NCEIV39 0-0809 Flashcards
Lesson 39
Lesson 39 What every writer wants
I have known ve
I have known very few writers, but those I have known, and whom I respected, confess at once that they have little idea where they arc going when they first set pen to paper.
They have a cha
They have a character, perhaps two, they are in that condition of eager discomfort which passes for inspiration, all admit radical changes of destination once the journey has begun;
one, to my cert
one, to my certain knowledge, spent nine months on a novel about Kashmir, then reset the whole thing in the Scottish Highlands.
I never heard o
I never heard of anyone making a ‘skeleton’, as we were taught at school.
In the breaking
In the breaking and remaking, in the timing, interweaving, beginning afresh, the writer comes to discern things in his material which were not conseriously in his mind when he began.
This organic pr
This organic process, often leading to moments of extraordinary self-discovery, is of an indescribable fascination.
A blurred image
A blurred image appears, he adds a brushstroke and another, and it is gone; but something was there, and he will not rest till he has captured it.
Sometimes the y
Sometimes the yeast within a writer outlives a book he has written.
I have heard of
I have heard of writers who read nothing but their own books, like adolescents they stand before the mirror, and still cannot fathom the exact outline of the vision before them.
For the same re
For the same reason, writers talk interminably about their own books, winkling out hidden meanings, super-imposing new ones, begging response from those around them.
Of course a wri
Of course a writer doing this is misunderstood: he might as well try to explain a crime or a love affair.
He is also, inc
He is also, incidentally, an unforgivable bore.
This temptation
This temptation to cover the distance between himself and the reader, to study his image in the sight of those who do not know him, can be his undoing: he has begun to write to please.
A young English
A young English writer made the pertinent observation a year or two back that the talent goes into the first draft, and the art into the drafts that follow.