Lecture 2 - Concept of Status Flashcards

1
Q

What is sociology?

A

The scientific study of the interaction between individuals and society.

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2
Q

Define fashion.

A

The spread of a style or behavior within a social community.

a social phenomenon that consists in the affirmation of models of taste and style within a specific social community

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3
Q

What can be considered fashionable?

A

Objects, practices, ideas.

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4
Q

What is clothing?

A

The set of objects used in dressing, such as shirts and accessories.

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5
Q

Define costume.

A

A way of dressing characteristic of a specific historical-geographical context or social condition.

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6
Q

What is the definition of status?

A

The hierarchical position of someone in relation to others within society.

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7
Q

What is a role in sociology?

A

A set of expectations about a person based on the social position they occupy.

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8
Q

Define social class.

A

A grouping based on similar social, economic, and cultural resources.

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9
Q

Who is Thorstein Veblen?

A

A US economist and sociologist, considered the father of sociology of consumption.

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10
Q

What is conspicuous leisure?

A

Sets of behaviors pursued during nonwork time that provide tangible evidence of status.

ex: knowledge of dead language, music, manners, practicing games and sports

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11
Q

What does conspicuous consumption refer to?

A

The spending of money on luxury commodities as a public display of economic power.

ex: the consumption of clothes

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12
Q

Why is clothing important in the context of status?

A

Clothing can communicate the social position of the wearer.

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13
Q

What are some characteristics of fashion according to Veblen?

A
  • Showy
  • Superfluous
  • Updated to the taste of the moment
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14
Q

True or False: Fashion is dictated by the lower class.

A

False.

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15
Q

What is the ‘tickle down effect’ in fashion?

A

A model of fashion diffusion from upper classes to lower classes.

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16
Q

Who is Pierre Bourdieu?

A

A French philosopher, sociologist, and anthropologist considered one of the most important sociologists of the 20th century.

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17
Q

What does Bourdieu’s concept of capital include?

A
  • Economic
  • Social
  • Cultural
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18
Q

How can capital be converted?

A

From one form to another, such as cultural capital to economic capital.

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19
Q

What is the main assumption of Bourdieu’s work ‘Distinction’?

A

Social distinction is maintained through cultural capital.

based upon empirical research about the state of French Culture

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20
Q

What are the two conflicting processes in Simmel’s analysis of fashion?

A
  • Conformity
  • Individualism
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21
Q

Fill in the blank: According to Veblen, the American upper class practices conspicuous consumption to _______.

A

show off and distinguish itself from lower social classes.

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22
Q

What does Simmel argue about fashion in modern societies?

A

Fashion can only develop in societies with defined but permeable social classes.

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23
Q

What is the relationship between fashion and social class according to Veblen and Simmel?

A

Fashion spreads through a top-down mechanism, from upper classes to lower classes.

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24
Q

what is fashion strictly related to

25
Q

what is fashion from a european persepctive?

A

the term is used to describe the way of dressing from the modern era on

26
Q

Thorstein Veblen book

A

the Theory of the Leisure Class: An Economic Study in the Evolution of Institutions, 1899

In book he describes and explains the behavioral characteristics of the new rich social class that emerged from capital accumulation during the second industrial revolution

27
Q

in what ways do people display their statuses according to Veblen

A

Conspicuous leisure and conspicuous consumption

28
Q

why clothing according to veblen

A

the American upper class carries out practices of conspicuous consumption to show off and distinguish itself from lower social classes

29
Q

what makes a garment more and more a symbol of belonging to a high class

A

The less practical and functions the garment is, the more it becomes a symbol of belonging to a high class

Elegant and immaculate clothes, with unnecessary frills, indicate that the wearer does not carry out strenuous activities

30
Q

how is fashion showy

A

it expresses the wealth of the wearer

31
Q

how is fashion superfluous

A

it is neither practical nor functional

32
Q

according to veblen fashion’s function is mainly

A

ostentatious and demonstrative

33
Q

fashion is dictated by

A

the leisure class, and spreads to the lower classes through a top-down mechanism

34
Q

what is a symbol of high social status today

A

vintage clothing, sustainable luxury, etc

A busy and overworked lifestyle has become an aspirational status symbol

it is associated with intellectual work and a high demand from the market

35
Q

what is not so much a symbol of high status today

A

In recent decades, traditional luxury goods have become more widespread and have partly lost their value in signaling the status of their owners

As a result, new ways of signaling status have emerged (e.g., vintage clothing, inconspicuous consumption, sustainable luxury)

36
Q

georg simmel

A

German philosopher and sociologist; among the founding fathers of sociology

37
Q

georg simmel book

A

Fashion (De Mode), 1895

He analyses fashion as a general phenomenon (a trait characteristic of modern society), which can be applied to clothing as well as other things (i.e. ideas) - fashion has two inspiring principles: imitation and distinction

38
Q

what is essential about simmel’s two conflicting processes about fashion

A

these processes are characteristic humanity and are always in conflict with each other

39
Q

what are the three sequential phases of the top-down mechanism

A

The elite (upper class) differentiates from the other through their clothing

The class immediately below imitates the clothing of the elite: clothes represent the easiest way to “achieve” parity with the upper class because they can be acquired with money (this doesn’t happen for other things, such as culture) –> the monetary economy favors fashion

The elite is “forced” to adopt a new form of the distinctive clothing to differentiate themselves from lower classes

40
Q

according to the top-down mechanism, what does fashion therefore do

A

Fashion, therefore, unites members of the same social class and separates them from those of other social classes

41
Q

The concept of capital is closely linked to

A

the theoretical framework of Karl Marx

42
Q

According to Marx, capital is a

A

“definite social relation of production pertaining to a pertaining to a particular historical social formation” when referring to Marxian concept of capital, sociologists usually refer to the set of economic resources possessed by an individual (money, properties, income, etc)

43
Q

For Marx, a social class is determined by

A

difference in material (economic) resources between groups of individuals

44
Q

economic form of capital

A

linked to income and profession

45
Q

social form of capital

A

linked to the quantity and quality of relationships

46
Q

cultural form of capital

A

linked to education and training

47
Q

What is cultural capital?

A

Cultural capital includes education, intellect, values, styles of speech, and style of dress.

48
Q

How do people with more cultural capital influence society?

A

They determine what is considered GOOD taste.

49
Q

What is the perception of the dominant class’s taste?

A

It is often seen as the most legitimate.

50
Q

What is symbolic violence in the context of cultural capital?

A

It is the acceptance of socially dominant taste by lower classes, reinforcing social hierarchy.

51
Q

According to Bourdieu, how do different social classes relate to taste?

A

Different classes develop distinct aesthetic preferences based on access to cultural capital.

52
Q

What is the relationship between taste and consumption choices?

A

Taste guides consumption choices, maintaining class distinctions.

53
Q

Fill in the blank: CULTURAL CAPITAL –> _______ –> CONSUMPTION CHOICES.

54
Q

What values do the bourgeoisie emphasize regarding clothing?

A

They value the aesthetic dimension and the importance of adapting one’s wardrobe to different social contexts.

55
Q

How does the working class typically use clothing?

A

In a functional and practical way.

56
Q

What role does cultural capital play in art according to Bourdieu?

A

It maintains distinctions between social classes through taste.

57
Q

Why might lower-class individuals struggle to appreciate high culture?

A

They rarely acquire the same cultural resources as those from upper-class backgrounds.

58
Q

What are some modern symbols of distinction in Western societies?

A

Practices such as meditation, yoga, and vegetarianism.