reading 8 Flashcards

1
Q

Role of social media in tv marketing

A

the authors explain that twitter allows real time interaction between shows and their audiences, creating a new avenue for makreters to reach potential viewers. However, they discuss that simply tweeting more does not guarantee success. The effectiveness of tweets may depend on various factors, such as content type, timing, and viewer characteristics

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2
Q

Two mechanisms at play:
Two primary ways tweeting can affect viewership

A

1) information value: Tweets provide additional information about the show, such as schedules, episode highlights, or guest appearances, potentially drawing in viewers who might otehrwise miss the broadcast

2) Social interaction and engagement:
Twitter facilitates real-time discussion and engagement, making viewing the show a more socially interactive experience. This enhance the viewers emotional connection to the content, encouraging loyalty and regular watching

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3
Q

twitters Impact on viewership

A

The experiment results revealed a significant increase in viewership for shows in the treatment group. This effect was most pronounced for live tweeting during the episode, indicating that real-time social media interaction enhances viewer engagement

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4
Q

Content of tweets

A

not all tweets were equally effective. informal tweets (e.g. episode highlights, schedules) helped attract viewers who mighht not have been aware of the episode airing. On the other hand, engagement-oriented tweets (e.g. enouraging viewers to participate in conversations, hashtags) were particularly effective at sustaining viewers interest and promoting live watching

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5
Q

Timing of tweets effect

A

tweets sent shortly before and during the episode were most effective in driving live viewership, suggesting that timely reminders and real-time engagement are critical for increasing immediate response

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6
Q

Viewer characteristics matter

A

the authors found that tweeting had a greater effect on certain types of viewers. FOr instnace, shows with younger tech savvy audiences who are more active on social media benefited more from tweeting compared to shows with older demographics

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7
Q

Word of mouth effects (tweets)

A

in addition to direct viewership increases, tweeting also generated positive word of mouth effects. Tweeets that engaged viewers often prompted retweets and replies, thereby spreading the shows visibility to broader networks beyond the immediate followers of the shows twitter acc

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8
Q

Network synergies Twitter

A

the authors also noted that tweeting about one show could indirectly benefit other shows on the same network. This cross-promotional effect suggests that twitter marketing, when well-coordinated, could amplify the overall audience base across multiple programs

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9
Q

Practival implications (twitter) for marketers in the tv industry

A

the study provides clear evidence that twitter is a powerful marketing tool for TV shows. Marketers should focus not only on increasing the number of tweets but also on tailoring the content to specific viewer segments and coordinating tweets with live broadcast times for maximum impact

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10
Q

conclusions twitter

A

The article concludes that twitter is a cost-effective and impactful marketing tool in the TV industry. Through real-time engagement and strategic tweeting, networks can enhance their viewership and create a more interactive and engaging experience for audiences. However, the success of a twitter marketing strategy depends on carfully crafting tweet content, timing and understanding the target audience

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11
Q

Defining virality

A

the authors define virality as the extent to which content is shared through digital platforms, leading to a rapid spread across networks. Viral content is often spread throug hplatforms like social media, blogs, and news websites, amplifying the brands message far beyond its original reach

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12
Q

Three drivers of virality

A

1) information: refers to the utility, novelty and relevance of the content. Content that provides valuable or new information is more likely to be shared

2) emotion: emotional content, whether it evokes positive or negative emotions, is more likely to be shared. The strength and valence of the emotion are critical determinants of sharing behavior

3) BRand prominence. the visibiltiy of a brand within the content. High brand prominence can either help or hinder virality depending on how it is perceived by the audience

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13
Q

The role of information on virality

A

Novelty and utility drive sharing: content that provides new or surpirsing information (high novelty) or offers practical utility is significantly more likely to be shared. This is because people want to share content that positions them as informed or helpful to others

Relevance amplifies virality: the relevance of the information to the audience is a crucial determinant of sharing behavior. Content that resonates with teh personal interests or social identity of the audience is shared more frequently

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14
Q

The power of emotion (virality)

A

emotional intensity matters: content that evokes strong emotions, whether positive (e.g. joy, inspiration) or negative (e.g. anger, fear), is more likely to be shared. Interestingly, while both positive and negative emotions drive virality, positive emotions are generally more effective in driving sharing

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15
Q

Emotional valence (positive vs negative)

A

although negative emotions can also drive sharing, the authors found that content triggering positive emotional reactions (such as awe, joy, and amusement) was shared more often than content evoking negative emotions. People are more likely to share content that makes them feel good or improves their social image

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16
Q

The role of brand prominence (virality)

A

low to moderate brand prominence increases virality: the study found that brand prominence has a curvilinear relationship with virality. When brand mentions are subtle or moderately visible, the content is more liekly to be shared. However, when the brand is highly prominent or aggressively pushed it can reduce the likelihood of sharing, possibly because audiences perceive the content as too promotional or sales oriented

17
Q

Authenticity vs promotion (virality)

A

audiences tend to prefer sharing content that feels authentic and offers value rather than content taht overtly promotes a brand. marketers should strike a balance between promoting the brand and maintaining the contents informational or emotional appeal

18
Q

combined effects of information and emotion: (virality)

A

the study found that informational content that also evokes strong emotions has the highest likelihood of g oing viral

For example, a video that provies useful information while also triggering a sense of awe or inspiration is more likely to be shared than content that is purely informational or purely emotional

19
Q

Brand prominence and emotional appeal: virality

A

Brand prominence interacts with emotional appeal in interesting ways. For content taht evokes strong positive emotions, moderate brand prominence can enhance sharing. However, if the brand is too prominenet in emotionally neutral content, it can detract from the contents shareability

20
Q

practical implications for marketers

A

the findings provide valuable guidance for marketers aiming to create viral content. To maximize the likelihood of content being shared, marketers should:

1) focus on providing valuable information that is novel, useful, and relevant to the target audience

2)Craft emotionally resonant content that evokes strong positive emotions such as joy, awe, or amusement

3) balance brand visibility by subtly integrating the brand into the content without overshadowing its informational or emotional appeal

21
Q

tailoring to platforms virality

A

the study also suggests that marketers should consider platform-specific dynamics. For example, content taht is shared on twitter may benefit from shorter, emotionally charged messages, while content shared on youtube might emphasize more elaborate storytelling and information delivery

22
Q
A