Lineation Flashcards

1
Q

alliterative revival

A

a handy but inaccurate term for the mid–late fourteenthcentury work of (especially) Langland and the Gawain-poet, distinguished from the ‘London School’ by alliterating hemistiches derived from OE verse and notably public political concerns.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

antiphonal

A

: ‘sounded against’, a/line/s responding to an/other/s ; originally exactly that, choric call-and-response within the liturgy, but by extension (i) a mode (composed or imposed) of verse-lines which creates or displays a bipolar vpattern (not a simple sequence, as in blank verse), & (ii) a quality of voice associated with such lines as protesting or refusing a dominant or demanding position.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

area

A

a term promoted in American poetics by W. C. Williams to refute an implicitly narrow, unyielding, hidebound, and rigidly sequential quality associated with neoclassicism ; lines, poems, poetic practices, and poets’ lives may all be recharacterised as areas rather than progressions.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

caesura

A

the medial pause/s in a line ; if there is no punctuation it will tend
not to occur in lines shorter than a tetrameter, and to occur approximately centrally in tetrametric or longer lines ; it may be forced towards the beginning
or the end of a line by punctuation.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

end-stopped

A

of a line or stanza, having a terminal mark of punctuation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

enjambment

A

of lines, couplets, or stanzas, not end-stopped, with sense and/or syntax continuing into the next line, couplet, or stanza.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

hemistich

A

a half-line, used in pairs typically bound by alliteration and/or
rhythm ; verse in such lines is hemistichic.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Imagists

A

a school of poetry in the 1910s–1920s, advocating poetry written in
short lines each containing a clear image ; Pound & H.D. were leading members.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

lineation

A

the organization of a poem into lines.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

line-break

A

the turn of one line into the next, notated as ‘/’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

oral-formulaism

A

a mode of bardic composition in pre- or early literate cultures
in which a large stock of hemistiches are learned, and variously combined
(according to various rules) in performance.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

prong, pronged-line

A

my coinage for a line longer than a normative measure ; the opposite of a bob.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

prose-poem

A

one written and printed as prose, without the use of line-breaks
and often with a justified right margin.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

rocking lineation

A

the effect of counterpoint (cæsura-to-cæsura) lines created
by placing cæsurae in the same position in two or more successive lines.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

stanza-break

A

the physical (and syntactical) space (and pause) between stanzas, marked in transcription with a double slash, ‘//’.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

triadic line

A

a name for the progressively indented tercet created by W. C.
Williams, insisting on its identity as one long line rather than three short ones ; also called the ‘step-down line’.