mise-en-sene Flashcards

1
Q

mise-en-sense

A

-setting the stage/placing in the stage

all of the elements placed infront of the camera to be photographed

material

choices and control

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2
Q

but even if something happensa out of control is still mise-en-sense because it still in front of the camera

A
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3
Q

mise-en-scene

A

story books helps planne mise-en-sine/what will be in a scene or not

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4
Q

compononts of misen -en-scene

A

settings
costume and makeup
lightning
staging

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5
Q

why is it important

A

it makes us /help us make inferesses about the filme

guides our eyes to specific place/where she focus on

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6
Q

the power of mis-en-scene

A

can cathc realism as well as fentasy

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7
Q

setting

A

filmmaking became centered on studio
facilities in which every aspect of mise-en-scene could be manipulated.

The overall design of a setting can shape how
we understand story action

color is important!

props to!

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8
Q

costume abd make-up

A

costumes can become mottif
costumes can be used for graphic qualities

Makeup is most noticeable in horror and science fiction films,

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9
Q

lightning

A

In artistic filmmaking, lighting is more than just illumination that permits
us to see the action:

  • Lighter and darker areas within the frame help create the
    overall composition of each shot and guide our attention to certain objects and
    actions
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10
Q

highlights and shadow

A

-A highlight is a patch of relative brightness on a surface

-Shadows likewise do the same, allowing objects to have portions of darkness
(called shading) or to cast their shadows onto something else.

it help guide our eyes

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11
Q

Quality lightign

A

refers to the relative intensity of the illumination.:

-Hard lighning clear define shadows,crisp texture,sharp edges(ex sun)

-Soft light creates a diffiused illumination(cloudy sky)

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12
Q

direction of lightning

A

in a shot refers to the path of light from
its source or sources to the object lit. For convenience we can distinguish
among frontal lighting, sidelighting, backlighting, underlighting, and top
lighting.

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13
Q

frontal ligtning

A

can be recognized by its tendacy to eliminate shadows

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14
Q

side lightning

A

sculpt characters features

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15
Q

Backlighting

A

comes from behind the subject

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16
Q

edge lightning

A

Combined with more frontal sources of light, the technique can create a
subtle contour

Edge lighting makes the outline of each actor’s body stand out
from the background

17
Q

underlightning

A

lights come from brlow the subject

18
Q

top lightning

A

shines almost directly above subjects

19
Q

key lighning

A

providing the brightest illumination and casting
the strongest shadows.

20
Q

fill light

A

A fill is a less intense
illumination that “fills in,” softening or eliminating shadows cast by the key
light.

21
Q

Hollywood filmmaking developed the custom of using at least
three light sources per shot

A

key light,fill light,backlight

22
Q

three-point lighting

A

-backlight typically comes from behind and above the figure,

  • key light(high key-usually)
    comes diagonally from the front,
  • fill light comes from a position near
    the camera.

the lights can change their function depending in another charcater

23
Q

high key lightning

A

create low contrast between brightness and darkness

Usually, the light quality is soft, making shadow areas fairly transparent

24
Q

low key lightning

A

creates stronger contrasts and sharper, darker shadows.
Often the lighting is hard, and fill light is lessened or eliminated altogether

25
Q

staginging in mese-en-scene

A

the most familiar cases of figure
expression and movement involve actors performing roles.

An actor’s
performance consists of visual elements (appearance, gestures, facial
expressions) and sound (voice, effects).

26
Q

A performance will be more or less individualized, and it
will be more or less stylized.

A
27
Q

motion capture,

A

the whole body
is filmed,

28
Q

erformance capture

A

hich concentrates on the face(in CGI)

29
Q

mise-en-scene

A

1.guide the audience’s attention to the
important areas of the image.

  1. build up our
    interest by arousing curiosity and suspense.

3.add expressive qualities, giving the shot an emotional coloration.

30
Q

monochromatic color design.

A

the filmmaker
emphasizes a single color, varying it only in purity or lightness.

31
Q

movment

A

in a scene atracts our eyes

32
Q

depth cues

A

The elements of the image that
create impression that we are in the film

33
Q

volume and planes

A
34
Q

planes

A

foreground,middleground and background

35
Q

size diminuation

A

objects that are father away look smaller

36
Q

shallow depth

A

little depth, and the closest and most
distant planes seem only slightly separated

37
Q

deep space

A

significant distance seems to separate planes