Lecture 7: Early Rock’n’Roll; Motown; The British Invasion Flashcards

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1
Q

Was not:
One style of music
The first popular music aimed at young people
The first popular music to mix black and white musical styles

A

Early Rock and Roll

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2
Q

Was:
A marketing term used to identify a new target audience
The first popular music directed exclusively at teenagers
The first popular music where race, religion and class was less important than age

A

Early Rock and Roll

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3
Q

Does not exist because:
It is not one style of music
The term rock n roll first appears in a 1916 recording
Stylistic traits found earlier in many genres
(Jazz, race records, hillbilly, swing, western swing, boogie woogie, honky tonk, jump blues, etc)

A

The First Rock n Roll Record

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4
Q

First to use the term rock n roll in this new context

A

Alan Freed (1922-1965)

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5
Q

Played R&B records on his early 1950s radio show in Cleveland

A

Alan Freed (1922-1965)

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6
Q

Promoted tours with R&B artists playing to young, racially mixed crowds

A

Alan Freed (1922-1965)

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7
Q

1957 show cancelled over racial concerns

Prosecuted in the “playola” scandals of the early 60s

A

Alan Freed (1922-1965)

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8
Q

An umbrella term that covered music that would have been called R&B (Chuck Berry), country (Elvis Presley), or even Tin Pan ALley (Pat Boone) previously

A

Rock n Roll Musical Style

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9
Q

Heartbreak Hotel 1956 hit number one on pop, country and R&B charts at the same time

A

Rock n Roll Musical Style

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10
Q

A relatively safe and affordable way for kids to assert their generational identity through rebellion against previous adult standards and restrictions of musical style and taste

A

Rock n Roll Musical Style

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11
Q

Songs covered topics like school (“Summertime Blues”), fashions (“Black Denim Trousers and Motorcycle boots”), social dancing (“At the Hop”), and courtship (“Puppy Love”)

A

Rock n Roll Content

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12
Q

The teenager as a commercial and cultural entity was invented in the 50s, and rock n roll, tv and movies to a lesser degree, are responsible

A

Rock n Roll and the teenager

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13
Q

Race, region, and class are less important than generation; the same songs could be heard at a dance in a “primarily black, inner-city school”, “exclusive white suburban private school”, and a “rural social”

A

Rock n Roll and the teenager

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14
Q

Record sales boom in the 50s
1951 (pre R&B): $191 million
1959: $514 million

A

The Rock n Roll Business

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15
Q

Indie labels proliferate, mostly R&B C&W

Big labels are slow to change, stick with TPA crooners

A

The Rock n Roll Business

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16
Q

1955: July: Bill Haley’s “Rock Around the Clock” is #1 for 8 weeks

A

The Rock n Roll Business

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17
Q

Major labels look for others- RCA Victor signs Elvis Presley in 1956

A

The Rock n Roll Business

18
Q

Not necessarily rock n roll, but obvious influence for Elvis and other Rock n roll stars

A

Early Rock n Roll Stars on the R&B Side:

Sister Rosetta Tharpe (1915-1973)

19
Q

Gospel singer and guitarist

A

Early Rock n Roll Stars on the R&B Side:

Sister Rosetta Tharpe (1915-1973)

20
Q

Played in nightclubs (eg Cotton Clubs) for secular audiences, then shunned by gospel crowds

A

Early Rock n Roll Stars on the R&B Side:

Sister Rosetta Tharpe (1915-1973)

21
Q

1940s: played mostly gospel music, but sound is a big influence on early rock n roll (Elvis, Johnny Cash, Chuck Berry, little Richard)

A

Early Rock n Roll Stars on the R&B Side:

Sister Rosetta Tharpe (1915-1973)

22
Q

Born into a middle class, African American family in St Louis, Missouri

A
Early Rock n Roll Stars on the R&B Side:
Chuck Berry (1926-2017)
23
Q

Multi-talented: lyricist and songwriter, electric guitar pioneer, performer

A
Early Rock n Roll Stars on the R&B Side:
Chuck Berry (1926-2017)
24
Q

Influential on future rock performers (Beatles)

1959: racially motivated arrest leads to prison sentence, ending pop career

A
Early Rock n Roll Stars on the R&B Side:
Chuck Berry (1926-2017)
25
Q

First public performance is with Sister Rosetta Tharpe, at 15

A
Early Rock n Roll Stars on the R&B Side:
Little Richard (1932)
26
Q

1956: Tutti Frutti becomes a hit

Effeminate stage persona plays with gender

A
Early Rock n Roll Stars on the R&B Side:
Little Richard (1932)
27
Q

1959 went back to the church

A
Early Rock n Roll Stars on the R&B Side:
Little Richard (1932)
28
Q

Embodied the new spirit of rock n roll music in the most extroverted, outrageous, and original way

A
Early Rock n Roll Stars on the R&B Side:
Little Richard (1932)
29
Q

First recorded R&B artists: Howlin Wolf, BB King, Junior Parker
Later rockabilly artists: Carl Perkins, Johnny Cash, Jerry Lee Lewis, Roy Orbison
Too small to promote Elvis, sold his contract to expand the record company

A

Early Rock n Roll Stars on the Country Side:

Sun Records

30
Q

first record at Sun Records
1955 RCA buys Elvis’ contract for $35,000
Chet Atkins brought into RCA to make sure recordings are “pop friendly” and clean

A

Early Rock n Roll Stars on the Country Side:

Elvis Presley

31
Q

His hip shaking on TV was scandalous, filmed from the waist up after first appearance
Went on to be the biggest selling solo artist ever

A

Early Rock n Roll Stars on the Country Side:

Elvis Presley

32
Q

1958-1960 Elvis in the army
1960s made increasingly cheap but successful movies
1970s Las Vegas, touring
1977 died at home, Graceland, a museum today

A

Early Rock n Roll Stars on the Country Side:

Elvis Presley

33
Q

“The essential conservatism of the 1950s, politically and culturally, made it a particularly inauspicious time to be seen as a rebellious and empowered young woman”
Compare with:
Connie Francis (b 1938) late 190s hits like “Who’s Sorry Now” and “Lipstick on Your Collar”: unthreatening image of femininity

A

Women in rock n roll: Wanda Jackson

34
Q

Blues and country performers often wrote their own songs

A

Songwriters of Rock n Roll

35
Q

The influence of these genres on rock n roll meant that more performers were writing

A

Songwriters of Rock n Roll

36
Q

Songwriters were needed less- of the performers discussed here only ELvis did not regularly write his own material

A

Songwriters of Rock n Roll

37
Q

Leiber and Stoller wrote for Elvis, the Coasters, and the Drifters

A

Songwriters of Rock n Roll

38
Q

Otis Blackwell wrote many of Elvis’ hits

A

Songwriters of Rock n Roll

39
Q

TPA continues to flourish- it is what teenagers are rebelling against

A

Other Currents:

The Standard and Folk Music in the Rock n Roll Era

40
Q

Sinatra relaunches his career with adult-oriented albums like Songs for Swingin’ Lovers (teenagers mostly bought singles)

A

Other Currents:

The Standard and Folk Music in the Rock n Roll Era

41
Q

Modern jazz, classical were other genres for older people

A

Other Currents:

The Standard and Folk Music in the Rock n Roll Era

42
Q

Folk music continues to grow- Kingston Trio’s “Tom Dooley” presages the 1960s folk boom

A

Other Currents:

The Standard and Folk Music in the Rock n Roll Era