Ezra Pound Flashcards

0
Q

When did Pound arrive in London?

A

In 1908

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1
Q

What four writer, all connected to Ernest Hemingway were vital to establishing the milieu of transatlantic Modernism?

A

Ezra Pound, TS Eliot, Virginia Woolf and William Faulkner

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2
Q

What was Pound’s first volume of poetry, also was published in 1908?

A

A Lume Spento

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3
Q

What writers had Pound met by 1909 in London?

A

Elkin Matthews, Ford Madox Hueffer, TE Hulme, Wyndham Lewis, DH Lawrence and WB Yeats

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4
Q

What had Pound come to Europe influenced by?

A

The work of 14th century poet Dante Alighieri and 12th and 13th century Provencal troubadours

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5
Q

What had Pound trained himself as before coming to Europe?

A

A translator and a poet of his own original work

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6
Q

In 1912 and 1913 what magazine’s did Pound’s work appear?

A

Orage’s The New Age, Harriet Monroe’s Poetry and Dora Marsden’s The Egoist

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7
Q

What magazine did Pound transform into a more literary magazine while holding the position of poetry editor

A

The Egoist

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8
Q

What movement did Pound found by the end of 1912?

A

Imagisme

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9
Q

What did Pound proclaim for his friend and former love, poet Hilda Doolittle?

A

H.D. Imagiste

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10
Q

Whose works did Pound promote through Imagisme?

A

H.D. and Richard Alsington

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11
Q

In what did Pound announce the major points of the manifesto of Imagisme?

A

The March 1913 edition of Poetry

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12
Q

Who helped Pound draft the manifesto of Imagisme?

A

F.S. Flint

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13
Q

What were the three major points of Imagisme?

A

Direct treatment of the thing, absolutely no word was to be used that did not contribute to the presentation and to compose in the sequence of the musical phrase

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14
Q

What had Pound done by the end of 1913?

A

Published another volume of poetry, become friends with sculptor Henri Gaudier-Brzeska and served as secretary to Yeats in the winter of the next three years

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15
Q

Who did Pound marry in April 1914?

A

Dorothy Shakespear

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16
Q

Who did Pound attempt to translate and use as inspiration for his poetry?

A

Chinese and Japanese poets and dramatists as represented in the extensive notebooks of sinologist Ernest Fenollosa

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17
Q

The concept of what would become increasingly important to the evolution of Pound’s works?

A

The Chinese ideogram s an immediate and compact image-sing

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18
Q

What did Pound do as the world moved into war?

A

Promoted a new poetic movement, Vorticism and renouncing Imagism which had been taken over by American poetess Amy Lowell

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19
Q

Who took over Imagisme after Pound left?

A

American poetess Amy Lowell

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20
Q

Who did Pound formulate Vorticism with?

A

Wyndham Lewis

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21
Q

Where did Pound expound the movement of Vorticism?

A

In the pages of Blast

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22
Q

By what year could Pound no longer avoid the impact of the First World War on his life?

A

1915 when Gaudier-Brzeska was killed in France

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23
Q

What killed the publication of Blast?

A

The start of the First World War

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24
Q

How many issues did Blast run for?

A

Just two

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25
Q

How would Pound account for his feelings about Gaudier Brzeksa’s death and when?

A

In 1916 with the publication of Gaudier-Brzeska: A Memoir

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26
Q

What did Pound try to write an epic inspired by?

A

Dante’s The Divine Comedy

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27
Q

What work would remain unfinished by the time of Ezra Pound’s death?

A

The Cantos

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28
Q

When did Pound publish his first three cantos?

A

In the July and August issues of Poetry in 1917

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29
Q

When did Pound republish his first three cantos?

A

After much revision in A Draft of XVI Cantos with Three Mountains Press in 1925

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30
Q

What friend of Pound’s died at the front in 1917?

A

T.E. Hulme

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31
Q

What economist conceptual came into contact with Pound?

A

Major C.H. Douglas

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32
Q

What of Douglas’s thoughts on economics would eventually influence Pound?

A

The concept of economics and its relationship to corporate profits and the impoverishment of the workers

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33
Q

What was the name of Major Douglas’s work?

A

Economic Democracy

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34
Q

What magazine was Economic Democracy serialized in?

A

The New Age

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35
Q

What poem was a way of Pound saying goodbye to London?

A

Hugh Selwyn Mauberley

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36
Q

When did Pound publish Hugh Selwyn Mauberley

A

In 1920

37
Q

Who did Pound meet in Italy and what did he do to that person?

A

James Joyce who he persuaded to move to Paris

38
Q

When did Pound move to Paris?

A

By early 1921

39
Q

When did Pound meet Picasso?

A

January 1922

40
Q

When did Pound meet Hemingway?

A

In February 1922

41
Q

What work of Hemingway did Pound help publish and promote?

A

Three Stories and Ten Poems

42
Q

Who called Pound the most generous writer he had ever known?

A

Hemingway

43
Q

Where were Pound’s Cantos V, VI, VII published in?

A

The Dial

44
Q

When were Pound’s Malatesta Cantos, VIII-XI finished?

A

By the end of 1923

45
Q

Who published a deluxe version of Pound’s first eleven cantos, A Draft of XVI Cantos?

A

Three Mountain Press in 1925

46
Q

What did Eliot refer to Pound as?

A

Il migglior fabbro or the better craftsman

47
Q

Where did Pound leave Paris for in 1925?

A

Rapallo, the Italian seacoast town

48
Q

What government did Pound support during the Second World War?

A

Mussolini’s

49
Q

Where was Pound imprisoned for treason against the UnIted States in 1945?

A

Pisa

50
Q

Where was Pound institutionalized?

A

At St. Elizabeth’s Psychiatric Hospital until 1958

51
Q

Until when was Pound institutionalized at St. Elizabeth’s Psychriatric Hospital?

A

1958

52
Q

When did Ezra Pound die?

A

In 1972

53
Q

What was the last Cantos that Pound did created?

A

Canto CXVII

54
Q

When were John Quinn’s copies of the manuscript and typescript pages of the Wasteland assumed lost?

A

From 1924 to 1968

55
Q

Who did Eliot give the manuscript and typescript pages of The Wasteland to?

A

John Quinn

56
Q

What institution had the manuscript and typescript in its collection since 1958?

A

The Berg Collection of the New York Public Library

57
Q

What did Pound do for the rest of his life after his release from St. Elizabeth’s?

A

Lapsed into public silence

58
Q

How many parts does Hugh Selwyn Maulbery consist of?

A

Two main parts

59
Q

What does the first part of Hugh Selwyn Mauberley run from?

A

Ode to Envoi (1919)

60
Q

What does the second part of Hugh Selwyn Mauberley run from?

A

Mauberley 1920 and ends with Medallion

61
Q

How many shorter segments are in the first part of Hugh Selwyn Mauberley?

A

13 short segments

62
Q

How many shorter segment are in the second part of Hugh Selwyn Mauberley?

A

Five in the second part

63
Q

What was Eliot’s last major poem before his work on The Cantos?

A

Hugh Selwyn Mauberley

64
Q

What two people are alternate versions of Eliot?

A

E.P. and Mauberely

65
Q

What can the entire poem of Hugh Selwyn Mauberely be seen as?

A

A staged conflict between Pound’s earlier aestheticism and his growing awareness of politics

66
Q

What is the entire poem of Hugh Selwyn Mauberley constructed out of?

A

Juxtaposing and paralleling segments

67
Q

What do the first three segments in Hugh Selwyn Mauberely do?

A

Offer Pound’s poetic persona and the age in which he lives as their poetic subject

68
Q

What do the 4th and 5th segments of Hugh Sewlyn Mauberely do?

A

Pound blasts society in a denunciation of the First World War

69
Q

What does Hugh Selwyn Mauberely do for segments 7-13 of the first part?

A

Explores the sources and background of this decay by examining the collapse into mediocrity evidenced in the 19th century and the speaker’s contacts

70
Q

Who are the speaker’s contacts in Hugh Selwyn Mauberle?

A

The Jew Brennbaum or Mr. Nixon

71
Q

What does the speaker do in Envoi of Hugh Selwyn Maubereley?

A

Bows out of London

72
Q

What does Medallion serves as in relation to Envoi in Hugh Selwyn Mauberely?

A

As a counterpoint

73
Q

What is produced in Medallion?

A

An image of beauty called for by the entire poetic sequence

74
Q

What two segments from Hugh Selwyn Mauberely focus on Pound’s revulsion to war?

A

Segments of 4 and 5

75
Q

hat are the first three segments in Hugh Selwyn Mauberely structure in?

A

Quatrains

76
Q

What are segments 4 and 5 structured in in Hugh Selwyn Mauberely?

A

In free verse

77
Q

What is pro doma a reference to?

A

For the home, a symbolic allusion to an oration by Cicero demanding reparation rom the Roman priests and Senate for the destruction of his house

78
Q

What does the first stanza in section 4 of end with?

A

n ellipsis

79
Q

What does the second stanza provide a stunning example of in the fourth segment of Hugh Selwyn Mauberely?

A

Anaphora

80
Q

What is repetition in the first five lines of the second stanza of the 4th segment of Hugh Selwyn Mauberely?

A

Some

81
Q

What line is the ellipses in the second stanza of the 4th segment in Hugh Selwyn Mauberely?

A

The 6th line

82
Q

What does the third stanza in the 4th segment of Hugh Selwyn Mauberely begin with?

A

The word died

83
Q

What ancient Roman does Hugh Selwyn Mauberley mock with his dulce et decorum est pro patria mori?

A

Horace

84
Q

What poet does Pound echo with his Dulce et Decorum to the old lie of dying for one’s country?

A

Wilfred Owen

85
Q

What are the middle four lines of the third stanza of the third segment of Hugh Selwyn Mauberely dominated by?

A

The word lies, home and believing

86
Q

What Jew of Shakespeae’s is a typical moneylender?

A

Shylcok the Jew

87
Q

What does the fourth stanza of the fourth segment of Hugh Selwyn Mauberely acknowledge?

A

The loss of life in all classes

88
Q

What does the Vth segment of Hugh Selwyn Mauberely offer?

A

An epitaph for the millions of war dead

89
Q

What civilization does the word Myriad come from?

A

Greek

90
Q

Who is the old bitch in Hugh Selwyn Mauberely?

A

The British Empire

91
Q

What does myriad describe?

A

A quantity that is numberless or infinite, while the English word supports a civilizations inability to provide an accurate count of the millions of war dead