Gerald Barry Flashcards

1
Q

First 6 sections of Piano Quartet

A
  1. A
  2. B1
  3. C1
  4. C2
  5. B2
  6. C3
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2
Q

Middle 6 sections of Piano Quartet

A

D1
D2+B3
E1
C4
C5
E2+D3

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3
Q

Last 6 sections of Piano Quartet

A

C6
C7
F+C8
C9
G
H

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4
Q

Instruments in Quartet

A

Violin
Viola
Cello
Piano

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5
Q

Quartet: A section overview

A

f - mp - f - ff
Based on inversion of Sí Beag, Sí Mhór
Canon
Polyphonic
Senza Vibrato + light staccato + Open strings
2 parts (second is at higher pitch)

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6
Q

A part 1 canon

A

4 part + octave interval + crochet’s distance
violin - viola - cello - LH

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7
Q

A part 2 canon

A

5 part + octave interval + crochet’s distance
LH - RH - cello - viola - violin

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8
Q

Quartet: B1 section overview

A

introduced by minim rest
Hurdy Gurdy style accompaniment (viola plays 5ths w/ open strings)
switches between 3/4 - 5/8 -2/4
2nd time cello introduced with inversion of viola HG on open strings
3rd time piano introduced with clusters
f - f - fff
one of more homophonic sections

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9
Q

B1 rests

A

introduce each time played
minim for first time
dotted crochet for second time
crotchet for third time

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10
Q

C1 overview

A

“‘Tis The Last Rose of Summer” in all Cs
2 very contrasting halves
canon at unison - polyphonic
1st half strings mf
2nd half piano joins with huge tempo+dynamic increase(ff)
changing metre
senza vibrato
harmonics

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11
Q

C2 overview

A

Viola + Cello
polyphonic
mp
senza vibrato
open strings

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12
Q

B2 overview

A

melody 5X
ff except 4th time is mp
1. Unison crotchet canon [lin-la-cel])
2. RH added canon [lin-cel-la]
3. LH added canon [cel-la-lin]
4. Double Canon [(lin+la) - (RH+cel)] parralel 5ths
5. Double stopping Dnote drone on cello

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13
Q

C3 overview

A

Polyphonic
repeat 4X slow-fast tempo
1. Strings mp
2. 1part piano added mf
3. 2part piano added f
4. 4part piano added ff
atonal
senza vibrato

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14
Q

D1 overview

A

“Beidh Aonach Amarach”
viola + cello
ff
polyphonic
changing time sig

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15
Q

D2+B3 overview

A

polyphonic with D and B themes played together
Repeated twice
second time is faster
violin and RH unison
viola and cello unison
ff
detached

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16
Q

E1 overview

A

Retrograde( of D)
octave quaver canon [lin-la-cel-LH]
C tonality
ff

17
Q

C4 overview

A

Hommage á Horowitz
piano only
repeated 2X
2nd time wedging
octaves
fff

18
Q

C5 overview

A

no piano
octave crotchet canon [lin-la-cel]
one of slowest sections
mp with crescendo and diminuendo
senza vibrato

19
Q

Contemporary features

A

-Dissonance
-Irregular + Changing time sigs
-unusual instrumental techniques
-polymetre
-retrograde
-unusual form

20
Q

Irish Tunes in Piano Quartet

A

Sí beag sí mór [A]
‘Tis The Last Rose of Summer [all C’s]
Beidh Áonach Amárach [D and therefore E]
Lord Mayo’s Delight [H]

21
Q

E2 + D3 overview

A

Bi-thematic (Original [D] and Retrograde [E] play simultaneously)
D is played in unison by cel + piano
E is played in unison by lin + la
Repeat changes lin up and piano down an octave
Db key [only section with a key sig]
f - ff
accented playing

22
Q

C6 overview

A

very short + no piano
C5 transposed up one semitone to Bb
polyphonic
octave quaver canon [lin - la - cel]
p
slow tempo
senza vibrato + flautando

23
Q

C7 overview

A

Original [cel] and Inversion of C6 [lin + la] together
unison crotchet canon [lin - la]
Piano doubles all 3 strings
tempo increased from C6
ff
Repeated with higher tempo, pitch and double stopping added
Abrupt ending with one bar rest before next section

24
Q

F + C8 overview

A

one bar rest before begins
F on violin
retrograde of F on RH piano
C material augmented on viola and cello
F is mostly in Triplet time and has a jig rhythm
polyphonic
polymetry (simultaneously) is added in repeat
lin + piano remain in 2/2
la + cel play 2/4 then 3/4

25
Q

C9

A

shortest section
two octave crotchet canon [lin-la-cel]
p + slow tempo
changing time sig
polyphonic
very little vibrato

26
Q

G

A

tempo suddenly more than doubles
telescoped with pieces from all themes mixed
very short + all instruments
polyphonic
double stopping
ff sfz

27
Q

Are polymetry and changing time sigs the same

A

no
polymetry is different time signatures simultaneously

28
Q

H

A

Lord Mayo’s Delight
3 parts
1. unison crotchet canon (la - cel)
mp + molto flautando
2. Lh enters to make 3 part canon + violin interjections
p + dotted rhythm + more frequent time sig change
3. 1 again but with violin in canon
no piano
mp + molto flautando
piano plays final low staccato note

29
Q

C section commonalities

A

“‘Tis the last rose of summer”
Dissonant eerie
irregular + rapidly changing time signatures

30
Q

C indicators

A

C1 (sudden change from 3 part strings to crazy piano)
C2 (2 part low melody on la + cel)
C3 (4times + with noticeable changes between each)
C4 (solo piano)
C5 (no piano + crotchet canon)
C6 (short + no piano + quaver canon + low pitch)
C7 (descending chromatic passage)
C8 (Concides with F + polymetry)
C9 (shortest + 2 octaves between instruments + no piano)

31
Q

B indicators

A

B1 (played 3 times + clear changes)
B2 (played 5 times + clear changes + double stops)
B3 (played by la + cel with other instruments playing D2)

32
Q

D indicators

A

D1 (short + alarming rhythm
D2 (played by piano + lin with other instruments playing B3)
D3 (with E2)