BC critic quiz Flashcards

1
Q

Women displayed as sexual objects is the leitmotif of erotic spectacle

A

Mulvey

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2
Q

The Marquis, as he is called (suggesting, of course, the Marquis de Sade), is a parodic evil aesthete

A

Simpson - marquis

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3
Q

Lovers are lethal, traditional romantic patterns kill, and sex leads to death

A

Simpson - sex and death

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4
Q

Just like Eve and Pandora, the heroine’s actions lead to her own corruption: in succumbing to her curiosity, she damns herself

A

Link

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5
Q

Each one is tempted when, by his own desire, he is dragged away and enticed

A

James 1:14-15

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6
Q

A gothic reimagining of the fruits of Eve’s sin. / His forbidden chamber likened to a circle of hell in Dante’s Inferno

A

Stilling - Eve

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7
Q

Death and phallic sexuality are one

A

Lokke - lily

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8
Q

The lion lays down with the lamb

A

Isaiah 16

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9
Q

An amount of tigerishness is necessary for women, if they are to escape being victimized by men

A

Atwood - tiger

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10
Q

Exploration of the narrative possibilities of De Sade’s lamb-and-tiger dichotomy

A

Atwood - du Sade

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11
Q

The beast is male sexuality / this hairy thing

A

Carter - Beast

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12
Q

The mask of masculinity was infinitely more beastly than the Beast himself

A

Halpin

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13
Q

The female becomes a reflexive image

A

Linkin

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14
Q

The Count is in the position of the author. The girl is a helpless character, unable to control her destiny

A

Bacchilega

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15
Q

Once she has fulfilled her purpose of becoming a sexual object, she can die.

A

Bacchilega

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16
Q

Carter’s belief that liberating change is possible informs her portrayal of the Countess

A

Tucker

17
Q

Women troubled by and even empowered by their own violence

A

Makinen

18
Q

Carter was obviously acquainted with the theories that deconstruct the concept of the essential self or soul and posit instead a subject in process

A

Bugrass