Literature techniques Flashcards

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1
Q

What is the function of names?

A

To signal:

  • A moral dimension for the character
  • A physical or emotional characteristic
  • A cultural or racial dimension
  • Status, power, or lack of power in a character
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2
Q

What does a beginning tell you?

A
  • Theme
  • Style
  • Tone
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3
Q

Kathy H as a name

A

‘H’ - will always remain young, infantilizes, nickname you get from family

Soft ‘to’ - phonetic echo with carer

Lack of connection with history – subduing to higher power yet introduces herself through her name so we do not see her as a clone

Feminine ending ‘y’

No title – she is segregated from society

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4
Q

Why do we use a first-person narrator?

A

Sense of intimacy

Insight of thoughts and feelings

Introduces a particular voice

Allows the author to create an unreliable narrator – Kathy is naive

Question moral values with limited knowledge

Reader must work harder to piece the novel

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5
Q

Idiolect

A

an individual’s way of talking – particular words and/or phrases

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6
Q

Naive narrator

A

does not understand what is happening

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7
Q

Intrusive narrator

A

interrupts story with comments

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8
Q

Naive adoption of discourse

A

particular words without explanation

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9
Q

Direct address to reader, unreliable narrator and metafictional awareness of reader

A

as it says

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10
Q

Forcing reader to read against the grain

A

reader is told what they are (when not)

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11
Q

Analeptic reference

A

flashbacks

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12
Q

Proleptic reference

A

foreshadowing

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13
Q

Non-linear narrative

A

goes back and forwards in time

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14
Q

Retrospective narrative

A

looking back/nostalgia

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15
Q

Referential settings

A

Referential – A fictional place where fictional characters could exist, illusion of reality

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16
Q

Genre

A

a style or category of painting, novel, film, etc, characterized by a particular form/purpose.

17
Q

Veresimilitudinal

A

To ‘imitate’ the real world with place names – not escapist fiction

18
Q

Symbolic

A

To build an atmosphere or to suggest a message (using repitition, contrasts) (2 settings could contrast dramatically based of the people or different actions)

19
Q

Analogical

A

To suggest or reveal a character’s state of mind as a parallel becomes obvious between the setting and character (pathetic fallacy, etc)

20
Q

Protagonist

A

Generates the action, often engaging the reader’s interest/empathy (EG Kathy)

21
Q

Antagonist

A

Opposes the protagonist (EG wider society)

22
Q

The foil

A

Contrasts with another character to highlight features of that character (Kathy’s passiveness, Tommy’s volatility)

23
Q

The archetype

A

a stereotype – hero, rebel, lover, creator, ruler, orphan

24
Q

The static

A

Has a singular function (Elizabeth, Justine, Miss Lucy)

25
Q

The dynamic

A

Changes and develops throughout the novel (Ruth, Victor and the creature as the gothic double)

26
Q

Framed narrative

A

‘a story within a story’ - multiple perspectives, main narrative forms a second narrative

27
Q

Imbedded narratives

A

in a frame narrative, hinges contextually on it, whilst typically becoming the bulk story itself

28
Q

Chinese box structure

A

a narrative in a narrative…….. - Saffies story in the creature’s story in Victor’s story in Walton’s story

29
Q

Grammar revision - the simple, compound and complex

A

Simple sentence – 1 clause, one idea, childlike

Compound – 2 clauses conjoined by a conjunction, typical of spoken discourse

Complex – Pompous, communicates more than one idea, ideas are not equal, dependent on another clause, more common written than spoken discourse, interior monologues

30
Q

Sentence moods:

A

Declarative: statement of fact, certainty

Interrogative: question, uncertainty

Exclamative: exclamation, agitation

31
Q
A