Evil/Iniquity Flashcards

1
Q

Richard personifies evil as the Vice character, taking immense pleasure in his villainy

A

taking immense pleasure in his villainy

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2
Q

There is an enduring fascination with villains in literature

A

fascination with villains in literature and film

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3
Q

the fascination of examining what

A

motivates one to be/commit evil transcends time and contexts

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4
Q

S extends his portrayal of Richard beyond the vice of morality,

A

imbuing with very human and even heroic traits.

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5
Q

How does the audience gain Patho/empathy for R

A

through his stigmatising deformity as it provides him with some reason for his evil deeds

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6
Q

Through opening soliloquy “I am determined to prove a villain”, S references the

A

controversy surrounding ‘The Prince; in Elizabethan Society as secular notions of power began to challenge providential ideologies. Reveals his embodiment of evil and his plants to achieve miscreancy

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7
Q

effect “ I shall despair. There is no creature loves me and if I die no soul shall pity me”

A

emotive language appeals to pathos revealing R not stereotypical vice of morality plays, but has very human traits. his deformities have stigmatised him, leaving him truly isolated, providing a partial reason for his evil deeds.

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8
Q

Margaret’s acuity towards R’s evil, despite his duplicity revealed through declarative statement in curse

A

“Hie thee to hell for shame… Thou cacodemon! there thy kingdom is.”

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9
Q

effect “Hie thee to hell for shame… Thouh cacodemon! there thy kingdom is.”

A

Margaret’s acuity towards R’s evil, despite his duplicity revealed through declarative statement in curse. Conveys the inescapability of the consequences of evil

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10
Q

Shall I be plain? I wish the bastards dead

A

truncated sentences contrasting against his lyrical wit and irony to reiterate the brutality of his actions.

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11
Q

“I’ll have her but I’ll not keep her long”

A

frequent asides in dramatic monologue

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12
Q

effect “I’ll have her but I’ll not keep her long”

A

audience feels like R’s confidants as he commits evil, yet his humour depicts the allure of evil. In developing this relationship with R, S masterfully manipulates his audience’s emotions as whilst being shocked by his evil, they also want him to succeed.

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13
Q

After R woos Lady Anne in the film

A

cuts to R laughing like a psychopath surrounded in darkness shows viewers he deceived her. Audience may have missed this due to language barrier and seemingly penitent tone.

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14
Q

S uses language and irony to emphasise evil to audience, whilst P

A

relies on film to more explicitly convey the theme to an audience who may have misunderstood the truths due to the language barrier and secular context

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15
Q

unscripted dialogue in LFR

A

Kimble “But he has let the pursuit of power totally corrupt him. he is alienated from his own body and his own self”

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16
Q

effect But he has let the pursuit of power totally corrupt him. he is alienated from his own body and his own self” unscripted dialogue in LFR

A

conveys irony of committing evil for power and personal gain. The voice over reiterates the actor’s fascination of the lengths of evil R strives for.

17
Q

Chiaroscuro lighting of the

A

high angle close up shot of Clarence dressed in white, symbolising his innocence.

18
Q

Through The bloody murder scene of Clarence, Pacino

A

stresses evil of R’s actions, as emphasised through C’s apparent innocence and vulnerability ( he simplifies the plot with omissions of C’s evil past thus emphasising R’s evil)

19
Q

Because of his egalitarian, more socially astute society, P focuses less

A

on R’s deformity which places more focus on his iniquitous actions.

20
Q

Disccusions by other actors help to

A

stress theme of iniquity as they’re amazed at how many lines R crosses for power, conveying allure of evil.

21
Q

P’s portrayal and exploration of R’s character represents a

A

liberal, humanist reading

22
Q

Connections in portrayal of evil

A

both emphasise evil and its allure through exploring craftsmanship of performance and power of language.

23
Q

theme of evil most evident in play when

A

R orders death of young princes and shows no remorse/guilt, emphasising limitlessness of evil actions that humans are capable of.