Lecture 22: Social Media & Co-Production of Bodies Flashcards

1
Q

What is this section about?

A
  • Exploring cultural significance of body images
  • Social scientific research on body image
  • Alternative ways to think about the issues:
    • Materiality of “body images”
    • With social media, who are actors (creators)?
  • Hermeneutic approach
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

General Proposition

A
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Template of most empirical studies

A
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Major mechanisms

A
  • In a society where media is driven by the motive of making profit, they are motivated by images
  • Being pleased in such an environ. is likely to affect your well-being (emotional reactions), more body-related thoghts
    • Social learning
    • Heightened Body concerns
    • social comparison
    • self discrepancy
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Social learning (Major mechanisms)

A

When exposed to images, people will emulate the character, thinking they will get social rewards

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

self discrepancy

A
  • Caused by comparison between actual self and desired self
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Main Findings

A
  • Exp. proved causal relationship for agenda setting hyothesis
  • Agenda melding
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Agenda melding

A
  • Distinctly identifiable audiences value issues & attributes differently
  • Each audience melds agenda from various media into a different mix of issues & attributes
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Vargo et. al

A
  • Measured frequency of tweets on specific issues
  • Results: agenda-melding effect
    • Vertical media: better predicted agenda-setting of Obama voters
    • Horizontal media (Republican) most related to agenda-setting of Obama voters
    • Supports agenda-setting process
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

An Object and an Image Results

A
  • Women who were dissatisfied with their bodies compared themselves to larger vases
  • Among women with body diss., those who saw the thin vase had lower self-evaluation than those who saw larger vase
  • Among women with BD, women were not significantly affected by vase size they saw.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Co-production process 1

A
  • The body-image and well-being relationship I
  • Emobodiment
    • A condition of something, presumably tangible, acquired mentally or physically
  • Materiality may be manifested in different forms in the natural world: solid, liquid, gas
    • What about digital?
  • Embodying: a social production process
  • Image: a special category.. Quasi object
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Co-production process 2

A
  • The body-image and well-being relationship 2
  • The participatory culture (Jenkins etc.)
    • In contrast to spectatorship
    • Ex: characteristic of fandom practices
  • Blurring the divide between consumption and production of cultural products
  • Cultural practices and community formation
  • New kinds of spatial configuration
    • Across the vast geographical spread
    • Visability via networks: flattening
    • Doing time in space: juxtaposition
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Henri Bergson

A
  • French philosopher
  • Image: quasi object
  • Duration: temporal movement and entrapping past
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Michel Serres

A
  • French philosophy
  • “parasite”: the third element or mediator in communic.
  • The third element or mediator through which communic. must pass.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Goodings & Tucker background

A
  • How to understand the body-enactment of certain images- in the technologically enacted spaces?
    • “Boyd”- people write themselves into being
    • Evolving technologies affect how people “build and sustain digital body”
    • Co-production process
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Co-production process (Goodings/Tucker)

A
  • “Socially mediated bodies emphasize the way technologies and social media can shape people, places and things through enactment of human and technologies.”
17
Q

Goodings & Tucker 2014 study design

A
  • Groups asked question: “How do people use technologies to connect with others via social media?”
  • Discourse analysis
    • Extracting themes
    • Language uses indicative of participants experiences and conceptions
      • Performative qualities of speech
18
Q

Goodings & Tucker Results: Multiplicity

A
  • Multiple selves “colide” and “juxtapose”
  • Branding or threading
  • Awareness of potential tensions, as well as opportunities, in teh mediated space (parasite)
19
Q

Goodings & Tucker Results: Timeline

A
  • Restrictive temporal movements
  • Spatializning temporality: the totality of one’s past is emobides into the timeline, with simplification and restriction
  • Memory stored in visual bodies, enchroaching the future
  • Selected succession of “snapshots”: prescriptive on that path for present and future