Lecture 3 Flashcards

1
Q

How can we conceptualise dialogue

A

Individualistically - but this is problematic if you think dialogue forms each of these selves. Dialogically - theory of the dialogic self

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2
Q

Discuss Bakhtin’s notion of voices

A

Thought is heteroglossic: has in it different voices; every word, every moment is multivoiced, infused with “shared thoughts, points of view, alien value judgements and accents. Voices can be unifying and/or decentring

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3
Q

Discuss Buber’s notion of relation

A

Different relational stances - stance of openness to the other versus an objectivating, spectatorial, instrumental stance; where the other is encountered in the living present versus freezing the other into a vestige from the past

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4
Q

Does an absence of dialogue matter

A

Yes. - matters to babies too because they like to be able to address people and be addressed

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5
Q

Why do infants bother talking to us

A

Invitation to join in a world we don’t yet know. Meaning in feeling a response

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6
Q

What can being looked at result in in 2-3 month old infants

A

Smiles. Distress. Indifferent avoidance. Ambivalent smiles

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7
Q

What do 4 month olds have a preference for

A

Matched mouth shape & vowel sound

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8
Q

What do 5 month olds have a preference for

A

Intensity shifts redundant across modalities - speed of mouth opening with amplitude of speech sound

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9
Q

Discuss dialogic phenomena in terms on 2 month old infants

A

Coherence, pre-speech movement & turn-taking. Structural features of conversation.

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10
Q

Discuss the structural features of dialogue

A

Repertoire of communicative acts. Self-synchrony. Interactional & affective synchrony. Turn-taking. Attentional coordination. Reference. Information content. Symbolism. Grammatical and textual competence. Socio-linguistic competence.

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11
Q

Discuss the contingency detection module

A

Preference for contingency not communication. From perfect to imperfect contingencies - shift around 3-5 months.

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12
Q

Discuss affective engagement

A

The recognition of affects and appropriate responses - Trevarthen: communication of affects - dynamic interplay of emotional attitudes. Tronick: mutual regulation model. Legerstee: recognition of affective mirroring. Field: maternal depression (infant helplessness). Malloch et al.:maternal depression (infant comprehension).

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13
Q

Discuss infant expressions & adult responses

A

Adults tend to respond to infant signals, typically within a second across cultures. But the nature of responses and addresses differs: physically versus verbally and visually responsive. Visual addresses versus addresses to the vestibular sense or sense of touch. Preference for the same level of contingent responsiveness from strangers as their mothers. Increasing difference between cultures with age in mutual gaze as a proportion of f-t-f-episodes.

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14
Q

Discuss secondary intersubjectivity

A

9-12 months: pointing - proto-declarative pointing, proto-imperative pointing, proto-informative pointing, proto-interrogative. Intentional about an external referent

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15
Q

Discuss the paradox of communication

A

Language and communication often seen as leading to the sharing of minds - making private experience public by telling, talking makes sense in our highly verbal culture. The sharing of minds necessary for language and communication to occur - need to first know what is meant by the other, and indeed that something is meant by them.

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16
Q

Is communication paradox?

A

Only a paradox if you assume the communication of meanings is a representational act - that is if you argue that the content has to precede communication itself. A meaning must be already public and shared in order for it to figure in communication. Communication is primary - privately represents meanings.

17
Q

Discuss metaphors for intentional communication

A

A telegraph metaphor. The orchestra metaphor.

18
Q

What is the telegraph metaphor

A

It needs a message, a sender and a receiver. BUT it is individualist (ignores interaction); belated (ignores its emergence, the shared ground). Internalist (assumes the message is separate from the act.

19
Q

What is the orchestra metaphor

A

Needs more than one player - affectively capable and motivated to connect. Not sequential, not internalist, gradualist