Elizabeth Barett Browning - Sonnet 29 ("I Think of Thee!") Flashcards

1
Q

What is the poem about?

A
  • The narrator admits to her lover that she thinks about him when not with him, and that she’s worried her thoughts will obscure the reality of what he’s really like. * She reassures him that her thoughts don’t compare to reality and would rather just be with him instead of constantly thinking about him.
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2
Q

Give a brief synopsis of the poem

A
  • The speaker begins by stating how their thoughts wrap around their lover like vines around a tree
  • Barrett Browning develops this metaphor further by describing the effect of the speaker’s thoughts
  • Eventually the speaker comes to the conclusion that now they are physically close with their lover, they no longer feel these overwhelming thoughts.
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3
Q

When was the poet alive?

A

1806-1861

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4
Q

When was the poem written?

A

1845-1846

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5
Q

Context regarding Elizabeth Barrett Browning

A
  • Wrote this whilst courting Robert Browning so it is thought to be written about him.
  • It was published in a collection of 44 sonnets called “Sonnets from the Portuguese” which are all thought to be written for him
  • The poems were written during their courtship rather than after their marriage; she didn’t show him the poems until years after they married showing how they were written for Barrett Browning herself rather than for a public audience.
  • By writing about such a high-profile individual in the 1800s publicly, it would have created a heightened sense of tension around the collection.
  • Her father did not allow marriage so they met in secret, wrote hundreds of letters to each other and eventually eloped.
  • When she married Robert, she was cut off from her family - she was six years Robert’s senior.
  • Both herself and Robert experienced enough success to live comfortably during their lives. Barrett Browning was known to be socially conscious and vocal about the issues of child labour and slavery.
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6
Q

Context regarding the Victorian era + women

A
  • During the Victorian era, women were expected to not experience or express strong emotions so the end of the poem may be representative of her casting off these restraints and is generally representative of a rebellion from the gender expectations she was bound to.
  • Barrett Browning was also known to be bedridden for large parts of her life- this could be why she is writing about thinking about people rather than being with them.
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7
Q

“I think of thee! - my thoughts do twine and bud”

A
  • Poem consists of an extended metaphor - he is a tree and her thoughts about him are a vine
  • Her uses of an exclamation mark how’s depth of her feelings, and may also appear defensive - perhaps as a response to an accusative letter
  • By directly addressing the poem at her lover, it is being set up as a personal poem initially, making it a more intimate love poem
  • The poem starts with “I think of thee!”, this immediately draws the readers attention to her lover, and the fact that she is addressing him personally makes it seem much more personal.
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8
Q

“About thee, as wild vines, about a tree,”

A
  • Her growing thoughts are beginning to feed off of him and become detrimental
  • “Tree” and “thee” sets up an internal rhyme which makes the relationship appear more harmonious - emphasises her lover’s character as a tree
  • Natural imagery of the growing vines reflects the constant growth and development of her feelings for her lover, as well as their intense and invasive nature
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9
Q

“Put out broad leaves, and soon there’s nought to see”

A
  • She has though about him too much that she can no longer see him really, she can only se the image she has created of him
  • “There’s nought to see” also implies that she is unable to think about anything other than him, also shows that the narrator’s thoughts threaten to prevent her from seeing him as he truly is.
  • “broad leaves” - her love for him is extensive
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10
Q

“Except the straggling green which hides the wood.”

A
  • “hides the woods” implies that she is worried that their love for each other will conceal their true selves
  • “the straggling green” - suggests that the vines are inferior to the tree - so her thoughts about him are inferior to the real thing
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11
Q

“Yet, O my palm-tree, be it understood”

A
  • Use of pronoun “my” shows their dependency on each other - possessive, emphasises the narrator’s clinginess to her lover
  • Palm tree is and odd choice of metaphor - exotic and biblical connotations - may be representative of either the novelty of timeless nature of their relationship, also makes the lover appear more exotic and valuable
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12
Q

“I will not have my thoughts instead of thee”
“Who art dearer, better! Rather, instantly”

A
  • Alliterative sibilance in “thoughts” and “thee” to create a negative tone towards the beginning of the poem
  • The monosyllabism of line 6 makes the line read very quickly, almost as if shouting a command, which shows the intensity of her feelings.
  • The exclamation reinforces this as well as representing the volta of the poem as the narrator comes to the solution to her dilemma.
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13
Q

“Renew thy presence; as a strong tree should,”
“Rustle thy boughs and set thy trunk all bare,”

A
  • Auditory imagery here, ‘rustle thy boughs’ has natural connotations, implying inevitability of their love for each other
  • The alliteration between the starts of both lines draws attention to the imperatives, which emphasises the narrator’s desperation for her lover to act.
  • ‘set thy trunk all bare’ - it displays the narrator’s desire to be with her love, however, it has a second meaning as an innuendo, where she wants to see his shaft in the more literal way, which would have been considered extremely bold in the Victorian era in which this was written, since women were expected to be more mature, and not talk about sex.
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14
Q

“And let these bands a greenery which insphere thee”

A
  • Her thoughts are presented to be suffocating
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15
Q

“Drop heavily down, - burst, shattered, everywhere!”

A
  • Use of triadic structure marks a turning point in the poem
  • ‘heavily’ - by mentioning weight she emphasises how much she thinks about him, and that the thoughts are a heavy burden.
  • ‘burst shattered everywhere’ - By using three different words to describe the way her lover’s presence replaces her thoughts the poet emphasises the narrator’s excitement and demonstrates her intense longing, the caesura contributes to further the dramatic effect.
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16
Q

“Because, in this deep joy to see and hear thee”
“And breathe within thy shadow a new air,”

A
  • Plosive sound made by “Because” marks the conclusion of her argument, and she now wants to make him understand how much she enjoys being with him
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17
Q

“I do not think of thee - I am too near thee.”

A
  • She eventually breaks free of her obsessive thoughts and they are able to love each other
  • The reversal of the first line emphasises the difference between simply thinking about her lover and actually being with him.
  • ‘I am too near thee’ -
    It demonstrates that she no longer has to think about him when she’s with him since he is better than anything she could ever imagine.
  • Rhyming ‘thee’ with itself three times at the end of the poem - poet rhymes lover with himself, clearly demonstrating her obsession with him
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18
Q

Describe the significance of the title

A
  • Use of exclamation mark shows excitement to think of her lover
  • Title is eventually ended in the final line - “I do not think of thee…”
  • Title echoes the opening line to emphasise how the poem is directed at a another person
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19
Q

Describe the form of the poem.

A
  • The poem is written as a Petrarchan sonnet, an octave followed by a sestet.
  • The first 8 lines are meant to provide a problem and the next six to solve it.
  • The poet instead comes to the solution at lin 7, having it come early reflects the narrator’s impatience to be with her lover.
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20
Q

Describe the perspective that the poem uses

A
  • It is commonly assumed that Barrett Browning herself is the speaker of the poem.
  • By being in the first person, the poem is made more personal. As only the speaker’s voice is heard, her obsessive nature is highlighted.
  • Although it is a sonnet and directed at the speaker’s lover, the intimate personal nature of the poem gives the impression of it being written for herself rather than for him to read.
21
Q

Describe the opening of the poem

A
  • The first stanza begins with a heavy emphasis on the weather.
  • Browning personifies the weather by describing the wind as “sullen” as well as trying to “vex the lake” and tear “the elm-tops down for spite”.
  • This use of pathetic fallacy sets an ominous tone which foreshadows the coming horrific events.
  • This tone is then shattered by the entrance of Porphyria who is given supernatural traits by the description of her having “glided” into the cottage.
22
Q

Describe the turning point of the poem

A
  • There is a turning point at line 11 - “Because, in this deep joy to see and hear thee” - after which the speaker changes from thinking about her lover to being with him.
  • This does not conform to the traditional sonnet form in which the turning point from problem to solution is usually in line 9.
23
Q

Why is the poem structured in the way that it is?

A
  • The transition between the problem and solution represents the difference in the narrator thinking about her lover and being with him, this reflection is emphasised by the first and last line of the poem, “I think of thee!” and “I do not think of thee- I am too near thee.”
24
Q

Describe the form of the poem regarding sonnets

A
  • The poem is in the form of a petrarchan sonnet: there are two quatrains and one sestet, with each line employing ten syllables - five stressed and five unstressed. * This means it is in iambic pentameter.
25
Q

Describe the meter the poem uses

A
  • Though, by writing in a traditional format such a sonnet in iambic pentameter, she is suggesting the traditional nature of her love.
  • At times she breaks from the constraints of iambic pentameter in the line “put out broad leaves, and soon there’s nought to see”.
  • This highlights the unconventionality of their love as well as implying that the love she feels is so intense that she must express it in any way rather than worrying about rigid guidelines.
  • The pronouns “thee” and “thy” are repeated frequently throughout in order to reinforce the fact that the poem is directed to somebody
  • Traditionally, the first stanza presents the speaker’s problem which in Sonnet 29 is Barrett Browning’s overwhelmingly intense feelings of love towards Robert.
  • The poem then ends with a solution which here is her moving from thinking about him to being with him.
  • Barrett Browning’s non conformist attitude is shown in her choice of form as originally the sonnet was intended to be written by a man to a woman
26
Q

Describe the form of the poem regarding rhyme scheme

A
  • The rhyme scheme of the poem is ABBCCBBCDBDBDB this is more typical of the Italian style of sonnet writing rather than English so shows the slight unconventionality of her affections.
  • At her time of writing the English, Shakespearean style sonnet was more popular however, these generally focussed on physical affection whilst petrarchan sonnets are usually centred on prospective love from a distance.
27
Q

Describe the form of the poem regarding Volta

A
  • Volta In traditional sonnets there is a volta after the eighth line which is used to change the tone or mood.
  • However, in Sonnet 29, the volta is found in line five which starts with “yet”.
  • Here, it could be argued that she is reflecting the nontraditional and non-conformist attitude of the poem by breaking tradition and hosting her volta earlier in the poem.
28
Q

How is language themed around nature used in the poem?

A
  • The narrator uses an extended metaphor throughout the poem, where her lover is a tree and her obsessive thinking about him is a set of “wild vines”, which cover him until “there’s nought to see”. * This represents here thoughts as an unrestrained growing urge, and the image of him casting off the vines is her wanting him to be a strong and permanent part of her life.
29
Q

Describe the use of language about intimate language

A
  • Barrett Browning’s use of language creates the impression of intimacy between the speaker and her lover.
  • The pronoun “thee” is repeated throughout the poem to show that whilst the poem is an exploration of the speaker’s thoughts, it is still closely centred on her lover.
  • This also has the effect of showing the speaker’s longing. The impression of physical closeness is further created by Barrett Browning’s use of auditory imagery.
  • It is clear that the speaker and her lover are very familiar with each other as a result of the use of “rustle” and “shattered”.
  • Although it is known that when writing the poem, Barrett Browning would not have slept with Browning, this use of language shows her excitement for her relationship to develop in this way.
30
Q

Describe the use of language about natural imagery

A
  • References to the natural world are prominent in the poem. The active verbs “twine” and “bud” have wild connotations which allude to the untameable nature of the speaker’s love.
  • By referring to the speaker’s lover as “palm-tree” and a “strong tree” Barrett Browning characterises him as stable and dependable.
  • The parasitic connotations of a vine imply that her loving thoughts may have a negative impact on Browning; her love can topple even the strongest of trees. * Flower imagery is also commonly used to symbolise female sexuality.
  • In Browning’s time flowers were representative of the beautified female appearance, yet in modern literature has been subverted to symbolise female empowerment through sexuality.
  • This expression of desire would be unexpected of a Victorian lady hence why this poem was not intended to be published when written. Intense emotions
  • The intensity of Barrett Browning’s love is shown by her use of suffocating language.
  • All description of her lover is put in the context of herself, showing how she is cannot fathom them existing separately.
31
Q

Describe the use of excited language in the poem.

A
  • The use of exclamation marks throughout the poem demonstrates the narrator’s excitability and the joy in thinking about her lover.
  • The plosive sounds and the dynamic verbs further emphasise this.
32
Q

Describe the use of language about intense emotions

A
  • The intensity of Barrett Browning’s love is shown by her use of suffocating language.
  • All description of her lover is put in the context of herself, showing how she is cannot fathom them existing separately.
33
Q

Describe the use of metaphors in the poem

A
  • The whole poem is an extended metaphor based on natural imagery.
  • The vine is used to represent the speaker’s thoughts and the tree which the vine grows on represents the speaker’s lover.
  • These images are recurrent throughout the poem until they are eventually “shattered”.
34
Q

What is the rhyme scheme of the first 8 lines of the poem?

A
  • A,B,B,A
35
Q

What is the rhyme scheme of the last 6 lines of the poem?

A
  • A,B,A,B,A,B
36
Q

Who was this poem intended for?

A
  • The poem was written as part of a series of sonnets about her future husband and then lover, Robert Browning, called Sonnets from the Portuguese. In a way, the poem asks for her lover to come to her or let her go to him.
37
Q

How are feelings/attitudes of longing displayed in the poem?

A
  • The narrator longs to be with her lover instead of just thinking about him
38
Q

How are feelings/attitudes of intensity displayed in the poem?

A
  • She thinks about her lover all the time when they’re apart.
  • Her language is forceful - she uses imperatives which almost order him to be with her
39
Q

How are feelings/attitudes of celebration displayed in the poem?

A
  • She takes pleasure in her feelings of love for him - she enjoys the way her thoughts envelop him, but she takes even greater joy in the though of him being a physical presence
40
Q

Themes:

A
  • Secret Love
  • Desire, Longing
  • Nature
  • Joy, Passion
41
Q

Compare With:

A
  • Letters From Yorkshire
  • Love’s Philosophy
  • Porphyria’s Lover
  • Singh Song
42
Q

Secret Love:

A
  • “I think of thee- my thoughts do twine and bud”
  • “About thee, as wild vines about a tree”
43
Q

Desire, Longing:

A
  • “Renew thy presence; as a strong tree should”
  • “And set thy trunk bare”
  • “I will not have my thoughts instead of thee”
44
Q

Nature:

A
  • “O my palm tree”
  • “As wild vines, about a tree”
  • “These bands of greenery”
  • “As a strong thee should”
45
Q

Joy, Passion:

A
  • “Rustle thy boughs and set thy trunk bare”
  • “Prop heavily down, burst, shattered everywhere”
46
Q

Compare:

A
  • Love’s Philosophy
  • Porphryia’s Lover
47
Q

Compare With: Porphyria’s Lover

A
  • The narrator is always very needy and hungry for their partner’s love
  • Sexually Begging
48
Q

Tone:

A
  • About longing and desire
  • Creates intensity
  • She takes pleasure in her feelings of love for him