This class was created by Brainscape user maria posvolsky. Visit their profile to learn more about the creator.

Decks in this class (19)

week 2
Narrative,
Story,
Story digesis
35  cards
mise-en-sene
Mise en sense,
Why is it used,
Mise en scene
37  cards
disscussion 2
Three point lighting,
Key light,
Fill light
8  cards
cinematography
Misen en scene is never by it self,
Photographing misen en scene,
How to communicate meaning throug...
54  cards
Editing
The shot,
Why cut,
Making connection our brain want ...
11  cards
disscusion4
180 degree rule,
Continuity editing,
A line match
7  cards
disscusion 5
30 degree rule,
2  cards
week 1
Form,
Film creates expectations of what...,
Our exepctations ome from ourpast...
17  cards
documentary representation
Represenation,
Ratehr then what is if we should ...,
Morality
9  cards
disscussion 7
Documentary appears to be objective,
Audience priotarization,
Not to what is filmed but what is...
5  cards
auteur 1
Director,
An auteur is,
Frequent patters
10  cards
auteur
Metteur on scene,
While debetated,
Auters and metter on scene
4  cards
ideology 1
Classical hollywood cinema,
Classical hollywood cinema,
In general
11  cards
ideology 2
Ideology and cienema feed themselves,
Like ideology the cinema of old h...,
3  cards
horror
Horror complicates,
Defining horror,
Sigmund freud robin wood paper
21  cards
disscussion 10
Repression,
Represion,
Surplus repression
13  cards
week 13
Art cinema,
Classical cinema,
Art cinema
8  cards
week 13 disscussion
Content vs form,
Category a,
Category b
7  cards
Last Class
Modernism vs postmodernism,
Postmodernism,
Origins of postmodernist
11  cards

More about
cine

  • Class purpose General learning

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