Essays Flashcards

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1
Q

Belfast Harp Festival

A

1792-Prevent decline of harping. Eleven harpers from age 15 to 97. Edward Bunting was commissioned by the Belfast Harp Society to record their lifestyles and their music for future generations

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2
Q

Harpers

A

Modern artists are Máire Ní Chathasaigh and Laoise Kelly. Denis Hempson was the oldest player at BHF

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3
Q

Types of harps

A
  1. Bardic: 29 to 31 wire strings. Played with nails. 70cm. More resonant.
  2. Neo-Irish: 34 nylon strings. Played with pads of fingers. Around 20cm taller. Less resonant.
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4
Q

History of Harp

A

flourished from medieval times until the 17th century. Hired by wealthy patrons and would write solo pieces(planxties) in their honour. Passed on from father to son. Went into the decline after 1600 as great families went into decline. Harpers became nomadic travelling from county to county for food and money.

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5
Q

Mícheál Ó Shuilleabháin

A

born 1950.
Piano player and combines traditional with classical and jazz in his arrangements of dance tunes, airs and harp tunes.
Plays trad tunes on piano and improvises them in jazz style

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6
Q

Idir eatarthu

A

album. means between worlds. Classical orchestra with harp, fiddle, piano, flute harpsichord, bodhrán and saxophone. Piano plays chords and improvises which leads into a reel

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7
Q

Crispy

A

track. Features of modern art music. Changing time signatures. Two motifs repeated that are taken from irish tunes. Trad instruments with piano and strings

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8
Q

Mícheál Ó Shuilleabháin other works

A

“Oilean/Island” features Irish Chamber Choir and traditional flute. Composed “Lumen” for 1995 Eurovision interval for voices orchestra and trad instruments.

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9
Q

Irish song types

A

both in Irish and English. Sean-nós. Anglo Irish songs. Macaronic songs. Laments. Drinking songs. Working songs. Lullabies. Love songs. Patriotic songs. Humorous songs

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10
Q

Irish songs in English

A

Usually in a ballad style. Tells a story and written in verses of either 4 or 8 lines. Same music for each verse. Words come from political and social life.

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11
Q

Ballad songs and performers

A

“The Foggy Dew” “The Croppy Boy” “Finnegan’s Wake” “The Fields of Athenry” “The Sash My Father Wore” groups are The Wolfe Tones. The Clancey Brothers. Tommy Makem. Paddy Reilly. Christy Moore.

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12
Q

Patriotic songs

A

about national pride

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13
Q

Aisling

A

about a beautiful woman representing Ireland in a dream such as “An Droimeann Donn Dílis”

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14
Q

Famine Songs

A

describe abuse Irish suffered

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15
Q

Rebel songs

A

encourage people to fight for Ireland such as “Four Green Fields”

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16
Q

Sean-nós

A

passed down through generations. No dynamics. Atonal. Free rhythm. Traditionally in Irish language and solo unaccompanied performance with ornamentation in both rhythm and melody and glissando.

17
Q

Three main regional styles of sean-nós

A

Donegal Connemara and Munster

18
Q

Sean-nòs singers

A

Lillis Ó Laoire.
Séamus Begley.
Rósín Elsafty.
iarla Ó Lionáird.

19
Q

Sean-nós songs

A

“Úna Bhán” “Anach Cuain” “An Raibh tú ar an gCarraig?”

20
Q

Drinking songs

A

lively celebratory songs sung at social events with lively rhythm. “Whiskey in the Jar” “Wild Rover”

21
Q

Céilí Band

A

relatively new phenomenon. Gained popularity in the first half of the 20th century playing solely for Irish dancing. Must be loud enough to be heard by everyone in a large hall over noise from dancing.

22
Q

Céilí band consists of

A

10 players could include accordion, concertina, harmonica, uilleann pipes, banjo, fiddle, mandolin, flute, tin whistle, drums and piano. Play in unison.

23
Q

Spread of céilí bands

A

as they spread throughout Ireland England and USA any melodic instruments were used in the bands.

24
Q

Positioning of céilí band

A

important for balance. Fiddles and flutes in front. Accordion and concertina further back. Drums and piano are always furthest from dancers

25
Q

First céilí

A

means gathering of people. Organised in 1897 in London by the Gaelic League. Long row of dancers facing each other which continues today. Included music for jigs quadrile sets and waltzes.

26
Q

Ballinakill Céilí

A

set up in 1927 by Fr Tom Larkin because the clergy wished to get rid of Jazz.
Had unexpected success with 1930 recording of The Pipe on the Hob, the Queen of the Rushes, The Old Bush Reel and The Copperplate Reel.
By 1942 were Very influential with international fame and active till the 60s.

27
Q

Kileforna Céilí band

A

Formed in 1910 in Clare and still active today. Recorded “The Fabulous Kileforna Céilí Band” and “The Kileforna Céilí Band”. Won “All-Ireland Fleadh Cheoil” three times in a from 1954 to 1956. In the 60s they played regularly to large crowds in England at halls in Manchester Birmingham and London.

28
Q

Seán Ó Riada and Céilí Bands

A

In 1960 he criticised them for their lack of individual expression. despite the critics and competition céilí bands are still busy today