larkin - not examined yet Flashcards

1
Q

why is the poem called Wants?

A

larkin explores the conflict between the wants and desires of the speaker and those of society

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2
Q

however the sky grows dark with invitation-cards//however we follow the printed directions of sex//however the family is photographed under the flag-staff

A

anaphoric repetition establishing a list of societal expectations that the speaker wants to reject as they seem relentless

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3
Q

sky grows dark with invitation-cards = hyperbole

A

speaker feels overwhelmed with dread and anxiety when considering prospect of fulfilling societal obligations

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4
Q

follow the printed directions of sex = imperative

A

the command to do something like have sex makes it seem dull

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5
Q

beyond all this, the wish to be alone = repeated

A

makes his desires seem constant and inescapable

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6
Q

beneath it all, the desire for oblivion runs

A

visual image of speaker being weighed down by society

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7
Q

artful tensions = juxtaposition

A

restricted by events that are organised meticulously, therefore unavoidable

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8
Q

life insurance, the tabled fertility rites, the costly aversion = asyndetic list

A

seems endless, always paying to simply exist

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9
Q

beneath it all, the desire for oblivion runs = repeated

A

idea of death being a looming presence throughout life

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10
Q

what is significant about the title of Places, Loved Ones?

A

to put two contrasting ideas together, it diminishes the romanticism of ideas of ‘the one’

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11
Q

no, i have never = repeated negators

A

establishment of this rejection and separation

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12
Q

‘this is my proper ground,//here i shall stay’ = direct speech

A

represents wider society, sounds verbose and exaggerated, not authentic

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13
Q

who has an instant claim//on everything i own = legal language

A

suggests a loss of identity when you enter a relationship

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14
Q

to prove//… to love = visual rhyme

A

mocking the idea of being able to prove love

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15
Q

so that it’s not your fault//should the town turn dreary

A

inevitability as it was a foolish idea to begin with

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16
Q

the girl a dolt

A

ridiculing them for passively believing in the ‘special one’ removing their own agency

17
Q

you’re//bound

A

idea of entrapment into conformity, making larkin the ‘less deceived’

18
Q

mashed you = colloquial

A

vernacular, undermines romance

19
Q

your person, your place

A

analogy of moving with a relationship

20
Q

what is the significance of the title Born Yesterday?

A

term used to comment on a person’s naivety

21
Q

tightly-folded bud = metaphor

A

not yet bloomed, closed off, protected

22
Q

not the usual stuff//about being beautiful

A

societal expectations are presented as superficial and unobtainable

23
Q

or running off a spring//of innocence and love = hyperbole

A

sounds like a fantasy, unrealistic

24
Q

well, you’re a lucky girl

A

condescending, patronising tone

25
what form is Born Yesterday?
free verse, indicative of a stream of consciousness
26
have, like other women,//an average of talents
mocking societal expectations of women
27
in fact, you may be dull
moving away from expectations, contradictory as he is dull and unhappy, as seen throughout the collection
28
if that is what a skilled,// vigilant, flexible, unemphasised, enthralled = asyndetic list
speculating what makes women happy, suggesting what could be achieved when you look past superficial expectations
29
unemphasised, enthralled// catching of happiness is called = rhyming couplet
hope for an organised, straightforward life is naive and unrealistic despite the romanticisation
30
catching of happiness is called
conveys it is out of reach and unobtainable