Composed Upon Westminster Bridge (September 3, 1802) Flashcards

1
Q

What literary device is used in the opening lines to emphasize beauty?

A

Hyperbolic Assertion: The declarative opening employs hyperbole to emphasize the unparalleled beauty of the scene. The phrase ‘not anything’ establishes an absolutist tone, reinforcing the poet’s awe.

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2
Q

How is ‘Earth’ personified in the poem?

A

‘Earth’ is personified as an active entity with agency, capable of revealing beauty.

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3
Q

What does the phrase ‘Dull would he be of soul’ imply?

A

Implicature: The subjunctive assumes that only an insensitive or spiritually lacking person could fail to appreciate the grandeur, functioning as an implicit rebuke to those indifferent to nature’s sublimity.

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4
Q

What literary devices are present in the lines describing the city?

A

Oxymoron and Simile: The juxtaposition of ‘touching’ with ‘majesty’ reflects the Romantic paradox, and the city ‘wearing’ its beauty ‘like a garment’ anthropomorphizes London.

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5
Q

What effect does asyndetic listing have in lines 5-6?

A

Asyndetic Listing: The omission of conjunctions creates a cumulative effect, emphasizing the vastness and variety of the cityscape.

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6
Q

What imagery is conveyed by ‘silent, bare’?

A

Imagery of Stillness: ‘Silent, bare’ conveys an almost ethereal tranquility, reinforcing the uniqueness of the moment.

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7
Q

What contrast is presented in lines 7-8?

A

Contrast: The openness of the city to the ‘fields’ and ‘sky’ contrasts with typical industrial perceptions, presenting the city in harmony with nature.

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8
Q

What significance does the term ‘smokeless’ have?

A

Lexical Choice: ‘Smokeless’ suggests an absence of industrial pollution, reinforcing the theme of temporary purity.

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9
Q

How is the sun depicted in lines 9-10?

A

Personification: The sun is depicted as actively ‘steeping’ the landscape in light, enhancing beauty.

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10
Q

What does the superlative structure in ‘Never did sun more beautifully steep’ indicate?

A

Superlative Structure: It amplifies the uniqueness of the moment, furthering the poem’s hyperbolic admiration.

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11
Q

What is the effect of parallel syntax in lines 11-12?

A

Parallel Syntax: The repetition of negation strengthens the intensity of Wordsworth’s personal experience, giving it spontaneity and genuine awe.

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12
Q

How is the river characterized in the poem?

A

Anthropomorphism: The river is attributed autonomy with ‘his own sweet will,’ reinforcing Romantic notions of nature’s independence.

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13
Q

What does the interjection ‘Dear God!’ signify?

A

Interjection: It introduces a moment of spiritual transcendence, suggesting that the sight provokes admiration and reverence.

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14
Q

How are the houses described in lines 13-14?

A

Personification: The ‘houses’ are depicted as ‘asleep,’ reinforcing the theme of peaceful stillness.

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15
Q

What do ‘mighty heart’ and its implications represent?

A

Synecdoche & Metaphor: ‘Mighty heart’ stands for London as a whole, portraying it as a powerful but currently dormant force.

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16
Q

What political context influenced Wordsworth’s poem written in 1802?

A

The poem was influenced by the Napoleonic Wars and the signing of the Treaty of Amiens, marking a temporary peace between Britain and France.

17
Q

How did Wordsworth’s view of the French Revolution change by 1802?

A

He became disillusioned with the violence and authoritarianism of Napoleon’s rule.

18
Q

What is Wordsworth’s unusual perspective on London in this poem?

A

He presents a positive view of London, describing it as calm, majestic, and harmonious, particularly when it is still asleep.

19
Q

What economic transformation was occurring in London during the early 19th century?

A

London was rapidly transforming into an economic powerhouse due to the Industrial Revolution, with expanding factories and flourishing trade.

20
Q

How does Wordsworth describe the River Thames in his poem?

A

He depicts the Thames as gliding at his own sweet will, reflecting his Romantic ideals of beauty in nature rather than in commerce.

21
Q

What social disparities existed in London during the early 19th century?

A

There was significant economic disparity, with the upper classes prospering while the working class faced harsh living conditions.

22
Q

What spiritual themes are present in Wordsworth’s poem?

A

The poem conveys a sense of spiritual awe and reverence for nature, aligning with Romantic beliefs about nature as a divine force.

23
Q

How does Wordsworth’s view of religion manifest in his poem?

A

He critiques institutionalized religion, focusing instead on personal spiritual experiences found in nature’s beauty.

24
Q

What is the significance of London in the context of Britain during Wordsworth’s time?

A

London was the political, economic, and cultural center of Britain, and Wordsworth admires its grandeur in a moment of quiet.

25
Q

How does the poem critique urban life?

A

It captures a rare moment of silence in London, contrasting with the usual crowded and polluted conditions, suggesting a fleeting natural beauty.

26
Q

What individualistic perspective does Wordsworth present in his poem?

A

The poem reflects Wordsworth’s personal response to the scene, emphasizing individual emotions and subjective experiences.

27
Q

What shift occurs in Wordsworth’s perspective regarding urbanization?

A

He expresses a rare appreciation for the city in a moment of stillness, suggesting beauty can be found anywhere.

28
Q

How did Dorothy Wordsworth influence the poem?

A

Her journal describes the same scene, emphasizing stillness and purity, which likely influenced the tone and imagery of Wordsworth’s poem.

29
Q

What literary movement does the poem exemplify?

A

The poem is a prime example of Romantic poetry, emphasizing emotion, individual experience, and the sublime beauty of nature.

30
Q

What is the structure of the poem?

A

It follows the Petrarchan sonnet form with an octave and a sestet, contrasting structured form with spontaneous emotional tone.

31
Q

What imagery techniques does Wordsworth use in the poem?

A

He employs personification, describing the city as wearing ‘the beauty of the morning,’ and emphasizes light imagery to highlight nature’s spiritual power.