Hum Reviewer Flashcards
1
Q
Latin “Humus”
ground
A
Humanities
2
Q
Italian “artis”
A
Art
3
Q
humans who makes art.
A
Artisans
4
Q
- innate qualities that “pretty art” can give is that it makes our dull, lifeless wall come to life.
- contrast of having something “alive” and dynamic
A
Beauty
5
Q
- something about art that mirrors the soul of those willing to confront it.
- artworks tend to echo the hopes and anxieties of an age.
A
Happiness and Hope
6
Q
- being the “me” generation, is also msometimes tagged as the “anxious generation”.
A
Identity and understanding the self
7
Q
- Twentieth-century art mostly expressed human suffering and darkness in its themes.
A
Grief and Healing
8
Q
- monument of Rizal in Luneta Park is one example of a type of art that helps us remember.
A
Remembering and mark-making
9
Q
- many socially-concerned artists have emerged in the age of modernism portraying politicians and the governments system in their most hateful actions.
A
Raising Awareness
10
Q
- forms of art are often localized so that they bring identity also to certain regions.
A
Culture and Togetherness
11
Q
- sort of like atoms in that both serve as “building blocks” for creating something
A
Elements of Art
12
Q
- -gives meaning, value, intensity and saturation to an object.
A
COLORS
13
Q
- Colors are one of the first things we learn in school. Understanding the basic primary colors and how they blend is an activity found in most elementary school classrooms.
A
Color Theory
14
Q
- color theory began to formally take shape.
A
18th century
15
Q
- Isaac Newton, his 1704 book.
- proving that light was made of different colors.
A
Opticks
16
Q
lightness, brightness, darkness of color.
A
Value
17
Q
degree of quality, purity, and strength.
A
Saturation
18
Q
- colors that cannot be formed from mixtures because they are pure colors.
A
Primary Colors
19
Q
- colors form out of combination of two primary colors.
A
Secondary Colors
20
Q
- colors form out of mixing one primary and one secondary.
A
Intermediate Colors
21
Q
- form out of combination of two secondary colors.
A
Tertiary Colors
22
Q
- one or two dimensional art that indicates direction, orientation, movement, and energy.
- It is considered as the oldest, simplest, universal element.
A
LINES
23
Q
- basic framework of all forms, power & delimitation, strength, stability, simplicity, and efficiency.
A
Vertical line
24
Q
- creates an impression of serenity and perfect stability.
- rest, calmness, peace, and reposed.
A
Horizontal line
25
- convey a feeling of movement.
- position are unstable.
Diagonal line
.
25
- convey a feeling of movement.
- position are unstable.
Diagonal line
.
26
- it shows violence, zigzag, confusion, and conflict.
Jog line
.
27
- it shows a gradual change of direction and fluidity.
Curve line
28
- it denotes the means of artists to express his ideas.
- it pertains to materials used to express feelings through art.
MEDIUM
29
- is an image (artwork) created using pigments on a surface such as paper or canvas.
Painting
30
- the art or technique of producing images on a surface
Drawing
31
- traditionally, a technique for applying under pressure a certain quantity of coloring agent onto a specified surface
Printing
32
- an artistic form in which hard or plastic materials are worked into three-dimensional art objects.
Sculpture
33
- an artistic form in which hard or plastic materials are worked into three-dimensional art objects.
Sculpture
34
- method of recording the image of an object through the action of light.
Photography
.
35
- the typical expressing and training of artist and outlook in life.
STYLE
36
- surface and quality of object either real or made to be appeared real.
STRUCTURE
37
- the enclosed space defined by other elements of art.
SHAPE
38
- the composition refers to developing points of interest to pull the viewer's eye to important parts of the body of the work.
Emphasis
39
- it is a sense of stability in the body of work.
Balance
40
- achieved in a body of work by using similar elements throughout the work
Harmony
41
- refers to the differences in the work.
Variety
42
- adds excitement to your work by showing action and directing the viewers eye.
Movement
43
- a type of movement in drawing and painting. It is seen in repeating of shapes and colors.
Rhythm
44
- refers to the relationships of the size of objects in a body of work.
Proportion or scale
45
- is seen in a painting or drawing when all the parts equal a whole.
Unity
46
- foundin the ancient Greek and Roman sculptures.
- idealist imitation of the beauty and perfection of the human body.
- sculptors were Praxiteles, Polycritus and Myron.
Classicism
47
- this style has religious subjects, andapplies flat projection.
- art forms are mosaic, stained glass paintings, illuminated manuscripts and calligraphy.
- Giotto de Bondone
Medieval Art
48
- revival of ancient Greek and Roman art discovery.
- application of perspective application of chiaroscuro and sfumato.
- Donatello, Leonardo da Vinci, Michelangelo, Raphael
Renaissance Art
49
- alternative style to Renaissance Art.
- representations are stylized with elongated figures and usually religious subjects
Mannerism
50
- presented in highly realistic way.
- Rembrant van Rijn, Giorgione Castelfranco, Peter Paul Reubens, Jan Vermeer.
Baroque
51
- ancient western society highly realistic representation.
- Jacques Louis David, Jean Auguste Ingres, Juan Luna, Guillermo Tolentino
Neoclassicism
52
- beginning of modern art subjects.
- taken from everyday ordinary life surface filled with bursting light of the sun.
- pale colors and blur outlines indicate movement and passage of time.
Impressionism
53
- is an expression of the artist’s emotion.
- unnatural representation symbolic use of color.
- dominance of curve lines for emotional effect.
- Vincent Van Gogh, Edvard Munch
Expressionism
54
- name is from the French fauve that means “beast”.
- uses unnatural colors for exciting visual effect.
- Henry Matisse
Fauvism
55
- uses points or dots as the main visual element.
- structurally formal and visually representational.
- George Seurat
Pointilism (Divisionism)
56
- poster-like paintings for advertisement.
- subjects are women in sensual postures.
- Alphonse Ma. Mucha
Art Nouveou
57
- is a revelation of the artist’s subconscious mind.
- emphasizes passion and imagination, weird, fantastic and dream-like presented in highly realistic way.
- Salvador Dali, Marc Chagall, Giorgio de Chirico, Rene Magritte, Prudencio Lamaroza
Surrealism
58
- this has flat projection, and uses geometrical shapes.
- in multiview to suggest motion.
- Pablo Picasso, George Braque, Fernand Leger, Vicente Manansala, Mauro Malang Santos, Ang Kiokuk
Cubism
59
- is a purely non-objective painting.
- uses rectilinear shapes and primary colors.
- Theo van, Doesburg
Concretism (De Stijl or Plastic Art)
60
- purely non-objective.
- represents pure subjectivity not objects.
- reduction into most basic shapes and colors.
- Kasimir Malevich
Suprematism
61
- from dada, a baby-talk word.
- it is an “anti-art” movement.
- purpose is to “shock”.
- creates art by “destroying” art.
- Marcel Duchamp
Dadaism
62
- based on the institutional theory.
- anything may be art.
- Marcel Duchamp, Judy Sibayan
Ready-Made Art
63
- sense of freedom in the act of painting.
- Jackson Pollock, William de Kooning, Jose Joya
Abstract Expressionism
64
- mass of colors on the flat surface.
- Mark Rothko, Gus Albor
Color Field Painting
65
- art taken from images in popular culture such as commercial labels and mass products, comics and cartoons.
- Roy Liechtenstein, Andy Warhol
Pop Art
66
- creates optical illusion.
- Bridget Riley, Victor Vasarely
OP Art (Optical Art)
67
- which exhibition space is transformed into work of art.
- limitless range of materials arranged in place.
- Tracy Emin, Damien Hirst, Medio Cruz
Installation Art
68
- which uses natural environment as its medium.
- Robert Smithson, Christo Javacheff
Environmental Art (Earthwork)
69
- May 30, 1892 – April 24, 1972
- he developed the use of light—actually, backlight—which is his greatest contribution to Philippine painting.
- Under the Mango Tree, The Philippines, The Palay Maiden
Fernando Amorsolo
70
- October 23, 1857 – December 7, 1899
- the most famous and celebrated Filipino artist in the history of Philippines.
- known for his dynamic and unique style, along with his dramatic and captivating canvases.
- Spoliarium 1884, Blood Compact 1886, Death of Cleopatra 1881
Juan Luna
71
- April 10, 1942 – present
- upheld the primacy of drawing over the decorative color.
- Tres Marias (2003), Sabel (2009), Boy Afraid of Tremor (1992)
Benedicto “Bencab” Cabrera
72
- May 25, 1914 – May 5, 2012
- best known for her Social Realist and post-Cubist portrayals of Filipino life and culture.
- Fruit Vendors (1960), Fish Harvest at Dawn (1979), Catching Chickens (1998)
Anita Magsaysay- Ho
73
- March 1, 1931 – May 9, 2005
- known for his expressive, Cubist-like works.
- often chose dynamic or disturbing subject matter.
- Fishermen (1981), Seated Man (1978), Untitled Dogs (2000)
Ang Kiukok
74
- November 4, 1912 – March 31, 1969
- poet of Angono, single-handedly revived the forgotten art of mural and remained its most distinguished practitioner for nearly three decades.
- First Mass at Limasawa, Magpupukot (1957), The Cockfight (1948)
Carlos “Botong” Francisco
75
- June 3, 1931 – May 11, 1995
- best known for his Abstract Expressionist works.
- Paper Moon (1983), Morning Flight (1982), Space Transfiguration (1959)
Jose Joya
76
- January 22, 1910 – August 22, 1981
- known for his Cubist paintings and prints.
- he addressed issues of intimacy, poverty, and culture.
- Tiangge (1980), Fish Vendors (1971), The Candle-Sellers (1962)
Vicente Manansala
77
- April 28, 1911 – December 28, 1978
- best known for his abstract paintings.
- he used bold color palettes and biomorphic shapes inspired by both his country’s andscape and by science fiction writing.
- Untitled, 1949, Mga Kiti (1978), Petals in the Sun (1975)
Hernando Ocampo
78
- January 26, 1930 – February 16, 2018
- his long and fruitful career as a sculptor has lent him the official title of the National Artist of the Philippines.
- official recognition of being the father of modern Filipino sculpture.
- Kalabaw (1971), Rice Planters (1993), Mother and Child (1977)
Napoleon Abueva
