Module #7 - Perception Flashcards

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1
Q

Gestalt

A

The whole, or the organizational patterns that we tend to perceive; the Gestalt psychologists emphasized that the whole is greater than the sum of its parts.
By breaking experiences into their basic parts, something important is lost.

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2
Q

Figure-Ground

A

The organization of the visual field into objects (figures) that stand out from their surroundings (ground).

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3
Q

Grouping Principles

A

The perceptual tendency to organize stimuli into understandable units.

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4
Q

Similarity

A

The tendency to place items that look similar into a group.

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5
Q

Proximity

A

The tendency to place objects that are physically close to each other in a group.

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6
Q

Closure

A

The tendency to look at the whole by filling in the gaps in a perceptual field.

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7
Q

Continuity

A

The tendency to perceive that movement of an object continues once it appears to move in a particular direction.

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8
Q

The grouping principles are…

A

Similarity
Proximity
Closure
Continuity

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9
Q

Depth Perception

A

The ability to see in three dimensions and judge distance.

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10
Q

Visual Cliff

A

A laboratory device for testing depth perception in infant and young animals.
Shows that depth perception, to some extent, is inborn.

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11
Q

Binocular Cues

A

Depth cues that require the use of both eyes.

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12
Q

Retinal Disparity

A

A binocular depth cue resulting from slightly different images produced by the retina of the left and the retina of the right eye.
Most effective when the item is quite close to the person.

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13
Q

Convergence

A

A binocular depth cue related to the tension in the eye muscles when the eyes track inward to focus on objects close to the viewer.
The more tension in the eye muscle, the closer the object is. Works best at close distances.

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14
Q

Relative size

A

Using the perceived size of a familiar object to determine depth. The larger the object appears, the closer the object is to the viewer.

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15
Q

Relative motion

A

A person who is moving can determine depth by focusing on a distant object.

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16
Q

Interposition (overlap)

A

Method of determining depth by noting that closer objects partially obstruct the more distant objects.

17
Q

Relative height

A

Method of determining depth by noting that distant objects appear higher in your field of vision than do closer objects.

18
Q

Texture Gradient

A

Method of determining depth by noting that distant objects have a smoother texture than nearby objects.

19
Q

Relative clarity

A

Method of determining depth by noting that distant objects are less clear than nearby objects. Tends to work outdoors.

20
Q

Linear Perspective

A

Method of determining depth by noting that parallel lines appear to converge in the distance. The lines appear to eventually merge on the horizon.

21
Q

Perceptual Constancy

A

Perceiving the size, shape, and lightness of an object as unchanging.

22
Q

Size Constancy

A

A person’s understanding that as an object moves further or closer to them it’s actual size stays the same.

23
Q

Shape Constancy

A

The understanding that an object’s shape remains the same even though the angle of view makes the shape appear changed.

24
Q

Perceptual Set

A

A mental predisposition to perceive something one way and not another.
Example of top-down processing.
Influence of the power of suggestion (subliminal perception).
Guided by schemas (concepts or mental frameworks that organize and interpret information)

25
Q

Illusions

A

Misinterpreting sensory stimuli. Help researches understand how sensation and perception normally work.