listenings (guys, it actually works this time!!!!) Flashcards

1
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name the title, genre, composer, date, and composer’s dates.

A

Ephitaph of Seikilos, first century CE. Anonymous. song or epigram.

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2
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Stasimon Chorus from the Greek Tragedy Orestes. Chromatic performance. 408 BCE, Uripides (ca. 485- ca. 406 BCE)

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3
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Stasimon chorus from the greek tragedy Orestes. enharmonic performance. 408BCE. written by Uripides (485-406BCE).

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4
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Gregorian Chant from Mass for Christmas Day. Anonymous, no date. Introit, Puer Natus.

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5
Q

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Gregorian Chant Mass for Christmas Day, Kyrie, Anonymous, no date

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6
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Gregorian Chant Mass for Christmas Day, Anonymous, no date, Gloria.

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7
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Gregorian Chant Mass for Christmas Day, Anonymous, no date, Gradual Viderunt Omnes

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8
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Gregorian Chant mass for Christmas Day, Alleluia, Anonymous, no date.

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9
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Gregorian Chant mass for christmas day, Credo, Anonymous, no date.

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10
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Gregorian Chant Mass for Christmas Day, Offertory Tui sunt Caeli, Anonymous, no date.

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11
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Gregorian Chant for Christmas Day, Sanctus. Anonymous, no date.

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12
Q

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Gregorian Mass for Christmas Day, Agnus Dei, Anonymous, no date.

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13
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Gregorian Chant Mass for Christmas Day, Communion Viderunt Omnes. Anonymous, no date.

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14
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Gregorian Chant Mass for Christmas Day, Ite Missa Est, Anonymous, no date

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15
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Vespers for Christmas day, Gregorian Chant office, First Psalm with Antiphon “Tecum principium” and Psalm “Dixit Dominus” Anonymous, no date

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16
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Vespers for Christmas Day, Gregorian Chant Office, Hymn “Christe Redemptor omnium” Anonymous, no date.

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17
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Ascribed to Wipo of Burgundy (ca 995-1050), Sequence, Victimae paschali laudes, first half of the 11th century

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18
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Anonymous, texted and untexted trope from a liturgical drama, Tropes on Puer Natus, Late tenth century.

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19
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Hildegarde of Bingern (1098-1179), sacred music drama Ordo virtutum (1151), the closing chorus “in principio omnes”

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20
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Can vei la lauzeta mover, Bernart de Ventadorn (ca 1130-1200), canso or toubadour song, 1170 or 1180

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21
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Comtessa de Dia (flourished late 12th and early 13th century), canso or troubadour song, A chanter (second half of the 12th century)

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22
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Adam de la Halle (ca 1240-1288), Musical Play Jeau de Robin et de Marion, rondeau Robins m’aime (1284)

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23
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walther von der Vogelweide (ca 1170-1230), Minnelied “Palastinalied” (1128).

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24
Q

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Anonymous, cantiga (song) from Cantigas de Santa Maria. Cantiga number 159: Non Sofre Santa Maria, 1270-1290.

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25
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Anonymous, from le manuscript du roi (late 13th century), estampie, La quatre estampie royal.

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26
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Anonymous, Musica enchiriadis (850-890) parallel organum at the fifth below “tu patris sempiternus et filius”

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27
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Anonymous, Musica enchiriadis (850-890) parallel organum at the fifth below with octave doublings “sit gloria domini”

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28
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Anonymous, Musica enchiriadis (850-890) mixed parallel and oblique organum “rex caeli domine”

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29
Q

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Anonymous, organum from Ad organum faciendum (1100), alleluia in free organum “Alleluia Justus ut palma”

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30
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Anonymous, versus in Acquitanian polyphony “Jubilemus, exultemus”, 1100.

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31
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Leoninus (flourished late 12th and early 13th centuries, organum duplum, Viderunt Omnes, second half of the 12th century.

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32
Q

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Anonymous, Substitute clausulae on Dominus from Viderunt omnes. Late 12th century or early 13th century, Clausulae number 26.

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33
Q

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Anonymous, Substitute clausulae on Dominus from Viderunt omnes. Late 12th century or early 13th century, Clausulae number 29

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34
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Perotinus (flourished late 12th and early 13th centuries, organum quadruplum “viderunt omnes” (ca 1198)

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35
Q

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Anonymous, conductus Ave virgo vriginum (late 12th or early 13th century)

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36
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Anonymous, Motets on Tenor Dominus (13th century), “Factum est salutare/ Dominus”

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37
Q

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Anonymous, Motets on Tenor Dominus (13th century), “Fole acostumance/ Dominus”

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38
Q

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Anonymous, Motets on Tenor Dominus (13th century), “super te/ sed fulsit/ primus tenor/ Dominus”

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39
Q

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A

Adam de la Halle (ca 1240-1288) motet “de ma dame vient/ dieus, comment parroie/ omnes” (ca 1260s-1280s)

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40
Q

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Petrus de Cruce (pierre de la croix), motet Aucun on trouve/ Lonc tans/ Annuntiantes (ca 1290)

41
Q

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A

Anonymous, rota Sumer is icumen in (ca 1250)

42
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name the title, genre, composer, date, and composer’s dates

A

Phillipe de Vitry (1291-1361), poyltextual motet Cum statua/ hugo, hugo/ Magister invidie (1320)

43
Q

name the title, genre, composer, date, and composer’s dates

A

Guillaume de Machuaut (ca 1300-1377), mass (ordinary cycle) La Messe de Nostre Dame, kyrie. (ca 1364)

44
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A

Guillaume de Machaut (ca 1300-1377), virelai Douce dame jolie (mid 14th century)

45
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A

Guillaume de Machaut (ca 1300-1377), rondeau Rose, liz, printemps, verdue (mid 14th century)

46
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name the title, genre, composer, date, and composer’s dates

A

Phillipus de Caserta (flourished ca. 1370s), ballade En remirant vo douce pourtraiture (ca 1370)

47
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name the title, genre, composer, date, and composer’s dates

A

Jacopo da Bologna (flourished 1340-1386), madrigal Non al suo amante (ca 1350)

48
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name the title, genre, composer, date, and composer’s dates

A

Francesco Landini (ca 1325-1397), caccia Cosi pensoso (mid-14th century)

49
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name the title, genre, composer, date, and composer’s dates

A

Francesco Landini (ca 1325-1397), ballata Non avra ma’ pieta (last quarter of the 14th century)

50
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name the title, genre, composer, date, and composer’s dates

A

Anonymous, carol, Alleluia: a newe work (first half of the 15th century)

51
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name the title, genre, composer, date, and composer’s dates

A

John Dunstable, motet or cantilena, Quam pulchra es (first half of the fifteenth century)

52
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A

Gilles Binchois, ca 1400-1460), rondeau De plus en plus (ca 1425)

53
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name the title, genre, composer, date, and composer’s dates

A

Guillaume Du Fay (ca 1397-1474), ballade, Resvellies vous (1423)

54
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name the title, genre, composer, date, and composer’s dates

A

Guillaume Du Fay (ca 1397-1474), hymn in fauxbourdon style Christe, redemptor omnium (ca 1430)

55
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name the title, genre, composer, date, and composer’s dates

A

Guillaume Du Fay (1397-1474) ballade Se la face ay pale (1430s)

56
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name the title, genre, composer, date, and composer’s dates

A

Guillaume Du Fay (1397-1474), cantus-firmus mass Missa Se la face ay pale, gloria movement (1450s)

57
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A

Antoine Busnoys (ca 1430-1492), virelai Je ne puis vivre (ca 1460)

58
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A

Jean de Ockeghem (ca 1420-1497), mass Missa prolationum, Kyrie (second half of the 15th century)

59
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A

Henricus Isaac (ca 1450-1517), Lied Innsbruck ich muss dich lassen (ca 1500)

60
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A

Josquin des Prez (ca 1450-1521), chanson Faulte d’argent (ca 1500)

61
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A

Josquin des Prez (1450-1521), chanson Mille Regretz (ca 1520)

62
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A

Josquin des Prez, (1450-1521), motet Ave Maria…virgo serena (1484-1485)

63
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A

Josquin des Prez (ca 1450-1521), paraphrase mass, Missa Pagne lingua: Kyrie (ca 1515)

64
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A

Josquin des Prez (1450-1521), paraphrase mass, Missa Pange lingua: part of credo (ca 1515)

65
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A

Attributed to St. Ambrose, Hymn, Veni redemptor gentium. no date.

66
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A

Martin Luther (1483-1546) Nun komm der Heiden Heiland, 1524

67
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A

Martin Luther (1483-1546) Ein feste Burg, chorale. (1529)

68
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Johann Walther (1496-1570), Ein feste Burg, chorale setting for four voices, no date.

69
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A

Loys Bourgeois (ca 1510-1561), metrical psalm, Psalm 134(or sus, serviteurs de Seigneur) (1551)

70
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A

William Kethe (died ca 1608), Psalm 100:all people that on earth do dwell (ca 1559)

71
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A

Thomas Tallis (ca 1505-1585), anthem If ye love me (ca 1546-49)

72
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A

William Byrd (1540-1623), full anthem Sing joyfully unto God (1580s-1590s)

73
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Nicholas Bombert (ca 1495-1560), motet Ave regina caelorum (published 1541)

74
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A

Giovanni Pierluigi de Palestrina (1525/6-1594), mass Pope Marcellus Mass, credo (ca 1560)

75
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A

Giovanni Pierluigi de Palestrina (1525/6-1594), mass Pope Marcellus Mass, Agnus Dei I (ca 1560)

76
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A

Thomas Luis de Victoria (1548-1611), motet O magnum mysterium (ca 1570)

77
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A

Tomas luis de Victoria (1548-1611), imitation mass Missa O magnum mysterium, kyrie (ca 1580s)

78
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A

Orlando de Lassus (1532-1594), motet Cum essem parvulus (ca 1579)

79
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A

Juan del Encina (1468-1529) villancico Oy comamos y bebamos (late 15th century)

80
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A

Marchetto Cara ( ca 1465-1525) frottola Mal un muta per effecto (ca 1500)

81
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A

Jacques Arcadelt (ca 1507-1568), madrigal il bianco e dolce cigno (ca 1538)

82
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A

cipriano de Rore (1516-1565), madrigal De le belle contrade d’oriente( ca 1560-1565)

83
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A

Luca Marenzio (1553-1599), madrigal Solo e pensoso (1590s)

84
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A

Carlo Gesualdo (ca 1561-1613), madrigal “io porto” e non piu dissi (ca 1600)

85
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A

Claudin de Sermisy (ca 1490-1462), chanson Tant que vivray (ca 1527)

86
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A

Orlande de Lassus (1532-1594), chanson La nuict froide et somber (ca 1570s)

87
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A

Claude le Jeune (ca 1528-1600), chanson Recevy venire du printans ( late 16th century)

88
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A

Thomas Morley (1557/8-1602), ballet My bonny lass she smileth (ca 1595)

89
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A

Thomas Weelkes (ca 1573-1623), madrigal As vestas was (ca 1601)

90
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A

John Dowland (1563-1626), air or lute song Flow, my tears (ca 1600)

91
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A

Tielman Susato (ca 1515-1570), Dances from Danserye: Basse Danse La morisque (ca 1551)

92
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A

Tielman Susato (ca 1515-1570), Dances from Danserye: Pavane La dona (ca 1551)

93
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A

Tielman Susato (ca 1515-1570), Dances from Danserye: Galliared La dona (ca 1551)

94
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A

Anthony Holborne (ca 1545-1602), The Night Watch, almain (published 1599)

95
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A

Anthony Holborne (ca 1545-1602), The Fairie-round, galliard, (published 1599)

96
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A

Luis de Narvaez (flourished 1526-1549), intabulation and variation set from los seys libros del Delphin: Cancione Mille regrez, intabulation of Josquin’s Mille regrez. (1538)

97
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A

Luis de Varvaez (flourished 1526-1549), intabulation and variation set from Los seys libros del Delphin: Cuarto diferencias sobre “guardame las vacas” [four variations on guardame las vacas], variation set (1538)

98
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A

William Byrd (ca 1540-1623), variations John come kiss me now (ca 1600)

99
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A

Giovanni Gabrieli (ca 1555-1612), ensemble canzona Canzon septimi toni a 8, from Sacrae symphoniae (ca 1597)