MUSI 1307 - Test #2 Flashcards

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1
Q

Amateur music-making contributed to the development of genres and styles in regional languages
that were easy to sing, pleasing, and had direct music-text relationships.

T/F

A

ANS: T

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2
Q

The development of inexpensive methods to print music contributed to the rise in music
literacy in the sixteenth century.

T/F

A

ANS: T

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3
Q

The madrigal was the dominant secular vocal genre of the sixteenth century.

T/F

A

ANS: T

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4
Q

The earliest composers of Italian madrigals were native Italians.

T/F

A

ANS: F

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5
Q

What is a madrigalism (or example of word painting)? Give a few examples.

A

[Answers will vary.] A madrigalism is a musical gesture that evokes the text literally—for example, using long rhythmic values on the word slow, an ascending melody on the word climb, or a descending melody on the word down.

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6
Q

Why are madrigals through-composed?

A

ANS: An essential characteristic of the madrigal is matching the music to the meanings of individual words, phrases, and moods. This demands a line-by-line approach to the text. Strophic forms or forms with refrains, in which multiple stanzas are set to identical music, would be incompatible with this aspect of the madrigal.

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7
Q

Which fifteenth-century invention was essential to the growth of amateur music-making and
the rise of music literacy in the sixteenth century?
a. the lute d. the telescope
b. parchment e. the windmill
c. the printing press

A

c. the printing press

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8
Q

The word used to describe a poem about the idealized world of shepherds and rustic figures in beautiful landscapes i
a. classical. d. pastoral.
b. humanistic. e. sacred.
c. mythological.

A

d. pastoral.

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9
Q

Which group intently studied the writings of the ancient Greeks about music?
a. Shakespeare’s acting troupe d. the Camerata
b. Henry IV’s court e. the Capella at St. Mark’s
c. the Puritans

A

d. the Camerata

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10
Q

The term baroque was first applied to art and music by
a. critics in the early 1600s who preferred the new style.
b. critics in the mid-1700s who disliked the style.
c. composers in the 1600s who created new genres and styles.
d. patrons who supported seventeenth-century composers.
e. musicians and actors who performed avant-garde works.

A

b. critics in the mid-1700s who disliked the style.

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11
Q

The practice of basso continuo reflects what trend that occurred around 1600?
a. a preference for polyphony
b. composers’ interest in theatricality and dramatic expression
c. increased word painting
d. increased dissonance and chromaticism
e. increased emphasis on the melody and bass lines

A

e. increased emphasis on the melody and bass lines

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12
Q

In music, the Baroque period lasted from approximately
a. 1550–1650. d. 1650–1750.
b. 1600–1700. e. 1650–1775.
c. 1600–1750.

A

c. 1600–1750.

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13
Q

Ground refers to what type of bass movement?
a. movement by leap d. movement by step
b. an ascending tetrachord e. circle-of-fifths by root movement
c. a repeating pattern

A

c. a repeating pattern

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14
Q

What important step for opera occurred in 1637?
a. Galilei published his Dialogue on Ancient and Modern Music.
b. Caccini published Le nuove musiche.
c. L’Euridice premiered.
d. L’Orfeo premiered.
e. The first public opera house opened.

A

e. The first public opera house opened.

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15
Q

Opera originated
a. ca. 1450. d. ca. 1637 .
b. ca. 1550. e. ca. 1650.
c. ca. 1600.

A

c. ca. 1600.

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16
Q

Why were the arts, especially dance, so important during the reign of Louis XIV?
a. Dance academies established prior to his reign flourished, producing numerous dancers and
musicians to accompany them.
b. Louis XIV used the arts to establish his authority.
c. Dance created more equality at court.
d. Louis XIV was emulating English culture and government.
e. Music and dance played an important role in middle-class life.

A

b. Louis XIV used the arts to establish his authority.

17
Q

Which of the following was NOT a common continuo instrument during the 1600s?
a. harpsichord d. piano
b. lute e. theorbo
c. organ

A

d. piano

18
Q

During the Baroque era, chromaticism was used to express
a. intense emotion in vocal works and suggest harmonic exploration in instrumental works; it was
avoided in contrapuntal ones.
b. indecisiveness in vocal works and suggest harmonic exploration in instrumental works; it was
avoided in contrapuntal ones.
c. intense emotion in vocal works, suggest harmonic exploration in instrumental works, and create
distinctive subjects in contrapuntal ones.
d. sensuality in vocal works and return to harmonic stability in instrumental works; it was avoided in
contrapuntal ones.
e. sensuality in vocal works, return to harmonic stability in instrumental works, and create distinctive
subjects in contrapuntal ones.

A

c. intense emotion in vocal works, suggest harmonic exploration in instrumental works, and create
distinctive subjects in contrapuntal ones.

19
Q

How did Baroque artists, poets, and musicians evoke theatricality in their works?
a. by following Greek models and forms in sculpture, poetry, and music
b. by using contrasts and motion to arouse feelings
c. by stressing balance, proportion, straight lines, and columns
d. by emphasizing stillness, contemplation, and extended moments with few changes
e. by including audience members and viewers in the entertainment in a convivial and conversational manner

A

b. by using contrasts and motion to arouse feelings

20
Q

Large-scale concerti were often written for what occasions?
a. rulers’ birthdays d. feast days in large churches
b. commemorative events e. public parades
c. public celebrations

A

d. feast days in large churches

21
Q

The primary purpose of the basso continuo part is to
a. illustrate the text. d. foster cadenzas.
b. control dissonances e. emphasize the meter.
c. accompany.

A

c. accompany.

22
Q

In his Metaphysics, Aristotle
a. attempted to analyze and catalogue the affections.
b. described affections as states of the soul that are caused by specific acts and inspire reactions in turn.
c. posited a simple theory: for every motion stimulating the senses, there is a particular emotion evoked in the soul.
d. portrayed and labeled an entire gallery of emotions and corresponding gestures.
e. described affections as stable states of the soul caused by a combination of “spirits” in the body.

A

b. described affections as states of the soul that are caused by specific acts and inspire reactions in turn.

23
Q

The two statues below reflect the shift in artistic values from the ________ era to the ________. How does the one on the right reflect emerging values?

A

ANS: Renaissance/Baroque; It depicts motion and change; it suggests dramatic action and evokes an emotional response.

24
Q

Which of these genres is NOT based on a biblical or religious text?
a. historia d. oratorio
b. madrigal e. large-scale concerto
c. Passion

A

b. madrigal

25
Q

What was the primary aim of church music in the seventeenth century?
a. promoting artistic appreciation and development among parishioners
b. bringing pleasure to the listener
c. maintaining a pure and recognizably sacred style
d. filling the silent gaps in church services
e. communicating the church’s message effectively to the people

A

e. communicating the church’s message effectively to the people