History of Art and Interior Design Flashcards

1
Q

aesthetically pleasing and meaningful arrangement of element, as words,sounds,colors,shapes etc.

A

Art

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2
Q

Science or profession of designing and constructing building or other structures

A

Architecture

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3
Q

Art referring to the following: painting, sculpture, glass and glassware,ceramic, and pottery, metallurgy and plants

A

Decorative Arts

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4
Q

seeks to establish what was built, when by whom and for whom

A

Practical

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5
Q

whys and its relationship to the social,economic,political,cultural, and religious environment

A

Historical

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6
Q

visual and stylistic differences and to explain how styles change and why they do so

A

Aesthetics

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7
Q

What do you call of the following:

  1. Rational,Technological & Constructional
  2. Social and Religious
  3. Economic, Cultural and Political
  4. Spirit of the Age (Zeitgeist)
A

Factors of Historical Development

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8
Q

“before history” with written documentation/language. Based on educated speculation. Divided into Stone Age and Metal Age

A

Pre-history

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9
Q

before written history, also known as the the Old stone age where Homo Sapiens or Cro-Magnon man used chipped stones

A

Paleotihic

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10
Q

person that put on animal parts to have their characteristics to aid in hunting & gathering equals to survive wild better

A

Shaman,Troise Fere

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11
Q

use of pigments for bodily ornamentation

A

Mousterian

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12
Q

cave painting

A

Aurignacian

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13
Q

Last of the hunter-gathers. Found in engravings of animals on bone

A

Magdalenian

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14
Q

small figurines or decorative objects were carved or modeled with clay. Figurines were collectively known as “Venus” as they are unmistakably female of child -bearing build

A

Portable Art

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15
Q

4 1/2” tall made of limestone the stumpy female figure features pendulous breast an obese middle and belly and pronounced buttocks

A

Venus of Willendorf (Austria)

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16
Q

people during that time thin so if you have this body part = Fertile

A

Fertility Symbol

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17
Q

Relief. Carries a horn =power Bc you have to be powerful to take of horn. Resembles CORNUCOPIA/ horn of Plenty” later on

A

Venus of Laussel

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18
Q

cave paintings from Lascaux,France,Great Hall of the Bulls painted with four great bulls: believed to express belief the power of the animal

A

Stationary Art

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19
Q

10,000-8,000 Bc. Glacial ice as well as certain food disappeared. Settled communities and farming the invention of bow and arrow, pottery for food storage and domestication of small animals

A

Mesolithic Age/ Middle Stone Age

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20
Q

a. pottery utilitarian in origin, not for visual pleasure

b. Rock painting similar in nature to Paleolithic cave painting ; these moved out to outdoors to vertical cliffs

A

Kinds of Art

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21
Q

Men first developed agriculture and settled in permanent villages.Mud bricks were first used . In order to farm, they needed shelter = started to form communities

A

Neolithic/ New stone Age

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22
Q

made by kilning and mostly for storage of food ; mostly painted/decorated. Vessels used for storage and cooking

A

Pottery

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23
Q
  • architecture without architects
  • Common sense architecture
  • response to climate,geography, topography and weather
    -use of locally sourced materials
    cultural belief “ form,ornamentation, motifs”
A

Vernacular Architecture

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24
Q

conical stone-roofed building unique to the region of Puglia (Apulia) in southeastern Italy.

A

Trullo

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25
Q

a large stone which has been used to construct a structure or monument either alone or with other stones; huge stones assembled without mortar

A

Megalith

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26
Q

a large, single upright standing stone,

A

Menhir

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27
Q

a free standing chamber,consisting of standing stones covered by a capstone as a lid

A

Dolmen

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28
Q
  • founders of Mesopotamian civilization
  • from region of sumer
  • contributed cuneiform
A

Summerians

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29
Q

-from latin “cunueus” = wedge

A

cuneiform

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30
Q
  • Protoliterate

- earliest writing developed

A

city of Uruk

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31
Q

made use of picture symbols

A

cylinderseals

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32
Q

first ever transaction was for beer

A

Transnational receipts

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33
Q

bible of Mesopotamia

A

Epic Of Gilgamesh

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34
Q
  • 2700 BC
  • 3D statuettes made of marble
  • made through Cire- perdue or lost wax method
  • worshiped in hope that they would bring fertility to women and to crops
  • precious stone were used for the color of the pupils such as Lapiz Lazuli
  • Convention : all standing upright, men wearing skirt, women wearing dress, eyes wide open, beard for men, rigid posture for men; softer for women
  • Hierarchy of scale : men are taller than women i indicate rank/ importance
A

Tell Asmar Figures/ Eshunna

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35
Q

lost wax method

A

Cire-Perdue

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36
Q

all standing upright, men wearing skirt, women wearing dress, eyes wide open, beard for men, rigid posture for men; softer for women

A

Convention

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37
Q

men are taller than women , indicate rank/ importance

A

Hierarchy of scale

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38
Q
  • 2600-2500 BC
  • 18” long, decorated with shell and Lapis Lazuli
  • Shell : hard to get, expensive
  • Lapis Lazuli : “ stone from the heavens “, semi- precious blue stone
  • material shows that it was used by royalty
A

The standard of Ur

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39
Q
  • offering stand from Ur
  • 2600 BC, wood, gold, Lapiz Lazuli
  • Height : 20” [ 50.7 cm ]
A

Ram & Tree

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40
Q
  • Sumerian temple
  • 6 to 7 storeys high
  • for civic, commercial & industrial activities, often raised upon a great platform, usually situated at town center
  • resembles a Mountain “Sacred place
    ex. Ziggurat of King Urnammu, Ur [El Muqeiyar] Iraq, 2100 BC
A

Ziggurat

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41
Q
  • Founded by Sargon I

- First Mesopotamian rulers to call themselves kings

A

Akkadians

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42
Q
  • bastard son of the King

- same as story of Moses [ Flowed on river in a reed basket]

A

Sargon I

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43
Q
  • Upright stone slab used as marker
  • earliest known monument to glorify a conqueror
  • register became diagonal from horizontal
  • Naram-sin alone stands triumphant as defeated enemy soldiers plead for mercy
A

Stele of Naram-sin

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44
Q

to maintain the status quo

A

The code of Hammurabi

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45
Q
  • borrowed from Babylonian culture because bankrupt

- known for aggression = warfare

A

Assyrians

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46
Q
  • thick walls fortification

- crenelation

A

City of nimrud

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47
Q
  • throne hall : entrance of palace; decorated with almost entirely wood- sourced elsewhere =they had money & manpower
A

Palace of Sargon II

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48
Q
  • guarded the palace
  • reminds of sphinx
  • horned cap attests to their divinity ; belt signifies power
  • human face because wisdom [animal before]
  • cross between sculpture in the round & relief
  • 5 legs : meant to be seen two slides ; resting & waling
A

Lamassu

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49
Q

-King Cyrus II or Cyrus the Great : founder
-Followed teaching of Zoroaster
rituals held outdoors- no temple
-important =Palaces

A

Persians

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50
Q

word has two central forces : light & dark

A

Zoroaster

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51
Q
  • “city of the Persians”

- Trabeated construction

A

Persepolis

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52
Q
  • Ctesiphon, Iraq
  • 242-272 AD [ Roman Era]
  • Persians never stopped building
A

Palace of Shapur I

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53
Q

an upright slab forming part of a larger structure

A

Orthostat

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54
Q

or cromlech in welsh : circular/ semi-circular

A

Stone circle

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55
Q

a linear arrangement of upright, parallel standing stones

A

Stone row

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56
Q

a straight standing stone topped with another forming T shapes

A

Taula

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57
Q

two parallel upright stones with a horizontal stone called a lintel placed on top e.g Stoneheuge

A

Trilithon

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58
Q
  • copper and tin were widely used
  • use of semi-precious stones
  • advanced pottery
  • beginning of history itself
A

Bronze age

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59
Q
  • known as the cradle of civilization
  • Domestication of animals,trade and coinage, legal government, potter’s wheel, wagon wheel, alphabet, architecture,mathematics and astronomy,monotheism and monogamy
A

Mesopotamian Civilization

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60
Q

600-4000 B.C

  • contributed the cuneiform and the ziggurat architecture
  • invented writing and produced the world fist literature, the epic of Gilgamesh
A

Sumerian

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61
Q
  • First Mesopotamian rulers to call themselves kings

- May have been the first to cast hollow life-size bronze sculpture

A

Akkadians

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62
Q

-Constructed one of the largest ziggurat in Mesopotamian at Ur

A

Neo-Sumerian

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63
Q

-babylon’s greatest king Hammurabi formulated wide-ranging laws immortalized on what code?

A

Code of Hammurabi

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64
Q

Nebuchadnezzar II captured Jerusalem and has been associated with the architectural wonders of Babylon; builds the Ishtar Gate which was included among the 7 wonders of the world

A

Neo-Babylonians

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65
Q

700-500 B.C

-Palaces were fortified citadels with lamassu guardians

A

Assyrian

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66
Q

539-331 B.C

- Cyrus the Great of Persia defeated the Babylonians and archived an enormous empire

A

Persian Period

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67
Q

was built by Darius I Xerxes built a huge palace complex with an audience hall that could accommodate 10,000 guests

A

Persepolis

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68
Q

system of writing typified by the use of characters formed by the arrangement of small wedge-shaped elements

A

Cuneiform

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69
Q

Characterized by large circular eyes and curly hair and beard

A

Sculpture

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70
Q

great stone statue of a human-headed winged bull that proceded the palace of Ishtar, Palace of Sargon II city of Khorsabad

A

The Lamassu

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71
Q

300 statues written in Akkadian on 51 columns

A

The Law code of Hammurabi

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72
Q
  • Used arches and corbel forms for roofs
  • Inlay and glazed tiles for decoration
  • Crenellation- battlement
  • there were no temples; rituals held outdoor
    a. Introduced the use of columns
    b. Low relief decorations
A

Mesopotamian

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73
Q

Artificial mountains made of tiered rectangular layers which rose in number from one to seven in the course of Mesopotamian history

A

Ziggurat

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74
Q

polychrome ornamental brickwork and also high plinths or dadoes made of great stone slabs placed on edges; usually carved with low relief sculpture

A

Palaces

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75
Q

entrance gate to the Palace of Sargon; named after the goddess of love, fertility and war, it is faced with glazed bricks with rows of bulls and dragons; were flanked by great towers and with lamassu figures carved in stone.Which in turn supported a semi-circular arch covered with brilliantly colored tile

A

Ishtar Gate

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76
Q

seven-tiered ziggurat,rising from a base of 297sq.ft. Its mounds of ruins lay in Baghdad; had a tower at apex

A

Tower of Babel

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77
Q

great palace built by Nebuchadnezzar for his wife Amytis; idea of vertical garden

A

Hanging Gardens of Babylon

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78
Q

city of the Persians

A

Persepolis

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79
Q

Gateway

A

Propylacum

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80
Q

Bull capital

A

Hall of a hundred columns

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81
Q
  • receiving hall

- crenellated parapet

A

Apadana

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82
Q

built on stone platform and consisted of multi-columned building. Access to the platform was a long double stairway

A

Palace complex at Persepolis

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83
Q

a large hypostyle hall begun by Darius and finished by Xerxes that was used mainly for great receptions by the kings. This hall contained 72 columns and two monumental stairway; receiving hall

A

Apadana or Audience Hall

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84
Q
  1. Focus on permanence, stability,eternity,life after death
  2. Formalized art- rules for the portrayal of the human figure
  3. Theocracy - Pharaoh thought to be a god
  4. Hieroglyphics- system of writing with picture symbols this allowed history to be written
  5. Making of glass an important discovery
A

Ancient Egyptian Period

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85
Q

The pharaoh was considered divine.Representation of the figure presented the most reflexive view of each part of the body.Preparation for the afterlife was of extreme importance. The body must be preserved if the soul or ka is to live on in the beyond using the same body

A

Religion

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86
Q

The god of thebes; sacred animals; the ram and goose

A

Amon

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87
Q

Jackal-god; patron of embalmers, god of necropolis

A

Anubis

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88
Q

god of the sum-disk;worshipped as the creator god by Akhenaten

A

Aten

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89
Q

helper of women in childbirth,protector against snakes and other dangers; depicted as a dwarf with features of a lion

A

Bes

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90
Q

god of the Nile flood; depicted as a man with female breasts

A

Hapi

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91
Q

goddess of children; depicted as a cow or as a women with cow’s horns

A

Hathor

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92
Q

falcon-god; originally the sky god; identified with the king during his lifetime; the son of Osiris and Isis

A

Horus

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93
Q

architect who was later defied as the god of learning and medicine

A

Imhotep

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94
Q

divine mother; one of protector-goddesses; protecting coffins and canopic jars

A

Isis

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95
Q

goddess of truth;depicted as a women with ostrich feather on her head

A

Maat

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96
Q

wife of Amon; originally the vulture goddess , later depicted as a women

A

Mut

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97
Q

god of the underworld; identified as the dead king; depicted as a mummiform man

A

Osiris

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98
Q

creator god of Memphis; patron god of craftsmen; depicted as a mummiform man

A

Ptah

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99
Q

sun god of Heliopolis; supreme judge;depicted as falcon headed

A

Ra(e)

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100
Q

god of storms and violence; brother and murderess of Osiris,rival of horus; depicted as a pig ass, hippopotamus etc

A

Seth

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101
Q
  • ornament
  • record of history
  • veneration to the gods
A

Egyptian Art

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102
Q

Face must look straight ahead and each side must be exactly like the other, although the hands and feet are in profile eyes, shoulder in front view

A

Law of Frontality

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103
Q

a. Royalty portrayed large and formally
b. commoners portrayed naturally
c. Slaves and enemies in smallest scale

A

Scale

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104
Q
  1. Brilliant color
  2. Groove chiseled around each figure
  3. Law of Frontality- Face must look straight ahead and each side must be exactly like the other, although the hands and feet are in profile eyes, shoulder in front view
  4. Scale
    a. Royalty portrayed large and formally
    b. commoners portrayed naturally
    c. Slaves and enemies in smallest scale
  5. Men colored reddish brown; female in yellow
A

Egyptian Wall Decorations

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105
Q
  1. Lions,bulls of red granite
  2. seated figures of royalty
  3. Sphinx- mythical beast of ancient Egypt, frequently symbolizing the pharaoh as an incarnation of the sun god Ra. It represented in sculpture usually in a recumbent position with the head of a man and the body of a lion,although some were constructed with rams’ heads and others with hawks’ heads
  4. Sarcophagus - carved, generally stone case in which the linen-wrapped mummy was placed
A

Egyptian Sculpture

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106
Q

mythical beast of ancient Egypt, frequently symbolizing the pharaoh as an incarnation of the sun god Ra. It represented in sculpture usually in a recumbent position with the head of a man and the body of a lion,although some were constructed with rams’ heads and others with hawks’ heads

A

Sphinx

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107
Q

carved, generally stone case in which the linen-wrapped mummy was placed

A

Sarcophagus

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108
Q

a. Rectangular forms in straight lines are its dominant features
b. Massive and solid
c. Excessively thick walls
d. simple forms and few molding
e. proportions and support were heavy and sturdy
f. trabeated construction- a system of column and lintel

A

Characteristic of Egyptian Architecture

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109
Q

first recorded artist of western history, architect to Zoser. Enjoyed the status of a court official and was later deified

A

Imhotep

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110
Q

Funerary temples for commoners; later developed into step pyramids which were really mastabas on top of each other

A

Mastabas

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111
Q

city of mastabas

A

Necropolis

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112
Q

a massive funerary structure of stone or brick with a square base and four sloping triangular sides meeting at the apex used mainly in ancient Egypt

A

Pyramid

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113
Q

series of mastabas, each smaller and stacked on top of each other. It was built fairly small limestone blocks

A

Stepped

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114
Q

two types of stepped

A

Bent and straight

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115
Q

square shaft of stone with a pyramid top used as a monument

A

Obelisks

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116
Q

post and lintel construction

A

Temples

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117
Q

Dead pharaoh

A

Mortuary Temples

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118
Q

popular worship of the ancient gods

A

Cult temples

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119
Q

located on cliffs where they cut labyrinth passageways that led to ceremonial and burial chambers which were later replaced by temples

A

Rock-hewn tombs/temples

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120
Q

Monumental gateway to an Egyptian temple, consisting of a pair of tower structure with slanting walls flanking the entrance portal

A

Pylon

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121
Q

open court

A

Peristyle

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122
Q

double row of columns higher than the other

A

Hypostyle hall

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123
Q

small shrine which was used as receptacle for the small statue of a god

A

Sanctuary

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124
Q

papyrus, the plant symbolizing lower Egypt suggest the presence of a temple; can have circular or ribbed shafts

A

Papyrus bundle

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125
Q

non-secular buildings

A

lotiform

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126
Q

or bell-shaped form; either lotus or papyrus

A

campaniform flow

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127
Q

headed

A

Hathor

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128
Q
  1. Papyrus bundle- papyrus, the plant symbolizing lower Egypt suggest the presence of a temple; can have circular or ribbed shafts
  2. Lotiform- non-secular buildings
  3. Palmiform
  4. or bell-shaped form; either lotus or papyrus
  5. Hathor- headed
  6. Volute
A

Types of Capitals

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129
Q

First pyramid ever built, it is a stepped pyramid built to house the ka of king Zoser

A

Stepped Pyramid of Zoser, Sakkara

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130
Q

symbol of protection; Hewn out of natural limestone with the addiction of stone blocks; Molded into a human-headed lion with the face representing Khafre; A paved open temple is located between its paws

A

The great Sphinx

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131
Q

most elaborate of Egyptian requirement for the afterlife pyramid of Khufu

A

The giza pyramid

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132
Q

three large terraces connected to each other by ramps

A

Mortuary Temple of Queen Hatshepsut

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133
Q

hypostyle hall with 134 freestanding column in 16 rows. The site is built by a sacred lake

A

Great Temple Of Amun, Karnak

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134
Q

rock cut temple commissioned by Rameses II to honor his own memory

A

Great Temple of Abu-Simbel

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135
Q
  • 3000-1200BC
  • art of civilization that flourished on the Greek peninsula in Asia Minor, on the north coast of Africa and in the western Mediterranean until the establishment of the Roman dominion in 146AD characterized by a system of construction based on rules of forms and proportion
A

The Aegean Period

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136
Q

Greek ancient civilization rose from the Dorians who overwhelmed the Myceneans

A

Historical Background of Greeks

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137
Q

(3000-1200 BC) composed of three civilizations that flourished on the islands of the Aegean Sea that lie between western Turkey and mainland Greece

A

Aegean period

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138
Q

3200-1200 BC

A

Cycladic

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139
Q

3000-1500BC . After minos, which can be a generic term for ruler or a name of a particular person

A

Minoan

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140
Q

1600-1300 BC, land of the legend of troy; a civilization found in the mainland settlement of Mycenae

A

Mycenaean

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141
Q

marble sculpture most found lying down in gravel

A

Cycladic Art

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142
Q

a. Fresco
- The bull Jumping fresco
- The queen’s Megaron
b. Building of great palace on the island. E.g Palace of Knossos a spreading palace of stone and wood for the king with so many chambers above and below ground
- Pillow capitals
- Frescoes lined interior and portico wails
c. Vase painting flourished with sea motifs as popular subjects
d. small scale sculpture (snake goddess sculpture)

A

Minoan Art

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143
Q

a. Funerary mask/ Mask of Agamemnon
b. Cyclopean Architecture
c. Megaron
d. Tombs

A

Mycenaean Art

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144
Q

Mycenaean funerary gold mask. Found in tomb V in Royal circle A at the Acropolis of Mycenae

A

Funerary mask/ Mask of Agamemnon

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145
Q

fortress on a hill that is entered through the Gate of Lion.Large rectangular area with hearth in the center and with many column supporting the roofs

A

Cyclopean Architecture

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146
Q

“big room”, prehistoric throne room

A

Megaron

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147
Q
  • enclosing a circular hearth
  • antechamber
  • front porch with two column
A

Parts of Megaron

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148
Q
  • beehive tomb or tholos (“round building)
  • Corbeling
  • Boasted of the largest dome in the pre Roman world
A

Tombs

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149
Q

courses of layers of stone so that each level projects over a stone

A

Corbeling

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150
Q

Greek peninsula, in Asia Minor on the north coast of Africa and in western Mediterranean until establishment of the Roman dominion in 146AD

A

Greek Art

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151
Q

revical of figures painting in Greece

A

Geometric Period

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152
Q
  • oldest Doric and Ionic temples

- Life size stone statues with A

A

Archaic Period

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153
Q
  • Contrapposto in statues
  • polykleitos formulates canon of proportions’
  • rebuilding of the Athenian Acropolis
A

Classical Period

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154
Q
  • Sculptors humanize Greeks gods

- Corinthian capitals introduced

A

Helleric

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155
Q
  • Artist explore new subjects

- artist break the rules of the classical orders

A

Helleristic

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156
Q
  1. rose from the Dorians who overwhelmed the Mycenaean
  2. composed of independent city states (polis)
  3. worshiped numerous gods and goddesses who were given human form
  4. Sacrifices to gods include festivals athletic games and theater plays
  5. belief in the high potential of the human being that encouraged a high level of creative expression
  6. belief in the ideal form (plato)
  7. “nude” developed
  8. Balanced and moderation in all things “Golden mean” proportion
A

Historical Background of Greeks

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157
Q
  1. Dark age and Geometric period (100-700 BC)
  2. Archaic period (700-480 BC)
  3. Hellenic/classical period(480-323 BC)
  4. Hellenistic age(323-31 BC)
A

Periods in Greek art

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158
Q
  1. Sculpture
  2. Vases
  3. Architecture
A

Archaic period

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159
Q

a. cylindrical forms and simple formalized features of draperies
b. kouros (robed standing youth) was a favorite subject
c. Archaic smile

A

Sculpture of Archaic period

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160
Q

(robed standing youth)

A

kouros

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161
Q

before the time of Alexander the Great

A

Hellenic art

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162
Q

movement; toward increasing naturalness and freedom of form; use of lost wax method and bronze casting

A

Severe style

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163
Q

vertical folds of cloth

A

Sculpture of classical/ Hellenic style

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164
Q

idealized representations of the subject with perfect bodily proportion

A

Golden Age

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165
Q

contrary positions of the arms and legs

A

Contrapposto position

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166
Q

Painting attempts to depicts reality by using devices to create illusion of a third dimension in flat painting like?

A

foreshortening and shadow modeling

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167
Q

times of Alexander the great’s death in 323 BC through the 1st century BC during the Greek dynasties were established in Egypt, Syrian and Persia and Greek

A

Hellenistic Art

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168
Q

canons and mathematical rules of proportion: realism and emotional intensity. Ex Laocoon and His Sons

A

Sculpture of Hellenistic Art

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169
Q

rectilinear meander patterns. Framed by circular horizontal borders that emphasize the shape of the pot

A

Geometric style

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170
Q

assimilation of Eastern iconography. Shapes are larger and more curvilinear and geometric patterns are now used simply as borders

A

Orientalizing Style

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171
Q

Black-figures : black silhouette with a slip made of clay and water

A

Archaic

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172
Q

Red-figures: process was reversed as figures were left in red against a black background and details were painted in black

A

Late Archaic to classical r

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173
Q

White- figures: wash of white clay formed the background. Figures were then applied in black and additional colors were added

A

Classical to late Classical

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174
Q

four broad categories of Greek pottery

A
  1. storage and transport vessels
  2. mixing vessels
  3. jugs and cups
  4. vases for oils, perfumes and cosmetic
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175
Q

a water jar with three handles

A

Hydria

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176
Q

flask for storing and pouring oil

A

lekythos

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177
Q

a large vessel with two handles, for mixing wine and water

A

krater

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178
Q

tops of the handles have a volute or scroll. Decorated in red figured style

A

Volute-Krater

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179
Q

storing home, olive oil, wine and water

A

Amphora

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180
Q

stemmed cup with two horizontal handles and a stemmed foot used for drinking wine

A

Kylix

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181
Q

pouring wine

A

Oenochoe

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182
Q

deep bowl; like a teacup

A

skyphos

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183
Q

used for drinking; swung handles that extend above the lip of the pot

A

olpe

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184
Q

storing liquids ; contain ashes after cremetion

A

Pelike

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185
Q

small circular box with a lid, often used for the storage of jewelry and toiletries

A

Pyxis

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186
Q

religious practices for the pouring of libations; shape of animal head especially bulls

A

Rhyton

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187
Q

particular style of column together with the entablature and standardized details including its base and capital.

A

Orders in Greek Architecture

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188
Q

earliest and most massive; no base; a fluted shaft and plain capital

A

Doric

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189
Q

lighter than Doric. Fluted shaft has abase; volute capital

A

Ionic

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190
Q

plinth and fluted shaft and its distinctive ornate capital

A

Corinthian

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191
Q
  1. Upright column
  2. Base and capital
  3. Horizontal entablature
A

Parts of Major Greek Orders

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192
Q

topmost step of three steps

A

Stylobate

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193
Q

column composed of individual sections (drums) and concave groove(flutes) with a base and capital

A

Shaft

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194
Q

topmost structural member of a column

A

Capital

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195
Q

snug band at the top of the shaft

A

Necking

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196
Q

flat,curved element, like a plate with rounded sides

A

Echinus

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197
Q

flat square above the echinus

A

Abaus

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198
Q

forms the lintel ; an elaborate horizontal band and molding above the column

A

Entablature

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199
Q

plain, horizontal member above a capital

A

Architrave

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200
Q

a band above the architecture consisting of alternating triglyphs and metopes

A

Frieze

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201
Q

rectangles with vertical incisions carved into their surface

A

Triglyph

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202
Q

slabs of stone either plane or with sculpture in relief

A

Metope

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203
Q

short band under the triglyph

A

Regula

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204
Q

above regula

A

Tenia

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205
Q

projection above the frieze to protect it from the weather

A

Cornice

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206
Q

low,slanting cornice

A

Ranking cornice

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207
Q

triangular gable; horizontal cornice with raked cornices

A

Pediment

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208
Q

technique applied on column which do not taper in a straight line, but bulge outward about one-third of the way up from the base

A

Entasis

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209
Q

small, slat, plain surface, used to separate other moldings

A

Fillet

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210
Q

wide, straight surface

A

Fascia

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211
Q

convex curved surface; quarter-circle; often with egg&dart motif

A

Ovolo

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212
Q

concave surface quarter circle

A

Cavetto

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213
Q

s-shaped curved surface that starts &ends horizontally’ usually with honeysuckle motif

A

Cyma recta

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214
Q

starts & ends vertically

A

Cyma reversa

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215
Q

convex surface approx the exterior of semi-circle with gulloche

A

Torus

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216
Q

small torus

A

Bead

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217
Q

deep,hollow,concave molding; column base

A

Scotia

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218
Q

column with shafts in female form

A

Caryatid

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219
Q

sculptured male human figure used in place of a column to support an entablature also called atlas

A

Telamon

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220
Q

plaza/court, meeting place, platform for speaker

A

Agora

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221
Q

a long colonnaded multi-purpose building

A

Stoa

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222
Q

city upon a hill; citadel

A

Acropolis

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223
Q

house the deity

A

Temple

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224
Q

large space with a flat roof supported by rows of column

A

Hypostyle hall

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225
Q

inner portico

A

Pronaos

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226
Q

sanctuary of a classical temple; cult statue of the god

A

Naos

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227
Q

Greek stage building

A

Skene

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228
Q

Type of Greek theater with semi-circular form and hollowed out of a hill

A

Auditorium

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229
Q

Type of Greek theater which covered smaller theaters

A

Odeon

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230
Q

Type of Greek theater that are elongated for foot races

A

Stadium

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231
Q

Type of Greek theater for horse and chariot races

A

Hippodrome

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232
Q

Part of a Greek theater known as the “dancing place”; a large circular area with slightly raised stone on which was placed the statues of deities usually Dionysius

A

Orchestra

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233
Q

Part of a Greek theater serving as the acting area behind the orchestra

A

Proscenium

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234
Q

Part of a Greek theater serving as a backdrop for the acting area or dressing room

A

Skene

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235
Q

Entrance of a Greek theater

A

Parodos

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236
Q

Exit of a Greek theater

A

Exodus

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237
Q

Senate house for elected officials

A

Prytaneion

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238
Q

Councilhouse; covered meeting place for elected officials

A

Bouleterion

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239
Q

Large tomb usually a large stone building with entombment above ground

A

Mausoleum

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240
Q

Greek gymnasium

A

Palestra

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241
Q

Both the fortified citadel and state sanctuary of city of Athens

A

Acropolis of Athens

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242
Q

Monumental entrance to the Acropolis

A

Propylaea

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243
Q

Picture gallery; formed left wing of Propylaea on the Acropolis

A

Pinacothea

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244
Q

Built on the 420 B.C. in the Ionic order; has prostasis on east side, propylon on the north and famous porch of caryatids on the south

A

Temple of Erectheion

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245
Q

Chief temple of the Greek goddess Athena on the hill of Acropolis at Athens, Greece

A

Parthenon

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246
Q

Covered walkway or portico

A

Stoa

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247
Q

Period from Eturia (modern day Tuscany) and the Etrusci Sea; 1000-100 BC; decadent and blood thirsty people with predilection for piracy, superstition and magic

A

Etruscan Period

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248
Q

Container for ashes

A

Cinerary

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249
Q

Corbeled domed tombs

A

Tholos

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250
Q

Period with new engineering developments in the design of the arch vault and the dome

A

Roman period

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251
Q

Three Roman periods

A

Roman Republican Period: 500 to 27 BCE
Early Roman Empire: 27 CE to 180 CE
Late Roman Empire: 180-330 CE

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252
Q

Period in Roman history where capital was moved to Byzantium by Emperor Constantine

A

Late Roman Empire`

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253
Q

Marble or limestone coffin with elaborate carving

A

Sarcophagus

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254
Q

Sculpture of a person’s head, shoulders, and chest

A

Bust

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255
Q

Technique which involves painting directly on plaster wall

A

Roman fresco technique

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256
Q

Painting on wet plaster

A

Buon fresco (good/ true fresco)

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257
Q

Dry fresco

A

Fresco secco

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258
Q

Pattern or picture made of many small colored pieces of stone, glass etc.

A

Mosaics

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259
Q

Statue of a rider on a horse

A

Equestrian Monument

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260
Q

Architectural monument built to commemorate military triumphs and other significant events such as the accession of new emperor

A

Triumphal arch

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261
Q

Monument in the form of a column erected in memory of a victorious battle, war or revolution

A

Column of victory

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262
Q

Massive brick and concrete construction, semi-circular arch, barrel and groin vault and dome, elaboration of Greek orders; use of marble linings, mosaics, molded stucco for interiors

A

Roman architecture

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263
Q

Established certain rules for standardizing Greek orders for architecture

A

Vitruvius

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264
Q

Measuring unit for each order

A

Module

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265
Q

According to Vitruvius, entablature shall be ____ the height of column

A

1/4

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266
Q

According to Vitruvius, shaft shall be ____ smaller in diameter at the top than its base

A

1/6

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267
Q

Type of order combining Ionic shaft and Corinthian capital

A

Composite order

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268
Q

Simplified version of Roman Doric order with fewer and bolder moldings, unfluted columns, plain frieze and no triglyphs

A

Tuscan

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269
Q

Counterpart of the agora; composed of temples, triumphal arches, pillars of victories, Roman basilica, senate and shops

A

Forum

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270
Q

Columns that protrude from walls like reliefs

A

Engaged columns

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271
Q

High platform upon which temple was raised

A

Podium

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272
Q

Part of Roman temple equivalent to Naos

A

Cella

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273
Q

Roman house of the middle class

A

Domus

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274
Q

Blocks of flat used as a shop and apartment

A

Insulae

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275
Q

Housed the upper-class Roman

A

Villa

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276
Q

Smaller than the Colosseum; arches as predominant features

A

Amphitheatre

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277
Q

Long hairpin race course for chariot races

A

Circus

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278
Q

Other name for circus

A

Hippodrome

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279
Q

Large reservoirs/ cisterns for lead pipes to transport water to towns

A

Aqueduct

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280
Q

Example of aqueduct

A

Pont du Gard

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281
Q

Building to house the Roman law court; eventually became law of justice and commercial exchange

A

Basilica

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282
Q

Public baths

A

Thermae

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283
Q

Hot room in Roman public bath

A

Caldarium

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284
Q

Warm room in Roman public bath

A

Tepidraium

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285
Q

Cold room in Roman public bath

A

Frigidarium

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286
Q

Dry sweating room in Roman public bath

A

Lancornicum

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287
Q

Oiling and shampooing room in Roman public bath

A

Unctuaria

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288
Q

Dressing rooms in Roman public bath

A

Apodyteria

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289
Q

Commemorative arch monument

A

Triumphal arch

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290
Q

Great marble monument constructed during the reign of Augustus

A

Ara Pacis

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291
Q

Began by Agrippa in 27 BC, Emperor Hadrian rebuilt it in 120 AD changing it to the circular shape it has now

A

Pantheon

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292
Q

Center of dome to admit light

A

Oculus

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293
Q

Built for Roman games; features a combination of Roman arch and vault construction; exterior walls are 18m high

A

Colosseum (Arena)

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294
Q

Other term for Colosseum

A

Flavian Amphitheater

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295
Q

Open air court

A

Atrium

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296
Q

Middle aisle of a church

A

Nave

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297
Q

Semi-circular space in front of nave

A

Apse

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298
Q

Placed at center of apse

A

Altar

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299
Q

Started by Emperor Leo III when he prohibited the production of icons in representational human forms

A

Iconoclastic Controversy in 726

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300
Q

Reign of Constantine I in 324 AD where he built the new capital for Roman Empire

A

Byzantine period

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301
Q

City of Constantine or Nova Roma= New Rome

A

Constantinople

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302
Q

Inverted concave triangle that springs from a corner of the square curving up to meet the others

A

Pendentive

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303
Q

Corbel type arch piled on top of another, placed diagonally across internal angles of a tower or base of a drum to convert the square form into an octagonal base to support an octagonal spire or circular dome

A

Squinch arch

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304
Q

Slender towers in the exterior; from Muslim invaders

A

Minaret

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305
Q

Formerly a hall of justice redesigned to be a place for worship

A

Basilica

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306
Q

Sanctuaries that enshrine a relic/tomb of a martyr

A

Martyrium

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307
Q

Large tomb almost temple-like

A

Mausoleum

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308
Q

Used for sacrament of baptism

A

Baptisteries

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309
Q

Large original building with a dome over the central core

A

Church of San Vitale

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310
Q

“Holy Wisdom”; built as a major cathedral in Constantinople; has a domed cross plan; commissioned by Emperor Justinian to Anthemios of Tralles and Isidorus of Miletus

A

Hagia Sophia

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311
Q

“in the Roman manner”; style of art emerging in Italy i 19th century until advent of Gothic in 12th century; closer to Rome than Gothic

A

Romanesque

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312
Q

Series of religious expeditionary wars blessed by the Pope and the Catholic Church with the goal of restoring Christian access to the holy places in and near Jerusalem

A

Crusades

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313
Q

Economic system based upon limited land ownership and forced labor

A

Manorialism

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314
Q

Agricultural laborers bound under the feudal system to work on lord’s estate

A

Serfs

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315
Q

Containers of relics

A

Reliquaries

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316
Q

Unique embroidered narrative; resonates the events leading to the Battle of Hastings

A

Bayeux Tapestry

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317
Q

Central support of Medieval doorways

A

Trumeau

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318
Q

Lunette above the door ornamented

A

Tympanum

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319
Q

Western facade decorated with flanking towers, arched doors, multiple stories, ornamental

A

Westwork

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320
Q

Exterior support applied to counter the lateral thrust of the vault

A

Masonry buttress

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321
Q

Distinct form of decoration aimed at relieving otherwise blank walls

A

Blind arcading

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322
Q

Arch struck from one or more centers below the springing line

A

Segmented

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323
Q

Arch resting on an imposts treated as downward continuation of an archivolt

A

Stilted

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324
Q

Forecourt surrounded or flanked by porticoes

A

Atrium

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325
Q

Portico before the nave for the penitents

A

Narthex

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326
Q

Principal or central part of church from narthex to the choir

A

Nave

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327
Q

Any of longitudinal divisions separated from the nave

A

Aisle

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328
Q

Raised platform transverse open space separating nave and the apse

A

Berna

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329
Q

As wide as the nave; forming a square at the crossing

A

Transept

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330
Q

Part of the church occupied by singers

A

Choir

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331
Q

Semi-circular walkway with chapels off it surrounding the sanctuary

A

Ambo/ ambulatory

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332
Q

Appointed place for preaching

A

Pulpit

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333
Q

Semi-circular or polygonal often vaulted recess especially termination of the sanctuary end of the church

A

Apse

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334
Q

Table upon which Eucharist is celebrated

A

Altar

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335
Q

Denotes building or complex of buildings that houses a room reserved for prayer as well as domestic quarters and workplace

A

Monastery

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336
Q

Private residences and fortresses for the lords

A

Castles

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337
Q

Famous for its leaning tower

A

Cathedral of Pisa

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338
Q

Pilgrimage destination for Paul’s pilgrims

A

Santiago de Compostela Spain

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339
Q

Greatest Norman building in England

A

Durham Cathedral England

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340
Q

Royal palace of her majesty in London

A

Tower of London

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341
Q

12th-15th century; elegant, highly decorated and characterized by use of sumptuous, colorful materials; focused on cathedrals and churches

A

Gothic Period

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342
Q

Opus Fragencium

A

French work

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343
Q

Opus Modernum

A

Modern architecture

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344
Q

Method of teaching that dominated the schools of Western Europe from about 1100 until about 1600; students were taught to argue from reason, experience and authority

A

Scholasticism

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345
Q

Abbot of St. Denis Cathedral who may have invented the Gothic style

A

Abbot Suger

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346
Q

“Counterpoise”; weight on one foot; assymetrical

A

Contrapposto

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347
Q

Favorite theme in Gothic painting; Virgin Mary surrounded by angels

A

Madonna enthroned

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348
Q

Painting technique in which the pigments are combined with egg

A

Tempera technique

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349
Q

Colored glass made by mixing metallic oxides into molten, translucent glass or fixing oxides onto surface of clear glass

A

Stained glass

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350
Q

Beneivieni di Pepo; painter and mosaicist; last great Italian artist by Byzantine style; dominated early medieval painting in Italy

A

Cimabue

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351
Q

Student of Cimabue; most important Italian painter of 14th century; works point to innovations of Renaissance style; contribution was unparalleled grasp of human emotion

A

Giotto

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352
Q

Home church of a bishop; usually principal church in a diocese

A

Cathedral

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353
Q

Origin of cathedral; Greek word kathedra means?

A

Seat or throne

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354
Q

Design, construction or presence of doors, windows or openings

A

Fenestration

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355
Q

Circular window with tracery mullions radiating from a central point

A

Rose window

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356
Q

Exterior structure composed of thin half-arches or flyers; supported the wall at the point where the thrust of an interior arch was greatest

A

Flying buttress

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357
Q

Vault that requires less buttressing; compound vault in which barrel vaults intersect forming arrises

A

Ribbed groin vaults

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358
Q

What is an arrise?

A

Sharp edge formed by meeting 2 curved surfaces

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359
Q

What are the arrises called in a ribbed groin vault?

A

Groins

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360
Q

Vault with any small subordinate rib which is inserted between the main ribs more often as an ornament than for reasons of construction

A

Lierne vault

361
Q

A concave conical vault whose ribs of equal lengths and curvature radiate from the springing like the ribs of a fan

A

Fan vault

362
Q

Grotesquely carved figures

A

Gargoyle

363
Q

Column-like support for arches in Gothic church

A

Pier

364
Q

Pier composed of a conjunction of colonettes generally attached to a central shaft; a clustered column

A

Compound column

365
Q

Ornamental projections covering the intersection of the ribs

A

Bosses

366
Q

Projecting carved ornaments in a bud or leaf shape used on the sides of pinnacles and spires

A

Crockets

367
Q

Brackets set into the wall to carry a beam

A

Corbels

368
Q

Gothic style characterized by pointed arch and geometric tracery

A

Early French Style

369
Q

Gothic style characterized by circular windows with radiating lines of tracery

A

French Rayonnant Style

370
Q

Gothic style characterized by flamelike tracery, intricacy of detailing and frequent complication of interior space

A

French Flamboyant Style

371
Q

Gothic style characterized by lancet windows and plate tracery

A

Early English/ Lancet style

372
Q

Gothic style characterized by rich tracery, elaborate ornamental vaulting and refinement of stone cutting techniques

A

English Decorated Style

373
Q

Gothic style characterized by perpendicular tracery, fine intricate stonework and elaborate fanlike vauts

A

English Perpendicular/ Rectilinear Style

374
Q

Architectural landmark as it was the first major structure of which a substantial part was designed and built in Gothic style

A

Abbey Church of St. Denis by Suger

375
Q

Known as France’s “model” church and for its unmatched towers

A

Cathedral of Notre dame de Chartres

376
Q

Tallest complete cathedral in France with greatest interior volume

A

Amiens Cathedral, France

377
Q

France built in the High Gothic style; features more window space and the tympanum walls are filled with glass; known for its portals that have porches that cover them

A

Reims Cathedral

378
Q

Cathedral in England features a magnificent central tower and spire

A

Salisbury Cathedral

379
Q

Cathedral in Germany; floor space is largest among all Gothic churches

A

Cologne Cathedral

380
Q

One of the finest examples of late Gothic (Perpendicular) English architecture; features a fan vaulting of the roof

A

King’s College Chapel

381
Q

Residence of the chief magistrate of Venice; palace built in Venetian Gothic style

A

Doge’s Palace

382
Q

Literally the house of gold; palace on Grand Canal in Venice, Northern Italy; epitomizes Gothic style in Venice

A

Ca D’Oro

383
Q

Means rebirth of the art of classic antiquity in Italy in the 14th century; in this period, man was freed from religious restraints of the medieval times

A

Renaissance Period

384
Q

Ideology that believes that humans, purportedly created in the Judeo-Christian God had been given the ability for rational thought to some meaningful end

A

Humanism

385
Q

Weakening of the spiritual and political leadership of the Church

A

Secularism

386
Q

Known as the pre-eminent family of Florence who amassed great wealth in banking; spent great money on architects and artists

A

The Medici

387
Q

During 15th century; characterized by development of linear perspective, chiaroscuro and in building, by free and inventive use of classical details

A

Early Renaissance

388
Q

“Light to dark”; uses light and dark to achieve heightened illusion of depth

A

Chiaroscuro

389
Q

Method of rendering a specific object or figure in a picture in depth; the artist records in varying degrees, the distortion that is seen by the eye when an object or figure is viewed at a distance or at an unusual angle

A

Foreshortening

390
Q

Often considered as the founder of Renaissance painting by breaking Byzantine tradition of painting to naturalism, humanism and composition; known as first naturalistic painter of Italy

A

Giotto (Giotto di Bonrdone)

391
Q

First great painter of Italian Renaissance; introduce plasticity previously unseen in figure painting

A

Masaccio (Tomaso Guidi)

392
Q

Dominican monk with religious art; use of luminous gem-like colors, diffused light slender forms

A

Fra Angelico (Guido di Pietto da Mugello)

393
Q

More concerned with physical beauty than the insight of spiritual depth

A

Fra (Lippo) Lippi

394
Q

Stories and characters of classical mythology; works drew from mythological inspirations; classed with sentimental, devotional group

A

Alessandro Boticelli

395
Q

Most prominent painter of early Renaissance style; perfected process of painting with oil and varnish

A

Jan van Eyck

396
Q

Sculptor known for sacred themes

A

Donatello

397
Q

Sculptor; North and east doors of the Baptistery of San Giovanni, Florence

A

Lorezo Ghiberti

398
Q

Designed by Filippo Brunelleschi; with distinctive octagonal design of the double-walled dome resting on a drum; entire dome built without need for scaffolding from ground

A

The Duomo or Dome of the Cathedral of Florence

399
Q

Built by Giovanni Medici for the poor; basic element is series of round arches, tabernacle windows, rectangular windows surmounted by a pediment; by Brunelleschi

A

Ospedale Degli Innocenti (Foundling Hospital)

400
Q

Under the instructions of Cosimo de Medici and bought by the Ricardi family at end of 17th century; divided into storeys of decreasing heights by string cornices; used dressed stone; open colonnaded court; pediment window added by Michelozzo; by Brunelleschi and Michelozzo

A

Palazzo Medici-Ricardi

401
Q

Leon Batista Alberti applied classical orders of columns to facade on three levels; 1446-1451

A

Palazzo Rucellai

402
Q

Built by Lucca Pitti; largest palace in Italy aside from the Vatican

A

Palazzo Pitti

403
Q

Represented culmination and convergence of talent; emphasis on draftsmanship, the illusion of sculptural volume in painting

A

Italian Renaissance

404
Q

Best known as a painter; attempted to unite science with art; used sfumato

A

Leonardo da Vinci

405
Q

Modeling technique which consisted of blurring sharp outline with subtle, tonal gradations, imparting a mysterious enigmatic quality

A

Sfumato

406
Q

Trained in Florence; best known as painter and sculptor; used knowledge to glorify God; created a style which laid the foundation for Baroque-Mannerism; Sistine Chapel ceiling

A

Michelangelo Buonarotti

407
Q

Trained in Umbria; studied in Florence; painted beautiful, gentle, calm women in a courteous manner

A

Raphael (Rafaello Sanzio)

408
Q

Most famous of the Venetian renaissance painters

A

Giorgionne

409
Q

Leader of 16th century Venetian school of Italian Renaissance

A

Titian

410
Q

Known as Leonardo of the North; woodcuts and engravings

A

Albrecht Durer

411
Q

Greatest Flemish painter of the 16th century; known for his landscapes and peasant scenes

A

Pieter Bruegel The Elder

412
Q

Meaning small temple; marked the spot of St. Peter’s crucifixion; by Donato Bramante

A

Tempietto

413
Q

By Michelangelo; composed of the Palace of the Senate, the Conservatory and the Capitoline Museum where the statue of Marcus Aurelius stood

A

Capitoline Hill

414
Q

Palace started by Francis I; architecture is a carefully balanced blend of Medieval French; other elements borrowed from Italian Renaissance

A

Chateau de Chambord

415
Q

Used by kings of France from 12th century; medieval royal hunting lodge; built by Francois I; known for its horseshoe shape entrance staircase

A

Palais de Fontableau

416
Q

Term given to early Renaissance architecture in England during the reign of Queen Elizabeth I

A

Elizabethan Period

417
Q

He introduced Renaissance Classicism into England; influenced by Andrea Palladio

A

Inigo Jones

418
Q

Has numerous and large mullioned windows typically English Renaissance while the loggia is Italian

A

Hardwick Hall

419
Q

Example of English Palladianism by Inigo Jones; former royal residence for Anne of Denmark

A

Queen’s House

420
Q

Term applied to exaggerated styles, striking visual effects characterized by elongated or over muscular figures set in extravagantly contorted panes; revolt against the fundamental design principles of classicism of clarity, visibility and stability

A

Mannerism

421
Q

For his phenomenal energy in painting, he was termed as IL Furioso and his dramatic use of perspectival space and special lighting effects make him precursor of baroque art; Venice’s Master of Mannerism

A

Tintoretto

422
Q

Comprise the triumvate of pre-eminent Venetian painters of the late Renaissance

A

Veronese, Titian and Tintoretto

423
Q

Known as supreme colorist and for his illusionistic decorations in both fresco and oil; elaborate narrative cycles

A

Veronese

424
Q

Excelled in cool, mannerist portraits

A

Agnolo Bronzino

425
Q

Italian architect regarded as the greatest architect of 16th century in northern Italy

A

Andrea Palladio

426
Q

Characterized by the exaggeration of classic features in a square building with pillared portico on each face leading to a central circular hall with dome

A

Villa Capra

427
Q

Became the official architecture style in France in the 17th-18th centuries with its capital at Versailles; asymmetrical compositions, powerful effects of a movement, strong lighting; dramatic interpretations

A

Baroque style

428
Q

The Sun King

A

Louis XIV

429
Q

Founded by royal minister Jean Baptiste Colbert to manipulate imagery for political advantage

A

The Royal Academy in France

430
Q

Minister of Finance, organized a system for the development of decorative arts when he built Chateau Vaux-le Vicomte

A

Nicholas Fouquet

431
Q

By Le Brun, Jules Mansart and Le Vau; most famous royal chateau in France; ‘creation by division’

A

Palace at Versailles

432
Q

East front by Le Vau and Claude Perrault; actual seat of power in France until Louis XIV moved to Versailles in 1682; formal seat of government to the end of the Ancient Regime

A

Louvre Palace, Paris

433
Q

Church built by Queen Anne after birth of Louis XIV; projecting portal by Francois Mansart; dome by Le Mercier

A

Church of Val de Grace

434
Q

He used dramatic, realistic and chiaroscuro technique

A

Michelangelo Caravaggio

435
Q

Use of sharply contrasting light and dark; use of very dark, overall tonality of the painting

A

Tenebrism

436
Q

The greatest Flemish painter of the Baroque; most prolific painter produced about 2,000 paintings

A

Peter Paul Rubens

437
Q

Specialized aristocratic portraiture with details of silken fabrics, fine laces and trimmings

A

Anthony Van Dyck

438
Q

Painted portraits and scenes of genre and religious subjects; development of artificial and unique technique of handling light and shadow

A

Rembrandt van Rijn

439
Q

Graded transitions from light to dark with shadows in warm colors

A

Rembrandt lighting

440
Q

The “little Dutch master”, next to Rembrandt; focus on women at some household chore

A

Jan Vermeer

441
Q

Influenced by Michelangelo and by intensity and animation of mannerist and baroque paintings

A

Gianlorenzo Bernini

442
Q

Originated in Italy during early 17th century; characterized by free and sculptural use of the classical orders and ornament, dynamic opposition and interpretation of spaces

A

Baroque

443
Q

Meaning odd shape; imperfect pearl

A

Baroco

444
Q

Columns with twisted shaft

A

Solomonic columns

445
Q

By Bernini; facade by Carlo Madera; baldachino and piazza by Bernini surrounded by 284 columns in Tuscan style

A

St. Peter’s Basilica

446
Q

Over the tomb of St. Peter by Bernini

A

Baldachino

447
Q

1760; by Bernini; largest Baroque fountain in Rome

A

The Fountain of Trevi

448
Q

by Francisco Borromini; featured alteration of concave and convex elements in the facade and a drum that supported an oval dome

A

S.Carlo alle Quattro Fontane

449
Q

Roman Catholic Church designed by Baldassare Longhena; vast octagonal building with two domes and pair of pisturesque bell towers at the back

A

S. Maria della Salute

450
Q

by Giacom o Vignola; mother church of the Society of Jesus; Jesuits; first truly Baroque facade

A

Church of II Gesu

451
Q

Charles III as patron; style known for its awkwardness and overly ornate handling of French Baroque characteristics

A

English baroque

452
Q

1675; by Christopher Wren; largest cathedral in England; dome is an adapted and enlarged versions of the Tempietto of Bramante; lower levels more Palladian

A

St. Paul’s Cathedral

453
Q

One of the premier stately homes of England; baroque masterpiece, more palace than house; conceived by Charles Howard; 2 unbalanced wings

A

Castle Howard

454
Q

Built by John Vanbrugh; aided by Nicholas Hawksmoor; begun in 1705; English Baroque style

A

Blenheim Palace

455
Q

Originating in France in 1720; distinguished by fanciful carved spatial forms and elaborate, profuse designs of shellwork and foliage; during reign of Louis XV

A

French Rococo

456
Q

Meaning rockwork

A

Rocaille

457
Q

Meaning shellwork

A

Cocaille

458
Q

18th century was known as Age of __________

A

Enlightenment

459
Q

Leading Rococo painter from Flanders

A

Antoine Watteau

460
Q

Calls on classical imagery to provide a more serious underpinning for frivolous erotic themes

A

Jean-Honore Fragonard

461
Q

Took contemporary manners and social conventions as the subject of his satire

A

William Hogarth

462
Q

English painter of portraits, landscapes and fancy pictures; worked with light and rapid brush strokes and delicate and evanescent colors

A

Thomas Gainsborough

463
Q

Created light-hearted terracotta sculptures

A

Clodion

464
Q

Small chateau located at the grounds of Palace of Versailles; designed by Ange-Jacques Gabriels by the order of Louis XV for his long-term mistress, Madame de Pompadour; 1726-1768

A

Petit Trianon

465
Q

Works are characterized by shallow recesses with rounded corners and ornamentation employing shell motifs, leafy scrolls and classical busts in medallions

A

Nicolas Pineau

466
Q

Classicism prevailing in the architecture of Europe, America and various European colonies during late 18th and early 19th century; intro and widespread use of Greek and Roman orders and decorative motifs; simple, strongly geometric compositions and frequent shallowness of relief

A

Neoclassicism

467
Q

Art director of Napoleon

A

Jacques Louis David

468
Q

Fondness for rich colors and textures; submerged brushstrokes and the smooth highly finished surfaces

A

Jean-Auguste-Dominique Ingres

469
Q

Greatest of the French classicists; sought the ideals of form and subject matter; of landscapes with figures of light with color and mood

A

Nicolas Poussin

470
Q

Considered by some to be the greatest of the 18th century French painters; was anti-rococo; favoured simple, still lives and unsentimental domestic interiors

A

Jean Baptiste Chardin

471
Q

Displays the sweeping grandeur of and idealization of the Neoclassic style

A

Antonio Canova

472
Q

Name given in most English speaking countries; first 4 British monarchs of the House of Hanover

A

Classical Block/Georgian

473
Q

Intended as Pantheon by order of Napoleon; imitation of Greek colonnaded temple with a Roman style podium

A

The Madeleine, Paris

474
Q

Remodeled by Louis Le Van; patterned after a Greek cross plan; home and hospital for aged and unwell soldiers

A

Church of Les Invalides

475
Q

Architecture of the Moors and native Andalusians who remained in Christian territory but were not converted to Christianity; 12th-16th century

A

Mudejar

476
Q

Style with extremely decorated facades that brought to mind the decorative motifs of the intricately detailed work silversmiths, the Plateros

A

Plateresque

477
Q

Period of austere renaissance style; unornamented; prominent architect was Juan de Herrera

A

Desornamentado

478
Q

Painted austere religious subjects inspired by Jesuit fanaticism; Spain’s principal mannerist; elongated figures with grave expressions

A

El Greco (Domenicos Theotocopolus)

479
Q

Designs were called severe; harmonious proportions; style suitable to the particular building

A

Juan de Herrera

480
Q

Known for its plateresque facade; unknown architect

A

University of Salamanca

481
Q

Historical residence of the King of Spain; designed by Juan Bautista de Toledo and Juan de Herrera

A

The Escorial

482
Q

One of the most impressive building constructed using plateresque influence and was built in 1528 by de Siloe

A

Granada Cathedral

483
Q

Golden Age of Spanish Art; Work reflects naturalism of the time; dramatic light and shade contrasts and their sobriety of color

A

Baroque/ Churiguerresque Style

484
Q

Revolted against the sobriety of the Herreresque classicism and promoted an intricate, exaggerated, almost capricious style; extremely rich ornamentation

A

Jose de Churiguerra

485
Q

Leading Baroque artist in 17th century Spain and royal painter to Philip IV

A

Diego Velasquez

486
Q

Spanish court painter; poignant depiction of the brutality and corruption of the time

A

Francisco de Goya

487
Q

Front of the Baroque facade of the original Romanesque cathedral, a golden molluse shell adorns the altar

A

Cathedral of Santiago de Compostela

488
Q

Style of English settlers in the eastern coast of North America; small cottages with clapboard siding, a thatched roof and chimney made from twigs finished with wattle-and-daub

A

Early Colonial

489
Q

What’s wattle and what’s daub?

A

Wattle: wooden strip
Daub: sticky material (sand, soil, straw, clay, animal dung)

490
Q

Has an overhanging second storey, small windows and a central chimney

A

New England ‘Hall and Parlor’ plan

491
Q

Has steep pitched roofs essential for allowing rain and snow to run off easily

A

Garrison Colonial

492
Q

Developed from the hall and parlor or Garrison style with the addition of an ell or lean-to on the back

A

New England Saltbox

493
Q

English-inspired colonial architecture; marked by greater concern for style and higher standards of comfort; associated with the emergence of a wealthy middle class; 1746-1776

A

American Georgian

494
Q

1783-1815; period important to the establishment of United Statement; saw the end of the revolution; creation of Articles of Confederation; finally Constitution of the United States and the Bill of Rights

A

Federal Style

495
Q

American founding father and principal author of The Declaration of Independence, statesman and third president; involved in design and construction of US Capitol Building

A

Thomas Jefferson

496
Q

Architects of US Capitol Building

A

William Thornton,
Benjamin Henry Latrobe,
Charles Bulfinch

497
Q

Famous cast iron dome of US Capitol Building designed by whom?

A

Thomas Ustick Walter

498
Q

Thomas Jefferson’s house outside Charlottesville; neoclassical touch and style

A

The Monticello

499
Q

Reign of Queen Victoria of England; cast-iron framing; utilitarian structures

A

Victorian Era

500
Q

For the Great Exhibition in 1851; made of prefabricated iron and glass panels

A

Crystal Palace

501
Q

Designer of Crystal Palace

A

Joseph Paxton

502
Q

By Henri Labrouste; use of slender cast-iron columns over which nine vaulted sky-lighted domes were suspended

A

National Library, Paris

503
Q

Iron lattice tower located on the Champ de Mars in Paris; named after the engineer whose company built and designed this tower; built for 1889 International Exhibition, Paris, the centenary celebration of the French Revolution

A

Eiffel Tower

504
Q

One of the symbols of the Imperial regime; ornate building richly decorated with friezes, columns and winged figures; richness continues inside with velvet, gold leaf and nymphs and cherubs

A

Paris Opera House

505
Q

Designer of Paris Opera House

A

Charles Garnier

506
Q

Late 18th century; flourishing mainly in 19th century in France, Germany, England, US

A

Gothic Revival

507
Q

True Principles of Christian or Pointed Architecture; 1841

A

Augustus Pugin

508
Q

Leading architect whose genius lay on restoration; believed in restoring buildings to a state of completion that they would not have known even when they were first built

A

Eugene Viollet le due

509
Q

Collaboration between Sir Charles Barry and Augustus Pugin; meeting place of two houses of the Parliament of the United Kingdom- House of Lords and House of Commons; uses Perpendicular Gothic Style

A

Westminster Palace

510
Q

Two landmarks in Westminster Palace

A

Victoria Tower

Big Ben

511
Q

First truly national style in US; 1818-1850; very adaptable and permeated all levels of building

A

Greek Revival Style

512
Q

Characterized by strong, associational values of religion and nature; revival style based on English and French precedents from late 12th-15th century; found in both ecclesiastical and residential architecture

A

Gothic Revival

513
Q

Exalted individualism, subjectivism, irrationalism, imagination and nature; emotions over reasons and senses over intellect; first used by German poets and writers August Wilhem and Friedrich Schlogel; 1790-1850

A

Romanticism

514
Q

Usually painted with watercolor over prints

A

William Blake

515
Q

Famous for his portraits of important figures in colonial New England, particularly men and women of middle class; portray subjects with artifacts

A

John Singleton Copley

516
Q

French Romanticist; revealed an interest in human psychology and sense of revolt against political and social pressures

A

Theodore Gerricault

517
Q

Derived subjects from masterworks of western literature; characterized by large sweeps of color, lively patterns and energetic figure groups

A

Eugene Delacrois

518
Q

English Romantic painter; known for his landscape paintings of Dedham Vale; area surrounding his home “Constable Country”

A

John Constable

519
Q

Art style that started in France in 1850s; accurate, detailed, unembellished depiction of nature or of contemporary life; 1850-1880; aka Age of Rationalism and Imperialism, Age of Science and Doubt, Age of Progress and Victorian Age

A

Realism

520
Q

Group of international artists in Paris which began to devise new methods of pictorial representation; focused on scientific concepts of vision and study of optical effects of light; express taste of democracy and rejection of the inherent old artistic tradition

A

The Realists

521
Q

Group of French landscape artists ones of first found outside the Academy; named after the forest of Fontainebleau near the village; helped establish landscape and motif of country style

A

Barbizon School

522
Q

English painters, poets and critics grouped to reform art by rejecting practices of contemporary academic British art; considered the first avante-garde movement in art; believed that the only great art was before High Renaissance, before Raphael; condemned art of idealization and promoted works based on real landscapes and models

A

Pre-Raphaellite Brotherhood

523
Q

First American school of landscape painting; subjects were spectacles of the Hudson River Valley and upper state of New York

A

Hudson River School

524
Q

Considered the first French Realist; believed artists could accurately represent only their experience; socialist principles and experiences of the present

A

Gustave Courbet

525
Q

Flat stone or metal plate printing using oil and ink

A

Litography

526
Q

Litographer and cartoonist, satirized Parisian officials, city life and classical tradition that lingered; famous for his satirical caricatures

A

Honore Daumier

527
Q

Movement in French painting sometimes called optical realism; almost scientific interest in the actual visual experience and effect of light and movement on appearance of objects; attempt to accurately and objectively record visual reality in terms of transient effects of light and color; late 1860s to late 1880s

A

Impressionism

528
Q

Landscape impressionist and leader of pleinarists; painting a single subject a number of times in varying lights and seasons

A

Claude Monet

529
Q

People who believed in working outdoors

A

Pleinarists

530
Q

Painted with full brush and full strokes, placement of colors side by side, placing a concentration of light on an important feature

A

Edouard Monet

531
Q

Worked in pastels and oil; adopted diagonal viewpoint and abrupt cutting of composition; fave subject was ballet

A

Edgar Degas

532
Q

Artist of genre and portrait of real people; interested in interplay of colors caused by flickerings of sunshine and shadow and his tone harmonies are attained by innumerable light refractions

A

Pierre August Renoir

533
Q

Sculptor; interested in conveying dynamic, experimental process rather than finished work itself

A

Rodin

534
Q

Late 19th century; reaction against empirical realism of Impressionism; applied scientific optical principles of light and color to create strictly formalized compositions

A

Neo Impressionism

535
Q

Originated the pointilism technique

A

George Pierre Seurat

536
Q

Other term for pointilism

A

Confettiism

537
Q

Movement providing an intellectual alternative to the purely visual painting of the Impressionists, inspiring surrealists

A

Symbolism

538
Q

Applied paint smoothly; colors are bright in flat, unmodeled shapes; painted tropical landscapes and brown-skinned natives

A

Paul Gaugain

539
Q

Theory of art that posted works of art ought to blend three primary elements; outward appearance of subject; artist’s emotional reaction to the subject and artistic choices of color, form and line

A

Synthetism

540
Q

Pre-cubism; simple handling of masses and planes given depth by structure, color and unconventional perspective

A

Paul Cezanne

541
Q

Used to describe paintings depicting wild beasts in the use of brilliant luminous colors and bold, spontaneous handling of paint

A

Fauvism

542
Q

Wild beast

A

Fauve

543
Q

Leader of the fauves; paintings have extraordinarily decorative quality with flat-patterned compositions in pure colors

A

Henri Matisse

544
Q

Movement that originated in England in 1860 as a reaction against poor quality mass-produced goods; wanted English homes made by honest English craftsmen

A

Arts and Crafts Movement

545
Q

Design movement of the mid-19th century that emphasized the decorative use of materials and textures and the development of ornament as an integral part of structure

A

Rationalism

546
Q

Leader of the Arts and Crafts movement; born to a wealthy family in London; became associated with the Raphaelite Movement

A

William Morris

547
Q

Towering rectangular block with almost no decoration, an austere statement and bold break away from the traditional methods of architectural adornment; by Charles Rennie Mackintosh

A

Glasgow School of Art

548
Q

Deliberate attempt at expressing surface textures of ordinary materials such as stone and tiles, with an asymmetrical and quaint building composition; by Philip Webb

A

The Red House

549
Q

Style of fine and applied arts characterized by fluid, undulating motifs derived from natural forms; 1880-1914

A

Art Nouveau

550
Q

Art Nouveau in France after Hector Guimard

A

Syle Guimard

551
Q

Art Nouveau in Italy; floral style

A

Stile Floreale

552
Q

Art Nouveau after British designer Arthur Lassen by Liberty from Liberty and Co.

A

Stile Liberty

553
Q

Art Nouveau in Spanish version

A

Modernismo

554
Q

Art Nouveau in Austria

A

Sezzesionistil

555
Q

Art Nouveau in German speaking countries for “Youth Style”

A

Jugendstil

556
Q

By Victor Horta; known for its highly-decorated stairwell which makes a refined play on the vegetable and flower forms

A

Hotel Tassel, Brussels

557
Q

Apartment block with undulating forms and cast-iron balconies; by Antonio Gaudi

A

Casa Mila

558
Q

By Gaudi; built since 1882 and is supposed to be finished in 2026; combined Gothic and Art Nouveau elements; Temple of the Holy Spirit

A

The Sagrada Familia

559
Q

By Hector Guimard; architectural forms draw inspiration from nature, most noticeable in the plant stems that support the sign; organic form with new cast-iron fabrication

A

Paris Metro Entrance

560
Q

Style of decorative art developed in 1920s with a revival in 1960s; geometric motifs, streamlined, curvilinear forms, sharply-defined outline often bold colors and use of synthetic materials

A

Art Deco

561
Q

Briefly the world’s tallest building before it was overtaken by the Empire State Building in 1931; now the second tallest building in NYC; distinctive ornamentation based on Chrysler automobiles

A

Chrysler Building

562
Q

By Shreve Lamb and Harmon architect; a 102-story skyscraper located in NYC; stood as the world’s tallest building for 40 years from its completion in 1931 until construction of World’s North Tower was completed in 1972

A

Empire State building

563
Q

Opposition to academic standards and emphasized artistic subjective emotion which overrides fidelity to the actual appearance of things; late 19th century to early 20th century

A

Expressionism

564
Q

Dough/paste; thick layers of paint

A

Impasto

565
Q

Greatest Dutch painter since the Baroque times; subjects reflected a social consciousness reminiscent of Realism; use of powerful brushstrokes

A

Vincent Van Gogh

566
Q

Norwegian painter and printmaker whose intense, evocative treatment of psychological and emotional themes was a major influence on the development of German Expressionism in the early 20th century

A

Edward Munch

567
Q

Movement of conscious and methodological destruction of particular and recognizable in appearance; artistic elimination of rational visual association; 1910-1920

A

Abstraction

568
Q

Influential Russian painter and art theorist; painting purely abstract works

A

Wassily Kandinsky

569
Q

Showed objects in their basic geometric shapes

A

Cubism

570
Q

French painter and leader of Cubism; works incorporated the Cubist aim of representing the world as seen from a number of different viewpoints

A

Georges Braque

571
Q

Spanish painter and sculptor; co-founder of Cubism; father of collage

A

Pablo Picasso

572
Q

Textural effects using paper and other materials in composition

A

Collage

573
Q

Picasso’s concurrent presentation of 2/3 side of an object

A

Simultaneity in art

574
Q

Period in Picasso art where he painted beggars and miserable humanity

A

Blue period

575
Q

Period in Picasso art where he painted circus subjects

A

Rose period

576
Q

More associated with Dadaism and Surrealism; first forayed in Cubism; Nude Descending a Staircase

A

Marcel Duchamp

577
Q

Early phase of cubism founded by Picasso and Braque; chiefly characterized by pronounced use of geometric shapes and tendency toward monochromatic use of color; artists invented specific shapes and characteristic details that would represent the whole object or person

A

Analytic

578
Q

Symbolic style of art that is more colorful than earlier analytic form of Cubism; wide variety of extraneous materials; particularly associated with Picasso’s novel technique of collage and Braque’s papier colles

A

Synthetic

579
Q

School of art founded in Netherlands in 1917 marked especially by use of black and white with primary colors, rectangular forms and asymmetry; from name of magazine published by participants in the movement

A

De Stijl

580
Q

Founders of De Stijl

A
  • Architect Gerrit Rietveld
  • Theo Van Doesburg
  • Piet Mondrian
581
Q

Recognized as the purest and most methodical of the early abstractionists; radically simplified the elements of his art; black, white and three primary colors as color palette; asymmetrical balance and a simplified pictorial vocabulary

A

Piet Mondrian

582
Q

By Gerrit Rietveld; facades are collage of planes and lines whose components are purposely detached from and seem to glide past one another; no static accumulation of rooms but a dynamic, changeable open zone

A

Schroder House

583
Q

Deliberate philosophical and practical estrangement from the past occurring in the course of 20th century; rejection of historical styles; form follows function

A

Modernism/ Modern Style

584
Q

School of design established in Neimar, Germany in 1919 by Walter Gropius; moved to Dessau in 1926 and closed in 1933 as a result of Nazi hostility; emphasis on functional design; asymmetry and regularity; 1919-1933

A

Bauhaus Design

585
Q

German architect and founder of Bauhaus School; one of the pioneering masters of modern architecture

A

Walter Gropius

586
Q

Principal exponent of the International style; pioneer for skyscrapers; extreme clarity and simplicity

A

Ludwig Mies Van Der Rohe

587
Q

Director of cabinetmaking workshop at Bauhaus; reputation based on invention of tubular steel furniture, one big residence, two apartment houses, some shop interiors and several competition entries

A

Marcel Breuer

588
Q

By Peter Behrens; founded in Berlin in 1883; pioneered modern, large-scale industrial development

A

AEG Turbine Factory

589
Q

Designer of Bauhaus buildings

A

Walter Gropius

590
Q

First project of Walter Gropius; rectilinear volume with glazed facade

A

Fagus Shoe Factory

591
Q

Architectural style that is minimalist in concept, devoid of regional characteristics, stresses functionalism and rejects all non-essential decorative elements; emphasizes horizontal aspects of building

A

International Style

592
Q

Pioneer of International Style

A

Philip Johnson

593
Q

Established the credo “Form follows function”; father of modernism

A

Louis Sullivan

594
Q

Defined a North American style of architecture which was rich in emotion and sensitive to its surroundings; apprentice of Sullivan

A

Frank Lloyd Wright

595
Q

Architecture as an extension of the environment

A

Organic architecture

596
Q

Style of American domestic architecture characterized by two-story height with wings and/or porches of one story; low, horizontal appearance, central portion usually higher than the adjacent flanking wings

A

Prairie style

597
Q

Kauffman residence; built on waterfalls; harmony between man and nature

A

Falling Water, Pennsylvania

598
Q

Created as a series of organic shapes; circular forms spiral down like the interior of a nautilus shell; visitors begin on the upper level and follow a sloping ramp downward

A

Guggenheim Museum, New York

599
Q

Aka administration building; constructed of more than 200 sizes and shapes of bricks; light shines into building through several layers of glass tubes that cannot be seen through

A

Johnson Wax Administration Building, Wisconsin

600
Q

Made up from easy to assemble, pre-fabricated wood sandwich panels designed to be erected in a simple construction

A

Usonian houses

601
Q

Known universally as “Corbu” (raven); described house as a machine for living in

A

Le Corbusier

602
Q

Real name of Le Corbusier

A

Charles Edouard Jeanneret

603
Q

Column of iron, steel or reinforced concrete supporting a building above an open ground level

A

Pilotis

604
Q

By Le Corbusier; weekend house known for allowing sunlight to pour into the main living quarters and the windows and roof terraces afford views out across the French countryside

A

Villa Savoye, Poissy

605
Q

By Le Corbusier; housing block described as “great ocean liner”

A

Unite d’Habitation

606
Q

Chapel with a structure that is made mostly of concrete and is comparatively small, enclosed by thick walls with upturned roof supported on columns like a sail billowing in the windy currents

A

Notre Dame-du-Haut Ronchamp

607
Q

By a committee of architects headed by Wallace K Harrison; largest of four buildings; the 39 story, 544 ft (166m) tall slab has become a worldwide symbol of the United Nations; green-glass curtain tower was first of its kind in New York

A

UN Headquarters

608
Q

Movement aimed at ridiculing and destroying the idea of art; importance lies in its break with outmoded ways to gain new freedom for the artist in his search for new meaning and fun

A

Dadaism

609
Q

Artistic movement in hunt of science of expression of the subconscious; as a movement it came to begin after French poet Andre Breton after he published Manifesto de Surrealisme (1924)

A

Surrealism

610
Q

Works: Persistence of Memory, The Temptation of St. Anthony

A

Salvador Dali

611
Q

Movement in which artists typically applied paint rapidly and with force to their huge canvases in an effort to show feelings and emotions

A

Abstract Expressionism

612
Q

Term coined by critic Harold Rosenberg to describe work of certain members of the New York School

A

Action Painting

613
Q

Most significant style to emerge in America in the 60s whose popular imagery was derived from commercial resources, mass media and everyday life

A

Pop Art

614
Q

Startled the art world in 1962 by exhibiting paintings based on a comic book cartoons

A

Roy Lichtenstein

615
Q

Leading figure in the visual art movement known as pop art; works explore relationship between artistic expression, celebrity culture and advertisement that flourished in the 1960s

A

Andy Warhol

616
Q

Works: Just what is it that makes today’s homes so different, so appealing?

A

Richard Hamilton

617
Q

Recognizable object is totally eliminated in favor of geometric abstraction; artists produce kinetic effects

A

Op Art

618
Q

1970s; Movement in reaction to principles and practices of modernism, encouraging the use of elements from historical vernacular styles and often playful illusion, decoration and complexity

A

Post Modernism

619
Q

Published the manifesto, Complexity and Contradiction in Architecture (1966) that announced “less is a bore”

A

Roberto Venturi

620
Q

Developed a wide-ranging eclecticism in which he abstracted historical forms and emphasized use of color; generates ironic, vision of Classicism

A

Michael Graves

621
Q

Man who brought Van der Rohe to the States and introduced New York to the Modern Style; dubbed International Style

A

Philip Johnson

622
Q

Style that goals to liberate the maximum volume of space inside by positioning all its working stairs, lifts, escalators etc. outside the interior envelope of the building

A

High Tech

623
Q

Other term for High Tech

A

Structural Expressionism

624
Q

Uncompromising exploration of technological innovations and forms; designs emphasize repetition of industrialized “modular” units in which prefabricated off-site manufactured elements are frequently employed

A

Norman Foster

625
Q

Interest is in uninterrupted interior spaces; total flexibility and obvious technical imagery termed as Late Modern

A

Richard Rogers

626
Q

Investigated the world of machine and the properties of timber, brick and plywood

A

Renzo Piano

627
Q

First High Tech monument; modern art gallery; by Richard Rogers

A

Pompidou Center, Paris

628
Q

Curved structures made of glass, stainless steel and laminated timber; by Renzo Piano

A

Jean Marie Tjibaou Cultural Center

629
Q

Movement in architecture emphasizing the aesthetic use of basic building processes especially of cast-in-place concrete, with no apparent concern for visual amenity; 1950s; shaped and molded forms of concrete, thick masonry

A

Brutalism

630
Q

French term where Brutalism was derived from

A

Beton brut

631
Q

Meaning of beton brut

A

Rough concrete

632
Q

Evolved from the work of avant garde artists and designers in Germany and other European countries during the first decades of the 20th century; distorted shapes, fragmented lines, organic or biomorphic forms, massive sculpted shapes, extensive use of brick and concrete, lack of symmetry

A

Expressionism

633
Q

Avant-gardist, modernist approach; first used by architectural theorists Alexander Tzonis and Liane Lefaivrelt

A

Regionalism

634
Q

Architect of Sydney Opera House

A

Jon Utzon

635
Q

Approach to building design that attempts view architecture in bits and pieces; basic elements dismantled; ideas borrowed from French philosopher Jacques Derrida

A

Deconstructivism/ Deconstruction

636
Q

Emphasizes form; architecture interested in visual relationships; focused in shape, often in monumental scale; lines and rigid geometric shapes predominate

A

Formalism

637
Q

Arts of Mohammedan countries

A

Islamic Arts

638
Q

5 Pillars of Islam

A
Shahadah
Salat
Zakat
Sawm
Hajj
639
Q

5 Pillars of Islam

Sincerely reciting the Muslim profession of faith

A

Shahadah

640
Q

5 Pillars of Islam

Performing ritual prayers in the proper way; 5 times each day

A

Salat

641
Q

5 Pillars of Islam

Paying an alms or charity tax to benefit the poor and the needy

A

Zakat

642
Q

5 Pillars of Islam

Fasting during the month of Ramadan

A

Sawm

643
Q

5 Pillars of Islam

Pilgrimage to Mecca

A

Hajj

644
Q

Arabic text; most highly regarded and most fundamental element of of Islamic art

A

Calligraphy

645
Q

Most primarily used to cover the floors of mosque

A

Carpet

646
Q

Considered as the Golden Age of carpet production

A

16th century

647
Q

Produced in Egypt and Iraq; influenced by the Chinese white and porcelain stoneware

A

Tin-glazed

648
Q

Type of pottery with an over-glaze finish containing copper and silver or other materials that give the effect of iridescence

A

Luster-painter/ Lustreware

649
Q

Form of decoration made by scratching through a surface to reveal a lower layer of contrasting color, typically done in plaster or stucco on walls or in slip on ceramics before firing

A

Sgraffito ware

650
Q

Ornamentation attached to ridge of roof, cornice/ parapet; usually metal (iron/copper)

A

Crestings

651
Q

“A place to prostate”; principal place of worship for Friday prayer

A

Mosque/Masjid

652
Q

What does a neighborhood mosque or big mosque called?

A

Jami masjid

653
Q

Theological school; generally arranged around a courtyard

A

Madrasah

654
Q

Courtyard of a mosque

A

Sahn

655
Q

Covered area in front of qibla wall

A

Haram

656
Q

Niche oriented towards Mecca

A

Mihrab

657
Q

Tribune raised upon columns from which the Koran is recited and prayers are intoned by the Imam of a mosque; like an altar

A

Dikka

658
Q

Enclosure in a mosque which includes the praying niche made usually of an openwork screen; originally meant for the sultan during public prayers

A

Maqsura

659
Q

Raised platform for ceremonial announcement

A

Minbar

660
Q

Open-fronted vault facing a court

A

Iwan, ivan

661
Q

Tower from which a call to prayer is made

A

Minaret

662
Q

Axis oriented towards Mecca

A

Qibla wall

663
Q

Gateway in a mosque

A

Bab

664
Q

Central area for prayer in a mosque; literally “place for prayer”

A

Musalla

665
Q

Women’s or private chamber of a house or palace

A

Harem

666
Q

Men’s or guest’s quarters

A

Selamlik

667
Q

Originally used as a high point from which to make the call to prayer

A

Minaret

668
Q

Meaning of adhan

A

Call to prayer

669
Q

Characterized by multi-patterned ceramic exterior facings; octagonal structure topped with glittering dome that rises over two internal colonnades; believed to be the place to which Prophet Muhammad ascended into heaven during the Night Journey to heaven; oldest Islamic monument

A

Dome of the Rock, Jerusalem

670
Q

Known for its prayer hall comprised of double arcades with which the lower arches are of horseshoe form and have voussoirs of white stone and red brick

A

Great Mosque of Cordoba, Spain

671
Q

White-splendored tomb built by Emperor Shah Jahan in the memory of his favorite wife, Arjumand Banu Begum aka Mumtaz Mahal

A

Taj Mahal, India

672
Q

Largest mosque ever built; has cone-shaped minaret encircled by an outer ramp on the form of a spiral

A

Great Mosque, Iraq

673
Q

Center of Islamic world and birthplace of both Prophet Muhammad and religion he founded

A

Mecca, Saudi Arabia

674
Q

Focal point of Mecca; “House of God”; believed to be built by Abraham and his son Ishmael; covered in gold-embroidered black fabric

A

Ka’aba

675
Q

How many times do pilgrims circle Ka’aba?

A

Seven

676
Q

Corner stone of Ka’aba

A

Black stone

677
Q

Richly decorated and elaborate palace and fortress

A

Alhambra, Spain

678
Q

Known as the “Middle Kingdom” because it was thought to be the center of the universe

A

China

679
Q

Four main social classes in China

A

Scholar gentry
Peasants
Artisans
Merchants

680
Q

Known as the bronze period for casting bronze or manufacture of medal using clay models; first to bring order/rule over warring states

A

Shang Dynasty

681
Q

The King was renamed Shi (first) Huangdi (emperor and divine ruler)- unified China by implementing strict laws, taxing everyone and introducing one script for writing, one standard for money, weights and measurements; ordered burning of scholarly books

A

Qin dynasty

682
Q

3000 life-size foot soldiers buried in the tomb of Qin

A

Terracotta warriors

683
Q

Founded by Lui Bang; control of the Silk road that linked Asia and Europe; Buddhism started to spread; extension of ancient Chinese boundaries

A

Han Dynasty

684
Q

Golden Age of Chinese Arts

A

Tang Dynasty

685
Q

Ceramic material made by heating raw materials, generally including clay in the form of kaolin, in a kiln to temperatures between 1200°C and 1400°C

A

Porcelain

686
Q

Type of white porcelain made at Dehua in the Fujian province; produced from Ming dynasty

A

Blanc de Chine

687
Q

Symbol of vitality and authority in China

A

Jade

688
Q

Symbol of eternal life; placed on the mouth of a deceased person

A

Jade cicada

689
Q

Chinese writing done on silk then later paper

A

Calligraphy

690
Q

Method of painting with pigments dispersed in an emulsion miscible with water, typically egg yolk. The method was used in Europe for fine painting, mainly on wood panels, from the 12th or early 13th century until the 15th, when it began to give way to oils

A

Tempera

691
Q

Interlocking bracket system

A

Dou-gong bracket system

692
Q

Principle in Chinese architecture that teaches individualism and transcendence through direct connection with the natural world

A

Taoism

693
Q

Incomprehensible natural force which all events in the universe unfailingly follow

A

Tao

694
Q

Principle in Chinese architecture that emphasized strict adherence to social conventions and rituals for the proper functioning of the state

A

Confucianism

695
Q

Principle in Chinese architecture referring to a path of practice and spiritual development leading to insight into the true nature of reality

A

Buddhism

696
Q

Upright stone slab with inscriptions

A

Stele

697
Q

“Life force”; “energy flow”; “air”

A

Qi

698
Q

Chinese balance and symmetry

A

Yin-yang

699
Q

Number especially applied in imperial architecture, odd numbers were considered masculine

A

Number 9

700
Q

Color used in China for the sole use of emperor

A

Yellow

701
Q

Color used in palace buildings

A

Green

702
Q

Color used as symbol of happiness and solemnity

A

Red

703
Q

Zoomorphic symbolism for emperor

A

Dragon

704
Q

Zoomorphic symbolism for empress

A

Phoenix

705
Q

Zoomorphic symbolism for guardian of Chinese palatial structures

A

Lion

706
Q

Structural member found between the top of a column and a cross beam; Chinese Architectural element

A

Dougong bracket

707
Q

Number of layers of dougong brackets depend on what?

A

Importance of buildings

708
Q

Ceiling where central deepest part is the round well (jing); middle is the octagonal well and outermost part a square; design symbolizes ancient Chinese belief “Heaven is above and the Earth below” and that “Heaven is round and the Earth square”

A

Zaojing or caisson ceiling

709
Q

Tiered tower with multiple eaves common in China, Japan, Korea, Nepal and other parts of Asia; erected as memorial or to hold relics; originally to hold Buddhist relics

A

Pagoda

710
Q

Dome shaped monument

A

Stupa

711
Q

Monumental archway or gateway with one, three or five openings; erected as memorial at the entrance to a palace, tomb or processional way; usually built of stone in imitation of wood construction

A

Pai-lou or Paifang

712
Q

Covered structures without surrounding walls to allow observation of surroundings

A

Pavillion

713
Q

Home of 24 Chinese emperors for nearly 500 years; composed of palace complex, Gate of Peace, Qiniandan Hall of Prayer and Hall of Supreme Justice

A

The Forbidden city

714
Q

Fortified wall of China under Zhou dynasty to protect China against nomads from the north to serve as means of communication; 21,196km; 30 million steps

A

Great Wall of China

715
Q

China’s largest existing complex of ancient sacrificial buildings; built in 1420 for emperors to worship Heaven; 38 meters in height; 30 meters diameter

A

The Temple of Heaven

716
Q

Residence for Dalai Lama; rises 200 meters against a hillside; has 9 storeys and is colored white, red and gold leaf

A

Potala Palace

717
Q

For _____ years, Japan was closed to the outside world; free from foreign influence

A

200

718
Q

National style of Japan painting based on geometric forms rather than fluid forms of China

A

Yamato

719
Q

Painting executed on vertical silk rolls

A

Kakemono

720
Q

Painting executed on horizontal silk rolls

A

Makimono

721
Q

Genre of Japanese woodblock prints and paintings produced between 17th and 20th centuries featuring motifs of landscapes, tales from history, the theater and pleasure quarters; main artistic genre of wood block printing in Japan

A

Ukiyo-e

722
Q

Delicate angular flowering branches painted with iron red, two tones of green and blue and subtle touches of gold; Japanese ceramics

A

Kakiemon-de pattern

723
Q

Strong floral and brocade design painted in heavily saturated colors; Japanese ceramics

A

Imari pattern

724
Q

Layer upon layer added to base material then polished to a smooth, brilliant surface; gold and silver dust or particles introduced into the top layer before finishing

A

Lacquerwork

725
Q

Sword of the samurai; characterized by distinctive appearance; curved, single-edged blade with circular or squared guard and long grip to accommodate two hands

A

Katana

726
Q

Sword guards

A

Tsuba

727
Q

Pommels

A

Kashira

728
Q

Ring bands

A

Fuchi

729
Q

Ornate pegs

A

Menuki

730
Q

Dagger

A

Kozuka

731
Q

Japan tea ceremony

A

Chanoyu, sado or ocha

732
Q

What tea is served in Japanese tea ceremonies?

A

Green tea

733
Q

Tea caddy

A

Chai-re

734
Q

Hemp cloth

A

Chakin

735
Q

Whisk

A

Chasen

736
Q

Tea bowl

A

Chawan

737
Q

Square silk cloth used for ritual cleansing of Chashaku and Natsume and to handle a ht Kama lid

A

Fukusa

738
Q

Potable brazier

A

Furo

739
Q

Ladle

A

Hishaku

740
Q

Iron pot or kettle

A

Kama/ Chanovugama

741
Q

Waste water receptacle/ bowl

A

Kensui

742
Q

Art of cultivating miniature trees

A

Bonsai

743
Q

Flower arrangement in Japan

A

Ikebana

744
Q

Art of folding paper

A

Origami

745
Q

Japanese theater with actors wearing masks

A

Noh

746
Q

Japanese theater plays with all-actor ensemble wearing heavy make up

A

Kabuki

747
Q

“The way of the gods”

A

Shintoism

748
Q

Shinto gods

A

Kami

749
Q

Open gateway in Shinto temples with two pillars and architrave, found along the approach path to Shinto shrine

A

Torii gateways

750
Q

Main purpose is for enshrinement and worship of a kami

A

Shinto temple

751
Q

Building that contains the body of the goshintai

A

Honden

752
Q

Physical objects worshipped at or near Shinto shrines; body of governing god

A

Goshintai

753
Q

Hall of worship of Shinto shrine; usually in front of honden; open to laity

A

Haiden

754
Q

Assembly hall for monks in Japanese buddhist temple where sacred texts are read

A

Kodo

755
Q

Japanese Buddhist pagoda

A

To

756
Q

Golden hall where main image of worship is kept in Japanese Buddhist temple

A

Kondo

757
Q

Principal south gateway to Japanese Buddhist temple

A

Nandaimon

758
Q

Inner gateway to Japanese Buddhist temple

A

Chumon

759
Q

Tea houses

A

Cha-shitsu

760
Q

How are tea houses measured?

A

Measured between 2 x 4 1/2 tatami

761
Q

Traditional rice straw mat

A

Tatami

762
Q

Traditional measurement of tatami mat

A

3 ft x 6 ft

763
Q

Public bathing facility in Japan; known for their temple-style

A

Sento

764
Q

Most famous and oldest Shinto temple in Japan; enshrines the sun goddess Amaterasu Omikami, believed to be the ancestor of Japanese imperial family

A

Ise Shrine

765
Q

Most impressive of fortified residences, has 6 storeys with pentroofs and curving eaves; created by the samurai under the Shogunate

A

Himeji castle

766
Q

Any product obtained through action of fire upon any material

A

Pottery

767
Q

Found in Tabon caves of Palawan; funerary vessel with incised designs around its body; its cover had a boat containing two figures to symbolize the prehistoric Filipino’s journey to the afterlife

A

Manunggul Jar

768
Q

Ilocano term for large earthenware, mainly used for fermentation and storage of liquid

A

Burnay

769
Q

Southern Tagalog tern for water container for kitchen

A

Tapayan

770
Q

Filipino cookware

A

Palayok

771
Q

Storage for drinking water; Filipino

A

Banga

772
Q

Red, high polished tiles associated with the Spanish colonial housing

A

Vigan tiles

773
Q

Weaving tradition of T’boli people of South Cotabato; cloth woven from abaca fibers

A

T’nalak

774
Q

Style of weaving that uses a resist dyeing process

A

Ikat

775
Q

Meaning “twill” in Ilocano; variation of abel; interlocked geometric patterns that result in psychedelic optical art designs which represent waves of the sea and among indigenous peoples of Cordilleras, protection against malevolent spirits

A

Binacol

776
Q

Woven fabric of cotton yarns with floral design created by artisans of northern provinces of Philippines

A

Inabel/ Abel Iloco

777
Q

Yakan people technicolor geometric weaves; example is malong

A

Inaul

778
Q

Hand woven cloth of made of silk or cotton and square in form with geometric patterns; multi-purpose headdress, may be worn on shoulder, knotted around the hilt of sword or kris or tied around the head

A

Pis Siyabit

779
Q

Process of making basket which is a receptacle made of interwoven fibrous material

A

Basketry

780
Q

Ifugao fertility jewelry used as necklace pendant or earring; often given as wedding gift

A

Ling-ling-o

781
Q

Maranao ceremonial vessel for wedding gifts

A

Gadur

782
Q

Traditional brass or bronze vessel

A

Galang

783
Q

Betel nut containers

A

Lotoan

784
Q

Ifugao wood carving of their rice god

A

Bulul

785
Q

Central or king post in Ifugao house of the same carved human figure as the bulul

A

Kinib-bigat/ kinabagat

786
Q

Ifugao wooden bench

A

Hagabi

787
Q

Ifugao pig sculptures

A

Binabuy

788
Q

Leaf and vine pattern associated with Mindanaon woodcarving

A

Ukkil (Tausug)

Okir (Maranao)

789
Q

Bird or cock form; symbol of messenger

A

Sarimanok

790
Q

Considered to have sheltered the earliest men of the Philippines

A

Tabon cave, Palawan

791
Q

Earliest known Philippine mural

A

Cave dwellings in Angono, Rizal

792
Q

2000 year old terraces that were carved into the mountains of Ifugao

A

Cordillera Rice Terraces

793
Q

Botanic windscreen with a windpole support

A

Lean-to dwelling

794
Q

Style of dwelling of the lowland areas comprised of triangular roof, free-standing support and elevated house cube

A

Bahay kubo

795
Q

Front porch in bahay kubo

A

Balkon

796
Q

Multi-purpose main room in in bahay kubo

A

Bulwagan

797
Q

Bedroom in bahay kubo

A

Silid

798
Q

Roofless back porch that serves as cleaning area and wash room in bahay kubo

A

Batalan

799
Q

Ivatan traditional house of stone and mortar, 1 1/2 m thk cogon thatch roof and a big roof net (“panpet”); Batanes type housing

A

Rakuh

800
Q

Isneg one-room abode with a large concave roof that resembles an inverted traditional Isneg boat

A

Binuron

801
Q

Kalinga octagonal house

A

Binayon

802
Q

Ifugao house for the affluent whose pyramidal hipped roof covers the floor of the house

A

F/ Bale

803
Q

Tukud

A

Post

804
Q

Halipan

A

Cylindrical rat guard

805
Q

With a detachable A-frame roof and is supported by a “katig” that allows the boat to float steadily

A

Badjao House boat

806
Q

Traditional Tausug house on stilts supported by a pitched roof; distinguished by carved wooden finials tadjuk pasung placed on one or both ends of the roof

A

Bay sinug

807
Q

Built on six foot stilts; about 50ft long and nearly 30ft wide; typically constructed of bamboo, wood and palm fronds

A

T’boli long house

808
Q

“Sleeping place”; royal house; house of sultan known for its colorful panolong

A

Torogan

809
Q

Butterfly wing floor beam ends with pako rabong or naga

A

Panolong

810
Q

Pako rabong

A

Fern

811
Q

Naga

A

Dragon/serpent motif

812
Q

Tausug and Yakan; “to meet”; can accommodate small group of worshippers commonly built in rural areas

A

Langgal

813
Q

Maranao; “to meet”; can accommodate small group of worshippers commonly built in rural areas

A

Ranggar

814
Q

Larger, more permanent structure that includes dome and minare

A

Masjid or masked

815
Q

One of the earliest recorded painters in PH art history; Langit, Lupa at Impierno

A

Jose Luciano Dans

816
Q

Most popular artist who worked in the tipos del pais style; opened the first formal fine arts school in the country in his house, Academia de Dibujo y Pintura

A

Damian Domingo y Gabor

817
Q

Watercolor paintings that show different types of inhabitants in the Philippines in their different native costumes

A

Tipos del pais

818
Q

Developed a style that contains both tipos del pais and genre paintings by forming letters of patron’s name from figures of people in local costumes doing everyday activities; utilized landscape scenes as background

A

Jose Honorato Lozano

819
Q

Became the first international Filipino artists when they won the gold and silver medals in the 1884 Madrid Exposition

A

Juan Novicio Luna and Felix Resureccion Hidalgo

820
Q

Houses the tabernacle and image of the town’s patron saint; “cabinet of saints”

A

Retablo

821
Q

Carved images in relief

A

Relleves

822
Q

Religious images

A

Santos

823
Q

“To enliven, to bring life”

A

Encarnacion

824
Q

A mannequin-type intended to be dressed with clothing and accessories

A

Bastidor santo

825
Q

Earliest known sculptor in the Philippines; few of his extent works found at San Agustin Convent museum

A

Juan de los Santos

826
Q

First book printed in the country published by Dominicans in 1593

A

La Doctrina Christiana en la Lengua Española y Tagala (The Christian Doctrine in the Spanish and Tagalog Language)

827
Q

Prints of miraculous images usually featured portraits of saints and religious scenes

A

Estampas and estampitas

828
Q

Grouping and reduction in number of formerly scattered barangays into compact and larger communities to facilitate religious conversion and cultural change

A

Reduccion

829
Q

Kind of town planning in which fort and church were integrated centrally and concentrically with the social classes

A

Plaza complex

830
Q

Evolved bahay kubo with improved air circulation and lighting

A

Bahay na bato/ bahay na tisa

831
Q

House with roof tiles

A

Bahay na tisa

832
Q

Apartment dwellings; single or two-storey with multiple units defined by common party walls

A

Accesoria

833
Q

Screened gallery with entry from second floor of convent

A

Tribunas

834
Q

Parish house or rectory

A

Convento

835
Q

Roman Catholic Minor Basilica in Manila; Romanesque style

A

Minor Basilica of the Immaculate Conception or Manila Cathedral

836
Q

Known for its sinking bell tower; by Fr. Joseph Ruiz

A

Laog Church, Ilocos Norte

837
Q

Largest bell; probably best-known “earthquake Baroque”; distinguished by enormous size buttresses with scroll-like bases

A

Paoay Church

838
Q

Current design by Juan Nakpil and Jose Maria Zaragosa

A

Quiapo church

839
Q

First religious structure built in Luzon; only stone church of its size standing as initially built; true barrel vaulting; by Fr. Macias

A

San Agustin Church

840
Q

Supposedly by Gustav Eiffel; one of the first steel buildings- steel from Belgium

A

San Sebastian

841
Q

Biggest Spanish church in the country; by Fr. Martin Aguirre

A

Taal Church, Batangas

842
Q

Unusual aztec-like bas relief in facade depicting St. Christopher carrying baby Jesus through a tropical forest

A

Miag-ao Church, Iloilo

843
Q

European styled fortifications characterized by heavy stone walls, moats and grid road layouts

A

Forts/ military structures

844
Q

First fort in PH

A

Fort San Pedro, Cebu

845
Q

First stone fort in PH

A

Nuestra Senora de Guia, Intramuros

846
Q

Fort named after patron saint of Spain; built at a sharp angle between a river and bay; formed a citadel

A

Fort Santiago

847
Q

Residence of the highest official of the land

A

Palacio de Gobierno or Palacio Real

848
Q

Seat of colonial governance in the country

A

Ayuntamiento

849
Q

Trial court

A

Real Audiencia or Tribunal

850
Q

Aduana

A

Customs house

851
Q

Smaller version of Ayuntamiento in provincial towns; design looks like oversized bahay na bato

A

Municipio/ Casa de Municipal/ Casa Real

852
Q

Housed the administration of hacienda

A

Casa hacienda

853
Q

Oldest university in Asia founded by Dominicans in 1611; Royal and Pontifical University

A

Universidad de Santo Tomas

854
Q

Precursor of University of San Carlos

A

Colegio de San Ildefonso

855
Q

First painter of note in the 20th century; noted for realistic portraits, genre and landscapes in subdued colors; first dean of UP Fine Arts School

A

Fabian dela Rosa

856
Q

First and among the few Filipino painters who have captured the different striking colors and character of the country’s magnificent sunlight; Dalagang Bukid, The Offering; Planting Rice

A

Fernando Amorsolo y Cueto

857
Q

Trained in the classical style in Rome; Oblation in UP; Bonifacio monument in Caloocan; Filipinas in Bondage

A

Guillermo Tolentino

858
Q

A grandiose architectural style as taught at the Ecole des Beaux Arts in Paris primarily in the 19th century, widely applied until 1930 to large public buildings; elaborate, historic, eclectic, monumental scale

A

Beaux Arts

859
Q

Single storey raised slightly above ground, reinforced concrete and wood with an extended veranda in front

A

Chalet

860
Q

Father of the City Beautiful Movement

A

Daniel H. Burnham

861
Q

Filipino architects sponsored by colonial officials to study architecture and engineering in US

A

1st generation architects

862
Q

1st generation architect; PGH; UP University Hall at Padre Faura; Manila Hotel

A

William Parsons

863
Q

1st generation architect; Sent to US as one of the pensionados in architecture; UP Palma, Benitez, Malcolm Hall; The Legislative Building; Jones Bridge; BPI; Manila Post Office; Villamor Hall of UPM (now Supreme Court); Rizal Memorial Stadium; Metropolitan Theater

A

Juan Arellano

864
Q

1st generation architect; One of the pioneer professors of Mapua Institute of Technology; Manila City Hall; Bureau of Customs

A

Antonio Toledo

865
Q

1st generation architect; First registered architect f the PH; founded first architectural association in PH (PH Institute of Architects); DLS College; CEU; Mapua; Nurses’ Home a PGH; Pier 7

A

Tomas Mapua

866
Q

Emerged in the 1920s and 30s; introduced Art Deco characterized by exuberant exoticism and ornamentation to PH

A

2nd generation architects

867
Q

2nd generation architect; 1st National artist for architecture; Arellano University. Manila Jockey Club; UP Admin and Library Buildings

A

Juan Nakpil

868
Q

2nd generation architect; son of Juan Luna; used Art Nouveau style; The Crystal Arcade

A

Andres Luna de San Pedro

869
Q

2nd generation architect; 2nd national artist for architecture; Boulevard Alhambra (now Bel-Air apartments), FEU, Ideal Theater, Manila Polo Club

A

Pablo Antonio

870
Q

2nd generation architect; Angela Apartments; UST Chapel

A

Fernando Ocampo

871
Q

Father of PH Modern Art

A

Victorio C. Edades

872
Q

With his Brown Madonna, Filipinized Western canonical iconography

A

Galo B. Ocampo

873
Q

Angono based painter; History of Manila mural at Manila City Hall; fluid lines and brilliant colors

A

Carlos “Botong” Francisco

874
Q

Group of artists who were reacting to the academic style of Luna and Hidalgo and to the sweet style of Amorsolo;

A

Thirteen Moderns

875
Q

Thirteen Moderns; Considered as major proponent of Cubism in PH

A

Vicente Manansala

876
Q

Thirteen Moderns; Formed the triumvirate of neo-realists with Vicente Manansala and Cesar Legaspi; works were nationalistic and reflected harsh realities of PH after WWII and are probably first purely non representational art produced in PH

A

Hernando R. Ocampo

877
Q

Thirteen Moderns; Neo realist; Remembered for depiction of masses

A

Cesar Legaspi

878
Q

Thirteen Moderns; sharply outlined figures of bandanna wearing peasant women going about their daily chores; women are thin, long necks, slant eyes and flat noses

A

Anita Magsaysay-Ho

879
Q

Winner of AAP competition; Carroza

A

Fernando Zobel

880
Q

Country’s leading abstract expressionist; Space Transfiguration

A

Jose Joya

881
Q

Crucifixied, Man and Woman, Fish

A

Ang Kiu Kok

882
Q

Vivid colors; abstract representations; tropical kaleidoscope of colors; images and colors remind us of homeland

A

Mauro “Malang” Santos

883
Q

National Artist for Visual Arts; minimalist, geometric abstracts, alluding to modernist virtues of competence, order and elegance; evoking universal reality; mirrors aspiration for an acme of true Asian modernity

A

Arturo Luz

884
Q

Father of Philippine Modern Sculpture

A

Napoleon Abueva

885
Q

Reduces heat gain by breaking sunlight

A

Brise soleil

886
Q

Architects who professed the post-war doctrine; “form follows function

A

3rd generation architects

887
Q

Use of molded concrete and folded plate technology

A

Space Age

888
Q

Architecture that emphasized traditional building practices and methods and a pragmatic knowledge of local history

A

Tropical regionalism

889
Q

Architecture that drew on brick, tile and other traditional materials and even on vernacular forms in a general reaction against International Modernism in the 1960s and 1970s

A

Neovernacular Architecture

890
Q

3rd National Artist for Architecture; CCP, Folk Arts Theater, Church of Holy Sacrificee, PICC, National Arts Center, MIA, Makati Stock Exchange, Ayala Tower One

A

Leandro Locsin

891
Q

Proponent of Filipino architecture in modern age; San Miguel Corp. Building, Coconut Palace, PH Embassy in US, Shrine of our Lady f Queen of Peace in Edsa, Ateneo Professional Schools

A

Francisco Mañosca

892
Q

Founding museum director at CCP; pioneer of conceptual art in PH

A

Roberto Chabet

893
Q

Art in which idea presented by artist is considered more important than the finished product

A

Conceptual art

894
Q

National artist, pioneered the neofigurative style; Sabel series

A

Benedicto Cabrera

895
Q

Through his works, indigenous ukkil, sarimanok and naga motifs have been popularized and instilled in Filipino nation and other people

A

Abdulmari Imao

896
Q

Known for his bronze sheet monuments; La Pieta, Loyola Memorial Park

A

Eduardo Castrillo

897
Q

Sculptor and architect who created sculptural form in glass as medium; Resurrection Cross at Edsa Shrine

A

Ramon Orlina

898
Q

Tripartite division of columnar architecture

A

Podium, shaft, crown

899
Q

Examples of master-planned micro cities

A

Bay City, Eastwood City, Fort BGC, Rockwell Center