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6 NC-M7-FLMANUAL > FL Manual 17 GrossB/FLovePhilter > Flashcards

FL Manual 17 GrossB/FLovePhilter Flashcards

1
Q

FL STUDIO - Gross Beat
What is Gross Beat?

A
  • Gross Beat is a real-time, audio-stream playback, pitch, position and volume manipulation effect.
  • -Gross Beat stores audio in a 2-bar rolling buffer controlled by 36 time and 36 volume mapping envelopes for easy beat-synced glitch, stutter, repeat, scratching and gating effects.
  • –Alternatives to Gross Beat are Wave Traveller & Fruity Scratcher, however, these work on samples rather than a live audio stream.
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2
Q

FL STUDIO - Gross Beat - Main Options
Click reduction

A
  • Reduces clicks caused by discontinuities in volume between the ‘jump-from’ and ‘jump-to’ locations.
  • -For the best results you may need to apply manual ‘click reduction’.
  • –Briefly ramp the volume down to zero to coincide with the point at which the Time Envelope relocates the playback position.
  • —Step the volume back to normal at or a fraction after the jump.
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3
Q

FL STUDIO - Gross Beat - Main Options
Smoothing attack compensation

A
  • Compensates for the small period of silence at Time Envelope relocation events caused by manually applied volume smoothing envelopes.
  • -Selecting this option will move the Time Envelope forward slightly so that attack transients are not lost when the Volume Envelope ramps down.
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4
Q

FL STUDIO - Gross Beat - Main Options
Remove DC offset

A

-Removes output offsets/biases when playback is stopped (e.g. when the Time Mapping envelope matches the angle of the Safety line).

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5
Q

FL STUDIO - Gross Beat - Main Options
HQ resampling

A

-Adaptive ‘sinc interpolation’ algorithm which improves the audio quality of pitch-shifted audio at the expense of increased CPU load.

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6
Q

FL STUDIO - Gross Beat - Main Options
View scratching clock

A
  • Shows the scratching dial.
  • -To scratch, click on the clock-dial and move your mouse up/down. Right-click to link to external or internal controllers.
  • –NOTE: If the Scratching Clock is hidden and Gross Beat is put into Compact Mode (drag to the left on the right edge of the Mapping Envelope area, until the plugin compacts OR for the VST version use the ‘Resize’ menu option), then a small mapping envelope will display here.
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7
Q

FL STUDIO - Gross Beat
Time Settings

A

These controls relate to the Time/Pitch mapping envelopes:

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8
Q

FL STUDIO - Gross Beat - Time Settings
Time

A
  • Time mapping envelope mix setting.
  • -Range: 0% to 100%.
  • –Use this in preference to external host Wet/Dry mix controls to avoid phasing.
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9
Q 
FL STUDIO - Gross Beat - Time Settings
Time offset (scratching)
A
  • Click the Scratching clock to the right of the Time knob (this is activated from the Options menu if not visible).
  • -Hold and drag your mouse vertically to vary the time offset and manually scratch.
  • –Right-click to link the Clock to internal/external controllers.
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10
Q 
FL STUDIO - Gross Beat - Hold
Hold delay (bar repeat)
A

-Repeats the bar as long as the button is held and the song continues to play.

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11
Q 
FL STUDIO - Gross Beat - Scratching Clock
Time offset (scratching)
A
  • Click the Scratching clock to the right of the Time knob (this is activated from the Options menu if not visible).
  • -Hold and drag your mouse vertically to vary the time offset and manually scratch.
  • –Right-click to link the Clock to internal/external controllers.
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12
Q

FL STUDIO - Gross Beat
Time Slots
Slots 1 to 36

A
  • (green) hold user-definable time mapping envelope presets.
  • -Slots are pre-assigned to MIDI keys and can be switched live from your controller keyboard (starting from Slot 1 = C5) OR slot changes can be automated by Right-clicking any slot and linking to internal or external controllers.
  • –NOTE: Time slots can be linked to the corresponding Volume slot number.
  • —Use the link setting (bottom middle of the mapping area) to create combined Time + Volume presets.
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13
Q

FL STUDIO - Gross Beat
Envelope Mapping Panel
Edit a slot mapping envelope

A

-Select the slot by clicking it with your mouse. Edit the associated mapping envelope in the panel to the right.
–These changes are automatically associated with the selected slot.
—Move a slot - Right-click the slot button and select Move slot left Move slot right from the popup menu OR hold CTRL to swap the selected slot with the next slot clicked.
Rename a slot - Left-click on the slot name in the bottom-left corner of the Mapping area (as shown in the screenshot above) OR click on the slot with the middle-mouse button.

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14
Q

FL STUDIO - Gross Beat
Envelope Mapping Panel
Width vs height

A
  • The mapping panel is 4 beats (1 bar) wide and 8 beats (2 bars) high.
  • -This means it is possible to step back up to 8 beats (2 bars) from the current playback position, as long as the audio buffer is full (i.e. the plugin has received at least 2 bars of audio).
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15
Q

FL STUDIO - Gross Beat
Envelope Mapping Panel
Safety line

A

-The single dark ‘Safety Line’ cuts across the first 4 beats. The Safety Line shows the safe area for mapping envelopes during the first bar of a song. The area above the Safety Line (and behind the position of the Playback Locator) has buffered audio while the area below does not. If the Time mapping envelope goes below the Safety Line before the time-marker reaches that point, silence will be heard (or is that Gross Beat implodes creating an EMP, causing satellites to fall out of the sky? I can’t remember, you will just have to experiment). While it’s not shown, imagine the Safety Line continues down to the end of the second bar.
If you need to start a song with a full audio buffer add two pre-song bars (with audio, of course) and start with a Volume mapping envelope flat-lining line along the bottom of the Mapping Area, so the pre-bars won’t be heard. After two bars have played then any mapping curve is safe. Bear in mind that if you move into a new section of the song, change from verse to chorus for example, the previous two bars will be stored in the buffer and may not match the audio needed for the new section until another two bars have passed.

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16
Q

FL STUDIO - Gross Beat
Envelope Mapping Panel
Reverse guides

A
  • The multiple grey diagonal lines show the slope required to effect a normal speed reverse playback.
  • -Slopes steeper than this line will play fast reverse, shallower will be slow reverse, depending on the angle of the line.
  • –NOTE: You can change the slope in semitone units using the Mapping Options menu (select the right-most point defining a slope and apply the 1 semitone up / down function).
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17
Q

FL STUDIO - Gross Beat
Envelope Mapping Panel
How can you change the slope in semitones?

A

-You can change the slope in semitone units using the Mapping Options menu (select the right-most point defining a slope and apply the 1 semitone up / down function).

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18
Q

FL STUDIO - Gross Beat
Time Mapping Envelopes
Normal speed playback (+100%)

A
  • Horizontal mapping segments play forward at normal speed.
  • -The Hold envelope is useful for creating horizontal segments.
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19
Q

FL STUDIO - Gross Beat
Envelope Mapping Panel
Fast / Slow playback

A
  • Straight sloping mapping segments will change playback speed (pitch).
  • -Slopes upward from left to right play faster (higher pitch), while slopes downward from left to right play slower (lower in pitch).
  • –Use the Single curve envelope mode for straight sloping mapping segments (reset the tension handle to straighten the curve if required).
  • —The slope angle adjusts speed - playback becomes progressively slower with increased downward angle.
  • —-When the slope matches the Safety line angle, playback will pause.
  • —–If the slope angle is steeper than the Safety line angle, playback will reverse, reaching ‘normal speed (pitch)’ reverse playback when the angle matches the Reverse guides.
  • ——A tool in the Mapping Area Options Menu lets you add or subtract slope in semi-tone units (select the right-most point defining a slope and apply the function).
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20
Q

FL STUDIO - Gross Beat
Envelope Mapping Panel
Reverse playback (-100%)

A
  • Match the slope of the Reverse guides for ‘normal speed reverse’ playback.
  • -Slopes steeper than the guides will play fast reverse (see diagram right).
  • –Use the Single curve envelope mode for constant pitch slopes (reset the tension handle to straighten the curve if required).
  • —There us a useful tool in the Mapping Area Options Menu that can add or subtract slope angle in semi-tone units (select the right-most point defining a slope and apply the function).
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21
Q

FL STUDIO - Gross Beat
Envelope Mapping Panel
Jump backward / forward in time

A
  • Step the envelope down to jump backward or up to jump forward.
  • -The number of beats jumped is measured on the vertical axis (left). Use the Hold envelope to create steps.
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22
Q

FL STUDIO - Gross Beat
Envelope Mapping Panel
Rising / Falling pitch & Scratching

A

-Use curved mappings (e.g. Single curve, Double curve, Half sine envelopes and adjust the tension handle).

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23
Q

FL STUDIO - Gross Beat
Envelope Mapping Panel
Pause playback (0%)

A
  • Match the slope of the Safety Line (see diagram right) with a straight Single curve envelope.
  • -This will pause playback for the duration of the slope.
  • –Alternatively, use a stepped envelope mapping with these slopes for tuned/harmonic effects.
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24
Q

FL STUDIO - Gross Beat
Editing Mapping Envelopes
Add control points how?

A
  • Right-click on the mapping area, continue to hold and drag to reposition the point.
  • -Hold ( Shift) while dragging to lock the vertical position, or ( Ctrl) to lock the horizontal position.
  • –Hold ( Alt) to override snapping (if selected).
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25
Q

FL STUDIO - Gross Beat
Editing Mapping Envelopes
Move control points

A
  • Left-click the control point and drag to the desired position (the point will snap to the background grid unless SNAP is off, see below).
  • -Hold ( Shift) while dragging to lock the vertical position, or ( Ctrl) to lock the horizontal position.
  • –Hold ( Alt) to override snapping (if selected).
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26
Q

FL STUDIO - Gross Beat
Editing Mapping Envelopes
Change envelope curve

A
  • Left-click the tension handle (circle that appears on the envelope between control points) and move up/down.
  • -Holding ( Ctrl) will allow fine adjustment.
  • –Right-click the tension handle to reset curve tension.
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27
Q

FL STUDIO - Gross Beat
Editing Mapping Envelopes
Change curve type

A

-There are a number of curve types to select from.
–Right-click the right-most control point of a pair of control points to select
—Single curve - Default mode for creating straight or curved segments (depending on the tension).
—-Double curve - Smooth ‘S’ curves, useful for scratching effects.
—–Alt single curve - Asymmetrical smooth ‘S’ curves, useful for scratching effects.
——Alt double curve - Asymmetrical linear, or accelerating / decelerating curves (depending on the tension).
——-Hold - Single steps between points, useful for creating jumps in position.
———Stairs - Multiple steps between the control points. Left-click on the tension handle and move your mouse up/down to change the step frequency. Useful for glitch / decimation effects. Step size controls the ‘graininess’.
Smooth stairs - Multiple smooth steps between the control points. Left-click on the tension handle and move your mouse up/down to change the step frequency. Useful for changes in pitch and granular effects.
Pulse - Square wave pulse, adjust the frequency with the tension handle.
Wave - Sine wave pulse, adjust the frequency with the tension handle.
Half sine - One half of a sine wave. Useful for creating start, stop and scratch effects.

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28
Q

FL STUDIO - Gross Beat
Editing Mapping Envelopes
How to Change curve type?

A

-Right-click the right-most control point of a pair of control points to select

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29
Q

FL STUDIO - Gross Beat
Editing Mapping Envelopes
Add control points

A

-Right-click the location where you want to add a control point.

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30
Q

FL STUDIO - Gross Beat
Editing Mapping Envelopes
Delete control points

A
  • Right-click the point to be deleted and select ‘Delete’ from menu.
  • -Alternatively, hold ( Alt) and Left-click the offending point.
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31
Q

FL STUDIO - Gross Beat
Snap Settings determine what?

A

-Snap determines how the envelope points snap (lock) to the nearest time/volume grid division.

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32
Q

FL STUDIO - Gross Beat - Snap
X

A

-No snapping. Points can be freely moved to any location.

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33
Q

FL STUDIO - Gross Beat - Snap
1/16 to 1/3 buttons

A
  • 1/16th beat snap to 1/3rd beat snap settings.
  • -NOTES: ( Left-click+Alt) overrides snapping, ( Shift+Left-click) locks vertical movement and ( Ctrl+Left-click) locks horizontal movement of control points.
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34
Q

FL STUDIO - Gross Beat - Snap
How to override snap?

A

( Left-click+Alt) overrides snapping,

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35
Q

FL STUDIO - Gross Beat - Snap
How to lock vertical movement?

A

Shift+Left-click) locks vertical movement

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36
Q

FL STUDIO - Gross Beat - Snap
How to lock horizontal movement?

A

Ctrl+Left-click) locks horizontal movement of control points.

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37
Q

FL STUDIO - Gross Beat
Lower Panel Controls
Link slots

A

-Links the slot to its numerical equivalent (Volume or Time).

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38
Q

FL STUDIO - Gross Beat
Lower Panel Controls
Key-held

A

-Holds the slot while the linked MIDI key is held.

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39
Q

FL STUDIO - Gross Beat
Lower Panel Controls
One-shot

A

-The slot will play once and then Gross Beat will jump back to Slot 1.

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40
Q

FL STUDIO - Gross Beat
Lower Panel Controls
Hold

A

-Changes the behavior of the HOLD button (located to the right of the Main Options menu).

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41
Q

FL STUDIO - Gross Beat
Lower Panel Controls
Off

A

-No hold.

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42
Q

FL STUDIO - Gross Beat
Lower Panel Controls
Last

A

Replay the last stored bar when the HOLD button is activated.

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43
Q

FL STUDIO - Gross Beat
Lower Panel Controls
Next

A

Buffer the next bar and replay it while the HOLD button is active.

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44
Q

FL STUDIO - Gross Beat
Lower Panel Controls
Trig(ger) Sync

A

-Synchronization with the host beats/bars, i,e when the envelope will start after a slot change command in relation to the song position.

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45
Q

FL STUDIO - Gross Beat
Lower Panel Controls
Off

A

-Slots will start immediately on being selected.

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46
Q

FL STUDIO - Gross Beat
Lower Panel Controls
1/4 to 4 beats

A
  • Alignment with global song position.
  • -For example, 1 beat means that the slot will start on the next (global) beat.
  • –This means that if the song is already aligned to a beat, the slot will start immediately.
  • —If the song is 1/2 way in-between 2 beats, Gross Beat will wait for half a beat. ‘4 beats’ means that slots will always start on a bar boundary.
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47
Q

FL STUDIO - Gross Beat
Lower Panel Controls
Pos(ition) Sync

A

-This is where within the envelope the slot will start, i.e. the number of beats (position) within the bar assuming Trigger Sync is OFF, so that slots start immediately.

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48
Q

FL STUDIO - Gross Beat
Lower Panel Controls
Off

A

Start at the beginning.

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49
Q

FL STUDIO - Gross Beat
Lower Panel Controls
1/4 to 4 beats

A

Start at either 1/4, 1/2, 1, 2 or 4 beats into the envelope depending on where the global song position is.

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50
Q

FL STUDIO - Gross Beat
Envelope Sequencer does what?

A

The Envelope Sequencer provides a convenient tool for create repetitive arpeggiator patterns OR sequences.

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51
Q

FL STUDIO - Gross Beat
How to open Envelope Sequencer?

A

-Select the envelope Options menu (small right-facing arrow on standard envelopes) and then select ‘Create sequence’

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52
Q

FL STUDIO - Gross Beat
Smooth Up Tool does what?

A
  • The Smooth up tool provides a number of controls for working with multi-point envelopes.
  • -It is particularly useful for modifying envelopes that have been created using an ‘analyze audio’ function to generate the envelope.
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53
Q

FL STUDIO - Hardcore
What is Hardcore?

A

-Hardcore gives you virtual access to 11 popular stomp-box effects, as used by famous guitar players, including a number of expertly crafted Cabinet simulations, of legendary hardware.

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54
Q

FL STUDIO - Hardcore
What is hardcore?

A
  • Hardcore gives you virtual access to 11 popular stomp-box effects, as used by famous guitar players
  • -including a number of expertly crafted Cabinet simulations, of legendary hardware
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55
Q

FL STUDIO - Hardcore - Master Controls
PRESET

A
  • To open the list of presets, click on the preset name.
  • -To step through presets click on the left & right arrows flanking the selector.
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56
Q

FL STUDIO - Hardcore - Master Controls
INPUT

A

-Main input level, this can be useful in combination with the distortion effects if your source sound is a too quiet and the effects aren’t punchy enough.

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57
Q

FL STUDIO - Hardcore - Master Controls
OUTPUT

A

-Main output level.

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58
Q

FL STUDIO - Hardcore - Master Controls
EQ

A
  • 8 band graphic equalizer.
  • -To enable/disable click on the power button below the EQ label.
  • –To adjust bands, click and drag on the target band.
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59
Q

FL STUDIO - Hardcore - Master Controls
CABINET

A
  • Guitar speaker cabinet simulations.
  • -Select models by clicking on the Model label. Models A to E are algorithmic while the remainder are convolution impulse-response based reproductions.
  • –That is, the sound is based on recordings from real cabinets.
  • —If we could afford the prohibitive licensing fees, then you may recognize some famous models in this list.
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60
Q

FL STUDIO - Hardcore - Effects Pedals
Activate / Deactivate effects

A
  • Click on the stomp-pad below the controls for the effect.
  • -This parameter can be linked to an external controller.
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61
Q

FL STUDIO - Hardcore - Effects Pedals
Loading effects

A

-Click on one of the drop-down boxes at the bottom of the GUI and select from the menu.

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62
Q

FL STUDIO - Hardcore - Effects Pedals
Moving effects

A

-Click on the drop-down box under the effect to be moved and select ‘Move left” or ‘Move right’ to change the position.

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63
Q

FL STUDIO - Hardcore - Effects Pedals
Deleting effects

A

-Click on one of the drop-down boxes at the bottom of the GUI and select ‘None’.

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64
Q

FL STUDIO - Hardcore - Effects Pedals
Distortion

A

-Distortion is the reshaping of an input waveform, usually caused by non-linearities in the electronic circuitry close to (or above) maximum signal level:

65
Q

FL STUDIO - Hardcore - Effects Pedals
DIST

A

-Distortion level controls amount of distortion effect applied to the input signal.

66
Q

FL STUDIO - Hardcore - Effects Pedals
COMB

A
  • Comb filter cut level.
  • -Comb filters remove frequencies in a series of narrow bands, an EQ graph that looks like a comb shape.
67
Q

FL STUDIO - Hardcore - Effects Pedals
INFERNO

A

-Bass resonator that adds body to the sound.

68
Q

FL STUDIO - Hardcore - Effects Pedals
GLASS

A

-High frequency filter.

69
Q

FL STUDIO - Hardcore - Effects Pedals
Chorus

A

-Chorus is an effect created by the slight detuning of multiple copies of the same sound (similar to a choir of voices):

70
Q

FL STUDIO - Hardcore - Effects Pedals
Chorus
WIDTH

A

-Amount of pitch modulation.

71
Q

FL STUDIO - Hardcore - Effects Pedals
Chorus
SPEED

A

-Pitch modulation speed.

72
Q

FL STUDIO - Hardcore - Effects Pedals
Chorus
INTENSITY

A

-Wet / Dry signal mix.

73
Q

FL STUDIO - Hardcore - Effects Pedals
Flanger

A

-Flanging is a form of phase cancellation created by combining multiple, variously delayed copies of the same sound.

74
Q

FL STUDIO - Hardcore - Effects Pedals
Flanger
WIDTH

A

-Amount of phase cancellation.

75
Q

FL STUDIO - Hardcore - Effects Pedals
Flanger
SPEED

A

-Phase modulation speed.

76
Q

FL STUDIO - Hardcore - Effects Pedals
Flanger
INTENSITY

A

-Wet / Dry signal mix.

77
Q

FL STUDIO - Hardcore
Difference between chorus vs Flanger vs Phaser?

A
  • Chorus mixes a pitch shifted version back together.
  • -Flanger mixes a time shifted version back together, creating phase cancellation.
  • –Phaser splits the audio and then takes one of the parts and filters it and then mixes it back while being out of phase.
78
Q

FL STUDIO - Hardcore
What is Re-Amping?

A
  • When you play audio through a loudspeaker in a room while micing the loudspeaker. Used to capture the sound characteristics of the speaker and room.
  • -This can be done through Hardcore by running audio through a cabinet and Reverb Pedal.
79
Q

FL STUDIO - Fruity HTML Notebook
What is Fruity HTML Notebook?

A
  • Fruity HTML NoteBook is an HTML viewer plugin, useful for adding information to a song, using the power of HTML.
  • -NOTE: Fruity HTML NoteBook doesn’t save the HTML data in the project file, so be sure to bundle the full HTML document with your project if you distribute it.
  • –Alternatives are the RTF (Rich Test Format) supporting Fruity NoteBook and simpler, Fruity NoteBook 2
80
Q

FL STUDIO - Fruity HTML Notebook
How to use

A
  • To add the HTML document - Click on the file icon in the lower left corner of the plugin and navigate to the .html landing page.
  • -To include the HTML document - Save the FL Studio project to .zip format, then copy the landing page .html file (and any sub-folders into the .zip).
81
Q

FL STUDIO - Fruity Love Philter
What is Fruity Love Philter?

A
  • Fruity Love Philter is the most powerful filter plugin in FL Studio.
  • -Love Philter consists of eight identical filter units, each able to be run in parallel OR used in series by sending a filter unit to the next one in the chain.
  • –Love Philter can create complex delay, gating and filtering effects.
  • —Related, simpler, filter plugins are Fruity Filter and Fruity Free Filter.
82
Q

FL STUDIO - Fruity Love Philter - Parameters
Banks 1 to 8

A
  • Top-left are the Bank tabs and Enable Bank switches, above the tabs.
  • -Each filter bank consists of a series of processes that are described below (from left to right).
  • –The output from each bank can be sent to the plugin outputs and/or the next bank in the series.
83
Q

FL STUDIO - Fruity Love Philter - Parameters
Enable Bank switches

A

-Left-click to enable/disable, Right-click a switch to Solo the Bank.

84
Q

FL STUDIO - Fruity Love Philter - Parameters
Select Bank tabs

A
  • Select a Bank for editing.
  • -The selected Bank shows darker in color (4 above is selected).
85
Q

FL STUDIO - Fruity Love Philter - Parameters
IN

A

The Input Section allows you to set the volume of the input signal.

86
Q

FL STUDIO - Fruity Love Philter - Parameters
Volume (VOL)

A

-Sets the volume of the input signal.

87
Q

FL STUDIO - Fruity Love Philter
FILTER

A
  • The Filter Section determines the filter type and cut-offs used.
  • -The controls visible will depend on the filter type selected.
88
Q

FL STUDIO - Fruity Love Philter - FILTER
ALT

A

-Alternates between resonance and bandwidth.

89
Q

FL STUDIO - Fruity Love Philter - FILTER
Input Filter Type

A

-In the small rectangular box, hold your left mouse button and move up/down to select one of 12 different filter types: AP - All Pass creates phasing effects, BP - Band Pass, HP - High Pass, HP 2 - High Pass 2, HS - High Shelf , LP - Low Pass, LP 2 - Low Pass 2, LP 3 - Low Pass 3, LS - Low Shelf, NOT - Notch, PK - Peaking, and SVF - State Variable Filter.

90
Q

FL STUDIO - Fruity Love Philter - FILTER
Filter Mode

A

-These switches determine filter mode: OFF - filter mode off. x1, x2, x3 are 12, 24 and 36 dB/Octave filters respectively. ALT x2 and ALT x3 provide alternative algorithms for the 24/36 dB filter modes.

91
Q

FL STUDIO - Fruity Love Philter - FILTER
ENV

A

-Sets the cut-off envelope / LFO / IEF (Input Envelope Follower) amount.

92
Q

FL STUDIO - Fruity Love Philter - FILTER
CUT

A

-Sets the cut-off frequency.

93
Q

FL STUDIO - Fruity Love Philter - FILTER
RES

A

-Adjusts resonance / bandwidth.

94
Q

FL STUDIO - Fruity Love Philter - FILTER
DRIVE

A

-L (Low / gain / drive) - Adjusts the gain of the low band. B (Band) - Adjusts the gain of the bandpass band. H (High) - Adjusts the gain of the high band.

95
Q

FL STUDIO - Fruity Love Philter -
WS (WaveShaper)

A

A WaveShaper is a wave distortion effect which re-maps input amplitude (horizontal axis) to output amplitude (vertical axis) values using a flexible spline-based graph. It follows the same principles as shown in this video tutorial for Fruity Waveshaper.

96
Q

FL STUDIO - Fruity Love Philter -
WS (WaveShaper)
ON

A

Enables the WaveShaper.

97
Q

FL STUDIO - Fruity Love Philter -
WS (WaveShaper)
+/-

A

-Switches between unipolar and bipolar modes.

98
Q

FL STUDIO - Fruity Love Philter -
WS (WaveShaper)
Unipolar mode

A

-the bottom of the graph corresponds to 0db input and the top corresponds to the maximum amplitude

99
Q

FL STUDIO - Fruity Love Philter -
WS (WaveShaper)
Bipolar mode

A

the plugin process is aware of the position of the sample (above or below 0 dB), so the middle is mapped to 0db (DC) and up and down correspond to the offsets in both directions.

100
Q

FL STUDIO - Fruity Love Philter -
WS (WaveShaper)
AMP

A

-Adjusts the WaveShaper pre-amplitude amount.

101
Q

FL STUDIO - Fruity Love Philter -
WS (WaveShaper)
MIX

A
  • Sets the WaveShaper mix amount.
  • -This allows you to mix the input signal with the processed signal in the final output.
102
Q

FL STUDIO - Fruity Love Philter -
OUT

A

-In the Output Section each filter can pass its output to the following bank or to the main outputs.

103
Q

FL STUDIO - Fruity Love Philter - OUT
NEXT

A
  • Changes the level sent to the next filter in the chain (not available for filter 8 as there is no next filter).
  • -Negative values, (turning the knob to the left) invert the phase of the filter output.
  • –Use this to create phase-cancellation effects.
104
Q

FL STUDIO - Fruity Love Philter - OUT
PAN

A

-Changes the panning of the output from the filter.

105
Q

FL STUDIO - Fruity Love Philter - OUT
VOL

A

-Controls the final filter output level for the selected bank.

106
Q

FL STUDIO - Fruity Love Philter
ENVELOPES
-Associated with each bank are a number of articulators/envelopes.
–There are two rows of tabs, the top row is used to select the articulator/modulator target and the bottom row the articulator modulation source.
—In other words, for each target in the top row there are a range of modulation sources in the bottom row that automate changes to those targets.

A
107
Q

FL STUDIO - Fruity Love Philter
Articulators / Modulators
Modulation target types include:
PAN

A

Affects the stereo panning of the bank.

108
Q

FL STUDIO - Fruity Love Philter
Articulators / Modulators
Modulation target types include:
VOL

A

Affects the volume output of the bank.

109
Q

FL STUDIO - Fruity Love Philter
Articulators / Modulators
Modulation target types include:
CUT (Filter Cut)

A

Affects the filter cut-off frequency of the bank. This interacts with the CUT parameter (above) and the filter type switches.

110
Q

FL STUDIO - Fruity Love Philter
Articulators / Modulators
Modulation target types include:
RES

A

Affects the resonance of the filter selected.

111
Q

FL STUDIO - Fruity Love Philter
Articulators / Modulators
Modulation target types include:
LOW / BAND / HIGH

A

These select the Lowpass, Bandpass and Highpass filter modes.

112
Q

FL STUDIO - Fruity Love Philter
Articulators / Modulators
Modulation target types include:
WS (Wave Shaper) - The curve defines how the signal is distorted by the waveshaper. Input is on the X axis and output on the Y axis, allowing you to define your own distortion curve.
WMIX (Wave Shaper Mix)

A

Wet/dry ratio for the WaveShaper effect

113
Q

FL STUDIO - Fruity Love Philter
Articulator parts
For each of the articulators above you can decide how each of the following modulator sources influence that parameter. The modulator can be a pattern (10 user definable pattern slots are available), LFO, Mod X/Y or the envelope of an input sound (IEF).

A
114
Q

FL STUDIO - Fruity Love Philter - Articulator parts
PAT 1 to 10

A
  • Left-click and move the mouse up/down to cycle through 10 unique pattern slots.
  • -A pattern is simply a user-definable shape.
  • –NOTE: MIDI notes C5 to E6 can be used to change patterns on-the-fly when the plugin is focused OR Receive notes from is used. You can disable note-input from the Options menu.
115
Q

FL STUDIO - Fruity Love Philter - Articulator parts
PAT

A
  • Edit and store 10 Modulation patterns.
  • -Use the selector to the left of the tab to change Modulation pattern.
116
Q

FL STUDIO - Fruity Love Philter - Articulator parts
LFO

A

An LFO envelope.

117
Q

FL STUDIO - Fruity Love Philter - Articulator parts
MOD X

A

-Determines how the X parameter of integrated X/Y controller responds to X position changes.

118
Q

FL STUDIO - Fruity Love Philter - Articulator parts
MOD Y

A

-Determines how the Y parameter of integrated X/Y controller responds to Y position changes

119
Q

FL STUDIO - Fruity Love Philter - Articulator parts
IEF (Input Envelope Follower)

A
  • Smooths the input/output relationship of the IEF.
  • -The tighter the envelope (fast attack/release times) the more variability of the IEF response
120
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Envelope Menu >
Right facing arrow to the left of the Freeze button.

A
121
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Open state file / Save state file

A

-Opens/saves envelope states. Several different pre-defined state files are available.

122
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Copy state / Paste state

A

-Use this to copy and paste envelopes, usually between instances of the EQ editor across open plugins

123
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Undo

A

Undoes the last envelope edit.

124
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Undo history

A

Shows the editing history since the last reset.

125
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Flip vertically

A

Inverts the current envelope.

126
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Scale levels

A

Opens the Scale Level tool.

127
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Normalize levels

A

Scales the envelope so the highest and/or lowest levels reach +/- 100%.

128
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Decimate points

A

Opens a simple tool that allows manipulation of the number of control points in the envelope (useful in conjunction with Analyze audio file).

129
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Filter

A

Opens the Envelope Filter tool (useful in conjunction with Analyze audio file).

130
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Smooth up abrupt changes

A

Quick removal of ‘spikey’ or sudden changes in the envelope.

131
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Turn all points smooth

A

Preset filter to quickly filter the envelope.

132
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Create sequence

A

Opens the Envelope Sequencer tool.

133
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Analyze audio file

A
  • Open, analyze and replicate the volume envelope of an input sound file.
  • -Drag and drop audio files directly on the Envelope editor for automatic analysis.
134
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
Background gradient

A

Flips the background gradient shading vertically.

135
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
FREEZE

A
  • Enable this switch to lock the envelope curve to its current setup.
  • -This feature is helpful if you’ve finished changing the spline structure of an envelope and want to protect it from accidental edits (it also hides the handles, providing a clear view of the shape).
136
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
STEP

A
  • Enable this option to set the editor in step editing mode - drag in the editor to create a “free hand” curve where a new control point is defined for every step in the timeline.
  • -Hold SHIFT key while dragging to draw “pulse” lines (straight vertical/horizontal lines only). Note that each new segment created this way uses the last tension set while adding a segment.
137
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
SNAP

A

-Enable this option if you want the control points to snap to the nearest step in the timeline while dragging.

138
Q

FL STUDIO - Fruity Love Philter - Common Envelopes Controls
SLIDE

A

-Enable this option to preserve the relative distance between a dragged control point and all control points following it (this option is enabled by default).

139
Q

FL STUDIO - Fruity Love Philter
MODULATION

A

-This section allows X-Y modulation.

140
Q

FL STUDIO - Fruity Love Philter
SMOOTH

A

-When enabled, smooths modulation.
X - Modulation X setting.
Y - Modulation Y setting.

141
Q

FL STUDIO - Fruity Love Philter
INPUT ENVELOPE FOLLOWER (IEF)

A
  • This section allows you to set up the Input Envelope Follower.
  • -The IEF acts as a modulation source and is based on the amplitude of the input waveform.
142
Q

FL STUDIO - Fruity Love Philter
INPUT ENVELOPE FOLLOWER (IEF)
USE1

A
  • When enabled, the output from filter bank 1 is used as the input for the IEF.
  • -When disabled, the input to the plugin is used and the source for the IEF.
143
Q

FL STUDIO - Fruity Love Philter
INPUT ENVELOPE FOLLOWER (IEF)
ATT

A

Sets the amount of envelope follower attack.

144
Q

FL STUDIO - Fruity Love Philter
INPUT ENVELOPE FOLLOWER (IEF)
REL

A

Adjusts the amount of envelope follower release.

145
Q

FL STUDIO - Fruity Love Philter
INPUT ENVELOPE FOLLOWER (IEF)
Understanding the IEF, what is IEF?

A
  • Think of the IEF window as a dB/peak meter rotated on its side, increasing in volume from left to right (this is indicated by the increasing vertical ticks along the bottom of the IEF window).
  • -As the volume peaks of the input signal move across the window (there is no visual feedback, by the way), the IEF returns modulation values so that envelopes above the mid-line of the graph area are positive and envelopes below the mid-line are a negative.
146
Q

FL STUDIO - Fruity Love Philter
INPUT ENVELOPE FOLLOWER (IEF)
How does IEF Work?

A
  • The ief output values act on the currently selected ‘Editor Target’ tabs in the row above the modulation source tabs (the row the IEF tab is on).
  • -In this way there is a unique IEF envelope for each modulation target tab in the row above.
  • –Use the ‘Env Amount’ knob to define the maximum and minimum modulation values passed to the target controls.
  • —Finally, pay careful attention to the Attack (ATT) and Release (REL) knobs to the right side of the plugin (this section) in order to achieve the correct modulation effect.
  • —-These controls act to control the peak dynamics (hold and fade) and determine how quickly the output peak is reached and held after the input peak has passed.
147
Q

FL STUDIO - Fruity Love Philter
Top Right Other Parameters
Copy preset

A

-Copies the preset to the Windows clipboard.

148
Q

FL STUDIO - Fruity Love Philter
Top Right Other Parameters
Paste preset

A

Pastes the preset from the Windows clipboard.

149
Q

FL STUDIO - Fruity Love Philter
Top Right Other Parameters
Sync pattern changes

A

Envelopes are synced to song/pattern position when selected.

150
Q

FL STUDIO - Fruity Love Philter
Top Right Other Parameters
Note input

A

When selected, the plugin will receive note messages from FL (when focused). Notes can be used to change envelope patterns 1 to 10.

151
Q

FL STUDIO - Fruity Love Philter
Top Right Other Parameters
Show Info

A

Shows plugin information.

152
Q

FL STUDIO - Fruity Love Philter
Three slider controls above the IEF section
(Triangular symbol)

A

Adjusts the master level.

153
Q

FL STUDIO - Fruity Love Philter
Three slider controls above the IEF section
LFO

A

Adjusts the master LFO level.

154
Q

FL STUDIO - Fruity Love Philter
Three slider controls above the IEF section
IEF

A

Adjusts the envelope follower level.

155
Q

FL STUDIO - Fruity Love Philter
Three controls are situated below the Modulation Section
CENTER

A

When enabled, removes global DC offset.

156
Q

FL STUDIO - Fruity Love Philter
Three controls are situated below the Modulation Section
HQ ENVELOPES

A

When selected, enables greater envelope accuracy.

157
Q

FL STUDIO - Fruity Love Philter
Three controls are situated below the Modulation Section
OVERSAMPLING

A

Sets the amount of oversampling as none, 2x, 4x, 8x or 16x (select by holding left mouse button and moving up/down within the small rectangular box).

158
Q
A

6 NC-M7-FLMANUAL (29 decks)

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