Greek Architecture Flashcards

1
Q

(Geographical influence) What made their communications difficult?

A

Rugged nature of Greek Peninsula and its island, with mountains

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2
Q

(Geographical Influence) Bounded on two sides by?

A

Black sea and mediterranean sea

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3
Q

Athens as its center kingdom contains the upper city known as

A

Citadel

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4
Q

Mountainous hinterland separated inhabitans ito groups, clans and state

A

Geographical Influence

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5
Q

was the inevitable means of trade and communication

A

Sea

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6
Q

Chief building material in greece

A

Greece

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7
Q

Also had ample supplies of

A

Buidling stones

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8
Q

Climatic Influence

A

Mild and rainy winters, relatively warm and dry summers, and generally extended periods of sunshine throughout most of the year

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9
Q

Religious Influence

A

Nature worship, represent their deites by large statues

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10
Q

Chief Diversion

A

Music, dancing, wrestling, boxing, gymnastics and bull fighting often with religious connection

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11
Q

Participate in hunting and more strenous games as wwell as in craftwork

A

Eomrn

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12
Q

Form of government

A

Tyrannical, aristocratic, and democratic

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13
Q

One of the democratic leader of athens

A

Pericles

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14
Q

Preclassical or Early Period

A

3000-700 BCE

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15
Q

Hellenic Period or Greek Architecture

A

650-323BCE

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16
Q

Preclassical/Early Period Architectural Character

A

-Low pitch or flat roof on multi storey structures
-Stairways was developed for verticla ciruclation

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17
Q

Principle Building types

A

Megaron or Aegean houses

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18
Q

Formed the central complex of a palace and the main domestic unit

A

Megaron

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19
Q

Long, narrow suit composed of columned porch, megaron proper, and thalamus

A

Megaron

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20
Q

Columned enclosed porch

A

Columned entrnce porch with central doorway

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21
Q

central Heart, columns supporting th roof

A

Megaron Proper

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22
Q

Sleeping area

A

Thalamus

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23
Q

Contained a raised throne and centered around a fixed circular hearth framed by four wooden columns

A

Circular Hearth

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24
Q

Huge stone blocks with clay beddings but without mortar

A

Cyclopean

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25
Q

Constructed with stones having polygonal faces, advance technique but without pith nor tar

A

Polygonal

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26
Q

Block of stone cut into rectangular shapes that serve as dowels

A

Rectangular

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27
Q

Stones with inclined blocks

A

Inclined blocks

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28
Q

Architectural Character of Greek Architecture/Hellenistic Period

A
  • Simplicity and Harmony
  • Purity of lines
  • Perfection of proportions
  • Refinement of details
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29
Q

Use rectangular plan

A

Hellenisgtic

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30
Q

Temple’s gateway

A

Propylea

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31
Q

What period of greek did the Collonade surround the temple

A

Hellenistic

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32
Q

Ceilings were ommited and treated with timber panelled coffers

A

Lancunaria

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33
Q

Walls were made out of? (Greek Architecture)

A

Made out of stone

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34
Q

Completed the building (GE)

A

Marble Scupltures

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35
Q

… on the walls of temples was highly developed

A

Mural Paining

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36
Q

Earliest civilizaiton in greek

A

The Minoans

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37
Q

Homeland was the island of crete

A

Minoan

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38
Q

Buildings were typically made of (The minoan)

A

Timber frames filled with clay bricks

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39
Q

City was a multistory palace with large central courtyard

A

The minoans

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40
Q

Known as Palace Age, known for their grand palaces

A

The minoans

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41
Q

Exmple of palace of the minoans

A

Palace of King Minos, Knossos

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42
Q

Were not warriors, they were traders, as a result their places were not fortified

A

The minoans

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43
Q

What is this capital? “Columns were uniquely constructed and easily identified as minoan. Constructed from wood and tapered at the bottom, Bright red colums and capitals color black”

A

Bulbous Capital

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44
Q

Stood on stone bases and hard large, bulbous tops known as

A

Cushion Capitals

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45
Q

Based their culture firmly on the minoans

A

The Myceneans

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46
Q

Surrounded their cities with mssive defensive walls

A

The Mycenaeans

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47
Q

A typical mycenaean palace consisted of a

A

central rectangular hall flanked by smaller chambers

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48
Q

They developed their templs from Megaron

A

The mycenaeans

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49
Q

Built in different levels on the uneven groumd, the main elements of the complex were the megaron

A

The Palace, Mycenae

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50
Q

Built on strategic, often impregnable hills, were enclosed by strong curtain walling

A

Citadel of Mycenae

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51
Q

Ruler and his family lived at

A

The upper end of the site

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52
Q

The dweilling of important figures such as military leaders

A

Within the enceinte

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53
Q

Most of the population lived

A

Outside the citadel’s wlals

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54
Q

Citadels were entered via monumental gatewats

A

Gate of Lion, Mycenae

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55
Q

Two vertical stones carrying a vast lintel

A

Gate of Lion

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56
Q

Massive fortification to the upper part of the citadel in irregular stle of cyclopean masonry

A

The palace, Tiryns

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57
Q

Two types of Aegean Tombs

A

Tholos
Rock Cut or Chamber thombs

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58
Q

Behive tomb, compose of a long passage known as dromos leading to a domed chamber

A

Tholos

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59
Q

Most decorated of all, Tholoi had decorated and colored facades

A

Treasury of Atreus

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60
Q

Dark, deriving its light only from the open doorway and triangular transome

A

Treasury of Atreus, Mycenae

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61
Q

Interiors of tholos domes were

A

Richly decorated

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62
Q

The tholos imitated

A

The dome of heaven

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63
Q

Creation of structures, buildings, and sculptures by excavating solid rock where it naturally occurs

A

Rock cut or chamber tomb

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64
Q

Period of decline or Dark age. followed the destruction of the mycenaean civilization in the 12 century

A

The greece (Archaic Period)

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65
Q

When did the arts of mycenaean civilization began to survive

A

8th to 7th century BC

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66
Q

From those early times, one specific building type predominated

A

The temple

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67
Q

Abode of god

A

The temple

68
Q

the temple took the form of a

A

single room or hut, walled with sun dried bricks

69
Q

In the late .. century bc, the main body of the sanctuary was surrounded by a single row of columns, known as the

A

7th century, Peristyle

70
Q

Unique to Greek architecture and was to remain one of the most characteristic feature

A

Peristyle

71
Q

Built to provide cover for a crude wooden statues of a deity

A

Xoanon

72
Q

Greek temples originated as?

A

Primitive huts

73
Q

Open space between two columns

A

Intercolumniation

74
Q

A roman writer of the 1st century BC

A

Vitruvious

75
Q

Columns placed closely together (1 and 1/2 diameter

A

Pycnostyle

76
Q

Columns a little wider (2 diameter)

A

Systyle

77
Q

A little wider still (2 and 1/2 diameter)

A

Eustyle

78
Q

Wider again (3 diameters)

A

Diastyle

79
Q

Columns are placed further apart (4 diameter)

A

Araestyle

80
Q

When did the basic plan of a temple evolve?

A

By the late 7th century BC

81
Q

The greeks felt that when ratiod and proportions were properly applied to ground plans and evelations, the result would be?

A

Beauty, perfection, and symmetria

82
Q

a perfect balance of parts

A

Symmetria

83
Q

Standard units of measurement to achieve symmetria

A

Module (equal to the diameter of half the diameter of a column at the base of its shaft)

84
Q

Chief class buildings. usually, the plan is rectangular in shape

A

Temple

85
Q

Were not places of worship but monuments dedicated to the beloved gods and goddesses

A

Temple

86
Q

Two way of describing temples

A
  • Number of columns on the entrance
  • Arrangement of exterior columns of the temple inn relation to naos
87
Q

One layer of colonade surruonding the naos

A

Basic Temple Plan/Peripteral (Peristyle or Peripteral colonnade)

88
Q

Temple surrounded on all sides by two rows of columns - a double peripteral

A

Dipteral

89
Q

Later development of the dipteral plan, in which the inner row of columns was ommited (one sa naos ug episthodomos)

A

Pseudodipteral

90
Q

dwelling of a god, inner part of a temple, shrine.

A

Naos

91
Q

refer to either the rear room of an ancient Greek temple or to the inner shrine, also called the adyton (‘not to be entered’)

A

Opisthodomos

92
Q

Parts of temple

A

Naos/Cella
Pronaos
Epinaos (Opisthodomos
Pteron
Anta
Distyle in Antis

93
Q

Principal chamber containing the statue of the god or goddess with porticos and colonnade

A

Naos/Cella

94
Q

The inner portico in front of the naos

A

Pronaos

95
Q

Posticum which serves as the treasury chamber

A

Epinaos/Opishthodomos

96
Q

A colonnade parallel but apart from the naos

A

Pteron

97
Q

A rectangular pier or pillaster formed by thickening the end of a projecting wall

A

Anta

98
Q

Having two columns in front between antae

A

Distyle in antis

99
Q

Course of masonry forming the foundation for a row of columns, esp the outermost collonade of a classical temple

A

Stylobate

100
Q

A solid mass of masonry visible aboive ground level serving as the foundation of a building

A

Stereobate

101
Q

Stereobate is also known as

A

crepidoma or podium

102
Q

Any of the five styles of classical architecture - Doric, Ionic, Corinthian, Tuscan and composite, charcterized by the type and arrangement of coumns and entablatures employed

A

Order

103
Q

The oldest and simplest of the classical orders

A

Doric Order

104
Q

Characterized by fluted column having no base, a plain cushion shaped capital supporting a square abacus and an entablature consisting of a plain architrave, a frieze of triglyphs and metopes, and a cornice, the corona of which has mutules on its soffit

A

Doric order

105
Q

Characteristics of doric order

A

Masculinity, Strength, Solidity

106
Q

Always without base, usually fluted and topped by a simple squat capital.

A

Doric Order

107
Q

Parts of Doric Order

A

Pediment, Entablature, Columns, Crepidoma

108
Q

A wide, low pitched gable surmounting a colonnade or a major division of a facade

A

Pediment

109
Q

Horizontal Section of classical order that resrs on the columns. Usually comoposed of a cornice, frieze, and architrave

A

Entablature

110
Q

Cylindrical support in classical architecture, consisting of a capital shaft and usually a base, either monolithic or buuilt up of drums the full diameter of the shaft

A

Columns

111
Q

Stone platforms

A

Crepidoma

112
Q

A pedestal for a sculpture or ornament at the apex. also called acroterion

A

aCROTERIUM

113
Q

Trianglular space enclosed by the horizontal and raking cornices of a pediment, often recessed and decorated with sculpture

A

Tympanum

114
Q

Upright ornament at the eaves of a tile roof concealing the foot of a row of convex tiles that cover the joints of the flat tiles

A

Antefix

115
Q

Entrablature Parts

A

Cornice, Frieze, Architrave

116
Q

Uppermost member of a classical entablature, consisting typically of a cymathium, corona, and bed molding

A

Cornice

117
Q

Horizontal part of a classical entablature between the ornice and architrave, often decorated with sculpture in low relief

A

Frieze

118
Q

Lowermost division of a classical entablature, resting directly on the column capitals and supporting the frieze

A

Architrave

119
Q

Under cornice, there is

A

Gutta and Mutule

120
Q

Small drop like ornaments, atached to the underside of mutules

A

Gutta

121
Q

A projecting glat block under the corona of a doric cornice

A

Mutule

122
Q

Frieze parts

A

Metope and Triglyph

123
Q

Any of the panels, either plain or decorated, between triglyphs in the doric frieze

A

triglyphsMetope

124
Q

One of the vertical blocks separating the metops in a doric frieze

A

Triglyph

125
Q

Architrave parts

A

Taenia, Regula

126
Q

Raised band or fillet separating the frieze from the architrave, also called tenia

A

Taenia

127
Q

Fillet beneath the taenia in a doric entableture corresponding to a triglyph above and from which guattae are suspended. also called guttae hand.

A

Regula

128
Q

Upper end of aa column, pillar, or pier, crowning the shaft and taking the weight of the entablature or architrave

A

Capita;

129
Q

The flat slab forming the top of a column capital

A

Abacus

130
Q

Predominant circular molding supporting the abacus of a doric capital

A

Echinus

131
Q

Central part of a column or pier between the capital and the base

A

Shaft

132
Q

Decorative motif consisting of a series of long, rounded, parallel grooves

A

Flute

133
Q

Narrow part of the sutface of a column shaft left between adjoining flutes

A

Fillet

134
Q

Slight convexity to give a column to correct an optical illusion of concavity if the sides were straight

A

Entasis

135
Q

Crepidoma parts

A

Stylobate, Stereobate

136
Q

Course of masonry forming the foundation for a row of columns, esp the outermost colonnade of a classical temple

A

Stylobate

137
Q

Solid mass of masonry visible above ground level and serving aas the foundation of the building, especially the platform forming the floor and substructure of a classical temple

A

Stereobate

138
Q
  • More sophisticated order
  • Spriral volutes of its capital
  • Typicaally had molded bases
  • Supported an entablature consisting of three fascias, a richly ornamented frieze, and a cornice corbelled out on egg and dart and dentil mouldings
A

Ionic Order

139
Q

Architectural characteristics of Ionic Order

A

Beauty, Femininity, Slenderness

140
Q

always set on a base (between the shaft and the crepidoma) - bears two spirals

A

Ionic Order

141
Q

The entablature of the ionic order consisted of an architrave divided into three broad bands known as

A

Fasciaa, a continous frieze, and an often elaborate cornice bearing dentils or tooth like blocks

142
Q

Ornamental motif for enriching an ovolo or echinu. Also called egg ang tongue

A

Egg and dart

143
Q

Series of closely space, small rectangular blocks forming a molding beneath the coronas of Ionic, corinthian, and composite cornices

A

Dentil

144
Q

One of the three horizontal bands making up the architrave in the ionic order

A

Fascia

145
Q

Spiral, scroll like ornament, as on the capitals of the ionic, corinthian, and composite order

A

Volutes

146
Q

Circular modlding under the cushion of an ionic capital, between the volutes

A

Echinus

147
Q

Vertical guideline through the eye of a volute in an ionic capital from which the spiral form is deretmined

A

Cathetus

148
Q

Small concave curve joining the shaft of a classical columnt to its base, also called aphophysis

A

Apophyge

149
Q

Large convex, semicurcular molding, commonly found above the plinth of a base of a classical column

A

Torus

150
Q

Deep concave molding between two fillet, also called Trochilus

A

Scotia

151
Q

Piece of ground specially reserve and enclosed as sacred place. Also known as citadel or acropolis (Upper city)

A

Temenos

152
Q

Temple on the acropolis of athens, earliest fully ionic temple. It was open, entered from propylaea’s southwest wwing and from a narrow stair on the north

A

Temple of Nike Apteros

153
Q

Architect of Temple of nike apteros

A

Callicatres

154
Q

Vestibule or gateway of the architectural impoerance before a temple area or the entrance structure to acropolis in athens

A

Propylaea

155
Q

Architect of Propylaea

A

Mesicles

156
Q

Colossal bronze statue of athena

A

Statue of athena

157
Q

Who sculpted the statue of athena?

A

Pheidias

158
Q

Ancient greek temple of the north side of the acropolis of athens in greece. Dedicated to both athena and Poseidon

A

Erectheion

159
Q

Former temple on the athenian acropolis, greece, dedicated to the goddess athena, whom the ppl of athens considered their patron

A

The Parthenon

160
Q

Architect of theParthenon

A

Ictrinus & Callicrates

161
Q

Covered walkways or porticos, commonly for public usage

A

Stoa

162
Q

Built against the slope of the hill, needed a retaining wall supported by piers and rounded arches

A

Stoa of Eumenes

163
Q

Stone theatre located on the southwest slope of the arcopolis of athens

A

Odeon of Herodes Atticus

164
Q

Who built the Odeon of Herodes Atticus and why?

A

Built by Herodes Atticus in memory of his wife

165
Q

Major open air theathre, one of the earliest preserved in athens, used for festivals in honor of the god dionysus

A

Theater of Dionysos Eleuthereus

166
Q
A