Baroque definitions Flashcards

1
Q

Describe the characteristics of the Baroque era

A
  • new forms, genres and instruments
  • instrumental music began to receive the same attention as vocal music
  • first opera
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2
Q

figured bass

A

a type of musical shorthand developed in the baroque era where numbers re placed directly below the bass line to show the harmonic progression, providing the structure for guided improvisation

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3
Q

basso continuo

A

baroque performance practice that provides the harmonic framework, generally involving 2 performers where one plays the notated bass line and the other harmonizes based on the figured bass
usually on harpsichord or organ

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4
Q

monody

A

“one song” a single vocal melody with a simple instrumental accompaniment. Allowed for greater expression of emotion, and clarity of text.

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5
Q

the Affections

A

in baroque music where a single emotion is projected through an entire composition or movement

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6
Q

Binary form

A

two part form- AB

often used in baroque dances and keyboard pieces.

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7
Q

rounded binary

A

two part form A:| |:B+A:|| section A returns within section B

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8
Q

ternary

A

three part form ABA where section B often contrasts in key or material.
often used in baroque arias

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9
Q

terraced dynamics

A

baroque practice of changing dynamics abruptly, creating stark contrast rather than gradual change

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10
Q

Opera

A
  • a new genre invented in Italy around 1600 by a renewed interest in greek drama
  • drama presented through music, bringing together art, music, literature, theatre and dance
  • all or most of text is sung,
  • includes recitative, aria, ensemble, chorus
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11
Q

stile rappresentativo

A

“representational style”
term used by Florentine Camerata to describe the monadic style- recitative-like melody moving freely over a foundation of simple chords
music meant to heighten the emotional power of the text

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12
Q

castrato

A

male soprano or alto voice
subjected to a surgical procedure before puberty to prevent the voice from changing
generally used in heroic roles
ex. Nero in Coronation of Poppea

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13
Q

libretto

A

the text of an opera, oratorio or cantata

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14
Q

aria

A

lyrical song for solo voice with orchestral accompaniment. Often highly emotional and virtuosic. expresses the characters emotions

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15
Q

recitative

A

a speech-like, declamatory style of singing used for dialogue and to advance the plot

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16
Q

recitativo secco

A

dry recitative

recitative supported only by continuo

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17
Q

recitativo accompagnato

A

recitative supported by instrumental ensemble/orchestra, allows for greater connection with the text

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18
Q

chorus

A

a group of singers that may be participants in the plot

may be set apart from the staging, serving to comment as a narrator

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19
Q

opera seria

A

serious opera
sung throughout, generally based on historical or mythological subjects
ex. Coronation of poppea

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20
Q

stile concitato

A

agitated style- term used by Montiverdi
using ornamentation and rapid repeated notes for voice and tremolo and pizzicato in instruments to express the “hidden treasures of the soul”
ex. coronation of poppea (chorus, final scene)

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21
Q

sinfonia

A

in baroque denotes the instrumental movement used for transition between scenes in opera
term used by montiverdi
ex. Coronation of poppea

22
Q

ground bass

A

baroque compositional device, consisting of continuous repetition of a short melody over which free variations occur
often provides the basic structure of a baroque aria
ex. coronation of poppea (nero and poppea’s final duet)

23
Q

clavier

A

german word for any keyboard instrument other than the organ

24
Q

clavichord

A

small rectangular keyboard instrument

sound generated by small metal tangents that stike the strings inside

25
harpsichord
keyboard instrument where sound is generated by small quills inside theinstrument that pluck strings often had 2 sets of keys
26
clavecin
French word for harpsichord
27
gravicembalo
Italian term for harpsichord
28
Concerto definition and | features
"collaborate" multi movement work for soloist/s and orchestra 3 movements: fast-slow-fast mvmnts 1&3 usually used ritornello form
29
what are the top types of concerto grosso in baroque period?
``` solo concerto (a single soloist) Concerto grosso (a group of soloists) ```
30
concertino
the small group of solo instruments featured in a concerto grosso
31
ripieno
"full" or "complete" also known as tutti denotes the full orchestra in baroque concerto
32
ritornello form
a structure often used in the 1st and 3rd movements of baroque concerto. the opening passage (ritornello) is restated throughout the movement
33
Orchestral Suite | features
instrumental music intended for listening, as opposed to dancing dances generally in binary form used contrasting dances in the same key
34
list the standard dances of an orchestral suite
allemande, courante, sarabande and gigue
35
list optional dances for an orchestral suite
menuet, gavotte, bourree, aria
36
ordre
French term identifying Baroque dance collections
37
Double
term used for "variation" (of the theme) in French keyboard music in baroque era
38
ornamentation
applied by the performer during repeats or da capo/dal segno. could take the form of appoggiaturas, trills, mordents, etc.
39
menuet
a popular Baroque dance of French origin, elegant and in triple meter
40
Hornpipe
lively dance in triple meter of English origin | originally associated with sailors
41
Cantata
a multi-movement choral work, sacred or secular | for soloists, chorus, orchestra, consists of recitatives, arias, ensembles and choruses
42
chorale
a hymn tune associated with German Protestantism. Intended for congregational singing, harmonized for four voices by composers such as Bach
43
Canon
strict type of polyphonic composition in which each voice enters in succession with the same melody, each voice enters at the same pitch
44
Fugue
a highly structured imitative contrapuntal composition where a single theme or subject prevails
45
Fugal Texture
a contrapuntal composition based on the principle of imitation. A theme (aka subject) pervades the entire work
46
Ritornello
a recurring theme that functions as a refrain in Baroque compositions
47
Augmentation
a theme is presented in longer time values, often the melody becomes twice as slow as the original
48
Arioso
a short vocal passage, more lyrical than a recitative but more modest than an aria
49
oboe de caccia
an alto oboe, in the shape of a curved hunting horn but with a pear shaped bear
50
oboe d'amore
mezzo soprano oboe, pitched lower than a regular oboe with a pear shaped bell
51
taille
tenor oboe with a pear shaped bell