’s care ,or if more than
filmmaker is injured as a result of the same accident or illness. See the Student Handbook for
further
procedures in the event of Injury//Illness.
Injury/Illness Report Form
62
Safety procedure
1. The
filmmaker.
investigation
will be made by the Production Safety Coordinator in
```
2. The investigation should be
made within 24
hours of the injury or illness.
3. Only the
facts of
what actually happened should be written on the report.
4. The completed investigation form should be submitted to the Head of
Production.
```
63
Any work-related injury or illness that results in a filmmaker being hospitalized must be reported
immediately to the . If necessary, thewill conduct any further
investigations.
head of production
64
Filmmakers who violate safety rules, cause hazardous or dangerous situations or who allow such
conditions to continue are subject to discipline which will include
being banned from crewing for a
| specified period oftime.
65
In order to protect people, property and facilities in the event of a crisis, large or small - natural or
person-made– an Emergency Action Plan has been developed that focuses on these three priorities:
PEOPLE The saving and accounting of lives and the prevention and treatment of injuries. PROPERTY The securing of confidential materials and operational records, files and equipment. FACILITIES The safety and stability of structures and working environments.
66
If a thunderstorm is in close proximity, whether on set or location,
house lights should be turned on and all other equipment turned off and disconnected at the primary power source. If thunder is heard and/or there is a lightning strike within 7 miles of the location, the generator must be shut down and production immediately stopped. The generator should not be restarted until at least 30
minutes after the last thunder is heard. You should take cover in a permanent structure or automobile. Do not take cover under trees, umbrellas or any temporary structure.
67
Post emergency safety checklist
Fire/fire hazard
Gas leaks (shut off main gas valve if leak/oder is detected- wait until gas company arrives to turn back on)
Damaged electrical wiring - shut off all power at source if damage is noticed
Down or damaged utility lines - do not touch - notify Duke Power (727-4300)
Damaged buildings and structures (chimneys) - approach with caution
68
Look here for add. emergency info
the phone book
69
SCENESINVOLVINGANIMALSMUSTBEAPPROVEDINADVANCEBY
head of production
70
NO ANIMAL WILL BE IN ANY WAY FOR THE PURPOSES OF MAKING A
| MOTION PICTURE AT THE SCHOOL OF FILMMAKING.
HARMED OR INJURED
71
notice shall be given if working with animals - where animals are
“closed set”
72
These should not be worn on set
open-toe shoes
73
shall be required of filmmakers whose work involves unusual and excessive exposure to cuts, burns, harmful physical hazards, chemical agents or electrical hazards which are encountered and capable of causing injury or impairments. Hand protection should not be worn where there is a danger of it becoming entangled in moving machinery.
Hand protection (gloves)
74
Filmmakers working in locations where there is a risk of receiving eye injuries such as which are inherent in the work or environment, shall be safeguarded
punctures, abrasions, contusion, or burns as a result of contact with flying particles, hazardous substances, projections or injurious light rays
75
When filmmakers are exposed to extreme noise
ear protection
76
Filmmakers in a workspace subject to flying or falling objects and/or electrical shock and burns
head protection
77
two most common cold hazards
frostbite and hypothermia
78
A potentially deadly condition which results in abnormally low body temperature when the body loses heat faster than it is produced.
hypothermia
79
hypothermia clothing tips
1. Clothing is insulation for your body heat.
2. Keep your head and neck covered. - lost most there
3. Keep wind and rain out of your clothing.
4. Avoid overheating and sweating by ventilating.
5. wool clothing is best - synthetics is ok - cotton is bad
80
The result of freezing extracellular fluid in the skin, which can permanently damage the tissue. Usually affects the extremities.
frost bite
81
how to help frostbite
```
wear proper clothing
cover head/neck
protect hands/feet (mittens are warmer than gloves, but may limit activity
keep clothing and shoes loose
drink plenty of fluids
```
82
exiting
Props, camera equipment, flags, etc., often are strewn around location sites, thus blocking emergency escape routes. This is particularly hazardous when building exits, corridors and stairways are blocked by equipment. Exits must always be kept clear and they should be defined for all locations by the FirstAssistantDirector. Itisillegaltodouseexitlighting
83
can be a major source of heat and sparks which can create a fire if combustibles are in the immediate vicinity. This is particularly a problem with improperly maintained wiring, especially since the temporary nature of many film locations results in extensive use of flexible cords.
electrical and lighting equipment
84
The accumulation of sawdust and wood scraps from pre-production construction, dry vegetation within close distances to building and equipment, or materials obstructing exits and fire protection equipment, are all examples of poor housekeeping which can greatly increase the risk of fires.
house keeping
85
no is allowed on any interior location or set. Smoking near flammable liquids, pyrotechnics, spray painting and finishing, combustible storage areas, or inside tents is a significant hazard. This rule does not apply to actors smoking as part of the scene being filmed.
smoking
86
Hot surfaces such as lighting equipment, engine mufflers and catalytic converters on vehicles are a common source of fires involving dry vegetation, paper, sawdust, etc.
heated services
87
on location can become hazards if parked so that they obstruct fire hydrants, emergencyvehicleaccess,orpedestrianpathsfrombuildings ortents. Inadditionvehicles that contain hazardous materials are a risk if parked near areas where people congregate.
Motor vehicles
88
ALL ELECTRICAL SYSTEMS AND ELECTRICALLY ENERGIZED EQUIPMENT ARE POTENTIALLY HAZARDOUS
WHETHER AC OR DC: WHETHER 50 VOLTS, 120 VOLTS OR HIGHER.
yes
89
PLUGGING AND UNPLUGGING ELECTRICAL EQUIPMENT
1. Visually inspect the condition of the plug, cable, and equipment for any signs of excess wear, fraye cables or exposed current-carrying parts. DO NOT USE any equipment in this condition. Report thi equipment to the Technical Operations Coordinator by filling out a Technical Trouble Report.
2. Turn off power Be sure all equipment that is being plugged and unplugged is in the off position to avoid creating an arc at the receptacle. Wear protective gloves to avoid getting burned from a flash created by a short-circuit in the equipment.
3. Power must be turned off when replacing blown lamps. Because of the natural oil on skin, do not touch the new lamp with bare hands.
4. Do not pull the cord when This can cause the ground wire to pull out of its terminationintheplug. Alwaysgrasptheplugfirmlytounplug.
90
If a circuit keeps tripping or blowing fuses, then you have an overload or equipment failure.
You must correct the problem by adding more circuits from a source with no load or balancing the
load. NEVERuse
oversizedfusesorcircuitbreakersoruseacopperslugortubingtoreplace fuses.
91
Power tools should never be carried by their cords and they should never be shut off by yanking the cord from the receptacle. This puts too much stress on the cord and other connections.
2. Insulating platforms, rubber gloves, and rubber mats provide an additional safety factor when working with electrically powered tools in damp locations.
3. Regular inspection and maintenance is important. Check the tool over before using it. Is it clean? Is it grounded? The answer to both these questions should be “yes.” Make sure the cord is in good condition. Check the trigger. Make sure it works easily, that it doesn’t stick, and that the power goes off quickly when the trigger is released.
yes
92
1.Useproper lifting techniques when lifting or moving heavyobjectssuchascableorlighting equipment.Dono suchascables. Itcanrollunderfootandcauseaslip
tstepdirectlyonequipments
93
r fall.
| 2.When rigging power distribution equipment:
turn all power off whenever possible
connect cables by color code
make sure there is no load "On" at the end of the line
94
ALL ELECTRICAL TIE-INS MUST BE DONE BY A
QUALIFIED, LICENSED ELECTRICIAN.
95
All single conductor connections made in this order and disconnected in reverse
```
1st Ground(onallACand onDCwhere used) – green 2nd Neutrals - usually White
3rd Hots - Black,Blue, Red
```
96
color coding
Portable cables and conductors should be color coded in such a way that the equipment cannot be improperly connected.
2. When color coding cables, yellow should not be used, as it appears white under sodium lighting.
97
Cables and devices must be protected from foot and automobile traffic can be achieved by using cable
2. All be elevated in such a manner that they will not come in contact with water.
crossovers, electrical distribution systems
98
when using a three to two prong adapters, pigtail must be
grounded
99
never alter any
electrical ground plug
100
nominal voltage 600 - 50,000 clearance
10 feet
101
Only persons trained in the safe use of these work platforms are authorized to operate these devices.
elevated work platforms and boom platforms
102
9.FilmmakersshallNOTwork fromaerialwork platforms when:
Extreme weather or 25 mph wind (unless under certain provisions)
103
Aerial baskets, tubs, or platforms shall NOT be _ by adjacent structure.
supported
104
Where moving vehicles or pedestrian traffic is present, the work area around the aerial equipment shall be marked by _, _, or _ _.
flags, signs, traffic cones
105
Aerial platforms when in operation shall be solely under the control of the _ _ _ _ or on the platform.
operator in the basket
106
Elevated Work Platform Hazards
Stage materials, platform support, nearby operating machinery, etc
107
Extended or Successive Takes Concerns
Cast and crew under these circumstances may have to support a weighted load or maintain an awkward position for longer durations, leading to ailments ranging from body discomfort to muscle fatigue. Plan and communicate in pre-production about these hazards and how to approach them
108
No _ _ _ shall be operated in any sound stage or the interior of any building or location due to fire and fume risk.
Gasoline-operated equipment
109
Whenever this is to occur, the fuel tank must be no less than halfway full and the battery must be disconnected and removed from the vehicle.
motor-veichle filming
110
_ is not allowed on gasoline-operated equipment while in operation, and must be done in an isolated and remote area.
refueling
111
sweating, cool or clammy skin, weakness, fatigue, nausea, vomiting, dizziness, headache, fast or weak pulse, and/or fast or slow breathing.
heat exhaustion
112
A life-threatening emergency that occurs when the body overheats to a point where its temperature control system shuts down and heat builds up internally.
heat stroke
113
Altered behavior, convulsions, unconsciousness and, usually, lack of sweating.
heat stroke symptoms
114
During the first few days of working in heat, the body needs time to adjust. This period of adjustment varies by individual and can take up to a few weeks.
Acclimatization
115
Frequently drink small quantities of water throughout the entire work shift. A minimum of 1 quart (four 8-oz cups) per hour is recommended. Don't wait until thirsty to drink water.
hydrate
116
Camera may be mounted to a tripod or dolly and placed on the sidewalk, side of road or grassy area, in order to film a moving vehicle as
it passes by, traveling down a road or street.
Moving or Driving Shot Guidelines
117
_ _ are NOT permitted on any UNCSA production. These include but aren't limited to any trailer, truck, van or other vehicle that
could be used for the purposes of filming or simulating driving or moving types of shots.
insert cars
118
students are not trained for
insert cars
119
Visually inspect a ladder before using for any potential defects. Choose the appropriate type and size of ladder. Check your shoes for oil or grease before climbing a ladder. Don't lean out to the side while on a ladder. Never use the top step of a ladder.
ladder safety
120
Scenes involving _ _ are not permitted on any year one production and must be approved in advance by the head of production.
open flames
121
At the beginning of each term, each vehicle will be inspected by the _ _ and a record will be kept of its initial condition.
production coordinator
122
It is the _'s responsibility to coordinate the check-out of production vehicles to coincide with the check-out of equipment from Technical Operations.
producer's
123
Production Vehicle Acceptable Condition
1. Keys and mileage folder intact.
2. Free of equipment and cleaned.
3. Full tank of gas.
4. Proper air pressure in tires.
5. Technical Trouble Reports completed and in hand.
124
Raildroad shooting
not without express written permission
125
_ _ is not permitted on any UNCSA building, including the School of Filmmaking. It will be considered on 3rd and 4th year productions, on a case-by-case basis, by the Head of Production
rooftop filming
126
The use of _ and _ effects must be approved by the Head of Production,and when in any School of Filmmaking Building, approved by campus police and facility services.
smoke and fog
127
When creating smoke or fog effects on any set, the Producer MUST utilize the _ concentration necessary to achieve the desired effect.
min
128
The producer must make _ available when creating smoke or fog effects.
respirators
129
When smoke or fog effects are utilized on any set, all _ _ _ must be excluded from the set.
non-essential personal
130
Scenes involving _ must be approved in advance by the Head of Production. They are highly discouraged.
stunts
131
The performing of all stunts or hazards must be preceded by a meeting on the site of the event with _ _ _.
all people concerned
132
Stunt meetings should involved a _ _ or _ _ with the stunt person and/or special effects people and all of the persons involved in the stunt. An understanding of the intended action, possible deviations, and authority to abort should be made clear.
walk through/dry run
133
All _ and _ must be notified reasonably in advance of any stunts. Notification will be made on the call sheet whenever stunts are being shot.
cast/crew (producer's responsibility)
134
Scenes shot on or in close proximity to _ must be approved in advance by the Head of Production.
water
135
No electrical source other than _ shall be utilized for production use in close proximity to water, including: swimming pools, ponds, rivers, lakes, swamps, bogs and/or oceans.
DC
136
AC lighting guidelines
1. All lights and cable must be six feet from the water.
2. All lights must be plugged in to a portable GFCI (Ground Fault Circuit Interrupter) where permanently installed GFCI outlets are not available.
3. Do not used damaged electrical cords.
4. Unplug or turn off power to a light before touching it if it falls into the water.
5. Don't reach into the water if a light falls into it until the power is disconnected.
6. Use a non-conductive item to extend your reach to a person who is in water if a light falls in.
137
If filming in still water, the Producer shall determine (by independent lab tests) _ or _ _ if any, and take precautions to remove it. The Producer shall bear all costs for determining the pollution of contaminate content.
Pollution or Contaminate Content
138
All personnel working in or around water shall have the ability to _ and appropriate water safety devices shall be provided for each member of the cast and crew.
swim
139
Water _ shall be taken into consideration, especially during the colder seasons.
temp
140
All forgeign objects shall be ____ from water
removed
141
mayberequire datawaterusesiteandtheir useenforced.
Post-immersionwashingfacilities
142
Keep these away from water
paints, thinners, repellents, gasoline, oils, etc.
143
The Head of Production is the only one who can authorize the use of _ in any School of Filmmaking production.
weapons
144
At the completion of the relevant scenes, the _ _ will secure the weapon for the return to the Head of Production.
weapons wrangler
145
_ are not allowed to bring weapons onto campus for any reason.
students
146
Treat all firearms as if they are _ and _.
real/loaded
147
No _ - blank or live is permitted on any School of Filmmaking Production.
ammunition
148
Weapons or anything resembling a weapon are NOT permitted on any _ _ or _ _ class exercise or production.
year one/two
149
Real or fake prop weapons shall be strong enough that they will not _ _ _ _ _ when being used for their intended purpose.
accidentally break into dangerous pieces
150
It is best to use dulled or blunted weapons that are _ _ _ for use as props. Dulling a sharp weapon can lessen its tensile strength.
made to order
151
Sharpened prop weapons should only be used when the _ of _ or _ of an inanimate object cannot otherwise be simulated.
appearance of cutting or piercing
152
Prop weapons used to strike other weapons or other hard surfaces should be made of _ or _ _ _. Fiberglass should be avoided.
Steel or high tensile aluminum
153
Help system
Check, call, care
