Phonology - Connected Speech Flashcards

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0
Q

What is assimilation?

A

Assimilation is the changing of sounds. Phonemes alter their quality due to the influence of a neighbouring sound.

It is the natural result of various speech organs cutting corners as they perform their complex sequence of movements, and this occurs mainly at word boundaries and mainly affects consonant sounds.

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1
Q

What are the three branches of practical phonology?

A

Sounds

Stress

Intonation

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2
Q

What is elision?

A

Elision is the omission of sounds that would be present in words spoken in isolation.

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3
Q

What does ‘stress’ cover?

A

Accent - word level

Prominence - sentence level

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4
Q

What happens in assimilation?

A

Assimilation occurs when a phoneme changes it’s quality due to the influence of a neighbouring sound.

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5
Q

Which consonants are frequently affected by assimilation?

A

Alveolar consonants /t/ /d /n/ especially before /p/ /b/ /m/ - they become bilabial.

/d/ changes to /g/

/s/ changes to /ʃ/ and /z/ changes to /ʒ/ when /ʃ/ stas the next syllable.

/v/ becomes an unvoiced /f/ because of a following /t/.

/d/ and /j/ coalesce to make /d͡ʒ/, as to /t/ and /j/ to make /t͡ʃ/.

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6
Q

Which consonants are mainly affected by elision?

A

/t/ and /d/, especially when between other consonants.

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7
Q

What does awareness of assimilation do for learners?

A

They gain an insight into why listening is difficult.

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8
Q

What is vowel reduction?

A

Unstressed vowels tend to reduce and change toward a more central schwa sound.

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9
Q

What happens in contractions?

A

Two syllables become one.

Elision occurs.

This is the only time elision in spoken form is also marked in written form .

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10
Q

What is liaison?

A

Liaison refers to the smooth linking of sounds. It is concerned with the way sounds are fused together at word boundaries. Without it, speech sounds jerky and hesitant.

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11
Q

What are the systematic RP forms of liaison?

A

Linking /r/

Intrusive /r/

Intrusive /w/ and /j/

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12
Q

What is juncture?

A

Any one of a number of features which occur at word boundaries, despite which, the boundary remains unambiguous.

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13
Q

How can we make word boundaries clear despite the effects of juncture.

A

Vowel length either side

Delayed or advanced articulation of consonants

Syllable stress

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14
Q

Which words can be given prominence (i.e. sentence level stress)?

A

Prominence can be given to any word, lexical or not.

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15
Q

What happens to accents not given prominence?

A

They may still be given some emphasis, but with less force.

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16
Q

How is prominence articulated?

A

Using any of the four variables: volume; pitch; length; quality.

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17
Q

What makes stress timing work?

A

Unstressed syllables must be weakly and rapidly articulated.

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18
Q

What are the benefits of practising stress timing?

A

Learners can become more comprehensible.

There is an improvement in both receptive and productive skills.

19
Q

How can adjusting equipment alter perceptions of stress timing?

A

Adjustments to treble and bass can both increase awareness of stressed syllables.

20
Q

What is needed for intonation to work?

A

Common ground.

21
Q

What problems do teachers face when teaching the rules of intonation?

A

Finding adequate and learnable descriptions of the rules.

The lack of a practical system through which we can make the rules of intonation clear to learners.

22
Q

How can intonation be defined?

A

It refers to the patterns found within a pitch variation. The overall pitch pattern and the relative heights within it are the most important features. Prominence and rhythm are key features, too.

23
Q

What are the different components of pitch variation?

A

Tone units (aka tone groups)

Tonic syllables

Tails

Heads

Onsets

Pre-heads

24
Q

Where is the tonic syllable often found?

A

Usually it is the last lexical item in a tone unit.

25
Q

When is the tonic likely to be a non-lexical word?

A

When contrasting or emphasising contradiction.

26
Q

How can we identify tone units?

A

Think of tone units as information units. We use tone units to package our messages into bite sized chunks.

27
Q

What is significant about the pitch of the onset?

A

It provides a standard against which the tonic syllable can be relatively higher, lower, or about the same.

This helps shape the key of the utterance, which helps shape into intonational meaning.

28
Q

What is the problem with labelling intonation as an attitudinal marker?

A

Attitudinal values ascribed to intonation cannot be presented in a way that allows learners a set of rules.

29
Q

What is the problem with using intonation as a grammatical indicator?

A

By keeping the sequence of words the same and changing the intonation, a range of meaning can be given to the same words. This shows that form and function do not mesh, and once again, that classification of intonational meaning by sentence type is a generalisation that does not provide rules by which learners can choose one pattern over another.

30
Q

What is ‘common ground’?

A

It can be used for effect, both positively and negatively. The speaker’s intonation choices mark a choice governed by his assessment of the state of the common ground between himself and the listener.

31
Q

What makes stress timing work?

A

Unstressed syllables must be weakly and rapidly articulated.

32
Q

What are the benefits of practising stress timing?

A

Learners can become more comprehensible.

There is an improvement in both receptive and productive skills.

33
Q

How can adjusting equipment alter perceptions of stress timing?

A

Adjustments to treble and bass can both increase awareness of stressed syllables.

34
Q

What is needed for intonation to work?

A

Common ground.

35
Q

What problems do teachers face when teaching the rules of intonation?

A

Finding adequate and learnable descriptions of the rules.

The lack of a practical system through which we can make the rules of intonation clear to learners.

36
Q

How can intonation be defined?

A

It refers to the patterns found within a pitch variation. The overall pitch pattern and the relative heights within it are the most important features. Prominence and rhythm are key features, too.

37
Q

What are the different components of pitch variation?

A

Tone units (aka tone groups)

Tonic syllables

Tails

Heads

Onsets

Pre-heads

38
Q

Where is the tonic syllable often found?

A

Usually it is the last lexical item in a tone unit.

39
Q

When is the tonic likely to be a non-lexical word?

A

When contrasting or emphasising contradiction.

40
Q

How can we identify tone units?

A

???

41
Q

What is significant about the pitch of the onset?

A

It provides a standard against which the tonic syllable can be relatively higher, lower, or about the same.

This helps shape the key of the utterance, which helps shape into intonational meaning.

42
Q

What is the problem with labelling intonation as an attitudinal marker?

A

Attitudinal values ascribed to intonation cannot be presented in a way that allows learners a set of rules.

43
Q

What is the problem with using intonation as a grammatical indicator?

A

By keeping the sequence of words the same and changing the intonation, a range of meaning can be given to the same words. This shows that form and function do not mesh, and once again, that classification of intonational meaning by sentence type is a generalisation that does not provide rules by which learners can choose one pattern over another.

44
Q

What is ‘common ground’?

A

It can be used for effect, both positively and negatively. The speaker’s intonation choices mark a choice governed by his assessment of the state of the common ground between himself and the listener.

45
Q

What rules are there for anticipatory assimilation?

A

/t/, /d/ and /n/ become bilabial before the bilabial consonants /p/, /b/ and /m/.

/t/ assimilates to /k/ before /k/ and /g/.

/d/ assimilates to /g/ before /k/ and /g/.

/n/ assimilates to /ng/ before /g/ or /k/.

/s/ assimilates to /sh/ before /sh/.