Imagination

Question 1

BLANK came up with an ontology – that is, a system of being – that was divided into three classes: BLANK

Answer 1

Meinong, absistence, subsistence, and existence.

Question 2

BLANK- every possible object that you can think of absists. If you can think about it, it has absistence.

Answer 2

Absistence

Question 3

BLANK- things like numbers and theorems, that dont manifest a physical existence but they also dont contain any sort of impossibility.

Answer 3

Subsistence

Question 4

BLANK- objects that are actually here in the physical world.

Answer 4

Existence

Question 5

The domain in which we have a conversation, is known as a BLANK.

Answer 5

universe of discourse

Question 6

Like, in the universe of discourse that is basketball, taking a few steps with a ball in your hand is called traveling, and is illegal. But in the universe of discourse called football, taking steps with a ball in your hand is not called traveling and is perfectly legal.

Answer 6

YES

Question 7

BLANK – the pleasure you get from sensory experience and sensory emotion

Answer 7

Aesthetic enjoyment

Question 8

Some people, like 19th-century Russian novelist BLANK, understood art primarily in terms of the artist, as an expression of the ineffable emotions of the person who created it.

Answer 8

Leo Tolstoy

Question 9

BLANKsaid that, just as we have a sense of smell and sight and hearing, we also have a sense of aesthetic taste – an ability to detect and evaluate the aesthetic properties of an object.

Answer 9

Hume

Question 10

At a museum in Denmark in 2000, artist BLANK debuted a work of art that involved live goldfish swimming around in vessels full of water.

Answer 10

Marco Evaristti

Question 11

BLANK- anti-art: He believed that art plays to our emotions rather than to our reason.

Answer 11

Plato

Question 12

20th century British philosopher BLANK acknowledged that art is frequently used as an escape from life – a simple amusement, a distraction.

Answer 12

R.G. Collingwood

Question 13

BLANK- helps the audience escape from reality, he said – diving into a no-stakes fictional world after a stressful day.

Answer 13

Amusement art

Question 14

BLANK- the stuff that helps the audience learn how better to interact with this world’s reality.
A great example of this is Harriet Beecher Stowe’s novel Uncle Tom’s Cabin.

Answer 14

Magic art

Question 15

BLANK– a way to disappear into a fantasy where your troubles can be addressed with the flick of a wand.

Answer 15

Escapism

Question 16

BLANK does a beautiful job of resolving a little conundrum in aesthetics that’s known as the Problem of Tragedy. This is the weird puzzle of why people voluntarily walk into a theatre, clutching a box of tissues, fully prepared to bawl their eyes out for two hours, having paid for the privilege.

Answer 16

Aristotle’s theory of catharsis

Question 17

BLANK- or theparadoxof emotional response tofiction, is a philosophical dilemma that questions how people can experience strong emotions tofictionalthings.

Answer 17

TheParadox of Fiction

Question 18

BLANK- maintain that art and morality are entirely separate. So if something is done in the name of art, it’s basically immune from moral scrutiny.

Answer 18

Autonomists

Question 19

BLANK- who argue that morality and art are interconnected, so any moral stain connected with a work makes a work aesthetically flawed.

Answer 19

Aesthetic moralists