Furniture Design and Construction Flashcards

1
Q

This should be deliberate or intentional and should involve careful, organized and systematic logical thinking and planning.

A

Design

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2
Q

The person who devises or executes designs.

A

Designer

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3
Q

Primary purpose of design

A

To fulfill human satisfaction

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4
Q

It is based on the principle of free association and gives no restriction to imagination. It puts quantity before quality.

A

Intuitive Technique

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5
Q

Aims at setting off the creative forces by directly approaching the subconscious creative part of the human mind. It sets no limit to imagination and purposely suspends reason and logical thinking.

A

Brainstorming

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6
Q

This technique was developed from experience with brainstorming session, aimed at increasing the output from brainstorming.

A

Brainwriting

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7
Q

This is the direct way of having 26 or more ideas that pertain to the problem. Start by listing all letters of the alphabet then for each letter, list a word or phrase that begins with that letter and somehow pertain to the problem you are attempting to solve.

A

Alphabetical Listing

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8
Q

Combines different, seemingly unrelated elements.

A

Synectics

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9
Q

Generates new ideas by solving the problem in a riddle-like or puzzle-like technique.

A

Delphi Method

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10
Q

Instead of thinking about how you can improve a situation, think about how you could make it worse.

A

Inversion

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11
Q

Instead of offering a description of something by recording what you read in the dictionary, associate it with something else, preferably something familiar.

A

Description by Association

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12
Q

Based on the principle of splitting up the problem into sub problems and solving them one by one.

A

Logical or Systematic Technique

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13
Q

Redefines the problem first to an underlying more basic problem and then split up into its elements or sub-problems.

A

Morphology

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14
Q

A technique that does not aim at stimulating the creative idea generating process but systematically examines and analyzes objects of nature for possible adaptation as solution to some technical problems.

A

Bionics

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15
Q

Instead of thinking about what an object will look like, think about what function it will perform.

A

Functional Visualization

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16
Q

This logical approach will generally have a higher level of success. A comprehensive problem is split up into more and more minute sub-problems until the whole problem has become a network of interrelated problems.

A

Problem Area Analysis and Functional Analysis

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17
Q

Basic Criteria for Good Design

A

Physiological and Psychological Feature
Historical and Cultural Factor
Aesthetics Consideration

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18
Q

This makes use of the basic outline of the furniture as a grid. By connecting structural points which are required either by construction or function, variations on form are performed.

A

Structural Form Development

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19
Q

Makes use of previous designs as basis for improvements

A

Morphological Form Development

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20
Q

Variations on geometric forms

A

Geometric Form Development

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21
Q

Nature often provides inspiration for fresh and exciting ideas

A

Form Development Based on Nature

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22
Q

Design ideas can be based on various sources other than nature

A

Form Development Based from Various Sources

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23
Q

Craftsmanship is key in this handmade folk style. It originated as an anti-industrial reaction and also stood for social economic reform.

A

Arts and Crafts

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24
Q

This innocuous style is recognizable through the use of simplified shapes, a mix of soft and smooth texture. “Modern classics/Contemporary classics”

A

Classic and Contemporary

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25
Q

This style has evolved considerably since its birth and is now a combination of the old and new ideals. Some ideas are influenced by nature, futuristic style and cutting edge aspects; others lean toward industrial, technical and oversimplified style. Refers to what is popular or current now.

A

Contemporary

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26
Q

Cozy, quaint feel with mixture of colors and prints. Distressed wood, antiques that have an old barn or farmhouse vibe.

A

Country

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27
Q

Essentially the combination of all others. Typically incorporating vintage and bright colors.

A

Eclectic

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28
Q

This style originated in the 1900s with the Bauhaus Movement, an architectural and visual ideal where form and function came together. Furniture was being mass produced. New materials including chrome, black leather, glass and ultrasuede.

A

Modern

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29
Q

Furniture comprised partly or wholly of locally found materials such as bark, roots, branches, burls and other natural forms.

A

Rustic

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30
Q

Originating from Britain, relies mainly on flea market finds that are usually refinished. Anything with roses on it. It is a soft, relaxed, feminine, romantic way of decorating that looks comfortable and inviting. Also called cottage style.

A

Shabby Chic

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31
Q

Regal and often detailed furnishings from a variety of different time periods. Considered classic and exudes an ageless feel.

A

Traditional

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32
Q

The offspring of traditional and contemporary furniture which takes aspects from color and finish and materials and fabrics. Embraces a livable and soft appeal while radiating a classic flair. Lack of ornamentation and decoration keeps the focus on simplicity and sophistication of the design. Comfort and practicality.

A

Transitional

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33
Q

Aged finishes, iron scrollwork and intricate patterns. Begins with travertine or terracotta tiles, travel up textures or plastered walls, beamed ceiling. Warm earth tones.

A

Tuscan

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34
Q

Devices that make it possible to work materials when hand alone is not enough.

A

Hand tools

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35
Q

Used both for measuring and for making straight lines.

Rigid rule, folding rule or zigzag, flexible rule, open reel measuring tape, digital laser measuring tape

A

Rules and Meters

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36
Q

Used when testing for right angles, checking for “squares” as well as for marking

A

Squares/ “Eskwala”

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37
Q

A combination of marking and measuring device; distance is set from the point to the guide with a rule; marks straight line

A

Marking gauge

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38
Q

Used to measure diameters

A

Caliper

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39
Q

Common saws used for rough cutting

A

Hand saws

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40
Q

For cutting wood across the grain with uneven teeth

A

Crosscut saw

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41
Q

For cutting wood along the grain with chisel-like teeth

A

Rip saw

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42
Q

For cutting curves in thin wood; not intended for sawing straight lines

A

Coping saw

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43
Q

Used for making wood surfaces smooth and flat

A

Hand plane

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44
Q

Used by the old blacksmith and wagonmaker for shaping spokes for wooden wheel; for tapering legs and for rounded shapes

A

Spoke shave

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45
Q

Used for smoothing curves usually on edges of stock following sawing

A

Files/ “Liha”

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46
Q

Used for fitting joints in wood and for shaping edges

A

Chisels

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47
Q

Chisels with hollow blades used in roughing out concave terms and for mouldings

A

Gouges

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48
Q

Used for boring holes 1/4” and larger

A

Augerbrace and bit

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49
Q

Used for drilling small holes usually not larger than 1/4”

A

Hand drill

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50
Q

Original purpose was to drive screws but also handy for opening paint cans, prying open boxes etc

A

Screwdriver

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51
Q

Screwdriver with a flat tip

A

Standard Screwdriver/ Flat Screwdriver

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52
Q

Screwdriver with an x-shaped tip

A

Phillips screwdriver

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53
Q

Relies on the pushing force rather than a twisting force

A

Spiral ratchet screwdriver

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54
Q

Tools that require power supplied by forces other than humans.

A

Machine tools/ Power tools

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55
Q

Resembles a power driven coping saw designed especially for cutting line curves and details in stock up to approx. an inch in thickness. Aka scroll saw

A

Jig saw

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56
Q

Has an endless blade travelling around two pulleys that cuts curves and straight lines in thin and thick stock

A

Band saw

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57
Q

A power driven rotary cutting tool with toothed circular blade. Aka bench or table saw

A

Circular saw

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58
Q

An upside down saw with teethed circular saw. Motor and blade are suspended above the worktable. Blade can be raised, lowered, turned and tilled.

A

Radial Arm saw

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59
Q

Automatically surfaces stock to thickness and relies on vibration

A

Planer

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60
Q

Originally designed for accurate, quick drilling of holes but with some attachments can also be used for boring, routing, shaping and countersinking.

A

Drill Press

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61
Q

The machine in which wood is shaped into round and cylindrical shapes such as bowls, lamps and table legs.

A

Wood lathe

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62
Q

Specialized in cutting shaped edges, moldings, picture frame stock and the like.

A

Spindle shaper

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63
Q

Includes many types like disc, belt, drum, spindle and sheet. Like papel de liha in round form.

A

Sanding machine

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64
Q

Designed primarily for drilling and boring but with attachments, this could also be used as sanders, buffers, polishers and drivers.

A

Electric drill

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65
Q

A portable, circular saw especially used for cross cutting, ripping and mitering

A

Electric handsaw

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66
Q

Portable shaper moved through the work instead of work being moved through the cutter as in the regular shaper.

A

Router shaper

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67
Q

Most prevalent raw material for furniture industries with unique and valuable qualities offering numerous species.

A

Wood

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68
Q

Timber sawn or split in the form of beams, boards, joists, planks etc.

A

Lumber

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69
Q

These are coniferous or cone-bearing, needle-leafed usually evergreen tree.

A

Softwood

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70
Q

These are deciduous or broad leafed trees. Presence of pores or vessels.

A

Hardwood

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71
Q

Most Common Philippine Wood Species

Most expensive wood used for furniture and panelings, for expensive floorings, door panels, stairs and plywood veneer and facings. Pale yellow to red. Hard to cut with fine texture,

A

Narra

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72
Q

Most Common Philippine Wood Species

Both hardwoods, used for posts and girders or jambs attached to concrete. Also for wooden decks having flooring and railing exposed to weather.

A

Yakal and Guijo

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73
Q

Most Common Philippine Wood Species

Softwood used for panelings, sidings, flooring and furniture. Also used for framings and trusses.

A

Pine Benguet

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74
Q

Most Common Philippine Wood Species

The most common lumber in the market used generally for framings, joists, trusses, nailers etc. Also known as Philippine Mahogany. Red to dark red (pinkish). Interlocking grain and ribbon figure. Moderately hard to cut.

A

Tanguile

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75
Q

Most Common Philippine Wood Species

For framings, chests, jewelry boxes. Moderately coarse texture. Interlocking grain.

A

White and Red Lauan

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76
Q

Most Common Philippine Wood Species

Hardwood for chests, jewel boxes, stair frames. Very hard to cut. Also used for house construction. Black with brownish streaks.

A

Kamagong

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77
Q

Most Common Philippine Wood Species

Used for panelings and plywood veneer. Greenish or light brown with dark brown bands. Hard to cut,

A

Dao

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78
Q

Most Common Philippine Wood Species

Similar to pine. Used for paneling.

A

Almaciga

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79
Q

Most Common Imported Wood Species

Light or grayish brown to reddish brown. Striking grain figure and large open pores. Heavy, strong and hard; durable under exposure; great wear resistance.

A

Oak

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80
Q

Most Common Imported Wood Species

Creamy white to light reddish brown. Frequently straight grained and tiny wood pores. Bird’s eye pattern and special burl figures. Heavy, hard, strong and stiff with good shock resistance.

A

Maple

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81
Q

Most Common Imported Wood Species

Light gray brown to dark purple brown. Very strong and stable, only moderately heavy and stiff. Good shock resistance.

A

Walnut

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82
Q

Most Common Imported Wood Species

Cream color to light reddish brown. Visible resin canals and obvious growth rings. Moderately light, soft and stiff. Good shock resistance.

A

Pine

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83
Q

Most Common Imported Wood Species

Creamy white to light reddish brown; extremely small pores. Heavy, hard strong and stiff with very good shock resistance.

A

Birch

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84
Q

Most Common Imported Wood Species

Light to dark reddish brown. Straight grain and small individual pores. Moderately hard and heavy. Good shock and weather resistance.

A

Cherry

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85
Q

Most Common Imported Wood Species

Grayish through creamy white through to a reddish dark brown. Distinct straight grain and open pores. Tough, heavy and hard with good shock resistance.

A

Ash

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86
Q

Most Common Imported Wood Species

Yellowish brown through reddish brown to dark red. Frequently highly figured grain pattern and open wood pores. Extremely stable, moderately hard even textured and heavy.

A

Mahogany

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87
Q

Most Common Imported Wood Species

Very light brown hardwood. Distinct straight grain and open pores. Turns well and is easily worked. Commonly used as bentwood

A

Beech

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88
Q

Most Common Imported Wood Species

Light yellow to brownish yellow with green tinge. Even texture and straight grain pattern with barely visible pores. Medium to light weight only moderately hard, stiff and shock resistant.

A

Poplar

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89
Q

Most Common Imported Wood Species

Tawny yellow yo dark brown with frequent lighter and darker streaks. Pattern very similar to that of walnut. Heavy, strong, oily and tough. Solid outdoor furniture. “Water-born” wood because oily.

A

Teak

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90
Q

Most Common Imported Wood Species

Creamy white to reddish brown. Occasional dark streaks and large wood pores. Very heavy, closed grain, hard and strong.

A

Pecan

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91
Q

Most Common Imported Wood Species

Light brown to dark brown containing shades of red. Straight grain with obvious light and dark boundaries. Moderately heavy and hard; good shock resistance; excellent bending qualities.

A

Elm

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92
Q

Most Common Imported Wood Species

Various shades of dark brown to dark purple. Conspicuous dark streaks. Large open wood pores. Very hard, very heavy with extremely coarse texture. With straight grain/ ribbon grain.

A

Rosewood

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93
Q

Most Common Imported Wood Species

Creamy white to yellowish with obvious difference between spring and summer growth rings. Moderately heavy, hard and stiff. Pronounced resin canal and wild grain markings make this a difficult wood to finish.

A

Fir

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94
Q

Most Common Imported Wood Species

Deep reddish brown with obvious alternating spring and summer growth rings. Light, strong, stiff. Good for veneers.

A

Redwood

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95
Q

Most Common Imported Wood Species

Light red with light colored streaks. Knotty pattern and other natural markings always present. Highly aromatic and moderately hard though brittle.

A

Cedar

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96
Q

Most Common Imported Wood Species

Pale reddish brown; obvious wide growth pattern and small wood pores. Moderately heavy and hard; fine textured and good shock resistance.

A

Sycamore

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97
Q

Most Common Imported Wood Species

Pale to dark brown with occasional red streaks. Large open wood pores. Soft to medium texture. Only moderate shock resistance.

A

Butternut

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98
Q

Most Common Imported Wood Species

Creamy white to creamy brown with frequent reddish markings. Faint growth rings and broad wood raise which are darker than the background wood. Low resistance to shock.

A

Basswood

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99
Q

8 important properties to be considered on choice of timber

A

Strength, Workability, Drying properties, Bending qualities, Grain structure and figure pattern, Finishing, Resistance to weathering and insect damage

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100
Q

Commonly called air drying or sun drying.

A

Natural drying

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101
Q

Done in a dry kiln where lumber is artificially dried. Used for more expensive lumber.

A

Kiln-drying

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102
Q

Surfaced one side. Used for framing.

A

S1S

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103
Q

Surfaced two sides. Used for framing or as substrate for cladding on both sides

A

S2S

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104
Q

Surfaced four sides; often used for parts with exposed sides and carving details

A

S4S

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105
Q

Dimensions of a piece of wood before it is planed down

A

Nominal size

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106
Q

Dimensions of lumber after it has been dressed

A

Actual size

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107
Q

Nominal size of a dressed lumber. A piece of lumber that is 12” wide, 1” thick and 1’ long

A

Board foot

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108
Q

Fibers running in the same direction as the main axis of the tree

A

Straight grain

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109
Q

Grains are in successive layers and in opposite direction

A

Inter-locked grain

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110
Q

Constantly changing in orientation so that a line drawn parallel to their direction appears as wavy lines

A

Wavy or curly grain

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111
Q

Result when a straight grained log is not sawn along its vertical axis

A

Diagonal grain

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112
Q

Fibers follow a spiral course with a twist that is either right or left handed

A

Spiral grain

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113
Q

Fibers in varying or irregular form

A

Irregular grain

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114
Q

When wood is cut parallel to the grain direction and tangent to the growth rings

A

Plain/Tangential or Flat Grain

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115
Q

When board is cut parallel to the grain direction but through the radius of the growth rings

A

Quarter or Radial Grain

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116
Q

When board is cut across the grain (perpendicular to the grain direction and growth rings)

A

End grain

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117
Q

Most common sawing method which produces the highest quantity of usable lumber. “Sawing around” the log. Boards produced show flat grain on their faces and quarter grain on their edges

A

Plain sawing

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118
Q

Sawyer cuts log in quarters then slices each quarter into boards. Boards produced show quarter grain on their faces and flat grain on edges

A

Quarter sawing

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119
Q

Sometimes called sawing through and through. Produces much wider boards than other methods which show mostly mixed grain; flat grain near the center of the face and quarter grain near the edges.

A

Live saw

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120
Q

Wood defect that refer to the basal stumps of incipient or cast-off branches. These affect the mechanical strength of timber owing to the abrupt change in the direction of fibers and constitute blemishes which detract from the value.

A

Knots

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121
Q

Small knots 1/2” or under often caused by shedding of early branches. Usually allowable in prime timber.

A

Pin knots

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122
Q

Knots sliced through their length during sawing and commonly known as “slash knots”

A

Spliced knots/ Splay knots

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123
Q

Dead knots which are still sound and difficult to dislodge and often ringed with resin in softwood

A

Encased knots

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124
Q

Two or three knots springing from a common center

A

Branched knots

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125
Q

Wood defect caused by extensive splitting on the weakest links

A

Shakes

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126
Q

Type of shake wherein the log splits from the pith or heart radially along the medullary rays indicating that the tree has passed its prime. Examples include heart shake, double heart shake and star shake

A

Radial shakes

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127
Q

Type of shake that project inwardly from a definite frost rib on the cambrium as a result of severe weather.

A

Frost shakes

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128
Q

Type of shake wherein the soft springwood of the log splits away from the harder summerwood, either during seasoning or through shearing stresses in the growing tree caused by old age, excessive bending under strong winds, intense heat etc.

A

Tangential shakes

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129
Q

Type of tangential shake where shakes run along part of the annual ring only

A

Cup shakes

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130
Q

Type of tangential shake where log is completely encircled

A

Ring shakes

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131
Q

Wood defect caused by compression and not by splitting or shearing while the actual rupture is across the grain

A

Cross shakes

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132
Q

Sometimes known as resin pockets, which can appear as thin veins or shallow cavities filled with resin usually caused by damage to cambrium layer in resinous woods

A

Pitch pockets/ veins

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133
Q

Repeated damage to cambrium layer by small insects which may show small dots or patches of brown cork deeply buried in some woods notably birch alder and sycamore

A

Pitch Flecks

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134
Q

Patches of ingrowing bark probably caused by exterior damage to the growing tree

A

Rind galls

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135
Q

Tissue formed over a wound in a tree resulting in unnatural growth

A

Callus

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136
Q

Wood defect caused by fungoid disease

A

Canker

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137
Q

Wood defect referred to as a partially heated fire scar

A

Cat face

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138
Q

Not normally defined as wood defect because usually enhance the value of timber. Caused by fungal or insect attack irritating the cambium layers resulting in large rapid growths usually at base of the tree or by numerous small twigs which fail to develop owing to insufficient nourishment, forming a dense mass

A

Burls/Burrs

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139
Q

Artificial wood defect where the plank hollows across the width, forming a rounding on the underface, often due to incorrect pilling.

A

Cupping or rounding

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140
Q

Artificial wood defect caused by sagging between too widely spaced stickers or by stickers which are not placed exactly over each other

A

Bowing

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141
Q

Sometimes known as “edge bend” wherein the wood remains flat but bends edgewise on its own plane

A

Springing

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142
Q

The plank twists on its longitudinal axis with the result that the long edges are straight but the diagonals are curved. Usually known as “in winding”

A

Twisting

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143
Q

Synonymous terms for distortion in one or more directions

A

Warping, Casting

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144
Q

The butt end of the plank splits open usually caused by too rapid drying

A

End splitting

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145
Q

When wood surface is covered with small splits along the grain caused by too rapid drying in hot sun

A

Sun checking

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146
Q

When the surface of the wood lifts in innumerable small flakes or layers which spring under the cutting action preventing a smooth surface sometimes caused by structural weakness or incorrect seasoning

A

Flaking

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147
Q

If the wood dried too quickly then the surface dry out at a rate quicker than the rate of movement of moisture resulting to the dry outer layers in tension and the moist interior compression.

A

Case hardening

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148
Q

If the kiln drying of the case hardened timber is continued to dryness resulting in severe internal stresses and subsequent checking or disruption of the wood fibers not visible from the outside. No cure.

A

Honeycombing

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149
Q

Characterized by extensive shrinking and warping particularly in springwood

A

Collapse

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150
Q

Emphasize and enhance the charm of natural wood color and grain

A

Transparent wood finish

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151
Q

Soak into wood pores to give natural look and feel

A

Penetrating Finishes

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152
Q

Seals wood pores for protection against water and other destructive elements

A

Surface Coating

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153
Q

Made from resins dissolved in ethyl alcohol which forms a high gloss film on the surface when dried

A

Clear Lacquer

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154
Q

Made from various gums and resins dissolved in an oil or alcohol. Gives relatively hard, tough and reasonably elastic finish

A

Varnish

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155
Q

Varnish made from resin and oil

A

Oil varnish

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156
Q

Varnish made from resin and alcohol

A

Spirit varnish

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157
Q

Varnish made from gums derived from plants, insects and vegetable matter

A

Natural varnish

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158
Q

Varnish made from synthetic resin commonly esterified glycerine

A

Synthetic varnish

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159
Q

A spirit varnish made by dissolving purified lac flakes in denatured alcohol.

A

Shellac

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160
Q

Resinous secretion of the female of the lac insect

A

Lac

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161
Q

Can be achieved by using boiled linseed oil or various other oils

A

Oil Stain finish

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162
Q

A transparent plastic finish made of polyhydric alcohol esterified with oleic, linoleic, palmetic and stearic fatty acids and modified with tolyrene disocynate and mineral spirits. It is very tough, hard and flexible finish with resistance to chipping, abrasion and dirt retention. Resists solvents, detergents, acids, alkalis and hot and cold water.

A

Polyurethane finish

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163
Q

Achieved by brushing, rubbing or spraying fatty acids from animals and vegetables, mineral sources combined with alcohol. It usually comes in paste form and liquid form.

A

Wax or Film

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164
Q

Dyes or pigments suspended in water or oil. It alters coloring of the wood or accentuates its natural color without covering the grains.

A

Wood stain finish

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165
Q

Achieved by applying one of the various acids and chlorine compound pertained to as bleaching agents. It results to lightening of wood color to yellowish white and neutralizes the color

A

Bleach finish

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166
Q

Type of bleach that is comparatively weak and is excellent for removing chemicals, dyes, ink and water stains from wood surface if used full strength

A

Chlorinated laundry bleach

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167
Q

Best bleach to use not only on natural wood colors but also on many water and chemical stains

A

Oxalic acid

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168
Q

Type of bleach that is fairly expensive and extremely strong which can bring out really light tones on dark wood because of strength

A

Two-solution bleaches

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169
Q

Type of wood finish that gives a solid finish for protection and decoration

A

Opaque

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170
Q

A mixture of solid pigment suspended in a liquid vehicle

A

Paints and Enamels

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171
Q

A finely ground, insoluble substance suspended in a liquid vehicle to impart color and opacity to a paint

A

Pigment

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172
Q

Type of pigment that is either white lead, oxide, lithophane or titanium

A

White pigment

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173
Q

Type of pigment derived from minerals or clay

A

Colored Pigment

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174
Q

Type of pigment made from whitting, talc and silica

A

Extenders

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175
Q

A nonvolatile fluid in which the solid body material is suspended such as drying oils and varnish

A

Vehicle

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176
Q

A volatile liquid used to dilute paint or varnish to the desired or proper consistency for ease in application

A

Thinner

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177
Q

Added to the paint to accelerate the oxidation and hardening of the vehicle

A

Driers

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178
Q

Simulates appearances and textures of natural materials and offer effects such as antique finish, crackle or crazed finish etc

A

Decorative and Fanciful finishes

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179
Q

Made of thin veneer sheets glued together one on top of the other with grain of the sheets arranged crosswise. The number of layers is usually odd with symmetric structure.

A

Plywood

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180
Q

Usual available size of plywood

A

4’ x 8’ x 1/8”-1” thickness

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181
Q

Series of wood core strips glued together side by side to form a slab which is sandwiched between outer layers of veneer or thin plywood whose grains are crossed at right angles to the length of the core strips

A

Plyboard

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182
Q

Composed of wood chips carefully graded, mixed with synthetic resin glue and either pressured or extruded into rigid, self-supporting sheets of uniform thickness which are sanded down to close tolerances

A

Particle board

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183
Q

Same construction as fiberboards except that it has thin outer pressed melamine finish

A

Melamine board

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184
Q

Dense hardboard used for back panels and drawer bottoms

A

Fiber board

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185
Q

Long chain molecular structures evolved from common elements by chemical synthesis

A

Plastics

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186
Q

All plastics are polymers and all polymers may be regarded as potential plastics. True or false?

A

True

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187
Q

Plastic that can be softened and resoftened without deformation

A

Thermoplastic

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188
Q

Plastic that deforms when heated

A

Thermoset

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189
Q

Type of thermoset plastic which can be foamed. It is more expensive than polysterene but will accept staples if upholstered. It has very high thermal resistance with low water absorption and low water vapor permeability. Can also be used as thermal insulation for roofs, cavity walls, perimeter, refrigeration, pipe lagging. Core material for sandiwich panels and for flotation and protective packaging furniture

A

Polyurethane

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190
Q

Type of thermoset plastic foam that must have tacking strips applied when upholstered

A

Polysterene

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191
Q

Type of plastic that form rigid shell structures

A

Rigid Foam Plastics

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192
Q

Type of thermoset plastic foam which has relatively low resistance for given thickness. High strength and very good thermal stability. Used as insulation for flat roofs and core material for sandwich panels

A

Phenol-formaldehyde (Phenolic Foam)

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193
Q

Type of thermoset plastic foam which has high thermal resistance but low mechanical strength. High water absorption and high water vapor permeability. Used as cavity wall insulation

A

Urea-formaldehyde

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194
Q

Type of thermoset plastic foam which has good insulation efficiency. High strength and good chemical and moisture resistance. Because of relatively high cost, use restricted to spray applications for storage tanks, vessels and as core material for sandwich panels.

A

Epoxy

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195
Q

Also known as acrylic sheet (polymethyl methacrylate) readily available in clear, transparent, pastel shades, full colors and transfusing and fluorescent colors in thickness from 1/25” (1mm) to 1/2” (12.5mm) in color and up to 2” (50mm) in clear sheet. Also supplied in clear rod and tube up to 1” (25mm) diameter.

A

Perspex

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196
Q

Thermoplastic that can be cold drawn to five times its original strength. Resilient, noiseless and frictionless which can be used in knock down fittings.

A

Nylon (Polyamide)

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197
Q

Familiarly known as Formica, Wilson Art, Consulweld etc. Composed of layers of craft paper impregnated with phenolic resins.

A

Decorative Plastic Laminates

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198
Q

Known under the trade name Bakelite. In the form of powder, granules, reinforced laminates. Used in pan handles, knobs, electrical switch covers and appliance parts

A

Phenolic Resin

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199
Q

Familiarly known as Formica, Wilson Art, Consulweld etc. Composed of layers of craft paper impregnated with phenolic resins.

A

Decorative Plastic Laminates

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200
Q

Known under the trade name Bakelite. In the form of powder, granules, reinforced laminates. Used in pan handles, knobs, electrical switch covers and appliance parts. THERMOSET

A

Phenolic Resin

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201
Q

Known under the trade names Beetle and Oref. In the form of liquids and pastes used in light switches, turning devices, coatings, structural coverings when reinforced with glass fibers. THERMOSET

A

Polyester resin

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202
Q

Known under the trade name Araldite in the form of liquids and pastes, used as a bonding agent, encapsulating, surface coating and laminating. THERMOSET

A

Epoxy resin (Epoxide)

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203
Q

Known under the trade names Formica and Melaware in the form of laminates, granules and powder. Used in buttons, laminated surfaces and industrial baking enamel, cookers and refrigerators. THERMOSET

A

Melamine-formaldehyde resin

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204
Q

Known under the trade name Suprasec in the form of rigid and flexible foams, coatings. Used in insulating materials and foams if rigid and in upholstery, mattresses and paints if flexible. THERMOSET

A

Polyurethane

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205
Q

Known under the trade name Aerolite used in the form of powder, syrup and granules. Used in adhesives, laminating timber, coating of paper and textiles, electrical fittings. THERMOSET

A

Urea-formaldehyde resin

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206
Q

Known under the trade name Cycolac in the form of powder and granules. Used in kitchenware, clock and camera cases, lego toys, crash helmets. THERMOPLASTIC

A

Acrylnitrile-Butadeline Styrene (ABS)

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207
Q

Known under the trade names Corvic and Welvic in the form of powder and pastes used in pipes, plumbing fittings, corrugated roofing, packaging, textiles and upholstery. THERMOPLASTIC

A

Polyvinyl Chloride (PVC)

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208
Q

Known under the trade names Perspex and Diakon in the form of sheet, rod and tube. Used in display signs and cases, lenses, dials, furniture and jewelry. THERMOPLASTIC

A

Polymethyl methacrylate (acrylic)

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209
Q

Known under the trade names Maranyl and Kapton in the form of powder, granules, rod, tube and sheet. Used in bristles, textiles, clothing, stockings and upholstery. THERMOPLASTIC

A

Polyamide (Nylon)

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210
Q

Known under the trade names Rigidex, Alkathene and Visqueen in hard and soft forms. Used in household wares, bags for food, bottles, electric cable coating and food containers, lamps, shades, toys, model kits, yogurt carton THERMOPLASTIC

A

Polythene or Polythylene

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211
Q

Known under the trade name Lustrex Styron in the form of powder, granules sheet, expanded foam, beads and slabs. Used in packaging and insulation. THERMOPLASTIC

A

Polysterene

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212
Q

Known under the trade name Propathene in the form of powders, granules and sheet. Used in crates, chair seats, ropes, plumbing fittings and kitchenware. THERMOPLASTIC

A

Polypropylene

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213
Q

Known under the trade names Teflon and Fluon in the form of powder used in coatings, gaskets and plumber’s tape. THERMOPLASTIC

A

Polytetrafluoroethene

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214
Q

Known under the trade name Dexel in the form of powder, film, sheet and rod. Used in photography film, packaging, spectacle frames and toothbrush handles, THERMOPLASTIC

A

Cellulose acetate

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215
Q

Also called melamine. Often used for cabinet boxes.

A

Low pressure laminate

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216
Q

Expensive but with a durable color finish sprayed on cabinetry usually over an MDF substrate

A

Polyester

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217
Q

A thermal activated vinyl composition that forms to any configurations with heat and glue. Shrink-wraps entire door, similar to laminate in terms of maintenance and colorfulness

A

Thermafoil

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218
Q

Layers of compressed resin and paper adhered to a substrate. Popular for its easy maintenance and durability. Whites are slow to yellow

A

High Pressure Laminate

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219
Q

Material that is hygienic, non-porous, with smooth surfaces, tough and with great strength making it suitable for hospital, kitchen, school, office and dismountable furniture.

A

Metal

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220
Q

Type of metal composed mainly of iron with small additions of other metals or substances

A

Ferrous Metals

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221
Q

Iron with traces of silicate. Tough and ductile. Used in decorative work such as screens and grills

A

Wrought Iron

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222
Q

Iron with small amounts of carbon, silicon, sulfur etc. Used in cylinder blocks, piston rings, vice/vise bodies, fire backs, manhole covers

A

Cast Iron

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223
Q

Iron with 0.3 percent carbon used as general purpose metal used in bar, rods, sheet, rolled section and angle form; also in nuts, bolts, screws, tubing, furniture

A

Mild steel

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224
Q

Steel with chromium and nickel used in cutlery, furniture and frames

A

Stainless steel

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225
Q

Composition varied by addition of different elements such as nickel, chromium, copper and manganese to molten steel. Used in saws, chisels, plane irons, scissors, knives, hammer heads and springs

A

Tool and alloy steel

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226
Q

Has high resistance to corrosion. Used in making sheet steel and metal lathe

A

Copper-bearing steel

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227
Q

Metals that contain little or no iron

A

Non-ferrous metals

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228
Q

Lustrous, silver-white, magnetic, lightweight metal which is very malleable, has good thermal and electrical conductivity. Used in kitchen utensils, furniture and fittings

A

Aluminum

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229
Q

Pure metal, lustrous, reddish-brown, highly-ductile and malleable. Used in hot water pipes, electrical parts and decorative work.

A

Copper

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230
Q

Pure metal, soft, malleable, heavy metal. Very easy to cut and work enabling it to be fitted over uneven surfaces. Used in plumbing flashings, container linings and weighting objects

A

Lead

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231
Q

Pure metal used as substitute for lead in flashings and linings

A

Zinc

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232
Q

Used for air vents

A

Perforated zinc

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233
Q

Pure metal, lustrous white, soft, malleable having a low melting point and is relatively unaffected by exposure to air. Used as base for alloys and a coating for mild steel, rarely used in pure state

A

Tin

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234
Q

Combination of two or more metals and other substances

A

Alloys

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235
Q

Copper with tin used in pump units, marine fittings, gears and bearings

A

Bronze

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236
Q

Aluminum with copper and other metals used in shelving systems, chair legs, pulleys, bolts, rivets, cladding

A

Duralumin

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237
Q

Copper with zinc used in cabinet hardware, screws, decorative work

A

Brass

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238
Q

A slow hardening process which takes place in certain alloys

A

Age-hardening

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239
Q

Ability to break under sharp blow

A

Brittleness

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240
Q

Capacity to transmit heat and electricity

A

Conductivitiy

241
Q

Ability to be stretched into fine wire without fructure

A

Ductility

242
Q

Ability to regain original shape after deformation

A

Elasticity

243
Q

Property of becoming liquid when heated

A

Fusibility

244
Q

Resistance to deformation

A

Hardness

245
Q

Capacity to be extended in all directions without fracturing by rolling, hammering, beating

A

Malleability

246
Q

Resistance to a pulling force

A

Tenacity/ Cohesion

247
Q

Hardening of metal while being hammered or bent

A

Work-hardening

248
Q

Method in which a coating is applied on a metallic substrate which includes cleaning and chemical pre-treatment

A

Coating

249
Q

Coating with a non-transparent formulation containing pigments

A

Painting/Enameling

250
Q

Continuous coating of a metal strip

A

Coil Coating

251
Q

Single coating of any type with no particular requirements, usually on the reverse side of the coated product

A

Backing Coat

252
Q

Treatment of a metal with chemical solutions by dipping or spraying to build up an oxide film containing chromates or phosphates

A

Chemical Conversion Coating

253
Q

Application of a priming paint often pigmented with a corrosion inhibitor after suitable pretreatment

A

Priming

254
Q

Application of a solution containing a resin, a chromate, and an acid which is allowed to dry on and provide the key for subsequent painting

A

Pretreatment priming

255
Q

Single coating either with requirements or as a primer

A

Single coat system

256
Q

System comprising a primer or a base coat, possibly intermediate coat(s) and a top coat

A

Multiple coat system

257
Q

Dry paint film of the coated product or the organic film metal laminate

A

Organic coating

258
Q

Organic film applied to a substrate to which an adhesive and if appropriate, a primer has been applied beforehand

A

Film coating

259
Q

Applying a thin coating of an expensive anti-corrosive metal

A

Metallic coating

260
Q

Chemical treatment to improve the optical reflectivity of a surface

A

Chemical Brightening

261
Q

Polishing of a metal surface by immersion in a solution of chemical reagents

A

Chemical Polishing

262
Q

Removal of oil or grease

A

Degreasing

263
Q

Roughening of the surface of a metal by overall or selective dissolution in acid or caustic media

A

Etching

264
Q

Removal of a thin surface layer of metal by chemical action mainly by treatment in a caustic solution

A

Pickling

265
Q

A chemical change accompanying the passage of an electric current

A

Electrochemical means

266
Q

Electrochemical treatment to improve optical reflectivity of a surface

A

Electrochemical brightening

267
Q

Polishing of metal surface by making it anodic in an appropriate electrolyte

A

Electropolishing

268
Q

Metal with an anodic coating produced by an electrolytic oxidation process in which metal is converted to a mainly oxide coating

A

Anodized Metal

269
Q

Metal with a substantially colorless, translucent anodic oxidation coating

A

Clear Anodized Metal

270
Q

Anodized metal colored either during anodizing or by subsequent coloring processes

A

Color Anodized Metal

271
Q

Metal that has been anodized using an appropriate electrolyte which produces a colored coating during the anodizing process itself

A

Integral Color Anodized Metal

272
Q

Metal with an anodic oxidation coating that has been colored by the electrolytic deposition of a metal or metal oxide into the pore structure

A

Electrolytically Colored Anodized Metal

273
Q

Metal with anodic oxidation coating colored by absorption of dye-stuff or pigments into the pore structure

A

Dyed Anodized Metal

274
Q

Metal with an anodic oxidation coating that is colored by electrolytic coloring or produced by integral color anodizing followed by absorption dyeing

A

Combination Color Anodized Metal

275
Q

Metal with anodic oxidation coating colored by means of optical interference effects

A

Interference Color Anodized Metal

276
Q

Anodized metal with high spectacular reflectance

A

Bright Anodized Metal

277
Q

Anodizing where protection against corrosion or wear is the primary characteristic

A

Protective anodizing

278
Q

Anodizing where a decorative finish with a uniform or aesthetically pleasing appearance is the primary characteristic

A

Decorative Anodizing

279
Q

Anodizing to produce an architectural finish

A

Architectural Anodizing

280
Q

Anodized metal on which the anodic oxidation coating has been produced with wear and or abrasion resistance as primary characteristic

A

Hard Anodized Metal

281
Q

Treatment of anodic oxidation coatings on metal to reduce porosity and the absorption capacity of the coating by hydrothermal processes carried out after anodizing

A

Sealing

282
Q

Treatment of anodic oxidation coatings on metal to plug the pores and reduce the absorption capacity of the coating by chemical processes carried out at low temperatures after anodizing

A

Cold Impregnation

283
Q

The part of the product covered or to be covered by the coating

A

Significant Surface

284
Q

Process which uses colored powder that is given a positive electric charge. Metal part is given negative electric charge. Then powder is sprayed unto metal then baked in a kiln. Doesn’t corrode.

A

Powder-coating

285
Q

Means of applying decoration to metals by raising, molding, or carving a surface design in relief

A

Embossing

286
Q

Means of applying decoration to metals by carving/ cutting designs

A

Engraving

287
Q

Means of applying decoration to metals which uses a strong acid or mordant to cut into unprotected parts of a metal surface

A

Etching

288
Q

A technique used to work metal into a raised design or pattern by sinking the front surface used in combination of repousse

A

Chasing

289
Q

A technique used to work metal into a raised design or pattern by raising the design through the reverse side, Opposite of chasing.

A

Repousse

290
Q

Heating metal to restore to its softest possible working state

A

Annealing

291
Q

Treating steel to improve its corrosion resistance. Metal is heated to create an oxide skin and then quenched in oil

A

Bluing

292
Q

Production of metal shapes by pouring molten metal into moulds

A

Casting

293
Q

Forcing malleable materials through holes to produce bars, sections or tubes

A

Extruding

294
Q

Shaping hot metal by hammering

A

Forging

295
Q

Producing maximum hardness in high carbon steel by heating it to bright cherry red then quenching in water or brine. Makes metal brittle and usually followed by tempering

A

Hardening

296
Q

Forming sheet metal to shape with press tool

A

Pressing

297
Q

A process in which a fast-revolving sheet of ductile metal is forced over a wood or metal form

A

Spinning

298
Q

Removing some of the brittleness from steel after it has been hardened

A

Tempering

299
Q

Pulling ductile metals through holes in a plate, to reduce their cross sectional areas

A

Drawing

300
Q

Made by drilling a hole in the pieces of metal to be joined then inserting or fastening nuts and bolts, rivets and screws

A

Mechanical Method

301
Q

Methods of making permanent connection in metals by applying molten alloy between joint faces

A

Soldering and Brazing

302
Q

Extremely strong means of joining metals

A

Welding

303
Q

A climbing palm that thrives in Asiatic Regions. Pre-processed to produce round cores for making reed or wicker furniture

A

Rattan

304
Q

Rattan with a diameter of over 25mm and intermode of 250mm

A

Palasan

305
Q

Rattan with a diameter of 15mm to 25mm

A

Tumalim

306
Q

Rattan with a diameter less than 15mm and include those that are glossy, flexible, bright yellow

A

Sika

307
Q

Rattan with a diameter of less than 15mm and has a light cream appearance

A

Panlis

308
Q

Method of bending rattan wherein stem is cut and placed in a steam compartment for about 10 mins. Poles are transformed to metal or wood jigs and held overnight

A

Steam-bending technique

309
Q

Method of bending rattan where heating the part to be bent directly or by heating a piece of metal and transferring the heat to the rattan

A

Blow-torch

310
Q

Woody grass known as Bambusese

A

Bamboo

311
Q

Stem of bamboo

A

Culm

312
Q

Joint or partition separation of culms of bamboo

A

Nodes

313
Q

Space in between nodes

A

Internode

314
Q

How many bamboos are commercially used?

A

9 (Kawayang tinik, kawayang killing, bayog, anos, botong, giant bamboo, buho, yellow bamboo, bolo)

315
Q

Largest palm in the Philippines reaching a height of 20 meters

A

Buri

316
Q

Popular furniture made from Buri

A

Peacock chair

317
Q

Tough, outer covering of variety of animals, fruits, seeds and nuts

A

Shells

318
Q

Shells used for inlays

A

Mother of pearl from abafone, oyster shells and capiz shells

319
Q

Obtained from large animals such as cows, carabaos, and horses

A

Hides

320
Q

Obtained from smaller animals such as calves, sheep, goats, pigs, alligators

A

Skins

321
Q

Obtained from pelts of reptiles such as snakes and lizards

A

Kips

322
Q

Type of leather finish produced by glass rubbed over leather

A

Glazed finish

323
Q

Type of leather finish produced by hand rubbing until the leather is smooth

A

Grain finish

324
Q

Material ideal for furniture framing and can be combined with lighter wood or laminated plywood

A

Cocolumber

325
Q

Usually 1/2” thickness. More fragile than most plastics but stronger.

A

Glass

326
Q

Most common stone for furniture. Tends to shatter less than glass but also tends to break along veining lines.

A

Marble

327
Q

Extremely porous and is generally filled and polished before it is used for furniture.

A

Travertine Marble

328
Q

Stones stronger than marble also used for furniture

A

Granite and Slate

329
Q

Construction technique rather than a material. Might be made of rattan reed, dwarf rattan, willow, split bamboo, splint or other flexible twig or branch

A

Wicker

330
Q

Hardware that are concealed or hidden from view

A

Rough Hardware

331
Q

Straight, slender piece of metal having one end pointed and other enlarged and flattened for hammering

A

Nails

332
Q

General purpose nail with small head allowing head to be punched below timber surface and then filled. Suitable for framing, planking and cabinet work

A

Bullet head

333
Q

Large flat head is to support material being fixed. For fixing metal sheeting, strapping, brackets, conduits and pipe clips.

A

Clout

334
Q

Used for fixing large size timbers such as railway sleepers. Galvanised coated for extra protection against corrosion

A

Deck spike

335
Q

Used in formwork and fastening temporary work; second head is left exposed for easy removal and for attaching a string line

A

Duplex

336
Q

For fixing fiber cement sheeting to timber framing

A

Fibrecement

337
Q

Used mainly with softwoods and thin timber, fencing planking and crating. Stop timber pulling over head.

A

Flathead

338
Q

Used for fixing hardboard and fibre cement underlay sheeting to timber floors

A

Underlay

339
Q

Used for securing materials to brick or concrete. Made of thick, hardened steel or zinc with grooved or fluted shank

A

Masonry

340
Q

Used with softwoods, fencing, pallets and crating. Twisted shank provides stronger holding power

A

Pallet

341
Q

Fixes plasterboard to timber framing. Has an annular thread for greater holding power in timber

A

Plasterboard

342
Q

For iron roofing and fencing. Twisted shank provides greater holding power in soft timbers

A

Roofing

343
Q

For light ply, mdf etc. where appearance is not the main factor and particularly where the panel needs to be held firmly

A

Softsheet

344
Q

Used for marking points in bitumen and asphalt. Large washer in galvanised finish

A

Surveyor

345
Q

Can be used for fixing textile materials to wood. Very short with relatively large head and very sharp point.

A

Blue cut tack

346
Q

Specially designed head allows for the head to be driven below timber surface. Screw thread adds extra holding power in soft timber, Used for decking and Pargolas.

A

Timbergrip

347
Q

Fixing wire and netting to timber posts and frames. An insulated version is often used to attach speaker and telephone wires to timber/

A

Staple

348
Q

For attaching paneling to walls. Has low profile and usually ringed shank. Mostly used in conjunction with an adhesive

A

Wall panel

349
Q

50mm x 2.8mm nail used to fix Weathertex to timber framing. Has a countersunk head and is galvanised to resist staining.

A

Weathertex

350
Q

The part on the shank of a bolt next to the head

A

Neck

351
Q

Threaded metal, pin or rod usually having a head at one end designed to be inserted through holes in assembled parts and secured by a nut

A

Bolt

352
Q

Square or hexagonal metal block perforated with a threaded hole to fit around and secure a bolt or screw

A

Nut

353
Q

Metal fastener having tapered, helically threaded shank and a slotted head designed to be driven into wood or the like by turning

A

Screw

354
Q

Attached to side walls of drawers with lengths 10”, 14”, 16”, 18”, 24”, 26”, 28”

A

Drawer guides or roller guides

355
Q

Used for drawer front knobs and pulls

A

Drawer pull screws

356
Q

Universal connector that is heavy duty cam-action fastener for extremely strong joints

A

Heavy duty universal connector

357
Q

Fittings found on flat-pack self assembly furniture that allow the items to be assembled and disassembled many times

A

Knock-down fittings

358
Q

Bolt with a machine-screw thread on one end and a lag-screw thread on the other

A

Hanger bolts

359
Q

Metal inserts with threads that protect the wood or board’s screw slot

A

Threaded inserts

360
Q

Ideal choice of knockdown fittings when clamping is difficult on large assemblies; great for knock down fittings and permanent joints

A

Minifix KD fittings

361
Q

Low profile threaded inserts work especially well on thin materials

A

Low profile threaded insert

362
Q

Attached to the bottom of cabinets and chairs from slipping

A

Gilder and gilder track

363
Q

2 types of gilders

A

Cylindrical and trumpet

364
Q

Hardware that has finish; used as decorative and functional fitting for furniture

A

Finishing hardware

365
Q

For movable joints; used to support and turn a door above a pivot consisting of 2 plates joined together by a pin

A

Hinges

366
Q

Consists of 2 rectangular metal plates joined by a removable pin

A

Butt hinge

367
Q

Hinge having nonremovable pin

A

Fast-pin hinge

368
Q

Hinge having a removable pin which permits 2 parts to be separated

A

Loose pin hinge

369
Q

Continuous hinge up to 6ft

A

Piano hinge

370
Q

Also called cross-garnet hinge, t-shaped hinge with crosspiece as the stationary member and the long stem being the movable leaf

A

T-hinge

371
Q

Example is butterfly hinge

A

Decorative hinge

372
Q

Hinge consisting of a number of flat plates rotating about a central pin with shoulders mortised into the door edge and doorframe so as to be concealed when closed

A

Invisible hinge

373
Q

Device for securing a door, drawer or lid in position

A

Locks

374
Q

Protective and ornamental plate around a keyhole, doorknob, drawer pull or light switch

A

Escutcheon

375
Q

Run in one direction or rotates; used on legs of chairs or tables

A

Ball casters

376
Q

Two types of ball casters

A

Twin wheel caster; swivel caster

377
Q

Handle embedded on face frame

A

Flushed

378
Q

Two types of knob installation

A

Bolt-in

Flushed

379
Q

Mechanisms that are held in engaged position by friction

A

Friction catches

380
Q

Tapered metal collars that fit over ends of legs and keep them down from splitting

A

Ferrule

381
Q

Study that deals with human measurements

A

Anthropometrics

382
Q

Deals with human factor engineering

A

Ergonomics

383
Q

Study that deals with space planning in relationship with man’s activities, behaviors and movements

A

Ergonometrics

384
Q

Stature of standing Filipino

A

1680mm

385
Q

Work chair backrest angle

A

5° backrest from vertical

94° to 96° from seat

386
Q

General purpose chair backrest angle

A

15° from vertical

97° to 105° from seat

387
Q

Easy chair backrest angle

A

28° from vertical

118° from seat

388
Q

Lounge chair backrest angle

A

52° from vertical

118° to 135° from seat

389
Q

Armrest height

A

180
210
230

390
Q

Low back backrest height

A

260
310
380

391
Q

Semi-high backrest height

A

450
560
610

392
Q

High-back backrest height

A

710
830
900

393
Q

Ideal space allotment for each person

A

560-600mm

394
Q

Standard average height of a table

A

730mm

395
Q

Space allowance on each side of person in a dining table

A

300mm

396
Q

Average height of seat

A

430mm

397
Q

Formula for circular dining table diameter

A

Diameter= multiply intended capacity by allotted space or elbow room per seater (600mm) then divide by 3.14 (value of pi)

398
Q

Rectangular side/ end table dimension

A

900mm W
710mm D
560mm H

399
Q

Square side/end table dimension

A

760mm W D

560mm H

400
Q

Circular side/ end table dimension

A

560mm W D

560mm H

401
Q

Rectangular center table/ low table dimension

A

910mm W
610mm D
380mm H

402
Q

Square center table/ low table dimension

A

910mm W D

380mm H

403
Q

Circular center table/ low table dimension

A

760mm W D

380mm H

404
Q

Bunk bed size

A

30”x75”

33”x75”

405
Q

Dormitory/hospital bed size

A

36”x75”

36”x80”

406
Q

Twin bed size

A

39”x75”

39”x80”

407
Q

Double bed size

A

54”x75”

408
Q

Queen bed size

A

60”x80”

60”x84”

409
Q

King bed size

A

76”x80”

76”x84”

410
Q

Single sofa or armchair size

A

750mm x 900mm x 900mm

SH: 350-410mm

411
Q

Two-seater sofa dimensions

A

1800mm x 750mm x 900mm

SH: 350-410mm

412
Q

Three-seater sofa dimensions

A

2100mm x 900mmx 900mm

SH: 350-410mm

413
Q

Love seat dimensions

A

1000mm x 600mm x 650mm

1350mm x 750mm x 900mm

SH: 350-410mm

414
Q

Lunch counter stool seat height

A

610mm-660mm

24-26”

415
Q

Lunch counter table

A

35-36”

889-914mm

416
Q

Bar stool seat height

A

710-760mm

28-30”

417
Q

Extra tall or spectacular height chair

A

840-865mm

33-34”

418
Q

Bar stool table height

A

40-42”

1016-1067mm

419
Q

Extra tall or spectacular height table

A

45-48”

1143-1219mm

420
Q

Furniture that is fixed or permanently attached to walls

A

Built-in furniture

421
Q

Can be assembled from prefabricated materials cut in the field; typically constructed of either solid particle board covered in plastic laminate or steel wire coated with vinyl, polyvinyl chloride or epoxy

A

Closet systems

422
Q

Standard width for drawers and baskets; height for children’s hanging clothes

A

610mm

423
Q

Hanging storage for shirts, jackets, pants, skirts for men and women

A

1067.50mm

424
Q

Storage for 3 pairs of men’s shoes and 4 pairs of women’s shoes

A

915mm

425
Q

Hanging storage for dresses and full length robes, evening gowns

A

1728.33mm

426
Q

Standard shelf depth

A

355.83mm

427
Q

Distance rod is to be mounted from back of closet

A

305mm

428
Q

Distance from top of shelf to centerline of rod

A

101.66mm

429
Q

Distance between shelves to allow shoe storage

A

152.5mm

430
Q

Minimum required inside clear depth for closet

A

610mm

431
Q

Shelf width for 1 stack of clothes

A

305mm

432
Q

Clearance from floor to allow for vacuuming

A

152.50mm

433
Q

Standard height for children’s hanging clothes

A

762.50mm

434
Q

Min. distance of rod from shelf above

A

70mm

435
Q

Men’s suit hanger

A

70mm

436
Q

Women’s clothing hanger

A

50mm

437
Q

Door that has flat front surface

A

Flushed door

438
Q

Flush mounted doors are mounted within the openings of the face frame

A

Lipped door

439
Q

Doors that normally rabbeted at the edge so that they can be partially inset into cabinet openings

A

Paneled door

440
Q

Door that allow access to wide storage space without needing a large swing-out area

A

Bifold door

441
Q

Another way to eliminate swing-out area required by hinged doors

A

Sliding door

442
Q

Used to create a country or cottage look

A

Tongue and groove door

443
Q

Average height of the pole above the floor

A

1500mm

444
Q

Standard depth of clothes closet

A

600mm

445
Q

Depth of clothes closet with hook strip

A

750mm

446
Q

Depth of coat closet

A

800-850mm

447
Q

Larger type of closet to accommodate any type of cleaning equipment

A

Cleaning equipment closet

448
Q

Bedroom linen and bedding closet minimum interior dimensions

A

400mm wide

350-600mm deep

449
Q

Shelves spacing on bedroom linen and bedding closet

A

300mm on center vertically

450
Q

Highest shelf height

A

1800mm from floor

451
Q

Storage for bulky and seldom used items

A

Central storage

452
Q

Storage for lawnmoyers, wheelbarrows, garden tools and equipment etc.

A

Outdoor storage

453
Q

Depth of shelf for 85% of books to fit

A

200mm

454
Q

Depth of shelf for 10% of books to fit

A

250mm

455
Q

Depth of shelf for 5% of books to fit

A

300mm

456
Q

Vertical spacing between shelves

A

200-400mm

457
Q

Storage provided in children’s room

A

Toy and game storage

458
Q

Kitchen countertop height

A

750-950mm

459
Q

Maximum height of wall shelves

A

1800mm

460
Q

Height between wall cabinets and counter top

A

600mm

461
Q

Depth of overhead cabinet wall shelves

A

100-450mm

462
Q

Depth of countertop

A

360-600mm

463
Q

Minimum clearance of range from window

A

12”

300-480mm

464
Q

Clearance between back wall and condenser of aircon

A

1/2”

465
Q

Aka cubicles. Panel based workstations

A

System furniture

466
Q

Depth of desk

A

30”

762mm

467
Q

Lateral file depth

A

380-460mm

468
Q

Lateral file drawer height

A

152.4mm
228.6
304.8
381mm

6,9,12 to 15”

469
Q

Type of bed with one bed frame stacked on top of another allowing two people to sleep in the same room while maximizing floor space

A

Bunk bed

470
Q

Bed elevated to a certain height with free space underneath. Without the lower beds.

A

Loft bed

471
Q

Vertical clearance of each bed

A

1100mm

472
Q

Min. width of ladder on bunk bed

A

400mm

473
Q

Computer desk dimensions

A

24” wide deep
30” high

600mmx762mm

474
Q

Desks found mainly in front areas of most companies

A

Reception desk

475
Q

L-shaped desk dimensions

A
  1. 75” high
  2. 5” wide
  3. 75” deep

781mm h
749mm wide
527mm deep

476
Q

U-shaped desks dimensions

A

1676mm x 756mm x 762mm high

477
Q

Union of two or more smooth or even surfaces admitting two or more pieces of wood to a closed fitting or junction

A

Joint

478
Q

Art of joint making

A

Joinery

479
Q

Simple and weakest type of joint

A

Butt joint

480
Q

Start as simple butt joint then dowels or splines are fitted into pieces to increase strength

A

Dowel joint

481
Q

Either square or miter

A

Corner joint

482
Q

Joint between tapered, notched or halved ends

A

Scarf joint

483
Q

Corner joint cut at similar angle as in the corner of a picture frame

A

Miter joint

484
Q

Used for gluing plywood in width or length; used in site assembling

A

Spline joint

485
Q

Mating members that are cut in 1/2” thickness at their ends

A

Lap/shiplap joint

486
Q

Overlapped board is notched deep enough to accept entire thickness of lapping board

A

Full-lap joint

487
Q

Same with full-lap but both boards are notched

A

Half-lap

488
Q

Stable joint for edge joint boards and paneling; used in plank construction flooring, cabinet, door and wall panels

A

Tongue and groove joint

489
Q

Used to add strength; one piece of wood that looks like two connecting dovetails; typically in Arts and Crafts furniture

A

Butterfly joint

490
Q

For assembling square edged surfaces

A

Mortise and tenon

491
Q

Space in wood joint hollowed out to receive a tenon

A

Mortise

492
Q

Projection to be inserted into socket

A

Tenon

493
Q

Method for joining drawer sides to fronts; usually for flush type installation

A

Drawer-lock joint

494
Q

Plain edge of one board fits into a milled slot on the second board; slot is midway in a board

A

Dado joint

495
Q

Plain edge of one board fits into a milled slot on the second board; slot is in end of a board

A

Rabbet

496
Q

A slot running with the grain

A

Groove

497
Q

Disguise of the presence of dado joint; looks like a butt joint when completed

A

Stopped joint

498
Q

Conventional joint used for assembly of case body members; dado is usually concealed by application of case face frame

A

Through dado

499
Q

Variation of conventional dado with applied edge stopping or concealing dado groove; used when edge of case body is exposed

A

Blind dado

500
Q

Another method for concealing dado; used when veneer edging or solid lumber is used

A

Stop dado

501
Q

Traditional method of joining drawer sides to fronts or backs; flushed or lipped type drawers

A

Dovetail joint

502
Q

Has equal amounts of material removed from both pieces of wood

A

Finger joint

503
Q

Similar to mortise and tenon but mortise is cut at the end of the material rather than being an enclosed square hole

A

Bridle joint/ slotted mortise and tenon

504
Q

Vernacular term for panel

A

Bandeha

505
Q

Joinery technique used in paneling or when paneled effect is desired

A

Paneled door detail

506
Q

California queen size bed

A

60”x84”

507
Q

Expanded queen size bed

A

66”x80”

508
Q

California king bed size

A

72”x84”

509
Q

Grand king bed size

A

80”x98”

510
Q

Average coils per mattress

A

400 coils

511
Q

Typical boudoir/breakfast pillow size

A

510x660mm
20”x26”

or

300x410
12x16”

512
Q

Typical square throw pillow size

A

18x18”

460x460mm

513
Q

Typical neckroll pillow size

A

6”x13”

510x920mm

514
Q

Standard bed pillow size

A

20x26”

510x660mm

515
Q

Queen bed pillow size

A

20x30”

510x760mm

516
Q

King bed pillow size

A

20x36”

510x920mm

517
Q

European square size

A

26x26”

660x660mm

518
Q

Pieces of furniture for sitting or reclining

A

Sofa

519
Q

Sofa with low, set-back arms and elegant profile; usually skirted and sometimes softly rolled back

A

Bridgewater

520
Q

Back of Louis XV style sofa curves into arms in a downswept continuous line; usually has a wood trim and carved wood legs that may be curved

A

Cabriole sofa

521
Q

Has a curved back that looks like camel hump; straight lines, long individual cushion for the seat; innovation of Thomas Chippendale

A

Camelback sofa

522
Q

Dating from the 18th century; deep buttoned or tufted sofa with arms and back of the same height; leather usually; fixed seat cushions

A

Chesterfield

523
Q

Features scrolled arms with curved backs that are higher than the arms and has visible legs

A

English or club sofa

524
Q

Characterized by its back with one raised end; dates from 19th century used by women to lie down when they fainted

A

Chaise lounge

525
Q

Type of sofa that folds down into a bed

A

Futon

526
Q

Based on mid-17th century sofa; straight high back and angled arms that can be adjusted to open our or stand up straight; back and arms connect with finials wrapped in cords

A

Knole

527
Q

A sofa with low, squarish back with arms that are even lower than the back; can have square or rolled arms

A

Lawson sofa

528
Q

Sofas with straight, squared lines and very streamlined form with low, often square legs

A

Mid-century

529
Q

Modular seating

A

Sectional

530
Q

Sofa that has arms that are the same height as its back’ earlier versions had arms curving outward; back may feature one, two or three cusions

A

Tuxedo sofa

531
Q

Cane weave

A

Bijuco weave

532
Q

Portable bed with mattress and frame that folds in half for compact storage

A

Roll-away

533
Q

One frame of seating height has mattress without backrest; another frame slides out below it with an equal size mattress and rises to form double bed or two single beds

A

High-riser

534
Q

Upholstered seating section on an upholstered foundation that may convert to twin beds

A

Studio couch

535
Q

Low bed rools under a larger bed and springs up

A

Trundle bed

536
Q

When back is pushed, it lowers to form portion of bed

A

Push-back sofa

537
Q

Chairs that can be placed on top of one another

A

Stacking chairs

538
Q

Cabinet with drawers used to keep papers and records in order

A

Filing cabinet

539
Q

Chest drawer, cupboard or other storage compartment made to be locked

A

Locker

540
Q

Long seat without backrest and arms

A

Bench

541
Q

Molded casing must have a _______ at the corner

A

Mitered joint

542
Q

Carved foot in the form of the claw of an animal or bird holding a ball

A

Ball and claw foot

543
Q

Variety of ball and claw foot topped by and thus attached to body of a piece by brackets

A

Ball and claw bracket foot

544
Q

Round, turned foot; may be spherical or ovoid

A

Ball foot

545
Q

Carved paw foot in which the paw is a bear’s

A

Bear’s claw foot

546
Q

Support at either side of a simple piece of case furniture in which side panel extends below the bottom of the piece’s body; triangle is cut from a center resembles bootjack

A

Bootjack foot

547
Q

Support for case furniture consisting of two brackets mitered and joined below corners

A

Bracket foot

548
Q

Round, turned foot flatted at top and bottom

A

Bun foot

549
Q

Other term for bun foot

A

Onion foot

550
Q

Hoof foot in which hoof is cloven

A

Cloven foot

551
Q

Carved foot in shape of a stylized fish; dolphin

A

Dolphin foot

552
Q

Carved foot having 3 occasionally 4 “toes” on its upper surface

A

Drake foot

553
Q

Other term for drake foot

A

Trifid foot

554
Q

Broad term designating any of several 18th century shaped feet used throughout Europe and America generally to terminate a cabriole leg; flat circular or ovoid bottom, little or no carved ornamentation, smooth top

A

Dutch foot

555
Q

17th century carved foot with two scrolls one at the floor and one where foot joints legs

A

Flemish scroll foot

556
Q

Type of bracket foot having slender and tapering arms and a vertical profile that splays outwards

A

French bracket foot

557
Q

Carved foot in the form of an animal’s hoof; egyptian furn and reappeared in Europe

A

Hoof foot

558
Q

Other term for hoof foot

A

Pied de biche

559
Q

Decorated bun foot incised vertical lines

A

Melon foot

560
Q

Type of bracket foot with a vertical profile in the form of an s-curve, convex above, concave low; cyma reversa

A

Ogee bracket floor

561
Q

Ball foot with vertical profile in form of cyma recta

A

Pear foot

562
Q

Foot with outward and upward turning scroll

A

Scroll foot

563
Q

Other term for scroll foot

A

Whorl foot

564
Q

Block shaped foot higher than wide and tapering slightly

A

Spade foot

565
Q

Other term for spade foot

A

Therm foot

566
Q

Carved foot w inward turning scroll at bottom and vertical grooves above creating ribs on top surface of scroll

A

Spanish foot

567
Q

Other terms for Spanish foot

A

Paintbrush foot, Portugese foot

568
Q

Short, broad, downward tapering foot

A

Stub foot

569
Q

Foot with three scroll or spiraled grooves

A

Tern foot

570
Q

Carved, double curved, tapering furniture; pronounced outward curve with long smooth inward curve which flared outward again

A

Cabriole leg

571
Q

Turned leg with cup turning

A

Cupped leg

572
Q

Support for low pieces of chinese furniture; short, heavy leg that curved outward slightly at top and down to tight inward scroll

A

Elephant trunk leg

573
Q

17th century carved leg with two scrolls one at the floor and one where foot joints legs

A

Flemish scroll leg

574
Q

Straight, square leg

A

Marlborough leg

575
Q

Rearward curving front leg; tapered slightly at bottom

A

Saber leg

576
Q

Other terms for saber leg

A

Scimiter leg
Swept leg
Waterloo leg

577
Q

Carved leg shaped like a large letter S

A

Scroll leg

578
Q

Turned leg w spiral turning

A

Spiral leg

579
Q

Table leg attached by horizontal member at its tip to fixed member beneath table from which it pivots outward on a hinge to support a leaf

A

Swing leg

580
Q

Leg with trumpet turning

A

Trumpet leg

581
Q

Stretcher commonly x-stretcher that bows upward

A

Arched stretcher

582
Q

Four crossbars used to connect furniture legs around a square perimeter

A

Box stretcher

583
Q

Type of stretcher or crossbar connecting the legs of usually a windsor chair; bow-like rod connect 2 front legs from which 2 short rods or spurs extend rearward

A

Cow-horn stretcher

584
Q

Other terms for cow-horn stretcher

A

Crinoline, spur or crescent stretcher

585
Q

Early 18th century; 2 lyre-stretcher shaped segments connect the legs

A

Double-lyre stretcher

586
Q

Stretcher with 2 crossbars one joining front and back on each side connected in the middle with a 3rd crossbar

A

H stretcher

587
Q

19th century British stretcher used on 3 legged furn/stools; each of the 3 stretcher elements connects a leg and another stretcher

A

Isle of man stretcher

588
Q

Any stretcher whose members curve more than once between one leg and another

A

Serpentine stretcher

589
Q

Stretcher in which 2 crossbars joining one front leg and one rear leg opposite side

A

X-stretcher

590
Q

Continuous visible lines

A

Object line/ outline

591
Q

Short dashes closely and evenly spaced

A

Hidden lines/ invisible lines

592
Q

Alternate long and short dashes

A

Centerline

593
Q

Long and 2 short dashes

A

Cutting plane line

594
Q

Terminated with arrowheads or other end marks

A

Dimension and extension line

595
Q

Thin lines spaced evenly resembling shaded effect

A

Section line

596
Q

Freehand lines for short breaks; ruled for long ones

A

Break line

597
Q

Fine line terminated by arrowhead or end mark

A

Leader line

598
Q

Drawing in actual size

A

Full-sizing

599
Q

Square edge casing must have ________

A

Butt joint