perception and attention Flashcards
perception
the organisation, identification, and interpretation of sensory information in order to make sense of and understand the environment
bottom up processing
allows the stimulus itself to shape our perception, without any preconceived ideas.
(eg extracting shapes for object recognition)
James J. Gibson
top down processing
uses our background knowledge and expectations to interpret what we see
Richard gregory
GIBSON’S THEORY OF DIRECT PERCEPTION
optic flow patterns - the perceived visual motion of objects as the observer moves relative to them.
eg. To an observer driving a car, a sign on the side of the road would move from the center of his vision to the side, growing as he approached
Invariant features - An object that does not change or its characteristic when the object is viewed under different circumstances.
Affordances - environmental cues for distance of objects from viewer etc
The theory overall states that perception is a result of evolution - “what you see is what you get”
GESTALT THEORY OF PERCEPTION
[perception = organisation]
principle of proximity/contiguity - things that are closer together will be seen as belonging together
principle of similarity - things which share visual characteristics will be seen as belonging together
principle of figure and ground - we see objects as either figure (distinct elements of focus) or ground (background on which the figure rests)
Principle of good continuation - we prefer continuous figures rather than separate ones
principle of closure - tendency to fill in missing information to make a whole
principle of symmetry - the whole of a figure is perceived rather than its individual parts; the mind perceives objects as being symmetrical and forming around a central point
perceptual constancy
our ability to understand that objects stay constant even if we perceive them differently eg father away
size constancy
shapes are the same size even if distance makes them appear bigger or smaller
shape constancy
shapes of objects as a property stay the same even when viewed under a different angle
brightness constancy
colour of something as a property stays the same even when viewed under different light
monocular cues
cues that can be seen using only 1 eye
size, texture, overlap, shading, clarity
BROADBENT’S FILTER MODEL
all info from stimuli enters a sensory buffer
the info gets passed through a “filter”
single channel model (when two different sounds are played in one ear each, we listen to only one of them)
criticisms:
people forgetting what the sounds were could be a memory issue, not a sensory one
cocktail party phenomenon: we can pick out our name from a buzz of noise even when not paying attention
TREISMAN’S ATTENUATION MODEL
the sensory filter doesn’t eliminate stimulation but “attentuates” it (lowers its volume) eg when there are many stimuli, we turn our attention down for the less important ones
specificity theory
specific pain receptors transmit signals to the “pain centre” (the brain) and that it produces the perception of pain
pattern theory
pain signals are sent to the brain only when stimuli are grouped together to produce a specific combination or pattern
RONALD MELZACK AND PATRICK WALL’S GATE CONTROL THEORY
pain signals are transmitted through the spinal chord before getting to the brain