Lecture 9: The 1970s: Rock, Disco, Punk, Funk, Hip Hop Flashcards

1
Q

Music for listening vs music for dancing

A

Disco challenges rock

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2
Q

Existing interest in black music- motown, soul, funk

A

Reasons for the rise of disco

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3
Q

Movie, Saturday Night Fever

A

Reasons for the rise of disco

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4
Q

Increased interest in social dancing among middle class

A

Reasons for the rise of disco

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5
Q

New technology: synthesizers, drum machines, synchronized turntables

A

Reasons for the rise of disco

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6
Q

For clubs, DJS are cheaper than live music

A

Reasons for the rise of disco

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7
Q

Upward and mobility aspirations: glamorous dressing after rock’s jeans and t shirts

A

Reasons for the rise of disco

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8
Q

Pounding beat

A

Discos musical features

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9
Q

Medium-fast tempo

A

Discos musical features

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10
Q

Straightforward, repetitive song form (verse-chorus)

A

Discos musical features

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11
Q

Straightforward subject matter and lyrics

A

Discos musical features

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12
Q

Limited harmonic vocabulary

Eg Bad Girls

A

Discos musical features

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13
Q

Disenfranchisement (elitism of the scene)

A

Reasons for disco backlash

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14
Q

Politics: escapism of the lyrics

A

Reasons for disco backlash

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15
Q

White male disinclination to dance

A

Reasons for disco backlash

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16
Q

Live vs dj

A

Reasons for disco backlash

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17
Q

Class: blue collar rock vs beautiful people disco

A

Reasons for disco backlash

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18
Q

Racism: disco invented by black and latino musicians

A

Reasons for disco backlash

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19
Q

Homophobia: disco was popularized in NY gay dance clubs

A

Reasons for disco backlash

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20
Q

British movement with complicated US roots and branches

A

1970s punk

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21
Q

Golden age from 1975 to 1978

A

1970s punk

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22
Q

Musically, a reaction to the excesses of rock: artistic aspirations, corporate backing, meticulous studio production, musician’s distance from audience

A

1970s punk

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23
Q

Politically, a reaction to high unemployment and inflation in the UK

A

1970s punk

24
Q

Punk ethos was DIY, simplified, rebellious

A

1970s punk

25
``` Garage bands (amateurish, energetic, fun, not career-oriented). Three us proto-punk bands: Velvet underground, Stooges, New York Dolls ```
US predecessors
26
``` Chaotic Loud Experimental Connected to Andy Warhol’s art scene Most notable member: Lou Reed ```
Velvet Underground
27
Working class, leather jacket-wearing: “raw energy and abandon” Most notable member: Iggy Pop
Stooges
28
Anti-fashion Gender-bending Managed briefly by Malcom McLaren
New York Dolls
29
NY club, ground zero for American punk | Featured bands like NY Dolls, Patti Smith, Ramones
CBGB’s
30
``` Arguably first punk band Blue jeans and leather jackets Barely competent musicians Short, simple songs Sneering, rebellious ethos of 1950s rock n rollers ```
Ramones
31
First uk punk band, formed and managed by media savvy Malcolm Mclaren
British Punk: Sex pistols
32
Early performances prompted others to form bands (the clash, siouxie and the banshees)
British Punk: Sex pistols
33
Recorded one song “anarchy in the uk” before EMI terminated their contract
British Punk: Sex pistols
34
Sparked a movement in britain among working class youth due to unemployment and generally poor economic conditions
British Punk: Sex pistols
35
Inspired by James Brown (groove) and Sly and the Family Stone (1967-1983) (mix of psychedelic rock, soul, jazz, socially engaged folk music)
Funk Music
36
A major inspiration for disco
Funk Music
37
Strong, dance-oriented rhythms
Funk music attributes
38
Catchy melodies
Funk music attributes
39
Call and response between voices and instruments
Funk music attributes
40
Repeated, interlocking rhythmic patterns
Funk music attributes
41
Loose aggregate of 40 musicians
Parliament funkadelic
42
Led by george clinton, including bootsy collins and maceo parker from james brown’s band
Parliament funkadelic
43
Live band with big stage show-costumes, elaborate sets
Parliament funkadelic
44
Full of socially conscious and humorous, often science-fiction-based, concept albums
Parliament funkadelic
45
In the 1970s in the Bronx, NYC’s most economically devastated borough, African American, Puerto Rican, and Caribbean American youth respond to oppression and racism in creative ways
Origins of hip hop
46
An emphasis on rhythmic momentum and creativity (rapping, mixing, creating rhythmic patterns from samples)
African American music continues in hip hop
47
Timbral complexity (new sounds like scratching, electronics, sampling from various sources)
African American music continues in hip hop
48
Improvisation (in words and music) like rapping, looping, breakbeats
African American music continues in hip hop
49
Incorporative, innovative approach to musical technology
African American music continues in hip hop
50
Starts sound system parties | Discovers basic techniques like mixing
``` DJs: Kool Here (Clive Campbell) ```
51
Advances equipment and techniques
DJs: | Grand Master Flash
52
Wide, eclectic music collection
DJs: | Afrika Bambaata
53
The documentary style wars 1983 produced by chalfant and silver
Cooptation of hip hop culture
54
Rapture (Blondie) music video is an early depiction of hip hop culture
Cooptation of hip hop culture
55
Malcolm McLaren, ex-sex pistols manager also attempted to popularize hip hop culture “Buffalo Gals”
Cooptation of hip hop culture