Safety Exam Flashcards
1
Q
Scenes involving _ must be approved in advance by the Head of Production.
A
Animals
2
Q
No animal will be _ _ _ in any way for the purposes of making a motion picture at the school of filmmaking.
A
harmed/injured
3
Q
Notice shall be given prior to shooting, on the call sheet that animals are working. A “closed set” should be maintained where animals are working on location.
A
animals/safety
4
Q
No lighting or grip equipment may be used outside on the left side of this house (as you face the house from the street). NO EXCEPTIONS.
A
chapel street house
5
Q
Chapel Street House
A
7:00 AM - 11:00 PM. NO EXCEPTIONS.
6
Q
prohibited footwear
A
Sandals or any open-toe or open-back footwear
7
Q
Wear if exposed to cuts, burns, harmful physical hazards, chemical agents, or electrical hazards
A
Hand Protection
8
Q
Wear if exposed to flying particles, hazardous substances, projections, or injurious light rays.
A
Eye and face protection
9
Q
Wear if exposed to excessive noise.
A
Hearing protection
10
Q
Wear if exposed to flying or falling objects and/or electrical shock and burns.
A
Head protection
11
Q
The two most common hazards when working in cold conditions.
A
hypothermia and frostbite
12
Q
A potentially deadly condition which results in abnormally low body temperature when the body loses heat faster than it is produced.
A
Hypothermia
13
Q
Symptoms of hypothermia
A
Intense shivering, muscle tension, fatigue, intense feeling of cold or numbness.
14
Q
Hypothermia protection
A
- Clothing is insulation for your body heat.
- Keep your head and neck covered.
- Keep wind and rain out of your clothing.
- Avoid overheating and sweating by ventilating.
15
Q
The result of freezing extracellular fluid in the skin, which can permanently damage the tissue. Usually affects the extremities.
A
frost bite
16
Q
symptoms of frostbite
A
The skin may blanch or turn white. In severe cases, it will look waxy with a white, gray-yellow or gray-blue color.
17
Q
These must always be kept clean and defined for all locations by the First Assistant Director.
A
exits
18
Q
_ _ _ equipment can be a major source of heat and sparks which can create a fire.
A
Electrical and lighting
19
Q
Poor _ can greatly increase the risk of fires. E.g., accumulation of sawdust, wood scraps, dry vegetation, or materials obstructing exits.
A
Housekeeping
20
Q
No _ is allowed on any interior location or set. This rule does not apply to actors as part of the scene being filmed.
A
smoking
21
Q
_ _ on location can become hazards if parked so that they obstruct fire hydrants, etc.
A
motor vehicles
22
Q
All _ _ are potentially hazardous whether AC or DC, 50V, 120V, or higher.
A
electrical systems
23
Q
plugging and unplugging
A
- Visually inspect condition of the plug, cable, and equipment. Don’t use dangerously worn equipment.
- Turn off power whenever possible.
- Power must be turned off when replacing blown lamps.
- Do not pull the cord when unplugging equipment.
24
Q
This Report should be filled and submitted to the Technical Operations Coordinator for equipment that shows signs of excess wear, frayed cables, or exposed current-carrying parts.
A
technical trouble
25
NEVER use _ _ or circuit breakers or use a copper slug or tubing to replace fuses.
oversized fuses
26
Power tools should never be carried by their cord and they should never be shut off by _ _ _ from the receptacle.
yanking the chord
27
Rigging Power Distribution Equipment Procedure
1. Turn off all power when possible.
2. Connect cables by color or other code in proper order.
3. Make sure there is no load "ON" at the end of the line.
4. Turn power on at the source.
5. Read lines for correct voltage with a meter.
6. Turn on load circuits.
28
All electrical tie-ins must be done by a _ _ _.
Qualified, licensed electrician
29
Single Conductor Connections Procedure
```
Connecting:
1. Ground (green)
2. Neutrals (white)
3. Hots (black, blue, red)
Disconnecting:
1. Hots
2. Neutrals
3. Ground
```
30
When color coding cables, _ should not be used, as it appears white under sodium lighting.
yellow
31
Cables and devices must be protects from foot and automobile traffic. This can be achieved with _ _.
cable crossovers
32
All electrical distribution systems should be elevated in such a manner that they will not come in contact with _ _ _ _.
running or standing water
33
When using a three-to-two prong adaptor, the pigtail must be _
grounded
34
NEVER alter any electrical _ _.
ground plug
35
Minimum required clearance for boom-type lifting or hoisting equipment from energized overhead high voltage conductors.
10 feet
36
Only people trained in the safe use of the work platforms may operate them.
Scissor lifts and boom platforms
37
Filmmakers shall NOT work from aerial work platforms when there is either of these hazards.
Extreme weather or 25 mph wind
38
Aerial baskets, tubs, or platforms shall NOT be _ by adjacent structure.
supported
39
Where moving vehicles or pedestrian traffic is present, the work area around the aerial equipment shall be marked by _, _, or _ _.
flags, signs, traffic cones
40
Aerial platforms when in operation shall be solely under the control of the _ _ _ _ or on the platform.
operator in the basket
41
Elevated Work Platform Hazards
Stage materials, platform support, nearby operating machinery, etc
42
Extended or Successive Takes Concerns
Cast and crew under these circumstances may have to support a weighted load or maintain an awkward position for longer durations, leading to ailments ranging from body discomfort to muscle fatigue. Plan and communicate in pre-production about these hazards and how to approach them.
43
No _ _ _ shall be operated in any sound stage or the interior of any building or location due to fire and fume risk.
Gasoline-operated equipment
44
Whenever this is to occur, the fuel tank must be no less than halfway full and the battery must be disconnected and removed from the vehicle.
motor-veichle filming
45
_ is not allowed on gasoline-operated equipment while in operation, and must be done in an isolated and remote area.
refueling
46
Excess heat buildup due to physical exertion, as well as hot and humid weather.
heat-related illness
47
caused by a loss of fluids from sweating and/or a lack of drinking proper fluids.
heat exhaustion
48
sweating, cool or clammy skin, weakness, fatigue, nausea, vomiting, dizziness, headache, fast or weak pulse, and/or fast or slow breathing.
heat exhaustion system
49
A life-threatening emergency that occurs when the body overheats to a point where its temperature control system shuts down and heat builds up internally.
heat stroke
50
Altered behavior, convulsions, unconsciousness and, usually, lack of sweating.
heat-stroke onset
51
During the first few days of working in heat, the body needs time to adjust. This period of adjustment varies by individual and can take up to a few weeks.
Acclimatization
52
Frequently drink small quantities of water throughout the entire work shift. A minimum of 1 quart (four 8-oz cups) per hour is recommended. Don't wait until thirsty to drink water.
hydration
53
Moving or Driving Shot Guidelines
Camera may be mounted to a tripod or dolly and placed on the sidewalk, side of road or grassy area, in order to film a moving vehicle as
it passes by, traveling down a road or street.
54
_ _ are NOT permitted on any UNCSA production. These include but aren't limited to any trailer, truck, van or other vehicle that
could be used for the purposes of filming or simulating driving or moving types of shots.
insert cars
55
ladder safety
Visually inspect a ladder before using for any potential defects. Choose the appropriate type and size of ladder. Check your shoes for oil or grease before climbing a ladder. Don't lean out to the side while on a ladder. Never use the top step of a ladder.
56
Scenes involving _ _ are not permitted on any year one production and must be approved in advance by the head of production.
open flames
57
Candles, potpourri burners, burning of incense, etc. are examples of these.
open flame devices
58
At the beginning of each term, each vehicle will be inspected by the _ _ and a record will be kept of its initial condition.
production coordinator
59
It is the _'s responsibility to coordinate the check-out of production vehicles to coincide with the check-out of equipment from Technical Operations.
producer's
60
Production Vehicle Acceptable Condition
1. Keys and mileage folder intact.
2. Free of equipment and cleaned.
3. Full tank of gas.
4. Proper air pressure in tires.
5. Technical Trouble Reports completed and in hand.
61
Head of production
Reporting an accident involving a School owned vehicle is essential for insurance and safety reasons. The first call should go to the _ _ _.
62
Filming in or near _ _ is NOT permitted on any UNCSA production.
railroad yards
63
_ _ is not permitted on any UNCSA building, including the School of Filmmaking. It will be considered on 3rd and 4th year productions, on a case-by-case basis, by the Head of Production
rooftop filming
64
The use of _ and _ effects must be approved by the Head of Production,and when in any School of Filmmaking Building, approved by campus police and facility services.
smoke and fog
65
When creating smoke or fog effects on any set, the Producer MUST utilize the _ concentration necessary to achieve the desired effect.
minimum
66
The producer must make _ available when creating smoke or fog effects.
respirators
67
When smoke or fog effects are utilized on any set, all _ _ _ must be excluded from the set.
non-essential personal
68
When smoke or fog effects are scheduled to be created on any set, the _ _ shall state that smoke or fog effects are to be used.
call sheet
69
Scenes involving _ must be approved in advance by the Head of Production. They are highly discouraged.
stunts
70
The performing of all stunts or hazards must be preceded by a meeting on the site of the event with _ _ _.
all people concerned
71
Stunt meetings should involved a _ _ or _ _ with the stunt person and/or special effects people and all of the persons involved in the stunt. An understanding of the intended action, possible deviations, and authority to abort should be made clear.
walk-through / dry run
72
All _ and _ must be notified reasonably in advance of any stunts. Notification will be made on the call sheet whenever stunts are being shot.
cast and crew
73
Scenes shot on or in close proximity to _ must be approved in advance by the Head of Production.
water
74
No electrical source other than _ shall be utilized for production use in close proximity to water, including: swimming pools, ponds, rivers, lakes, swamps, bogs and/or oceans.
DC
75
AC Lighting Guidelines
1. All lights and cable must be six feet from the water.
2. All lights must be plugged in to a portable GFCI (Ground Fault Circuit Interrupter) where permanently installed GFCI outlets are not available.
3. Do not used damaged electrical cords.
4. Unplug or turn off power to a light before touching it if it falls into the water.
5. Don't reach into the water if a light falls into it until the power is disconnected.
6. Use a non-conductive item to extend your reach to a person who is in water if a light falls in.
76
If filming in still water, the Producer shall determine (by independent lab tests) _ or _ _ if any, and take precautions to remove it. The Producer shall bear all costs for determining the pollution of contaminate content.
Pollution or Contaminate Content
77
All personnel working in or around water shall have the ability to _ and appropriate water safety devices shall be provided for each member of the cast and crew.
swim
78
Water _ shall be taken into consideration, especially during the colder seasons.
temperatures
79
The School of Filmmaking will establish and maintain a collection of _, _, and _ weapons and firearms suitable for filming purposes. These will be the only firearms and weapons allowed on campus and for use in any school of Filmmaking production, on or off campus.
rubber, metal, and plastic
80
The Head of Production is the only one who can authorize the use of _ in any School of Filmmaking production.
weapons
81
At the completion of the relevant scenes, the _ _ will secure the weapon for the return to the Head of Production.
weapons wrangler
82
_ are not allowed to bring weapons onto campus for any reason.
students
83
Treat all firearms as if they are _ and _.
real/loaded
84
No _ - blank or live is permitted on any School of Filmmaking Production.
ammunition
85
Weapons or anything resembling a weapon are NOT permitted on any _ _ or _ _ class exercise or production.
Year One/Two
86
Real or fake prop weapons shall be strong enough that they will not _ _ _ _ _ when being used for their intended purpose.
accidentally break into dangerous pieces
87
It is best to use dulled or blunted weapons that are _ _ _ for use as props. Dulling a sharp weapon can lessen its tensile strength.
Made to order
88
Sharpened prop weapons should only be used when the _ of _ or _ of an inanimate object cannot otherwise be simulated.
appearance of cutting or piercing
89
Prop weapons used to strike other weapons or other hard surfaces should be made of _ or _ _ _. Fiberglass should be avoided.
Steel or high tensile aluminum
