Love/ marriage -m/pl

Question 1

Nyquist

Answer 1

-deeply masculinist assumptions [are] at work in Milton’s articulation of a radically bourgeois view of marriage

Question 2

McColgan

Answer 2

that Milton’s universe is a humanist vision founded upon “reciprocity,” hierarchy, and an “idyllic, dynamic relationship”

Question 3

woodbirge

Answer 3

The duchess is a champion of desire

Question 4

Roider

Answer 4

The play is a cautionary tale / shows what can happen when women marry without proper consent

Question 5

Luky j

Answer 5

shows how whore does not exhaust the psychological reality of women

Question 6

Whigam - Ferdinands ‘love’

Answer 6

‘When Ferdinand looks down into his sister’s “dazzling” eyes, he sees himself, faces his own death too

Question 7

Dussinberre

Answer 7

Ferdinand’s hallucinations in his madness are not more weird than the dark web of lust which he weaves round his sister, seeing in her the epitome of medieval frai

Question 8

Summers

Answer 8

human sexuality in Paradise Lost as previously occupying the “crown of mutual love” but is now “reduced to naked appetite” // lust is “ is opposed to love, for it inevitably implies an [sic] humiliation of its sexual object”

Question 9

Peter

Answer 9

“Adam falls ‘fondly’—foolishly, lovingly. And we fall with him, sharing his generous improvidence, trusting his love” - ‘fondly overcome in female charm’

Question 10

Haber

Answer 10

• “the Duchess’s attempt to construct and control her own body, to create a circular, ‘feminine’ space that is free from invasion” – is invaded the male sexuality, her borthers possesive love