History of Art and Interior Design Flashcards
aesthetically pleasing and meaningful arrangement of element, as words,sounds,colors,shapes etc.
Art
Science or profession of designing and constructing building or other structures
Architecture
Art referring to the following: painting, sculpture, glass and glassware,ceramic, and pottery, metallurgy and plants
Decorative Arts
seeks to establish what was built, when by whom and for whom
Practical
whys and its relationship to the social,economic,political,cultural, and religious environment
Historical
visual and stylistic differences and to explain how styles change and why they do so
Aesthetics
What do you call of the following:
- Rational,Technological & Constructional
- Social and Religious
- Economic, Cultural and Political
- Spirit of the Age (Zeitgeist)
Factors of Historical Development
“before history” with written documentation/language. Based on educated speculation. Divided into Stone Age and Metal Age
Pre-history
before written history, also known as the the Old stone age where Homo Sapiens or Cro-Magnon man used chipped stones
Paleotihic
person that put on animal parts to have their characteristics to aid in hunting & gathering equals to survive wild better
Shaman,Troise Fere
use of pigments for bodily ornamentation
Mousterian
cave painting
Aurignacian
Last of the hunter-gathers. Found in engravings of animals on bone
Magdalenian
small figurines or decorative objects were carved or modeled with clay. Figurines were collectively known as “Venus” as they are unmistakably female of child -bearing build
Portable Art
4 1/2” tall made of limestone the stumpy female figure features pendulous breast an obese middle and belly and pronounced buttocks
Venus of Willendorf (Austria)
people during that time thin so if you have this body part = Fertile
Fertility Symbol
Relief. Carries a horn =power Bc you have to be powerful to take of horn. Resembles CORNUCOPIA/ horn of Plenty” later on
Venus of Laussel
cave paintings from Lascaux,France,Great Hall of the Bulls painted with four great bulls: believed to express belief the power of the animal
Stationary Art
10,000-8,000 Bc. Glacial ice as well as certain food disappeared. Settled communities and farming the invention of bow and arrow, pottery for food storage and domestication of small animals
Mesolithic Age/ Middle Stone Age
a. pottery utilitarian in origin, not for visual pleasure
b. Rock painting similar in nature to Paleolithic cave painting ; these moved out to outdoors to vertical cliffs
Kinds of Art
Men first developed agriculture and settled in permanent villages.Mud bricks were first used . In order to farm, they needed shelter = started to form communities
Neolithic/ New stone Age
made by kilning and mostly for storage of food ; mostly painted/decorated. Vessels used for storage and cooking
Pottery
- architecture without architects
- Common sense architecture
- response to climate,geography, topography and weather
-use of locally sourced materials
cultural belief “ form,ornamentation, motifs”
Vernacular Architecture
conical stone-roofed building unique to the region of Puglia (Apulia) in southeastern Italy.
Trullo
a large stone which has been used to construct a structure or monument either alone or with other stones; huge stones assembled without mortar
Megalith
a large, single upright standing stone,
Menhir
a free standing chamber,consisting of standing stones covered by a capstone as a lid
Dolmen
- founders of Mesopotamian civilization
- from region of sumer
- contributed cuneiform
Summerians
-from latin “cunueus” = wedge
cuneiform
- Protoliterate
- earliest writing developed
city of Uruk
made use of picture symbols
cylinderseals
first ever transaction was for beer
Transnational receipts
bible of Mesopotamia
Epic Of Gilgamesh
- 2700 BC
- 3D statuettes made of marble
- made through Cire- perdue or lost wax method
- worshiped in hope that they would bring fertility to women and to crops
- precious stone were used for the color of the pupils such as Lapiz Lazuli
- Convention : all standing upright, men wearing skirt, women wearing dress, eyes wide open, beard for men, rigid posture for men; softer for women
- Hierarchy of scale : men are taller than women i indicate rank/ importance
Tell Asmar Figures/ Eshunna
lost wax method
Cire-Perdue
all standing upright, men wearing skirt, women wearing dress, eyes wide open, beard for men, rigid posture for men; softer for women
Convention
men are taller than women , indicate rank/ importance
Hierarchy of scale
- 2600-2500 BC
- 18” long, decorated with shell and Lapis Lazuli
- Shell : hard to get, expensive
- Lapis Lazuli : “ stone from the heavens “, semi- precious blue stone
- material shows that it was used by royalty
The standard of Ur
- offering stand from Ur
- 2600 BC, wood, gold, Lapiz Lazuli
- Height : 20” [ 50.7 cm ]
Ram & Tree
- Sumerian temple
- 6 to 7 storeys high
- for civic, commercial & industrial activities, often raised upon a great platform, usually situated at town center
- resembles a Mountain “Sacred place
ex. Ziggurat of King Urnammu, Ur [El Muqeiyar] Iraq, 2100 BC
Ziggurat
- Founded by Sargon I
- First Mesopotamian rulers to call themselves kings
Akkadians
- bastard son of the King
- same as story of Moses [ Flowed on river in a reed basket]
Sargon I
- Upright stone slab used as marker
- earliest known monument to glorify a conqueror
- register became diagonal from horizontal
- Naram-sin alone stands triumphant as defeated enemy soldiers plead for mercy
Stele of Naram-sin
to maintain the status quo
The code of Hammurabi
- borrowed from Babylonian culture because bankrupt
- known for aggression = warfare
Assyrians
- thick walls fortification
- crenelation
City of nimrud
- throne hall : entrance of palace; decorated with almost entirely wood- sourced elsewhere =they had money & manpower
Palace of Sargon II
- guarded the palace
- reminds of sphinx
- horned cap attests to their divinity ; belt signifies power
- human face because wisdom [animal before]
- cross between sculpture in the round & relief
- 5 legs : meant to be seen two slides ; resting & waling
Lamassu
-King Cyrus II or Cyrus the Great : founder
-Followed teaching of Zoroaster
rituals held outdoors- no temple
-important =Palaces
Persians
word has two central forces : light & dark
Zoroaster
- “city of the Persians”
- Trabeated construction
Persepolis
- Ctesiphon, Iraq
- 242-272 AD [ Roman Era]
- Persians never stopped building
Palace of Shapur I
an upright slab forming part of a larger structure
Orthostat
or cromlech in welsh : circular/ semi-circular
Stone circle
a linear arrangement of upright, parallel standing stones
Stone row
a straight standing stone topped with another forming T shapes
Taula
two parallel upright stones with a horizontal stone called a lintel placed on top e.g Stoneheuge
Trilithon
- copper and tin were widely used
- use of semi-precious stones
- advanced pottery
- beginning of history itself
Bronze age
- known as the cradle of civilization
- Domestication of animals,trade and coinage, legal government, potter’s wheel, wagon wheel, alphabet, architecture,mathematics and astronomy,monotheism and monogamy
Mesopotamian Civilization
600-4000 B.C
- contributed the cuneiform and the ziggurat architecture
- invented writing and produced the world fist literature, the epic of Gilgamesh
Sumerian
- First Mesopotamian rulers to call themselves kings
- May have been the first to cast hollow life-size bronze sculpture
Akkadians
-Constructed one of the largest ziggurat in Mesopotamian at Ur
Neo-Sumerian
-babylon’s greatest king Hammurabi formulated wide-ranging laws immortalized on what code?
Code of Hammurabi
Nebuchadnezzar II captured Jerusalem and has been associated with the architectural wonders of Babylon; builds the Ishtar Gate which was included among the 7 wonders of the world
Neo-Babylonians
700-500 B.C
-Palaces were fortified citadels with lamassu guardians
Assyrian
539-331 B.C
- Cyrus the Great of Persia defeated the Babylonians and archived an enormous empire
Persian Period
was built by Darius I Xerxes built a huge palace complex with an audience hall that could accommodate 10,000 guests
Persepolis
system of writing typified by the use of characters formed by the arrangement of small wedge-shaped elements
Cuneiform
Characterized by large circular eyes and curly hair and beard
Sculpture
great stone statue of a human-headed winged bull that proceded the palace of Ishtar, Palace of Sargon II city of Khorsabad
The Lamassu
300 statues written in Akkadian on 51 columns
The Law code of Hammurabi
- Used arches and corbel forms for roofs
- Inlay and glazed tiles for decoration
- Crenellation- battlement
- there were no temples; rituals held outdoor
a. Introduced the use of columns
b. Low relief decorations
Mesopotamian
Artificial mountains made of tiered rectangular layers which rose in number from one to seven in the course of Mesopotamian history
Ziggurat
polychrome ornamental brickwork and also high plinths or dadoes made of great stone slabs placed on edges; usually carved with low relief sculpture
Palaces
entrance gate to the Palace of Sargon; named after the goddess of love, fertility and war, it is faced with glazed bricks with rows of bulls and dragons; were flanked by great towers and with lamassu figures carved in stone.Which in turn supported a semi-circular arch covered with brilliantly colored tile
Ishtar Gate
seven-tiered ziggurat,rising from a base of 297sq.ft. Its mounds of ruins lay in Baghdad; had a tower at apex
Tower of Babel
great palace built by Nebuchadnezzar for his wife Amytis; idea of vertical garden
Hanging Gardens of Babylon
city of the Persians
Persepolis
Gateway
Propylacum
Bull capital
Hall of a hundred columns
- receiving hall
- crenellated parapet
Apadana
built on stone platform and consisted of multi-columned building. Access to the platform was a long double stairway
Palace complex at Persepolis
a large hypostyle hall begun by Darius and finished by Xerxes that was used mainly for great receptions by the kings. This hall contained 72 columns and two monumental stairway; receiving hall
Apadana or Audience Hall
- Focus on permanence, stability,eternity,life after death
- Formalized art- rules for the portrayal of the human figure
- Theocracy - Pharaoh thought to be a god
- Hieroglyphics- system of writing with picture symbols this allowed history to be written
- Making of glass an important discovery
Ancient Egyptian Period
The pharaoh was considered divine.Representation of the figure presented the most reflexive view of each part of the body.Preparation for the afterlife was of extreme importance. The body must be preserved if the soul or ka is to live on in the beyond using the same body
Religion
The god of thebes; sacred animals; the ram and goose
Amon
Jackal-god; patron of embalmers, god of necropolis
Anubis
god of the sum-disk;worshipped as the creator god by Akhenaten
Aten
helper of women in childbirth,protector against snakes and other dangers; depicted as a dwarf with features of a lion
Bes
god of the Nile flood; depicted as a man with female breasts
Hapi
goddess of children; depicted as a cow or as a women with cow’s horns
Hathor
falcon-god; originally the sky god; identified with the king during his lifetime; the son of Osiris and Isis
Horus
architect who was later defied as the god of learning and medicine
Imhotep
divine mother; one of protector-goddesses; protecting coffins and canopic jars
Isis
goddess of truth;depicted as a women with ostrich feather on her head
Maat
wife of Amon; originally the vulture goddess , later depicted as a women
Mut
god of the underworld; identified as the dead king; depicted as a mummiform man
Osiris
creator god of Memphis; patron god of craftsmen; depicted as a mummiform man
Ptah
sun god of Heliopolis; supreme judge;depicted as falcon headed
Ra(e)
god of storms and violence; brother and murderess of Osiris,rival of horus; depicted as a pig ass, hippopotamus etc
Seth
- ornament
- record of history
- veneration to the gods
Egyptian Art
Face must look straight ahead and each side must be exactly like the other, although the hands and feet are in profile eyes, shoulder in front view
Law of Frontality
a. Royalty portrayed large and formally
b. commoners portrayed naturally
c. Slaves and enemies in smallest scale
Scale
- Brilliant color
- Groove chiseled around each figure
- Law of Frontality- Face must look straight ahead and each side must be exactly like the other, although the hands and feet are in profile eyes, shoulder in front view
- Scale
a. Royalty portrayed large and formally
b. commoners portrayed naturally
c. Slaves and enemies in smallest scale - Men colored reddish brown; female in yellow
Egyptian Wall Decorations
- Lions,bulls of red granite
- seated figures of royalty
- Sphinx- mythical beast of ancient Egypt, frequently symbolizing the pharaoh as an incarnation of the sun god Ra. It represented in sculpture usually in a recumbent position with the head of a man and the body of a lion,although some were constructed with rams’ heads and others with hawks’ heads
- Sarcophagus - carved, generally stone case in which the linen-wrapped mummy was placed
Egyptian Sculpture
mythical beast of ancient Egypt, frequently symbolizing the pharaoh as an incarnation of the sun god Ra. It represented in sculpture usually in a recumbent position with the head of a man and the body of a lion,although some were constructed with rams’ heads and others with hawks’ heads
Sphinx
carved, generally stone case in which the linen-wrapped mummy was placed
Sarcophagus
a. Rectangular forms in straight lines are its dominant features
b. Massive and solid
c. Excessively thick walls
d. simple forms and few molding
e. proportions and support were heavy and sturdy
f. trabeated construction- a system of column and lintel
Characteristic of Egyptian Architecture
first recorded artist of western history, architect to Zoser. Enjoyed the status of a court official and was later deified
Imhotep
Funerary temples for commoners; later developed into step pyramids which were really mastabas on top of each other
Mastabas
city of mastabas
Necropolis
a massive funerary structure of stone or brick with a square base and four sloping triangular sides meeting at the apex used mainly in ancient Egypt
Pyramid
series of mastabas, each smaller and stacked on top of each other. It was built fairly small limestone blocks
Stepped
two types of stepped
Bent and straight
square shaft of stone with a pyramid top used as a monument
Obelisks
post and lintel construction
Temples
Dead pharaoh
Mortuary Temples
popular worship of the ancient gods
Cult temples
located on cliffs where they cut labyrinth passageways that led to ceremonial and burial chambers which were later replaced by temples
Rock-hewn tombs/temples
Monumental gateway to an Egyptian temple, consisting of a pair of tower structure with slanting walls flanking the entrance portal
Pylon
open court
Peristyle
double row of columns higher than the other
Hypostyle hall
small shrine which was used as receptacle for the small statue of a god
Sanctuary
papyrus, the plant symbolizing lower Egypt suggest the presence of a temple; can have circular or ribbed shafts
Papyrus bundle
non-secular buildings
lotiform
or bell-shaped form; either lotus or papyrus
campaniform flow
headed
Hathor
- Papyrus bundle- papyrus, the plant symbolizing lower Egypt suggest the presence of a temple; can have circular or ribbed shafts
- Lotiform- non-secular buildings
- Palmiform
- or bell-shaped form; either lotus or papyrus
- Hathor- headed
- Volute
Types of Capitals
First pyramid ever built, it is a stepped pyramid built to house the ka of king Zoser
Stepped Pyramid of Zoser, Sakkara
symbol of protection; Hewn out of natural limestone with the addiction of stone blocks; Molded into a human-headed lion with the face representing Khafre; A paved open temple is located between its paws
The great Sphinx
most elaborate of Egyptian requirement for the afterlife pyramid of Khufu
The giza pyramid
three large terraces connected to each other by ramps
Mortuary Temple of Queen Hatshepsut
hypostyle hall with 134 freestanding column in 16 rows. The site is built by a sacred lake
Great Temple Of Amun, Karnak
rock cut temple commissioned by Rameses II to honor his own memory
Great Temple of Abu-Simbel
- 3000-1200BC
- art of civilization that flourished on the Greek peninsula in Asia Minor, on the north coast of Africa and in the western Mediterranean until the establishment of the Roman dominion in 146AD characterized by a system of construction based on rules of forms and proportion
The Aegean Period
Greek ancient civilization rose from the Dorians who overwhelmed the Myceneans
Historical Background of Greeks
(3000-1200 BC) composed of three civilizations that flourished on the islands of the Aegean Sea that lie between western Turkey and mainland Greece
Aegean period
3200-1200 BC
Cycladic
3000-1500BC . After minos, which can be a generic term for ruler or a name of a particular person
Minoan
1600-1300 BC, land of the legend of troy; a civilization found in the mainland settlement of Mycenae
Mycenaean
marble sculpture most found lying down in gravel
Cycladic Art
a. Fresco
- The bull Jumping fresco
- The queen’s Megaron
b. Building of great palace on the island. E.g Palace of Knossos a spreading palace of stone and wood for the king with so many chambers above and below ground
- Pillow capitals
- Frescoes lined interior and portico wails
c. Vase painting flourished with sea motifs as popular subjects
d. small scale sculpture (snake goddess sculpture)
Minoan Art
a. Funerary mask/ Mask of Agamemnon
b. Cyclopean Architecture
c. Megaron
d. Tombs
Mycenaean Art
Mycenaean funerary gold mask. Found in tomb V in Royal circle A at the Acropolis of Mycenae
Funerary mask/ Mask of Agamemnon
fortress on a hill that is entered through the Gate of Lion.Large rectangular area with hearth in the center and with many column supporting the roofs
Cyclopean Architecture
“big room”, prehistoric throne room
Megaron
- enclosing a circular hearth
- antechamber
- front porch with two column
Parts of Megaron
- beehive tomb or tholos (“round building)
- Corbeling
- Boasted of the largest dome in the pre Roman world
Tombs
courses of layers of stone so that each level projects over a stone
Corbeling
Greek peninsula, in Asia Minor on the north coast of Africa and in western Mediterranean until establishment of the Roman dominion in 146AD
Greek Art
revical of figures painting in Greece
Geometric Period
- oldest Doric and Ionic temples
- Life size stone statues with A
Archaic Period
- Contrapposto in statues
- polykleitos formulates canon of proportions’
- rebuilding of the Athenian Acropolis
Classical Period
- Sculptors humanize Greeks gods
- Corinthian capitals introduced
Helleric
- Artist explore new subjects
- artist break the rules of the classical orders
Helleristic
- rose from the Dorians who overwhelmed the Mycenaean
- composed of independent city states (polis)
- worshiped numerous gods and goddesses who were given human form
- Sacrifices to gods include festivals athletic games and theater plays
- belief in the high potential of the human being that encouraged a high level of creative expression
- belief in the ideal form (plato)
- “nude” developed
- Balanced and moderation in all things “Golden mean” proportion
Historical Background of Greeks
- Dark age and Geometric period (100-700 BC)
- Archaic period (700-480 BC)
- Hellenic/classical period(480-323 BC)
- Hellenistic age(323-31 BC)
Periods in Greek art
- Sculpture
- Vases
- Architecture
Archaic period
a. cylindrical forms and simple formalized features of draperies
b. kouros (robed standing youth) was a favorite subject
c. Archaic smile
Sculpture of Archaic period
(robed standing youth)
kouros
before the time of Alexander the Great
Hellenic art
movement; toward increasing naturalness and freedom of form; use of lost wax method and bronze casting
Severe style
vertical folds of cloth
Sculpture of classical/ Hellenic style
idealized representations of the subject with perfect bodily proportion
Golden Age
contrary positions of the arms and legs
Contrapposto position
Painting attempts to depicts reality by using devices to create illusion of a third dimension in flat painting like?
foreshortening and shadow modeling
times of Alexander the great’s death in 323 BC through the 1st century BC during the Greek dynasties were established in Egypt, Syrian and Persia and Greek
Hellenistic Art
canons and mathematical rules of proportion: realism and emotional intensity. Ex Laocoon and His Sons
Sculpture of Hellenistic Art
rectilinear meander patterns. Framed by circular horizontal borders that emphasize the shape of the pot
Geometric style
assimilation of Eastern iconography. Shapes are larger and more curvilinear and geometric patterns are now used simply as borders
Orientalizing Style
Black-figures : black silhouette with a slip made of clay and water
Archaic
Red-figures: process was reversed as figures were left in red against a black background and details were painted in black
Late Archaic to classical r
White- figures: wash of white clay formed the background. Figures were then applied in black and additional colors were added
Classical to late Classical
four broad categories of Greek pottery
- storage and transport vessels
- mixing vessels
- jugs and cups
- vases for oils, perfumes and cosmetic
a water jar with three handles
Hydria
flask for storing and pouring oil
lekythos
a large vessel with two handles, for mixing wine and water
krater
tops of the handles have a volute or scroll. Decorated in red figured style
Volute-Krater
storing home, olive oil, wine and water
Amphora
stemmed cup with two horizontal handles and a stemmed foot used for drinking wine
Kylix
pouring wine
Oenochoe
deep bowl; like a teacup
skyphos
used for drinking; swung handles that extend above the lip of the pot
olpe
storing liquids ; contain ashes after cremetion
Pelike
small circular box with a lid, often used for the storage of jewelry and toiletries
Pyxis
religious practices for the pouring of libations; shape of animal head especially bulls
Rhyton
particular style of column together with the entablature and standardized details including its base and capital.
Orders in Greek Architecture
earliest and most massive; no base; a fluted shaft and plain capital
Doric
lighter than Doric. Fluted shaft has abase; volute capital
Ionic
plinth and fluted shaft and its distinctive ornate capital
Corinthian
- Upright column
- Base and capital
- Horizontal entablature
Parts of Major Greek Orders
topmost step of three steps
Stylobate
column composed of individual sections (drums) and concave groove(flutes) with a base and capital
Shaft
topmost structural member of a column
Capital
snug band at the top of the shaft
Necking
flat,curved element, like a plate with rounded sides
Echinus
flat square above the echinus
Abaus
forms the lintel ; an elaborate horizontal band and molding above the column
Entablature
plain, horizontal member above a capital
Architrave
a band above the architecture consisting of alternating triglyphs and metopes
Frieze
rectangles with vertical incisions carved into their surface
Triglyph
slabs of stone either plane or with sculpture in relief
Metope
short band under the triglyph
Regula
above regula
Tenia
projection above the frieze to protect it from the weather
Cornice
low,slanting cornice
Ranking cornice
triangular gable; horizontal cornice with raked cornices
Pediment
technique applied on column which do not taper in a straight line, but bulge outward about one-third of the way up from the base
Entasis
small, slat, plain surface, used to separate other moldings
Fillet
wide, straight surface
Fascia
convex curved surface; quarter-circle; often with egg&dart motif
Ovolo
concave surface quarter circle
Cavetto
s-shaped curved surface that starts &ends horizontally’ usually with honeysuckle motif
Cyma recta
starts & ends vertically
Cyma reversa
convex surface approx the exterior of semi-circle with gulloche
Torus
small torus
Bead
deep,hollow,concave molding; column base
Scotia
column with shafts in female form
Caryatid
sculptured male human figure used in place of a column to support an entablature also called atlas
Telamon
plaza/court, meeting place, platform for speaker
Agora
a long colonnaded multi-purpose building
Stoa
city upon a hill; citadel
Acropolis
house the deity
Temple
large space with a flat roof supported by rows of column
Hypostyle hall
inner portico
Pronaos
sanctuary of a classical temple; cult statue of the god
Naos
Greek stage building
Skene
Type of Greek theater with semi-circular form and hollowed out of a hill
Auditorium
Type of Greek theater which covered smaller theaters
Odeon
Type of Greek theater that are elongated for foot races
Stadium
Type of Greek theater for horse and chariot races
Hippodrome
Part of a Greek theater known as the “dancing place”; a large circular area with slightly raised stone on which was placed the statues of deities usually Dionysius
Orchestra
Part of a Greek theater serving as the acting area behind the orchestra
Proscenium
Part of a Greek theater serving as a backdrop for the acting area or dressing room
Skene
Entrance of a Greek theater
Parodos
Exit of a Greek theater
Exodus
Senate house for elected officials
Prytaneion
Councilhouse; covered meeting place for elected officials
Bouleterion
Large tomb usually a large stone building with entombment above ground
Mausoleum
Greek gymnasium
Palestra
Both the fortified citadel and state sanctuary of city of Athens
Acropolis of Athens
Monumental entrance to the Acropolis
Propylaea
Picture gallery; formed left wing of Propylaea on the Acropolis
Pinacothea
Built on the 420 B.C. in the Ionic order; has prostasis on east side, propylon on the north and famous porch of caryatids on the south
Temple of Erectheion
Chief temple of the Greek goddess Athena on the hill of Acropolis at Athens, Greece
Parthenon
Covered walkway or portico
Stoa
Period from Eturia (modern day Tuscany) and the Etrusci Sea; 1000-100 BC; decadent and blood thirsty people with predilection for piracy, superstition and magic
Etruscan Period
Container for ashes
Cinerary
Corbeled domed tombs
Tholos
Period with new engineering developments in the design of the arch vault and the dome
Roman period
Three Roman periods
Roman Republican Period: 500 to 27 BCE
Early Roman Empire: 27 CE to 180 CE
Late Roman Empire: 180-330 CE
Period in Roman history where capital was moved to Byzantium by Emperor Constantine
Late Roman Empire`
Marble or limestone coffin with elaborate carving
Sarcophagus
Sculpture of a person’s head, shoulders, and chest
Bust
Technique which involves painting directly on plaster wall
Roman fresco technique
Painting on wet plaster
Buon fresco (good/ true fresco)
Dry fresco
Fresco secco
Pattern or picture made of many small colored pieces of stone, glass etc.
Mosaics
Statue of a rider on a horse
Equestrian Monument
Architectural monument built to commemorate military triumphs and other significant events such as the accession of new emperor
Triumphal arch
Monument in the form of a column erected in memory of a victorious battle, war or revolution
Column of victory
Massive brick and concrete construction, semi-circular arch, barrel and groin vault and dome, elaboration of Greek orders; use of marble linings, mosaics, molded stucco for interiors
Roman architecture
Established certain rules for standardizing Greek orders for architecture
Vitruvius
Measuring unit for each order
Module
According to Vitruvius, entablature shall be ____ the height of column
1/4
According to Vitruvius, shaft shall be ____ smaller in diameter at the top than its base
1/6
Type of order combining Ionic shaft and Corinthian capital
Composite order
Simplified version of Roman Doric order with fewer and bolder moldings, unfluted columns, plain frieze and no triglyphs
Tuscan
Counterpart of the agora; composed of temples, triumphal arches, pillars of victories, Roman basilica, senate and shops
Forum
Columns that protrude from walls like reliefs
Engaged columns
High platform upon which temple was raised
Podium
Part of Roman temple equivalent to Naos
Cella
Roman house of the middle class
Domus
Blocks of flat used as a shop and apartment
Insulae
Housed the upper-class Roman
Villa
Smaller than the Colosseum; arches as predominant features
Amphitheatre
Long hairpin race course for chariot races
Circus
Other name for circus
Hippodrome
Large reservoirs/ cisterns for lead pipes to transport water to towns
Aqueduct
Example of aqueduct
Pont du Gard
Building to house the Roman law court; eventually became law of justice and commercial exchange
Basilica
Public baths
Thermae
Hot room in Roman public bath
Caldarium
Warm room in Roman public bath
Tepidraium
Cold room in Roman public bath
Frigidarium
Dry sweating room in Roman public bath
Lancornicum
Oiling and shampooing room in Roman public bath
Unctuaria
Dressing rooms in Roman public bath
Apodyteria
Commemorative arch monument
Triumphal arch
Great marble monument constructed during the reign of Augustus
Ara Pacis
Began by Agrippa in 27 BC, Emperor Hadrian rebuilt it in 120 AD changing it to the circular shape it has now
Pantheon
Center of dome to admit light
Oculus
Built for Roman games; features a combination of Roman arch and vault construction; exterior walls are 18m high
Colosseum (Arena)
Other term for Colosseum
Flavian Amphitheater
Open air court
Atrium
Middle aisle of a church
Nave
Semi-circular space in front of nave
Apse
Placed at center of apse
Altar
Started by Emperor Leo III when he prohibited the production of icons in representational human forms
Iconoclastic Controversy in 726
Reign of Constantine I in 324 AD where he built the new capital for Roman Empire
Byzantine period
City of Constantine or Nova Roma= New Rome
Constantinople
Inverted concave triangle that springs from a corner of the square curving up to meet the others
Pendentive
Corbel type arch piled on top of another, placed diagonally across internal angles of a tower or base of a drum to convert the square form into an octagonal base to support an octagonal spire or circular dome
Squinch arch
Slender towers in the exterior; from Muslim invaders
Minaret
Formerly a hall of justice redesigned to be a place for worship
Basilica
Sanctuaries that enshrine a relic/tomb of a martyr
Martyrium
Large tomb almost temple-like
Mausoleum
Used for sacrament of baptism
Baptisteries
Large original building with a dome over the central core
Church of San Vitale
“Holy Wisdom”; built as a major cathedral in Constantinople; has a domed cross plan; commissioned by Emperor Justinian to Anthemios of Tralles and Isidorus of Miletus
Hagia Sophia
“in the Roman manner”; style of art emerging in Italy i 19th century until advent of Gothic in 12th century; closer to Rome than Gothic
Romanesque
Series of religious expeditionary wars blessed by the Pope and the Catholic Church with the goal of restoring Christian access to the holy places in and near Jerusalem
Crusades
Economic system based upon limited land ownership and forced labor
Manorialism
Agricultural laborers bound under the feudal system to work on lord’s estate
Serfs
Containers of relics
Reliquaries
Unique embroidered narrative; resonates the events leading to the Battle of Hastings
Bayeux Tapestry
Central support of Medieval doorways
Trumeau
Lunette above the door ornamented
Tympanum
Western facade decorated with flanking towers, arched doors, multiple stories, ornamental
Westwork
Exterior support applied to counter the lateral thrust of the vault
Masonry buttress
Distinct form of decoration aimed at relieving otherwise blank walls
Blind arcading
Arch struck from one or more centers below the springing line
Segmented
Arch resting on an imposts treated as downward continuation of an archivolt
Stilted
Forecourt surrounded or flanked by porticoes
Atrium
Portico before the nave for the penitents
Narthex
Principal or central part of church from narthex to the choir
Nave
Any of longitudinal divisions separated from the nave
Aisle
Raised platform transverse open space separating nave and the apse
Berna
As wide as the nave; forming a square at the crossing
Transept
Part of the church occupied by singers
Choir
Semi-circular walkway with chapels off it surrounding the sanctuary
Ambo/ ambulatory
Appointed place for preaching
Pulpit
Semi-circular or polygonal often vaulted recess especially termination of the sanctuary end of the church
Apse
Table upon which Eucharist is celebrated
Altar
Denotes building or complex of buildings that houses a room reserved for prayer as well as domestic quarters and workplace
Monastery
Private residences and fortresses for the lords
Castles
Famous for its leaning tower
Cathedral of Pisa
Pilgrimage destination for Paul’s pilgrims
Santiago de Compostela Spain
Greatest Norman building in England
Durham Cathedral England
Royal palace of her majesty in London
Tower of London
12th-15th century; elegant, highly decorated and characterized by use of sumptuous, colorful materials; focused on cathedrals and churches
Gothic Period
Opus Fragencium
French work
Opus Modernum
Modern architecture
Method of teaching that dominated the schools of Western Europe from about 1100 until about 1600; students were taught to argue from reason, experience and authority
Scholasticism
Abbot of St. Denis Cathedral who may have invented the Gothic style
Abbot Suger
“Counterpoise”; weight on one foot; assymetrical
Contrapposto
Favorite theme in Gothic painting; Virgin Mary surrounded by angels
Madonna enthroned
Painting technique in which the pigments are combined with egg
Tempera technique
Colored glass made by mixing metallic oxides into molten, translucent glass or fixing oxides onto surface of clear glass
Stained glass
Beneivieni di Pepo; painter and mosaicist; last great Italian artist by Byzantine style; dominated early medieval painting in Italy
Cimabue
Student of Cimabue; most important Italian painter of 14th century; works point to innovations of Renaissance style; contribution was unparalleled grasp of human emotion
Giotto
Home church of a bishop; usually principal church in a diocese
Cathedral
Origin of cathedral; Greek word kathedra means?
Seat or throne
Design, construction or presence of doors, windows or openings
Fenestration
Circular window with tracery mullions radiating from a central point
Rose window
Exterior structure composed of thin half-arches or flyers; supported the wall at the point where the thrust of an interior arch was greatest
Flying buttress
Vault that requires less buttressing; compound vault in which barrel vaults intersect forming arrises
Ribbed groin vaults
What is an arrise?
Sharp edge formed by meeting 2 curved surfaces
What are the arrises called in a ribbed groin vault?
Groins