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6 NC-M7-FLMANUAL > FL Manual 18 EQ2/Reverb/Peak/phaser > Flashcards

FL Manual 18 EQ2/Reverb/Peak/phaser Flashcards

1
Q

FL STUDIO - Fruity Notebook
What is Fruity Notebook?

A
  • Fruity NoteBook is a 100-page notepad, useful for song information, story, lyrics or personal notes, it supports Rich Text Format (RTF) data.
  • -If you would like to use HTML, Fruity HTML NoteBook.
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2
Q

FL STUDIO - Fruity Notebook
Change pages

A

-The page number selector (showing 1 in the bottom of the picture, left) is automatable, so you can synchronize the pages with a song.

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3
Q

FL STUDIO - Fruity Notebook 2
What is Fruity Notebook 2?

A
  • Fruity NoteBook 2 is a 100-page notepad, useful for song information, story, lyrics or personal notes.
  • -If you would like to use RTF (Rich Text Format) try Fruity Notebook or HTML use Fruity HTML NoteBook.
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4
Q

FL STUDIO - Fruity PanOMatic
What is Fruity PanOMatic?

A
  • Fruity PanOMatic is a panning and volume plugin, especially useful for automation of panning and level.
  • -The plugin includes a handy volume/pan grid (drag the cross with your mouse) and an adjustable LFO unit.
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5
Q

FL STUDIO - Fruity PanOMatic - Controls
Pan

A

-Left/Right panning of the output.

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6
Q

FL STUDIO - Fruity PanOMatic - Controls
Volume (VOL)

A

-Output level.

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7
Q

FL STUDIO - Fruity PanOMatic - Controls
Shape of the Low Frequency Oscillator waveform that automates panning or volume as set. The shape, choose from:

A
  • Sine - Smooth variation with a soft change in direction/volume.
  • -Triangle - Linear variation with an instant change in direction/volume.
  • –Square - Alternates between minimum and maximum values.
  • —OFF - Disable LFO.
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8
Q

FL STUDIO - Fruity PanOMatic - Controls
Pan

A

-Modulate the Pan with the LFO waveform.

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9
Q

FL STUDIO - Fruity PanOMatic - Controls
Volume (VOL)

A

-Modulate the volume with the LFO waveform.

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10
Q

FL STUDIO - Fruity PanOMatic - Controls
Amount (AMT)

A

-Amount of LFO to modulation destination.

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11
Q

FL STUDIO - Fruity PanOMatic - Controls
Speed (SPD)

A
  • Speed of LFO.
  • -Turn to the left to speed up the LFO, turn to the right to slow down the LFO.
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12
Q

FL STUDIO - Fruity Parametric EQ
What is Fruity Parametric EQ?

A
  • Fruity Parametric EQ is a CPU friendly 7 band parametric equalizer plugin.
  • -Each band can act as high shelf, low shelf, peaking, band pass, notch, high pass or low pass filter.
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13
Q

FL STUDIO - Fruity Parametric EQ 2
What is Fruity Parametric EQ 2?

A

-Fruity Parametric EQ 2 is an advanced 7-Band parametric equalizer plugin with spectral analysis.

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14
Q

FL STUDIO - Fruity Parametric EQ 2
What EQ in FL studio has the most precision?

A
  • The off-line Equalize Tool in Edison provides the greatest precision of all the EQ plugins.
  • -You are essentially printing the dynamic EQ in the place where you want.
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15
Q

FL STUDIO - Fruity Parametric EQ 2 - Parameters
Band Type & Filter Slope Selectors

A

-Note that the upper section shows different shapes (Band Type) with dots below each shape (Filter Slope).

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16
Q

FL STUDIO - Fruity Parametric EQ 2 - Parameters
How to change band type?

A
  • Left-click and drag up/down to change the filter type between OFF and:
  • -Low Pass - Filters high frequencies starting around the cutoff.
  • –Band Pass - Allows a narrow band to pass either side of the cutoff.
  • —High Pass - Filters low frequencies starting at the cutoff.
  • —-Notch - Cuts frequencies around the cutoff
  • —–Low Shelf - Similar to a bass EQ.
  • ——Peaking - The default, affects only frequencies around the cutoff.
  • ——-High Shelf - Like a treble EQ.
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17
Q

FL STUDIO - Fruity Parametric EQ 2 - Parameters
How to change Filter Slope?

A
  • Left-click and drag up/down on the dot/s below each band shape to select filter slope:
  • -Drag Down - Steep 4 (-24 dB/Oct), Steep 6 (-36 dB/Oct)& Steep 8 (-48 dB/Oct).
  • –Center - 2 (-12 dB/Oct).
  • —Drag Up - Gentle 4 (-24 dB/Oct), Gentle 6 (-36 dB/Oct) & Gentle 8 (-48 dB/Oct).
  • —-Steep and Gentle filters have the same slope but differ around the cutoff frequency. Gentle filters have a more gradual acceleration into the main slope, and so filter more leading into the cutoff frequency compared to the Steep type. Gentle varies between -6 dB (Gentle 4) and -12 dB (Gentle 8) at the cutoff while Steep is always around -3 dB at the cutoff.
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18
Q

FL STUDIO - Fruity Parametric EQ 2 - Parameters
NOTE: The Band Tokens can also be Right-clicked to show menus for Filter Type, Order (slope type) and Key (note frequencies).

A
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19
Q

FL STUDIO - Fruity Parametric EQ 2 - Parameters
EQ Sliders

A
  • Adjust the equalization level by sliding up/down.
  • -The Band Tokens can also be directly clicked & dragged.
  • –Note that Low Pass, Band Pass, High Pass and Notch filters don’t use this parameter (so the slider is disabled).
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20
Q

FL STUDIO - Fruity Parametric EQ 2 - Parameters
FREQ / BW

A

-Controls the center frequency and bandwidth of the EQ Band.

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21
Q

FL STUDIO - Fruity Parametric EQ 2 - Parameters
Band Token

A
  • Most Band EQ manipulations can be made by clicking on a Band Token and dragging with the mouse.
  • -Mouse wheel controls band-width.
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22
Q

FL STUDIO - Fruity Parametric EQ 2 - Parameters
Bandwidth Changing

A
  • Several methods.
  • -1. Shift+Click and move mouse left/right on Band
  • –2. Click the mouse-wheel and do the same
  • —3. Scroll the mouse-wheel while hovering over the token.
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23
Q

FL STUDIO - Fruity Parametric EQ 2 - Parameters
Reset Band

A

-Alt+Click a Band to reset a Band.

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24
Q

FL STUDIO - Fruity Parametric EQ 2 - Parameters
Fine Adjustment

A

Ctrl+Click a Band to make fine adjustments (same for all knobs and sliders).

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25
Q

FL STUDIO - Fruity Parametric EQ 2 - Parameters
Main Level

A

-Left-click outside the Bands to adjust the main level control (the cursor will change from pointer to a cross).

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26
Q

FL STUDIO - Fruity Parametric EQ 2 - Parameters
Filter Type, Order & Key

A

-Right-click on the token to open a menu of Type (Low Pass, Band Pass, High Pass, Band Cut, Low Shelf, Peaking and High Shelf), Order / (slope = 12 to 48 dB/Octave) and Key that center the frequency band of the Token to the fundamental frequency of the selected note.

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27
Q

FL STUDIO - Fruity Parametric EQ 2 - Options and Settings
Lock spare state

A

-Prevents the comparison temporary save state from being overwritten.

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28
Q

FL STUDIO - Fruity Parametric EQ 2 - Options and Settings
High precision monitor

A

-Increases the resolution of the background frequency spectrum monitoring at the expense of display latency (plugin audio latency remains unaffected).

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29
Q

FL STUDIO - Fruity Parametric EQ 2 - Options and Settings
Legacy monitor

A
  • Switches to the frequency-spectrograph algorithm used prior to FL Studio 12.
  • -The ‘legacy’ algorithm tends to blur the lowest frequency bands, but has the advantage it can be easier to identify the center frequency of these low frequency bands.
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30
Q

FL STUDIO - Fruity Parametric EQ 2 - Options and Settings
About

A

-Shows version details and credits.

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31
Q

FL STUDIO - Fruity Parametric EQ 2 - Options and Settings
HQ

A
  • Uses oversampling to improve audio quality, particularly in the region above 15 kHz.
  • -NOTE: HQ mode increases CPU load and the resampling associated with this process will cause inter-sample peaks, increasing the output peak levels.
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32
Q

FL STUDIO - Fruity Parametric EQ 2 - Options and Settings
View Band tokens

A

-Turns the tokens ON/OFF.

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33
Q

FL STUDIO - Fruity Parametric EQ 2 - Options and Settings
Monitor

A

-Turns the spectral monitoring ON/OFF or shows the spectrum of the plugin output.

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34
Q

FL STUDIO - Fruity Parametric EQ 2 - Options and Settings
Compare

A
  • Click the first down-arrow to save the current EQ settings to a spare bank.
  • -Click the up/down arrow control to swap between the saved bank and the main bank.
  • –Tweaking any parameter in the spare bank will cause it to become the main bank again.
  • —Use this to compare EQ settings. Note that the comparison bank is saved along with the main bank, so keep this in mind if you are creating presets.
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35
Q

FL STUDIO - Fruity Parametric EQ 2 - Options and Settings
Notes
Disabled Bands

A

-When the filter type is set to ‘off’, peaking/shelf Bands that are not amplified will not use CPU resources.

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36
Q

FL STUDIO - Fruity Peak Controller
What is Fruity Peak Controller?

A
  • Fruity Peak Controller one of many internal controllers and it is used to automate targets in response to the volume envelope of an input sound AND OR its own intenal LFO generator.
  • -A typical use of the Peak Controller is to create ‘Sidechain compression’ style effects by putting Peak Controller on the kick track and use the automation signal to control (duck) the volume of other Mixer tracks
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37
Q

FL STUDIO - Fruity Peak Controller
Envelope colors:
Orange envelope -
Green envelope -
White envelope - .

A
  • Orange envelope - Peak automation.
  • -Green envelope - LFO automation.
  • –White envelope - Peak + LFO automation.
  • —-NOTES: 1. Hold the Vol click and hold Peak or LFO controls to see their envelopes in isolation. 2. Fruity Peak Controller will only use input signals above -50 dB.
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38
Q

FL STUDIO - Fruity Peak Controller - Setup
How to set up?

A
  • Load the Peak Controller on the Mixer Track that has the audio signal to control the target parameter.
  • -To hear the control audio, disable the MUTE switch on the lower-right corner of the Peak Controller plugin.
  • –Peak Controller will appear as an ‘Internal controller’ link option in the ‘Link to controller > Link assignment’ Right-click link dialog.
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39
Q

FL STUDIO - Fruity Peak Controller - Setup
Link assignment options
Peak Ctrl - Peak+LFO

A

-The combination (sum) of the above two automation signals.

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40
Q

FL STUDIO - Fruity Peak Controller - Setup
Link assignment options
Peak Ctrl - Peak

A
  • The peak control only.
  • -Automation comes from the plugins volume peaks of the input audio signal.
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41
Q

FL STUDIO - Fruity Peak Controller - Setup
Link assignment options
Peak Ctrl - LFO

A

-The LFO controller only

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42
Q

FL STUDIO - Fruity Peak Controller - Parameters
Pay attention to the ____ switch that is on by default and prevents input audio passing through the plugin.

A

-Mute

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43
Q

FL STUDIO - Fruity Peak Controller
Peak Controls, Audio input peaks
Base

A

-Base, or lowest value (offset), of the control output.

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44
Q

FL STUDIO - Fruity Peak Controller
Peak Controls, Audio input peaks
Volume (VOL)

A
  • Maximum value of the control output.
  • -The control is bi-polar with values from -200% (maximum to left) to 200% (maximum right).
  • –When using positive values a higher volume means higher Peak Control output values.
  • —Negative volumes result in a ‘ducking’ effect where the Peak Controller output is negative and dips with each input peak.
  • —-You will need to set this in conjunction with the Base level to create ‘sidechain pumping’ effects.
  • —–Turn up the Base and then turn the Volume to negative.
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45
Q

FL STUDIO - Fruity Peak Controller
Peak Controls, Audio input peaks
Tension

A
  • The shape of the attack and release curve (the controls graphic shows the effect).
  • -NOTE: As the attack of most sounds is very short you won’t see or hear an effect of this parameter.
  • –It will be most useful on the decay side of the envelope.
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46
Q

FL STUDIO - Fruity Peak Controller
Peak Controls, Audio input peaks
Decay

A

-Time taken to decay to the ‘Base’ level.

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47
Q

FL STUDIO - Fruity Peak Controllers
Low Frequency Oscillator (LFO) Controls

A

The LFO runs independently of the audio input.

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48
Q

FL STUDIO - Fruity Peak Controllers
Low Frequency Oscillator (LFO) Controls
Base

A

-Base, or lowest value the LFO will output.

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49
Q

FL STUDIO - Fruity Peak Controllers
Low Frequency Oscillator (LFO) Controls
Volume (VOL)

A
  • Maximum value of the LFO output.
  • -The control is bi-polar with values from -100% (maximum to left) to 100% (maximum to right).
  • –Use in conjunction with the Base value.
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50
Q

FL STUDIO - Fruity Peak Controllers
Low Frequency Oscillator (LFO) Controls
Tension

A
  • Drag up and down to alter the shape of the curve used to map the LFO values to LFO controller values.
  • -You can think of tension as a multiplier for the output.
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51
Q

FL STUDIO - Fruity Peak Controllers
Low Frequency Oscillator (LFO) Controls
Shape

A
  • Select the shape of the LFO waveform.
  • -Choose from sine, triangle, square, saw and random values (dice icon).
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52
Q

FL STUDIO - Fruity Peak Controllers
Low Frequency Oscillator (LFO) Controls
Speed

A
  • LFO speed.
  • -Turn to left to speed up the LFO.
  • –Turn to right to slow down.
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53
Q

FL STUDIO - Fruity Peak Controllers
Low Frequency Oscillator (LFO) Controls
Phase

A
  • This sets the phase offset for the LFO.
  • -This effectively controls the start-position.
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54
Q

FL STUDIO - Fruity Peak Controllers
Additional Options
Ramp switch

A
  • Prevents abrupt changes in output values.
  • -Use this if the parameters you link to clicks and pops when changed too quickly
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55
Q

FL STUDIO - Fruity Peak Controllers
Additional Options
Mute switch

A
  • OFF the signal passes through the Fruity Peak Controller plugin.
  • -ON the output of the plugin is muted.
  • –For example, mute the output if you want to create a ‘sidechain pumping’ effect without the kick audio being heard.
56
Q

FL STUDIO - Fruity Phase Inverter
What is Fruity Phase Inverter?

A
  • Fruity Phase Inverter inverts the phase of either the left or right channel.
  • -NOTE: Be careful as L/R phase inverted channels will cancel each other if the output is converted to mono.
57
Q

FL STUDIO - Fruity Phaser
What is Fruity Phaser?

A
  • Fruity Phaser is a low-CPU phaser plugin.
  • -Phasing is closely related to Flanging.
  • –Various frequencies in the original signal are delayed by different amounts, causing peaks and troughs in the output signal which are not spaced evenly.
  • —Phasing and flanging sound similar, as both come from combining delayed versions of the signal with the original.
  • —-However, the Phasing effect is significantly more intense, with a greater ‘sweeping’ effect across the spectrum.
58
Q

FL STUDIO - Fruity Phaser - Parameters
Sweep Frequency

A
  • Sets the frequency of the LFO which controls the phaser.
  • -The range of this parameter depends on the Frequency Range parameter.
  • –If the value for that parameter is large, Sweep Frequency will change the frequency between 0 and 10Hz.
  • —If the range is small, it will change the frequency between 0 and 2Hz.
59
Q

FL STUDIO - Fruity Phaser - Parameters
Min and Max Depth

A
  • Control the range of the phaser action.
  • -The phaser will be swept between these values.
60
Q

FL STUDIO - Fruity Phaser - Parameters
Frequency range

A

-Sets the frequency range using for the Sweep Frequency parameter.

61
Q

FL STUDIO - Fruity Phaser - Parameters
Stereo

A
  • Use this control to widen the stereo image.
  • -If it’s set to 0, the LFO on the left and right channel will be in perfect synchronization.
  • –At 180 degrees the left and right channel will be 100% out of phase.
  • —This means that the left channel will reach its maximum when the right channel is at minimum.
  • —-Range: 0 to 360 degrees.
  • —–Try setting 10 degrees for subtle stereo enhancement.
62
Q

FL STUDIO - Fruity Phaser - Parameters
Stages

A
  • Stages controls the number of phasing stages.
  • -Old stompbox phasers usually have 4 or 6 stages, but this digital equivalent can have up to 23 stages.
  • –As the number of stages rises, the effect becomes more aggressive and more pronounced.
63
Q

FL STUDIO - Fruity Phaser - Parameters
Feedback

A

-Determines how much of the signal is sent back into the phaser.

64
Q

FL STUDIO - Fruity Phaser - Parameters
Dry-Wet

A

-Sets the mixture of processed and non-processed sound.

65
Q

FL STUDIO - Fruity Phaser - Parameters
Out-Gain

A
  • Sets the additional gain for the signal at the output of the effect.
  • -Use this parameter to boost silent signals.
66
Q

FL STUDIO - Pitcher
What is Pitcher?

A
  • Pitcher is a real-time pitch-correction, manipulation & harmonization plugin that can correct and harmonize under MIDI control from a keyboard or the Piano roll.
  • -A related plugin for detailed pitch correction, editing and sample manipulation is Newtone.
67
Q

FL STUDIO - Pitcher
Suggestions for using Pitcher
To get the best sound from Pitcher:

A
  • Avoid singing pitches on the boundary between notes in the scale.
  • -Use the Input Pitch detection indicator as a guide.
  • –Avoid excessive vibrato.
  • —Pitcher works with monophonic (single note) sounds.
  • —-It won’t work with choirs, chords or complete mixes although abusing it this way may yield creative effects.
  • —–Select the appropriate scale for your vocal.
  • ——If you don’t know what key your vocals are in, watch the pitch indicator and deselect notes that are detected but unwanted.
  • Put Pitcher first in the effects chain so that it receives a non-effected input. Phasing, chorus and reverb can negatively impact pitch detection.
  • -When using MIDI control, align (or play) notes slightly ahead of the vocal so you don’t miss the vocal attack sound.
68
Q

FL STUDIO - Pitcher
Suggestions for using Pitcher
If you don’t know what key your vocals are in, do what?

A

-Watch the pitch indicator and deselect notes that are detected but unwanted.

69
Q 
FL STUDIO - Pitcher - Options
Pitch reference (REF)
A
  • Select the input channel, L, R or Independent, used for pitching.
  • -Independent tunes the L and R channels independently.
70
Q 
FL STUDIO - Pitcher - Options
Minimum Frequency (Min:)
A
  • Select the minimum detected frequency in the input.
  • -There are two benefits to selecting the highest Minimum frequency that works with your source audio.
  • –1. Avoids spurious low frequencies interfering with pitch detection (e.g. rumble & vibrations, breath pops, background noise etc). Particularly useful with vocals, try 80-170 Hz with males and 170-220 Hz with females.
  • —2. Reduces CPU load as frequency detectors below the Min setting are disabled.
71
Q

FL STUDIO - Pitcher - Options
Automated pitch correction

A

-There are a group of 4 controls that affect the output pitch

72
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Scale

A

-Select Major or Minor scale.

73
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Key

A

-Pitches that fall on notes not included in the scale will be shifted to the nearest note in the scale.

74
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
A3 (Hz) Tuning.

A

-You can adjust the frequency of A3 (440 Hz) to other reference scales.

75
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Notes (C to B)

A
  • When selected the note is available for pitching input audio.
  • -When deselected the note is avoided and the input is pitched to the nearest active note.
  • –You can manually override any Scale setting by turning these notes on and off.
76
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Enable/Bypass

A

-Enable/Disable Pitcher.

77
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Bypass

A

-Input pitches falling in the capture zone for the note will pass un-corrected.

78
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Correction Speed

A
  • Fast settings sound more artificial and slower settings more natural.
  • -Slower settings are particularly useful when the vocal contains legato or glissando style singing.
79
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Voice Panning

A
  • Pan position for each of the 4 voices.
  • -When playing a chord, the highest note is assigned to the top slider and lower notes to the sliders below based on the number of notes in the chord.
80
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Stereo Spread

A
  • Panning multiplier.
  • -Single control to adjust the spread of the voice panning set above.
81
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Replace / Mix

A
  • In ‘Replace’ mode the harmonized audio replaces the incoming audio.
  • -In ‘Mix’ mode the incoming signal is mixed with the harmonized audio.
82
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Vel

A
  • When selected the MIDI velocity will affect harmonized voice volume.
  • -NOTE: Octaves must be deselected for this feature to work.
83
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Gender

A

-Formant override control.

84
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Formant

A
  • Formant preservation.
  • -A formant is a resonance or peak in the frequency spectrum of a sound.
  • –It’s most commonly used to describe the throat, mouth and nasal cavity resonances in the human voice.
  • —As the resonance is related to the size and shape of these cavities, formants are a major aural cue to the age and sex of a speaker.
  • —-The Formant option maintains a constant formant as the pitch is varied from the original (particularly useful in MIDI mode).
  • —–When it’s off, you will hear the common ‘I’ve been sucking on helium’ vocal sound with pitch-shifts of more than a few notes.
85
Q

FL STUDIO - Pitcher - Options
Automated pitch correction
Fine tune

A

-Adjust the output tuning of the plugin +/- 100 cents (1 semitone).

86
Q

FL STUDIO - Pitcher - Options
Scaling Mode Switches
Automatic

A
  • All switches off.
  • -Pitches are rescaled to the active notes automatically.
87
Q

FL STUDIO - Pitcher - Options
Scaling Mode Switches
MIDI

A

-MIDI notes will scale the incoming audio to the note in the detected octave.

88
Q

FL STUDIO - Pitcher - Options
Scaling Mode Switches
Octaves

A

-MIDI notes will scale the incoming audio to the note AND octave played.

89
Q

FL STUDIO - Pitcher - Options
Scaling Mode Switches
Harmonize

A

-Up to 4 MIDI notes can independently scale the incoming audio to the note(s) AND octave(s) played.

90
Q

FL STUDIO - Pitcher - Options
MIDI Mode / Harmonizing

A
  • MIDI Mode allows you to play the ‘corrected’ pitch from a MIDI keyboard or from the Piano Roll.
  • -Perfect for live improvisation or to use manual pitch correction and/or harmonizing (play chords).
91
Q

FL STUDIO - Pitcher - Options
MIDI Mode / Harmonizing Setup
How to set up?

A
  • Select MIDI mode - Click the MIDI switch on Pitcher. When selected the Port display (as shown above) will appear at the bottom left on the plugin window.
  • -MIDI Out - Load the MIDI Out generator on a channel and set the Port number (0 to 255) by dragging up/down in the Port window. This number is used to link the MIDI Out plugin to Pitcher.
  • –Match Port numbers - Set the Port Number on Pitcher (drag up/down where it shows ‘1’ above. When no port is set this shows ‘…’ ) to match the Port Number on MIDI Out. This links the two plugins so the MIDI Out Channel will control Pitcher’s harmonization or pitch.
  • —Set other MIDI modes - Select Octaves & Harmonize (down position) if you want to play chords.
  • —-Formant - Turn the Formant switch ON (illuminated) if desired. Vocals will sound more natural with formant correction.
  • —–Play - Play notes on your keyboard while singing or routing audio to Pitcher’s Mixer Track (and be amazed that you are milliseconds away from fame and stardom!).
92
Q

FL STUDIO - Razer Chroma
What is Razer Chroma?

A

-Razer Chroma is a visualization effect to control Razer Chroma enabled hardware including: laptops, keyboards, mice, mouse pads and headsets from FL Studio

93
Q

FL STUDIO - Fruity Reeverb
What is Fruity Reeverb?

A

Fruity Reeverb, short for reverberation, simulates acoustic spaces.

94
Q

FL STUDIO - Fruity Reeverb - Parameters
Low Cut

A
  • Adjusts the low cutoff frequency.
  • -Use this parameter to remove low frequencies from the input signal before reverb is added.
  • –For example, when adding reverb to a drum track, you might want to remove some of the ‘rumble’ from the bass drum by attenuating the bass frequencies.
  • —Setting this parameter to the minimum value will bypass the Low Cut filter, displaying OFF in the value field.
95
Q

FL STUDIO - Fruity Reeverb - Parameters
High Cut

A
  • Similar to Low Cut.
  • -Adjusts the high cutoff frequency.
  • –Use to remove high frequencies from the input signal.
96
Q

FL STUDIO - Fruity Reeverb - Parameters
Predelay

A
  • Controls the delay time between the direct input signal and the first reverb reflection.
  • -Set to lower values for small rooms, and increase relative to the room size.
  • –Predelay creates a slap-back echo effect that can add atmosphere and muffle the signal, so use it wisely.
97
Q

FL STUDIO - Fruity Reeverb - Parameters
Room Size

A
  • Sets the size of the virtual room where the reverb is created.
  • -Adjust according to decay time.
  • –The Room Size should be adjusted according to the decay time.
  • —Small rooms sound best with a shorter decay times, while large rooms are suited to longer decay times.
98
Q

FL STUDIO - Fruity Reeverb - Parameters
Diffusion

A
  • Controls the density of the reflections bouncing off the walls of the virtual room.
  • -A low diffusion setting makes the reflections sound more distinct, like closely spaced echoes.
  • –A high diffusion setting creates reflections so close they sound more like noise, in which echoes are indistinguishable.
99
Q

FL STUDIO - Fruity Reeverb - Parameters
Color

A
  • Use to adjust the decay time of the bass frequencies of the signal.
  • -Five settings are available: Brighter, Bright, Flat, Warm and Warmer.
  • –This parameter allows you to change the overall perceived mood, or ‘sound’ of the virtual room.
  • —A bright room has a low bass response, while a warm room has a high bass response.
  • —-In a flat room, the response of the bass is equal to the general frequency response.
100
Q

FL STUDIO - Fruity Reeverb - Parameters
Decay

A
  • Controls the decay time of the reverb, i.e. the time it takes for the signal to decay to -60dB (1/1000 of the maximum amplitude).
  • -Use low decay times for small rooms or boxes, and long decay times for large rooms, halls or churches.
  • –You should also make sure that the Room Size parameter has an appropriate value.
101
Q

FL STUDIO - Fruity Reeverb - Parameters
High Damping

A
  • Allows you to adjust damping of the high frequencies in the reverb signal over time.
  • -Damping refers to the high frequencies being attenuated and dying out.
  • –This causes the sound to become gradually warmer and more muffled, as if it is being absorbed in the room.
  • —Setting this parameter to the maximum value will bypass the High Damping, displaying OFF in the value field.
102
Q

FL STUDIO - Fruity Reeverb - Parameters
Dry

A

-Sets the relative dry output level.

103
Q

FL STUDIO - Fruity Reeverb - Parameters
Reverb

A

-Sets the relative reverb (wet) signal level.

104
Q

FL STUDIO - Fruity Reeverb 2
What is Fruity Reeverb 2?

A
  • Fruity Reeverb 2 simulates acoustic spaces.
  • -Fruity Reeverb 2 can create lush and smooth reverberations of up to 20 seconds duration and is the most sophisticated reverb in the FL Studio stable.
  • –Alternatives to Fruity Reeverb 2 are Fruity Reeverb and Fruity Convolver.
105
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
MID / SIDE

A
  • Process the Mid or Side components of the input signal. The default is MID processing, summed mono (Left+Right).
  • -The input must have stereo information before SIDE processing will have any effect.
  • –Processing in SIDE mode can be useful when you are processing a complete mix, giving a sense of space and reverberation without washing out the details, as reverb tends to do in this situation.
  • —Side reverberation processing affects the sound in the L/R stereo field while instruments panned close to center will remain unaffected.
  • —-See Fruity Stereo Shaper for more details on Mid vs Side signals.
106
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
H.CUT (High Cut)

A
  • Changes the high cut-off frequency.
  • -Use this to remove high frequencies from the reverb, or to make the room sound duller.
107
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
L.CUT (Low Cut)

A
  • Adjusts the low cut-off frequency.
  • -Use this to remove low frequencies from the reverberations.
  • –For example, if you are adding reverb to a drum track, using the L.Cut parameter will reduce the ‘rumble’ and muddiness from the bass drum by attenuating the bass frequencies before being passed to the reverb engine.
108
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
DELAY (Predelay)

A
  • Controls the delay time between the direct input signal and the first reverb reflection.
  • -There is a TEMPO switch that selects ‘tempo based’ predelay.
  • –Predelay should be set to modest values for small rooms, and can be increased to suit room size.
  • —Predelay creates a slap-back echo effect that can add atmosphere and muffle the signal, so use it wisely.
109
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
SIZE (Room Size)

A
  • Use this knob to set the size of the virtual room being simulated (the display will give you feedback).
  • -For realistic effects, the Room Size should be adjusted according to the decay time.
  • –Small rooms sound better with a short decay time, large rooms sound better with longer reverb times.
110
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
DIFF (Diffusion)

A
  • Controls the density of the reflections bouncing off the walls of the virtual room.
  • -A low diffusion setting makes the reflections sound more distinct and sparse, like closely spaced echoes.
  • –A high diffusion setting creates a dense series of reflections, so close they sound more like a constant decaying noise.
111
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
MOD (Modulation)

A
  • Modulates the reverb time, to break up ‘metallic’ ringing sounds associated with artfical reverb.
  • -Small values make the reverb sound smoother and more natural.
  • –Extreme modulation values can add a detuned sound to the reverb.
112
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
SPEED (MOD Speed)

A

-Speed of the sine-wave modulation of the reverb-time.

113
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
BASS (Bass Multiplier)

A
  • Adjusts the decay time of the bass frequencies in the reverberations.
  • -The bass level has affects the overall ‘mood’ or sound of the virtual room.
  • –A bright room has less bass response, while warm rooms have a more bass response.
114
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
CROSS (Bass Crossover)

A

-Determines the point below which bass frequencies will be boosted by the Bass knob.

115
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
DEC (Decay)

A
  • Controls the decay time of the reverb, this is the time it takes for the signal to decay to -60dB (1/1000 of the maximum amplitude).
  • -Use low decay times for small rooms (good for fattening drum sounds), and long decay times for large rooms (halls or church-effects).
116
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
DAMP (High Damping)

A
  • Adjusts damping of the high frequencies in the reverb signal.
  • -Damping refers to the rate at which the high frequencies decay.
  • –This effect causes the sound to become gradually muffled and warmer.
  • —Bypass: Setting this parameter to the maximum value will bypass the High Damping, displaying OFF in the value field.
117
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
DRY (Dry Level)

A
  • Sets the relative level of the (dry) input signal passed to the outputs.
  • -When using Reeverb 2 in a Send mixer track this should be set to 0% (minimum).
118
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
ER (Early Reflection)

A

-Sets the relative level of the first reflections in the reverb.

119
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
WET (Wet Level)

A
  • Sets the relative level of the reverberant (wet) signal.
  • -When using Reeverb 2 in a Send Channel this should be set to 100% (maximum).
120
Q

FL STUDIO - Fruity Reeverb 2 - Parameters
SEP (Stereo Separation)

A
  • Adjusts the stereo separation of the wet reverb signal.
  • -Any dry signal bypassing the reverb is left unaltered.
121
Q

FL STUDIO - Fruity Scratcher
What is Fruity Scratcher?

A
  • Fruity Scratcher is a vinyl turntable simulator.
  • -You can load any sample that is supported by FL Studio into this plugin to record your performance in real time.
  • –You can also adjust the turntable’s acceleration (mass) to suit your needs.
  • —Two closely related, but more sophisticated plugins are the WaveTraveller instrument and Gross Beat effect. Note, however, that WaveTraveller is a generator rather than an effect and thus needs to be loaded into a Channel.
122
Q

FL STUDIO - Fruity Scratcher - Parameters
Smooth 1/2/3/4

A
  • These four parameters control the ‘gradient’ generation of the turntable simulator.
  • -Adjusting these values may improve the results for certain types of source material.
123
Q

FL STUDIO - Fruity Scratcher - Parameters
Pan

A

-Sets the stereo panning of the audio output.

124
Q

FL STUDIO - Fruity Scratcher - Parameters
Vol

A

-Sets the volume of the output.

125
Q

FL STUDIO - Fruity Scratcher - Parameters
Hold

A
  • Stops the turntable playing.
  • -Switch this on if you are linking the turntable platter to a MIDI Controller.
126
Q

FL STUDIO - Fruity Scratcher - Parameters
Mute

A

-Mutes the sound of the turntable (suitable for automation).

127
Q

FL STUDIO - Fruity Scratcher - Parameters
Turntable Platter

A
  • Left-click and drag up/down to scratch the sample.
  • -Right-click to link.
128
Q

FL STUDIO - Fruity Scratcher - Parameters
Play Backwards

A

-Press to play the sample backwards, when not scratching.

129
Q

FL STUDIO - Fruity Scratcher - Parameters
Pause

A

-Press to pause the turntable, when not scratching.

130
Q

FL STUDIO - Fruity Scratcher - Parameters
Play Forward

A

-Press to play the sample forward, when not scratching.

131
Q

FL STUDIO - Fruity Scratcher - Parameters
Speed (SPD)

A

-Adjusts the playback speed (default: 1x).

132
Q

FL STUDIO - Fruity Scratcher - Parameters
Acceleration (ACC)

A

-Adjusts the motion acceleration of the turntable.

133
Q

FL STUDIO - Fruity Scratcher - Parameters
Sensitivity (SEN)

A
  • Adjusts the turntable’s sensitivity to mouse movement.
  • -The lower the sensitivity, the slower the rotation from the same mouse movement.
134
Q

FL STUDIO - Fruity Scratcher - Parameters
Browse for Sample

A

-Click to select a sample as the source material to be ‘scratched’.

135
Q 
FL STUDIO - Fruity Scratcher - Parameters
UI expand (icon)
A

-Makes Scratcher 2x larger for easier control with touch, stylus or mouse.

136
Q

FL STUDIO - Fruity Scratcher - Parameters
Wave Preview

A
  • Displays a preview of the sample.
  • -You can also scratch the sample using a horizontal version of the turntable display.
137
Q
A

6 NC-M7-FLMANUAL (29 decks)

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