larkin - not examined yet Flashcards

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1
Q

why is the poem called Wants?

A

larkin explores the conflict between the wants and desires of the speaker and those of society

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2
Q

however the sky grows dark with invitation-cards//however we follow the printed directions of sex//however the family is photographed under the flag-staff

A

anaphoric repetition establishing a list of societal expectations that the speaker wants to reject as they seem relentless

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3
Q

sky grows dark with invitation-cards = hyperbole

A

speaker feels overwhelmed with dread and anxiety when considering prospect of fulfilling societal obligations

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4
Q

follow the printed directions of sex = imperative

A

the command to do something like have sex makes it seem dull

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5
Q

beyond all this, the wish to be alone = repeated

A

makes his desires seem constant and inescapable

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6
Q

beneath it all, the desire for oblivion runs

A

visual image of speaker being weighed down by society

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7
Q

artful tensions = juxtaposition

A

restricted by events that are organised meticulously, therefore unavoidable

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8
Q

life insurance, the tabled fertility rites, the costly aversion = asyndetic list

A

seems endless, always paying to simply exist

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9
Q

beneath it all, the desire for oblivion runs = repeated

A

idea of death being a looming presence throughout life

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10
Q

what is significant about the title of Places, Loved Ones?

A

to put two contrasting ideas together, it diminishes the romanticism of ideas of ‘the one’

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11
Q

no, i have never = repeated negators

A

establishment of this rejection and separation

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12
Q

‘this is my proper ground,//here i shall stay’ = direct speech

A

represents wider society, sounds verbose and exaggerated, not authentic

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13
Q

who has an instant claim//on everything i own = legal language

A

suggests a loss of identity when you enter a relationship

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14
Q

to prove//… to love = visual rhyme

A

mocking the idea of being able to prove love

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15
Q

so that it’s not your fault//should the town turn dreary

A

inevitability as it was a foolish idea to begin with

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16
Q

the girl a dolt

A

ridiculing them for passively believing in the ‘special one’ removing their own agency

17
Q

you’re//bound

A

idea of entrapment into conformity, making larkin the ‘less deceived’

18
Q

mashed you = colloquial

A

vernacular, undermines romance

19
Q

your person, your place

A

analogy of moving with a relationship

20
Q

what is the significance of the title Born Yesterday?

A

term used to comment on a person’s naivety

21
Q

tightly-folded bud = metaphor

A

not yet bloomed, closed off, protected

22
Q

not the usual stuff//about being beautiful

A

societal expectations are presented as superficial and unobtainable

23
Q

or running off a spring//of innocence and love = hyperbole

A

sounds like a fantasy, unrealistic

24
Q

well, you’re a lucky girl

A

condescending, patronising tone

25
Q

what form is Born Yesterday?

A

free verse, indicative of a stream of consciousness

26
Q

have, like other women,//an average of talents

A

mocking societal expectations of women

27
Q

in fact, you may be dull

A

moving away from expectations, contradictory as he is dull and unhappy, as seen throughout the collection

28
Q

if that is what a skilled,// vigilant, flexible, unemphasised, enthralled = asyndetic list

A

speculating what makes women happy, suggesting what could be achieved when you look past superficial expectations

29
Q

unemphasised, enthralled// catching of happiness is called = rhyming couplet

A

hope for an organised, straightforward life is naive and unrealistic despite the romanticisation

30
Q

catching of happiness is called

A

conveys it is out of reach and unobtainable