perception and attention Flashcards

1
Q

perception

A

the organisation, identification, and interpretation of sensory information in order to make sense of and understand the environment

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2
Q

bottom up processing

A

allows the stimulus itself to shape our perception, without any preconceived ideas.
(eg extracting shapes for object recognition)

James J. Gibson

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3
Q

top down processing

A

uses our background knowledge and expectations to interpret what we see

Richard gregory

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4
Q

GIBSON’S THEORY OF DIRECT PERCEPTION

A

optic flow patterns - the perceived visual motion of objects as the observer moves relative to them.
eg. To an observer driving a car, a sign on the side of the road would move from the center of his vision to the side, growing as he approached

Invariant features - An object that does not change or its characteristic when the object is viewed under different circumstances.

Affordances - environmental cues for distance of objects from viewer etc

The theory overall states that perception is a result of evolution - “what you see is what you get”

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5
Q

GESTALT THEORY OF PERCEPTION

A

[perception = organisation]
principle of proximity/contiguity - things that are closer together will be seen as belonging together

principle of similarity - things which share visual characteristics will be seen as belonging together

principle of figure and ground - we see objects as either figure (distinct elements of focus) or ground (background on which the figure rests)

Principle of good continuation - we prefer continuous figures rather than separate ones

principle of closure - tendency to fill in missing information to make a whole

principle of symmetry - the whole of a figure is perceived rather than its individual parts; the mind perceives objects as being symmetrical and forming around a central point

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6
Q

perceptual constancy

A

our ability to understand that objects stay constant even if we perceive them differently eg father away

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7
Q

size constancy

A

shapes are the same size even if distance makes them appear bigger or smaller

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8
Q

shape constancy

A

shapes of objects as a property stay the same even when viewed under a different angle

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9
Q

brightness constancy

A

colour of something as a property stays the same even when viewed under different light

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10
Q

monocular cues

A

cues that can be seen using only 1 eye
size, texture, overlap, shading, clarity

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11
Q

BROADBENT’S FILTER MODEL

A

all info from stimuli enters a sensory buffer
the info gets passed through a “filter”
single channel model (when two different sounds are played in one ear each, we listen to only one of them)
criticisms:
people forgetting what the sounds were could be a memory issue, not a sensory one
cocktail party phenomenon: we can pick out our name from a buzz of noise even when not paying attention

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12
Q

TREISMAN’S ATTENUATION MODEL

A

the sensory filter doesn’t eliminate stimulation but “attentuates” it (lowers its volume) eg when there are many stimuli, we turn our attention down for the less important ones

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13
Q

specificity theory

A

specific pain receptors transmit signals to the “pain centre” (the brain) and that it produces the perception of pain

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14
Q

pattern theory

A

pain signals are sent to the brain only when stimuli are grouped together to produce a specific combination or pattern

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15
Q

RONALD MELZACK AND PATRICK WALL’S GATE CONTROL THEORY

A

pain signals are transmitted through the spinal chord before getting to the brain

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