Hamlet Critics Flashcards

1
Q

All duties seem holy to Hamlet

A

Von Goethe

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2
Q

Claudius is not a monster, he is morally weak

A

Mallibard

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3
Q

Claudius’ soliloquy gives the impression of rhetorical pageantry rather than sincere contrition

A

Arnold

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4
Q

Through madness, Ophelia suddenly makes a forceful assertion of her being

A

Charney

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5
Q

Laertes is like a hurricane. He rushes into the palace in an uncontrolled rage, roaring for blood

A

Prosser

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6
Q

The aim of tragedy is to arouse sensations of pity and fear

A

Aristotle

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7
Q

The opening scene of Hamlet is as well constructed as that of any play ever written

A

T.S. Eliot

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8
Q

Claudius shows every sign of being an excellent diplomat and king

A

Knight

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9
Q

Ophelia is deprived of thought, sexuality and language

A

Showalter

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10
Q

In Shakespeare’s society, the ideal female is cherished for her youth, beauty and purity

A

Rogers

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11
Q

Hamlet can be privileged in madness to say things about the corruption of human nature

A

Mack

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12
Q

Hamlet seems incapable of deliberate action

A

Hazlitt

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13
Q

Hamlet’s delay is due to… a form of melancholy

A

Bradley

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14
Q

The single characteristic of Hamlet’s character is by no means hesitation but the strong conflux of contending forces

A

Swinbourne

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15
Q

Hamlet is a tragedy of thought

A

Bradley

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16
Q

We can imagine Hamlet’s story without Ophelia but Ophelia literally has no story without Hamlet

17
Q

Gertrude is a moral defective

18
Q

The ghost is the linchpin of Hamlet

19
Q

In the final act, Hamlet accepts his world and we discover a different man

20
Q

Hamlet is a tragedy without catharsis

21
Q

Women are either innocent maiden saints or loathsome sinners

22
Q

Polonius seems to love his children… his means of action however are totally corrupt

23
Q

Natural carelessness of innocence (about Ophelia’s short and general answer to the long speech of Laertes)

24
Q

Hamlet is rather an instrument than an agent

25
Hamlet is motivated by reason
Newell
26
Hamlet's disgust at the feminine passivity in himself is translated into violent revulsion against women
Lavarenz
27
The soliloquy of Ophelia, which follows, is the perfection of love - so exquisitely unselfish
Coleridge
28
Hamlet's madness is associated with intellectual and imaginative genius, but Ophelia's affection is erotomania or love-madness
Showalter
29
Ophelia is a 'lesser we have never really known'
Kerrigan
30
Hamlet poses great problems for the tragic hero theory because he is patently not a hero
O'Toole
31
(Ophelia exhibits) strange and forced behaviour
Coleridge
32
Hamlet senses that he too has become part of a larger process… scripted by the divine playwright
Calderwood
33
the ghost is more than a narrative device
Greenblatt
34
Shakespearian tragedy is the genre of uncompensated suffering
Kastan
35
Hamlet has a penchant for playacting
Rosenburg