Renaissance Works Flashcards
name a sacred motet and its composer
Ave Maria…virgo serena
by Josquin des Prez
Ave Maria…virgo serena
- composer
- genre
- date
- language
josquin des prez
sacred motet
ca.1470-1480
Ave Maria..virgo serena
-English title and summary of text
Hail Mary
reflect the exalted positon given to the virgin Mary in the roman catholic church during the renaissance era
Ave Maria..virgo serena
- poetic structure
- texture
- performing forces
opening couplet, 5 quatrains, closing couplet
polyphonic
4 acapella voices
describe some musical features of Ave Maria..virgo serena
- simple rhythm
- mostly syllabic with short melismas to emphasize key words
- continuous imitation-each voice sings a perfect fourth on “Ave”
describe the changes in texture in Ave Maria…virgo serena
mostly polyphonic,
employs continuous imitation on “ave”
-first quatrain parinign of voices, results in clarity of text
-final couplet entirely Homorhythmic, chordal texture, use of rests also heightens the impact of these words
Name a mass by Palestrina
Missa Papae Marcelli, 1567
Missa Papae Marcelli
- composer
- date
- language
- which mass
- Palestrina
- 1567
- Latin
- Mass Ordinary
Missa Papae Marcelli
- performing forces
- texture
- describe the opening
6 voices a capella- SATTBB
polyphonic
opens with a monophonic melody sung by the priest, after which the congregation or chorus begins to sing -responsorial singing
Describe the changes of texture in Missa Papae Marcelli and the impact these changes have
frequently changes from polyphonic to homophonic and different combinations of voices are used
rarely all 6 sing together
all 6 sing together on “son of god” which heightens the importance of these words.
How does Palestrina demonstrate the ideals of the council of trent in Missa Papae Marcelli
- the text setting is predominantly syllabic, making the words easy to understand
- restrained approach to contrapuntal writing
name an Italian madrigal composed in 1611 and composer
Moro, lasso, al mio duolo
Gesualdo
Moro lasso..
composer:
date:
texture and performing voices
gesualdo
1611
polyphonic, 5 voices
describe a specific musical feature of moro lasso
highly chromatic
virtually every semitone within the octave is used within the first 4 measures, creating tension and an unsettling feeling
what are three musical features of moro lasso
chromaticism
word painting
imitative writing, contrasting chordal passages