Hamlet Critics Flashcards

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1
Q

All duties seem holy to Hamlet

A

Von Goethe

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2
Q

Claudius is not a monster, he is morally weak

A

Mallibard

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3
Q

Claudius’ soliloquy gives the impression of rhetorical pageantry rather than sincere contrition

A

Arnold

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4
Q

Through madness, Ophelia suddenly makes a forceful assertion of her being

A

Charney

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5
Q

Laertes is like a hurricane. He rushes into the palace in an uncontrolled rage, roaring for blood

A

Prosser

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6
Q

The aim of tragedy is to arouse sensations of pity and fear

A

Aristotle

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7
Q

The opening scene of Hamlet is as well constructed as that of any play ever written

A

T.S. Eliot

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8
Q

Claudius shows every sign of being an excellent diplomat and king

A

Knight

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9
Q

Ophelia is deprived of thought, sexuality and language

A

Showalter

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10
Q

In Shakespeare’s society, the ideal female is cherished for her youth, beauty and purity

A

Rogers

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11
Q

Hamlet can be privileged in madness to say things about the corruption of human nature

A

Mack

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12
Q

Hamlet seems incapable of deliberate action

A

Hazlitt

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13
Q

Hamlet’s delay is due to… a form of melancholy

A

Bradley

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14
Q

The single characteristic of Hamlet’s character is by no means hesitation but the strong conflux of contending forces

A

Swinbourne

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15
Q

Hamlet is a tragedy of thought

A

Bradley

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16
Q

We can imagine Hamlet’s story without Ophelia but Ophelia literally has no story without Hamlet

A

Edwards

17
Q

Gertrude is a moral defective

A

Muir

18
Q

The ghost is the linchpin of Hamlet

A

Wilson

19
Q

In the final act, Hamlet accepts his world and we discover a different man

A

Mack

20
Q

Hamlet is a tragedy without catharsis

A

Frye

21
Q

Women are either innocent maiden saints or loathsome sinners

A

Mcgrory

22
Q

Polonius seems to love his children… his means of action however are totally corrupt

A

Smith

23
Q

Natural carelessness of innocence (about Ophelia’s short and general answer to the long speech of Laertes)

A

Coleridge

24
Q

Hamlet is rather an instrument than an agent

A

Johnson

25
Q

Hamlet is motivated by reason

A

Newell

26
Q

Hamlet’s disgust at the feminine passivity in himself is translated into violent revulsion against women

A

Lavarenz

27
Q

The soliloquy of Ophelia, which follows, is the perfection of love - so exquisitely unselfish

A

Coleridge

28
Q

Hamlet’s madness is associated with intellectual and imaginative genius, but Ophelia’s affection is erotomania or love-madness

A

Showalter

29
Q

Ophelia is a ‘lesser we have never really known’

A

Kerrigan

30
Q

Hamlet poses great problems for the tragic hero theory because he is patently not a hero

A

O’Toole

31
Q

(Ophelia exhibits) strange and forced behaviour

A

Coleridge

32
Q

Hamlet senses that he too has become part of a larger process… scripted by the divine playwright

A

Calderwood

33
Q

the ghost is more than a narrative device

A

Greenblatt

34
Q

Shakespearian tragedy is the genre of uncompensated suffering

A

Kastan

35
Q

Hamlet has a penchant for playacting

A

Rosenburg