Lecture 5: Big Singers; Rhythm and Blues; Country and Western Flashcards

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1
Q

Postwar economic boom = the rise of the middle class

A

Postwar Music Industry

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2
Q

More disposable income = new peak in record sales in 1947

A

Postwar Music Industry

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3
Q

1949: people under 21 made up ⅓ of the record-buying population (teenager)

A

Postwar Music Industry

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4
Q

Disc jokeys playing pre recorded music on the radio becomes common in the 1930s

A

The Radio DJ

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5
Q

more important in the postwar period, as they controlled what was played on the radio

A

The Radio DJ

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6
Q

Small record labels paid DJs to play their records= ‘playola’ scandal of the late 1950s

A

The Radio DJ

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7
Q

Founding of BMI publishing house (a reaction to ASCAP) open to southern artists kept out of union of mainstream tin pan alley

A

Marginal Music Increase in Importance

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8
Q

AFM recording ban (1942-1944) opens recording to non-union musicians (Country and western, rhythm and blues)

A

Marginal Music Increase in Importance

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9
Q

Migration to northern urban centres in the 30s and 40s for defence related jobs

A

Marginal Music Increase in Importance

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10
Q

Radio: specialty stations appear (1949: WDIA first African American radio station)

A

Marginal Music Increase in Importance

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11
Q

Records: independent labels proliferate

A

Marginal Music Increase in Importance

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12
Q

Magnetic tape recording = easy recording layers of music

A

Recording Technology

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13
Q

No longer limited to simply recording live performances; eventually revolutionizes what music can sound like

A

Recording Technology

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14
Q

1948: Columbia Records creates 33rpm vinyl LP = Longer playing time, quieter, less breakable

A

Playback Technology

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15
Q

1949: Victor creates the 45 rpm single: stackable, allows for “playlists”

A

Playback Technology

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16
Q

1939: FM Radio is added to AM = eventually allows for stereo sound

A

Radio

17
Q

1946: 6000 homes in the US have tvs
1948: 3,000,000 homes in the us have tv
1949: record sales drop, recording industry sees TV as a threat at first
1951: 12,000,000 homes in the US have tv

A

TV

18
Q

By mid 50s, it is the most important medium for introducing new artists

A

TV

19
Q

Focus shifts from band leaders to singers, partly due to the AFM recording ban, which allowed singers to continue recording

A

The Rise of the Big Singers

20
Q

Solo singers: Frank Sinatra, Nat “King” Cole, Perry Como, Doris Day, Peggy Lee, Patti Page- take over mainstream music

A

The Rise of the Big Singers

21
Q

Born in New Jersey

A

Frank Sinatra

22
Q

Sang in vocal quartets and with big bands

A

Frank Sinatra

23
Q

Finally recorded solo (with choral accompaniment) during AFM strike

A

Frank Sinatra

24
Q

Became first teenage heartthrob: 1944 Columbus Day riot

A

Frank Sinatra

25
Q

Jazz pianist but recorded sentimental ballads as vocalist from 1946

A

Nat King Cole

26
Q

The most successful African American artist in the postwar era, and one of the few, along with the Mills Brothers and Louis Jordan, to cross over to mainstream pop

A

Nat King Cole

27
Q

Race music becomes rhythm and blues
Hillbilly music becomes country and western
Both genres becomes popular

A

Postwar name changes

28
Q

6 to 7 piece band

A

Southern Music in the Postwar Era:

Rhythm and blues/jump blues

29
Q

High energy

A

Southern Music in the Postwar Era:

Rhythm and blues/jump blues

30
Q

Humourous lyrics and stage antics

A

Southern Music in the Postwar Era:

Rhythm and blues/jump blues

31
Q

Louis jordan and the tympany five were the most successful- very influential on early rock and roll
Popular with with audience too, which resulted in segregated shows, or sections of the theatre or dance floor

A

Southern Music in the Postwar Era:

jump blues

32
Q

Urban blues (Muddy Waters)

A

Southern Music in the Postwar Era

33
Q

Crooners

A

Southern Music in the Postwar Era

34
Q

Vocal harmony groups

A

Southern Music in the Postwar Era

35
Q

represents “the golden age of country”

A

Honky Tonk

36
Q

use of electric guitar, pedal steel guitar , often “a percussive, insistent beat that was well-suited to dancing”

A

Honky Tonk

37
Q

themes of “family instability, the unpredictability of male-female relationships, the attractions and dangers of alcohol, and the importance of enjoying the present”

A

Honky Tonk

38
Q

The most important single figure of postwar country –personified the “hard-living, hard-loving rambler” image that Jimmie Rodgers established in the 1920s

A

Hank Williams

39
Q

hugely popular, but fired from the Grand Ole Opry for many missed shows, died in the back of his car on New Year’s Day, 1953

A

Hank Williams