Reader week 1 Flashcards
Anglo-Saxon poetry
less than 30.000 lines left
conceived and composed orally
at the time the ‘rune-masters’ didn’t write it down
only christian scribes did later
Four great codexes
most of our knowledge of Anglo-Saxon poetry comes from here
from around year 1000
only included pious and sufficiently sober and dignified poetry
Oral composition
employs set patterns of expression (‘formulae’) adapted to the demands of the ancient alliterative metre
scholastic phase
of the church
came after monastic phase
1100 onwards
universities
book revolution
increase of output of written material
increase in manpower
improvement in productivity
Pecia system
multiple scribes would transcribe from a single exemplar
closest to efficiency of printing press they could come
Scriptor
one who writes others’ words, adding and changing nothing
Compilator
one who writes others’ words, putting together passages which are not his own
Commentator
one who writes others’ words (primarily) and his own words (secondary) for clarification
Auctor
one who writes both his own words and others’ but with his own words as primary and others’ added only for purposes of confirmation
Scriber interpolation
when a scribe changes things while transcribing something (replacing expressions or rewriting whole passages)
vellum
Calf skin
before paper
parchment
sheep- or goatskin
before paper
Illumination
illustrations or decorations in the margins
and capital letters (miniatures, after minimum, a red dye)