Module A: Power Flashcards

1
Q

Lusting for power is

A

a driving force of the human condition

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2
Q

These texts emphasises the need

A

to be conscious of how we use authority and how this ultimately defines us

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3
Q

Richard’s hamartia is his

A

striving for power at all costs using Machiavellian political intrigue/expediency.

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4
Q

through Richard, S conveys

A

the corrupting force of power on the individual

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5
Q

Power

A

the control or command over people and events

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6
Q

Power, the control or command over people and events is a

A

universal theme that transcends time and remains a key structural feature in society

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7
Q

As time progresses, the way authority has been expressed

A

has been significantly altered.

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8
Q

Comparing KRIII (1592) and P’s post-modernist meta documentary drama

A

provides insight into this evolution (of how the way authority has been expressed has been significantly altered.)

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9
Q

From these texts we realise the unchanging

A

abuse of power that still plagues society.

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10
Q

Both texts unified through the important human truths they convey

A

that force us to question our own morality and values

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11
Q

Establishing stability in a society can be achieved

A

to an extent through power

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12
Q

The impact on those in power, however,

A

is a double edged sword.

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13
Q

through S’s portrayal of R (vice of morality) he conveys

A

corrupting force of power on the individual

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14
Q

Referencing controversy of ‘The Prince’, S weaves

A

Machiavellian expediency through R’s actions, emphasising his hamartia as he pursues power at all costs.

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15
Q

In play’s perepetia

A

“There is no creature loves me. And if I die no soul shall pity me.”

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16
Q

Stream of consciousness

A

“There is no creature loves me. And if I die no soul shall pity me.”

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17
Q

Effect of stream of consciousness “There is no creature loves me. And if I die no soul shall pity me.”

A

complete isolation that results from suppressing humanity and lusting for power the individual. He is even isolated from himself.

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18
Q

“Richard loves Richard. That is I am I. Is there a murderer here? No. Yes I am.”

A

syntactically disjointed speech and dialogia

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19
Q

Effect “Richard loves Richard. That is I am I. Is there a murderer here? No. Yes I am.”

A

conveys internal confliction that can result when one suppresses their humanity in their pursuit of power.

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20
Q

Such abuse of power in KRIII would have resonated with a modern US audience following the

A

1970’s Watergate Scandal and the rise of powerful corporations.

21
Q

Whilst we can appreciate S use of language techniques

A

to engage with his audience positioned further away, Pacino capitalises on the advantages of film to powerfully reiterate the destructive impact of holding power on the individual.

22
Q

What is a truth conveyed by S through Hastings?

A

Earthly power is fleeting and ultimately meaningless.

Hastings reminds the audience that vanity and living only for power means we forget our spirituality and life’s meaning.

23
Q

Hastings reminds the audience that vanity and living only for power means we forget our spirituality and life’s meaning.

A

“O momentary grace of mortal men/ Which we more hunt for than the grace of God.”

24
Q

“O momentary grace of mortal men/ Which we more hunt for than the grace of God.” techniques

A

didactic lines and dramatic irony

25
Q

S critiques his own society through his masterful use of language through dramatic irony and didactic lines recognising the challenges of theatre with his audience further away

A

Hastings “O momentary grace of mortal men/ Which we more hunt for than the grace of God.”

26
Q

Through The bloody murder scene of Clarence, Pacino effectively affirms

A

R’s violent abuse of power and how it can distance one from their fellow man and their own conscience.

27
Q

Chiaroscuro lighting of the

A

high angle close up shot of Clarence dressed in white, symbolising his innocence.

28
Q

power still corrupts

A

individuals and lures them from their humanity

29
Q

Whilst each composer conveys important truths about authority

A

through their respective texts, they were unable to do so without their own exercise of authority.

30
Q

Under ultimate rule of Q E, S had to

A

affirm Tudor Myth that R was a deformed villain as depicted by Holinshed and Moore.

31
Q

Despite S’s restrictions (due to censorship of Q E) he uses authority of language to

A

subtly convey moral maxims to an audience as he critiques Elizabethan society through lens of KRIII’s time. We realise power

32
Q

Animal imagery of Richard by Richmond

A

“That bloody and usurping boar… that swills your warm blood like wash”

33
Q

Effective”That bloody and usurping boar… that swills your warm blood like wash”

A

symbolism of untameable boar, most dangerous animal hunted in Renaissance period would have resonated with audience.

34
Q

S extends metaphor of boar throughout play to

A

critique Q E brutal reign as she persecuted Catholics an maintained a strict social hierarchy, despite being in a time of relative peace.

35
Q

Such an abuse of power by R and QE would have resonated with a modern US audience

A

following 1070`s Watergate Scandal and rise of powerful corporations.

36
Q

Shakespeare skilful discretion of language

A

translated onto modern medium of film as Pacino portrays authorial power necessary to produce powerful texts.

37
Q

Pacino portrays authorial power necessary to produce powerful texts. Depicted through his

A

slightly narcissistic approach to film, his enjoyment of power in ebing able to freely manipulate the film evident.

38
Q

Through his own portrayal in film, P critiques

A

vanity of those in power in US and their disregard for society and its lower less privileged classes.

39
Q

P starts to embody the truths which S conveys

A

cuts to Pacino and executives dining at expensive restuarants whilst Richmond`s actor judiciously prepares his lines and prepares for battle.

40
Q

cuts to Pacino and executives dining at expensive restuarants whilst Richmond`s actor judiciously prepares his lines and prepares for battle. provides

A

insight into arrogance that those in power can gain.

41
Q

We appreciate the enduring value of S paly in giving insight into influence of power on the works of playwrigths and recognise the immense power of LFR in conveying this to a modern audience

A

recognise the immense power of LFR in conveying this to a modern audinece

42
Q

Hand held camera creates cinema verite/realism

A

“Hope you like turkey” laughing

43
Q

Jeeering comment as he’s asked to vacate a café by police

A

“Hope you like turkey” laughing

Hand held camera creates cinema verite/realism

44
Q

Effect “Hope you like turkey” laughing

Hand held camera creates cinema verite/realism

A

symbolises Us society’s critique of authority following the 1970’s watergate scandal and rise of powerful corporations in the 1990’s.

45
Q

Whilst S uses dramatic irony, Pacino hast to achieve such effects

A

visually. Link to bloody Clarence scene

46
Q

After R woos Lady Anne

A

cuts to R laughing like a psychopath surrounded in darkness shows viewers he deceived her. Audience may have missed this due to language barrier and seemingly penitent tone

47
Q

Shall I be plain? I wish the bastards dead.

A

truncated sentence when brutally ordering death of young princes. plain language in contrast to irony and wit in other scenes emphasises brutalitly

48
Q

Effect

Shall I be plain? I wish the bastards dead.

A

abuse of power will only occur when used for personal gain. S emphasises that most vulnerable in society often expereicne the greatest ramifications from such misuse of authority.