CPAR Flashcards
1
Q
The art of today
- Produced by artists who are living
in the 21st century. - Their art is a dynamic combination
of materials, methods, concepts,
and subjects - Challenge traditional boundaries
A
CONTEMPORARY ART
2
Q
Emphasizes innovation and experimentation with new forms, techniques, and materials. It relates to the present or recent times as opposed to the remote past
A
MODERN ART
3
Q
The building blocks or ingredients of art.
A
THE ELEMENTS OF ART
4
Q
A mark with length and direction. A continuous mark made on a surface by a moving point. (elements of art)
A
LINE
5
Q
DESCRIPITIVE or IMPLIED….
A
Line
6
Q
are generally restful, like the horizon, where the sky meets the land.
What type of line?
A
Horizontal lines
7
Q
as depicted in art forms are lines that show reach or peak as well as height
What type of line?
A
Vertical lines
8
Q
present in art tend convey a feeling of
movement.
Objects that are in diagonal
position are unstable.
What type of line?
A
Diagonal lines
9
Q
it sets an idea that an object is either already
in motion or about to fall.
A
diagonal lines
10
Q
tend to be found in nature and are very organic.
What type of line?
A
Expressive Lines
11
Q
Other lines that are very measured, geometric,
directional and angular are called
A
Constructive lines
12
Q
They tend to appear to be man-made because of their precision.
What type of line?
A
Constructive lines
13
Q
Consists of Hue (another word for color), Intensity (brightness) and Value (lightness or darkness).
A
COLOR
14
Q
(BLANK) in visual arts pertains to the lightness and darkness of tones or colors.
A
Value
15
Q
White being the (blank) value;
Black being the (blank).
A
lightest and darkest
16
Q
(BLANK) when you use irregular lengths of
parallel lines that cross over each other diagonally. The closer together the lines are placed, the darker the value.
(Techniques to achieve Value)
A
Cross-hatching
17
Q
(BLANK) is the use of dots to create shade. This is accomplished by placing dots very close together to create dark values and farther apart to create lighter values.
(Techniques to achieve Value)
A
Stippling
18
Q
(BLANK) is when you use your pencil to create soft gradual movements from one value to the next using full value range.
(Techniques to achieve Value)
A
Soft shading
19
Q
An enclosed area defined and determined
by other art elements; 2-dimensional.
(elements of art)
A
SHAPE
20
Q
Usually shapes from nature are said to be (BLANK) and man-made shapes are more (BLANK)
A
ORGANIC and GEOMETRIC
21
Q
the element of art that is three-dimensional and has volume (length, width, and
height). A (BLANK) can be geometric
or organic.
(element of arts)
A
FORM
22
Q
The distance or area between, around, above, below, or within things.
(elements of arts)
A
S P A C E
23
Q
used when the artist has objects very close to the viewer.
(type of space)
A
Shallow space
24
Q
may show objects up close but objects
are shown far away too
(type of space)
A
Deep Space
25
the actual object(s) within
the artwork
(type of space)
Positive Space
26
the area in and around the objects. It is the “background” and it contributes to the work of art---you can’t have positive space without (BLANK)
(type of space)
Negative Space
27
when the artist uses a vanishing point on the horizon and then creates a sense of deep space by showing objects getting progressively smaller as they get closer to the vanishing point.
(elements of art)
Perspective
28
The surface quality or "feel" of an object, its smoothness, roughness, softness, etc. (BLANK) may be actual or implied.
(elements of art)
TEXTURE
29
the way that the visual elements of art are explained. This is what we use to organize the Elements of Art
THE PRINCIPLES OF ART
29
The way the elements are arranged to create a feeling of stability in a work.
(principle of art)
BALANCE
30
The parts of an image are organized so that one side mirrors the other.
(type of balance)
SYMMETRICAL BALANCE
31
When one side of a composition does NOT reflect the design of the other and yet still has equal weight.
(type of balance)
ASYMMETRICAL BALANCE
32
The focal point of an image, or when one
area or thing stands out the most
(principle of art)
EMPHASIS
33
A large difference between two things to create interest and tension.
(principle of art)
CONTRAST
34
(BLANK) creates EMPHASIS
CONTRAST
35
Implies the use of two or more of the same or similar elements such as colors, shapes, or lines.
(principle of art)
REPETITION
36
it produce the look and feel of MOVEMENT or to MOVE the viewers eye around the artwork
(principle of art)
REPETITION
37
When all the elements and principles work
together to create a pleasing image.
(principle of art)
UNITY/HARMONY
38
The comparative relationship of one part to another with respect to size, quantity, or degree; SCALE
(principle of art)
PROPORTION
39
describes how the elements and principles
of art works together independent of their meaning and the feelings or thoughts
they may evoke in the viewer
FORMAL ANALYSIS
40
(THREE) art fundamentals other than the elements and principles that every artist should understand and implement
FORMS
CONTENT
CONTEXT
41
used to describe the physical nature of the artwork.
* Is the surface feature of an artwork. It does not have anything to do with the art’s in-depth meaning.
FORM
42
It is what the artwork is
about. It contains the subject
matter that carriers the
message of the work.
* If form is the embodiment of
the work, (BLANK) is its
substance.
CONTENT
43
consists of all of the things about the artwork that might have influenced the artwork or the maker (artist) but which are not actually part of the artwork
CONTEXT
44
(THREE TYPES) of CONTEXT
- HISTORICAL CONTEXT
- ARTIST CONTEXT
- VIEWING CONTEXT
45
An organized approach to evaluating artwork
Art Criticism
46
The way visual elements are positioned in a work of art.
(principle of art)
COMPOSITION
47
- refers to difference between elements or subjects within a work of art.
- can used to create a focal point or area of interest in an artwork
(principle of art)
CONTRAST
48
refers to one area of a work of art that is visually heavier demanding more attention. (BLANK) is closely related to emphasis.
(principle of art)
DOMINANCE
49
refers to the artwork's visual attraction or beauty.
(principle of art)
AESTHETICS
50
visual objects or arrangements to represent an alternate meaning.
(principle of art)
SYMBOLISM
51
(BLANK) is not the reason, but it should be the
(BLANK) in the artwork.
Money AND message
52
(BLANK) is what you see that is depicted in the artwork.
subject matter
53
dictates every artist’s art-making process. It may be human figures, a combination of texture and color, or a figure made of found objects put together into a coherent whole.
STYLE
54
An artist’s growth in his/her way of working can be referred to as
“the evolution of style”.
55
This is a painting style where the artist applies paint in a manner that expresses emotions and feelings in a spontaneous way.
ABSTRACT EXPRESSIONISM
56
This style uses lines or images repeatedly to create an optical illusion
OPTICAL ART
57
This combines a variety of media and the
human body to execute an artistic theatrical expression before a live audience. This is different from theater as this does not follow a plot, and instead a main concept or theme, and is mostly spontaneous.
PERFORMANCE ART
58
This involves the artistic creation or manipulation of space such as landscape or architectural design that may enclose its audience. Earthworks, or works using natural objects like stones, leaves, trees, grass are included in this category.
Environmental Art
59
This emerged from female artists expressing their concerns through art. They tackle issues of identity, sexuality, gender roles, equality, and the ways which the female is treated in
society, among others.
Feminist Art
60
This style has a stripped-down, pre-fabricated look, free of details and often with flat surface, but expresses a specific content orstatement.
Minimalism
61
This consists of images that are recorded through a video and viewed through television, computer or projection screen
Video Art
62
This is a drawing, inscription or sketch done hastily on a wall or other surface made to be seen by the public.
Graffiti
63
This is an art form that uses the body as the medium or main material. The body can be
painted or clothed and used to perform an artistic act in public. Tattooing and piercing are also considered (BLANK)
Body Art
64
This is done with the aid of computer and computer programs to create an image or design. The image can be printed on paper, tarpaulin or other mediums
Digital art
65
An art form that involves the engagement of the viewer in a way that traditional forms of art typically do not. It is a form of art that encourages community participation in some way, shape, or form.
Interactive art
66
A (BLANK) in art world is the term for the material used to create artwork.
medium
67
The plural of medium is
MEDIA
68
One piece of art can be made of one medium or several media
Mixed Media
69
* water-based solution
* transparency and luminosity
* Fast-drying Medium
WATERCOLOR
70
newer than the paint types listed above. It only gained popularity in the 20th century. It is considered more versatile than either oil or watercolor paint, giving artists increased flexibility.
ACRYLIC
71
type of paint made from egg yolk. It has a
reputation for being easy to use, and
it has existed since ancient Greek times. The Italian Renaissance was also a fruitful time for tempera paintings
TEMPERA
72
Is the process of painting with pigments that re held together with a type of oil that dries when exposed to air called drying oil
OIL PAINTING
73
* Linocut
* Woodcut
* Etching
* Monoprint
What type of art is this?
Printmaking
74
Works speakers of community, personal experience
Alfredo and Isabel Aquilizan
75
strong historical and national themes
Brenda Fajardo Carry
76
Her works exhibited in more than 200 museums
Pacita Abad
77
Uses cartography and maps to reconfigure functional locations and create fictional assemblage.
Lory Rodriguez
78
One of the greatest Filipino visual artist and muralist
Carlos "Botong" Franciso
79
Prominent contemporary Filipino artists uses distinctive use of figurative expressionism.
Elmer Borlongan
80
He was a portraitist and painter of rural landscape. He is best known for his craftmanship and mastery in the use of light.
Fernando Amorsolo
81
Known for his complex layering of images and styles
Ronaldo Ventura
82
The National Artist Award is also known as
Pambansang Alagad ng Sining ng Pilipinas
83
The National Living Treasures Award is also known as
Gawad sa Manlilikha ng bayan
84
Known artist in Dance
Alice Reyes
85
known artist for theater
Amelia Lapena-Bonifacio
86
Prominent in the art scene in Philippines and Southeast Asia
Nunelucio Alvarado
87
Historical themed painting and believes in the power of art as medium of learning
Manuel Panares
88
Demand and muralist ad painting seascapes
Martino Abellana
89
Having envisions a contemporary exhibition that stages and unique of Negros and Panay.
Peter James Fantinalgo
90
The most productive composer of Samar songs and inspired him compose "in the work of an eye"
Jose Gomez
91
Uses vibrant and bold colors and makes use of indigenous Muslim motifs inspired by the okirs of the Maranao
Rameer Tawasil
92
Depicts the Lumads in his figurative paintings to raise awareness on the social injustices the narratives are experiencing
Mariano "Anoy" Amar Catague
93
Known for his innovative use of indigenous materials for his art, specifically for his tapestry paintings and bamboo stick paintings
Bert Monterona
94
Works are inspired by the rich culture and tradition of the Filipino Muslims
Saudi Ahmad
95
Known for his stylized depictions of the indigenous motifs such as the okir, sarimanok, and naga.
Abdulmari Asia Imao
96
One of the best kulintang players in school.
Amal Lumuntod
97
dedicated to promote culture and the arts, it is composed of students from the Mindanao State University
Kabpapagariya Ensemble Theater group
98
Was once part of Joey Ayala's band BagongLumad, endeavors to create music that not only promotes folk but also gives attention to social causes
Bayang Barrios
99
One of the successful composers and musicians that hails from Mindanao and is known to bring to mainstream
Joey Ayala
100
Composes his paintings using motifs from popular western inconography, religious symbols and history
Manuel Ocampo
101
He reconstructed Rizal House in Calamba, Laguna
Juan Nakpil
102
Republic Acts created the National Commission for Culture and the Arts (NCCA)
Republic Act No. 7365
103
The National Commission for Culture and the Arts
Formulate and implement policies and plans to conserve and promote nation's historical and cultural heritage
104
What subcommission in the NCAA is focused on Communicaton, Cultural Education, and Language and Translation
Subcommission on Cultural Dissemination (SCD)
105
Centered to Archives, Monuments, Sites, and Museums
Subcommission on Cultural Heritage (SCH)
106
Focused on Northern Cultural Communities, Central Cultural Communities, and Southern Cultural Communities
Subcommission on Cultural Communities and Traditional Arts (SCCTA)
