listenings (guys, it actually works this time!!!!) Flashcards
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Ephitaph of Seikilos, first century CE. Anonymous. song or epigram.
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Stasimon Chorus from the Greek Tragedy Orestes. Chromatic performance. 408 BCE, Uripides (ca. 485- ca. 406 BCE)
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Stasimon chorus from the greek tragedy Orestes. enharmonic performance. 408BCE. written by Uripides (485-406BCE).
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Gregorian Chant from Mass for Christmas Day. Anonymous, no date. Introit, Puer Natus.
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Gregorian Chant Mass for Christmas Day, Kyrie, Anonymous, no date
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Gregorian Chant Mass for Christmas Day, Anonymous, no date, Gloria.
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Gregorian Chant Mass for Christmas Day, Anonymous, no date, Gradual Viderunt Omnes
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Gregorian Chant mass for Christmas Day, Alleluia, Anonymous, no date.
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Gregorian Chant mass for christmas day, Credo, Anonymous, no date.
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Gregorian Chant Mass for Christmas Day, Offertory Tui sunt Caeli, Anonymous, no date.
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Gregorian Chant for Christmas Day, Sanctus. Anonymous, no date.
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Gregorian Mass for Christmas Day, Agnus Dei, Anonymous, no date.
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Gregorian Chant Mass for Christmas Day, Communion Viderunt Omnes. Anonymous, no date.
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Gregorian Chant Mass for Christmas Day, Ite Missa Est, Anonymous, no date
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Vespers for Christmas day, Gregorian Chant office, First Psalm with Antiphon “Tecum principium” and Psalm “Dixit Dominus” Anonymous, no date
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Vespers for Christmas Day, Gregorian Chant Office, Hymn “Christe Redemptor omnium” Anonymous, no date.
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Ascribed to Wipo of Burgundy (ca 995-1050), Sequence, Victimae paschali laudes, first half of the 11th century
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Anonymous, texted and untexted trope from a liturgical drama, Tropes on Puer Natus, Late tenth century.
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Hildegarde of Bingern (1098-1179), sacred music drama Ordo virtutum (1151), the closing chorus “in principio omnes”
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Can vei la lauzeta mover, Bernart de Ventadorn (ca 1130-1200), canso or toubadour song, 1170 or 1180
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Comtessa de Dia (flourished late 12th and early 13th century), canso or troubadour song, A chanter (second half of the 12th century)
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Adam de la Halle (ca 1240-1288), Musical Play Jeau de Robin et de Marion, rondeau Robins m’aime (1284)
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walther von der Vogelweide (ca 1170-1230), Minnelied “Palastinalied” (1128).
name the title, genre, composer, date, and composer’s dates.
Anonymous, cantiga (song) from Cantigas de Santa Maria. Cantiga number 159: Non Sofre Santa Maria, 1270-1290.
name the title, genre, composer, date, and composer’s dates.
Anonymous, from le manuscript du roi (late 13th century), estampie, La quatre estampie royal.
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Anonymous, Musica enchiriadis (850-890) parallel organum at the fifth below “tu patris sempiternus et filius”
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Anonymous, Musica enchiriadis (850-890) parallel organum at the fifth below with octave doublings “sit gloria domini”
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Anonymous, Musica enchiriadis (850-890) mixed parallel and oblique organum “rex caeli domine”
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Anonymous, organum from Ad organum faciendum (1100), alleluia in free organum “Alleluia Justus ut palma”
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Anonymous, versus in Acquitanian polyphony “Jubilemus, exultemus”, 1100.
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Leoninus (flourished late 12th and early 13th centuries, organum duplum, Viderunt Omnes, second half of the 12th century.
name the title, genre, composer, date, and composer’s dates.
Anonymous, Substitute clausulae on Dominus from Viderunt omnes. Late 12th century or early 13th century, Clausulae number 26.
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Anonymous, Substitute clausulae on Dominus from Viderunt omnes. Late 12th century or early 13th century, Clausulae number 29
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Perotinus (flourished late 12th and early 13th centuries, organum quadruplum “viderunt omnes” (ca 1198)
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Anonymous, conductus Ave virgo vriginum (late 12th or early 13th century)
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Anonymous, Motets on Tenor Dominus (13th century), “Factum est salutare/ Dominus”
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Anonymous, Motets on Tenor Dominus (13th century), “Fole acostumance/ Dominus”
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Anonymous, Motets on Tenor Dominus (13th century), “super te/ sed fulsit/ primus tenor/ Dominus”
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Adam de la Halle (ca 1240-1288) motet “de ma dame vient/ dieus, comment parroie/ omnes” (ca 1260s-1280s)
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Petrus de Cruce (pierre de la croix), motet Aucun on trouve/ Lonc tans/ Annuntiantes (ca 1290)
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Anonymous, rota Sumer is icumen in (ca 1250)
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Phillipe de Vitry (1291-1361), poyltextual motet Cum statua/ hugo, hugo/ Magister invidie (1320)
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Guillaume de Machuaut (ca 1300-1377), mass (ordinary cycle) La Messe de Nostre Dame, kyrie. (ca 1364)
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Guillaume de Machaut (ca 1300-1377), virelai Douce dame jolie (mid 14th century)
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Guillaume de Machaut (ca 1300-1377), rondeau Rose, liz, printemps, verdue (mid 14th century)
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Phillipus de Caserta (flourished ca. 1370s), ballade En remirant vo douce pourtraiture (ca 1370)
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Jacopo da Bologna (flourished 1340-1386), madrigal Non al suo amante (ca 1350)
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Francesco Landini (ca 1325-1397), caccia Cosi pensoso (mid-14th century)
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Francesco Landini (ca 1325-1397), ballata Non avra ma’ pieta (last quarter of the 14th century)
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Anonymous, carol, Alleluia: a newe work (first half of the 15th century)
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John Dunstable, motet or cantilena, Quam pulchra es (first half of the fifteenth century)
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Gilles Binchois, ca 1400-1460), rondeau De plus en plus (ca 1425)
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Guillaume Du Fay (ca 1397-1474), ballade, Resvellies vous (1423)
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Guillaume Du Fay (ca 1397-1474), hymn in fauxbourdon style Christe, redemptor omnium (ca 1430)
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Guillaume Du Fay (1397-1474) ballade Se la face ay pale (1430s)
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Guillaume Du Fay (1397-1474), cantus-firmus mass Missa Se la face ay pale, gloria movement (1450s)
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Antoine Busnoys (ca 1430-1492), virelai Je ne puis vivre (ca 1460)
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Jean de Ockeghem (ca 1420-1497), mass Missa prolationum, Kyrie (second half of the 15th century)
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Henricus Isaac (ca 1450-1517), Lied Innsbruck ich muss dich lassen (ca 1500)
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Josquin des Prez (ca 1450-1521), chanson Faulte d’argent (ca 1500)
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Josquin des Prez (1450-1521), chanson Mille Regretz (ca 1520)
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Josquin des Prez, (1450-1521), motet Ave Maria…virgo serena (1484-1485)
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Josquin des Prez (ca 1450-1521), paraphrase mass, Missa Pagne lingua: Kyrie (ca 1515)
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Josquin des Prez (1450-1521), paraphrase mass, Missa Pange lingua: part of credo (ca 1515)
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Attributed to St. Ambrose, Hymn, Veni redemptor gentium. no date.
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Martin Luther (1483-1546) Nun komm der Heiden Heiland, 1524
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Martin Luther (1483-1546) Ein feste Burg, chorale. (1529)
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Johann Walther (1496-1570), Ein feste Burg, chorale setting for four voices, no date.
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Loys Bourgeois (ca 1510-1561), metrical psalm, Psalm 134(or sus, serviteurs de Seigneur) (1551)
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William Kethe (died ca 1608), Psalm 100:all people that on earth do dwell (ca 1559)
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Thomas Tallis (ca 1505-1585), anthem If ye love me (ca 1546-49)
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William Byrd (1540-1623), full anthem Sing joyfully unto God (1580s-1590s)
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Nicholas Bombert (ca 1495-1560), motet Ave regina caelorum (published 1541)
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Giovanni Pierluigi de Palestrina (1525/6-1594), mass Pope Marcellus Mass, credo (ca 1560)
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Giovanni Pierluigi de Palestrina (1525/6-1594), mass Pope Marcellus Mass, Agnus Dei I (ca 1560)
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Thomas Luis de Victoria (1548-1611), motet O magnum mysterium (ca 1570)
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Tomas luis de Victoria (1548-1611), imitation mass Missa O magnum mysterium, kyrie (ca 1580s)
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Orlando de Lassus (1532-1594), motet Cum essem parvulus (ca 1579)
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Juan del Encina (1468-1529) villancico Oy comamos y bebamos (late 15th century)
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Marchetto Cara ( ca 1465-1525) frottola Mal un muta per effecto (ca 1500)
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Jacques Arcadelt (ca 1507-1568), madrigal il bianco e dolce cigno (ca 1538)
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cipriano de Rore (1516-1565), madrigal De le belle contrade d’oriente( ca 1560-1565)
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Luca Marenzio (1553-1599), madrigal Solo e pensoso (1590s)
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Carlo Gesualdo (ca 1561-1613), madrigal “io porto” e non piu dissi (ca 1600)
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Claudin de Sermisy (ca 1490-1462), chanson Tant que vivray (ca 1527)
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Orlande de Lassus (1532-1594), chanson La nuict froide et somber (ca 1570s)
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Claude le Jeune (ca 1528-1600), chanson Recevy venire du printans ( late 16th century)
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Thomas Morley (1557/8-1602), ballet My bonny lass she smileth (ca 1595)
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Thomas Weelkes (ca 1573-1623), madrigal As vestas was (ca 1601)
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John Dowland (1563-1626), air or lute song Flow, my tears (ca 1600)
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Tielman Susato (ca 1515-1570), Dances from Danserye: Basse Danse La morisque (ca 1551)
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Tielman Susato (ca 1515-1570), Dances from Danserye: Pavane La dona (ca 1551)
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Tielman Susato (ca 1515-1570), Dances from Danserye: Galliared La dona (ca 1551)
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Anthony Holborne (ca 1545-1602), The Night Watch, almain (published 1599)
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Anthony Holborne (ca 1545-1602), The Fairie-round, galliard, (published 1599)
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Luis de Narvaez (flourished 1526-1549), intabulation and variation set from los seys libros del Delphin: Cancione Mille regrez, intabulation of Josquin’s Mille regrez. (1538)
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Luis de Varvaez (flourished 1526-1549), intabulation and variation set from Los seys libros del Delphin: Cuarto diferencias sobre “guardame las vacas” [four variations on guardame las vacas], variation set (1538)
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William Byrd (ca 1540-1623), variations John come kiss me now (ca 1600)
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Giovanni Gabrieli (ca 1555-1612), ensemble canzona Canzon septimi toni a 8, from Sacrae symphoniae (ca 1597)